An anonymous reader writes "I was looking at multimedia players from brands such as SumVision, Noontec and Western Digital. They all seem to be some device which accepts a USB hard-drive and commands from an IR remote control, and throws the result over HDMI. I have my own idea of what a hardware multimedia player should do (e.g. a personalized library screen for episodes, movies and documentaries; resume play; loudness control; etc.). I also think it will a good programming adventure because I will have to make the player compatible with more than a few popular codecs. Is this an FPGA arena? Or a mini-linux tv-box? Any advice, books or starting point to suggest?" There certainly have been a lot of products and projects in this domain over the years, but what's the best place to start in the year 2012?

New submitter BBCS writes "The National Copyright Administration of the People's Republic of China ('NCAC') is seeking public comments on a controversial draft amendment to China's copyright law. A number of recording artists and musicians have reacted strongly against this proposed amendment because it appears to encourage using others works without compensation. The amendments that have drawn particular ire are article 46 & 48. Per Article 46, one does not need consent to make recordings of another person's musical work if 3 months have passed since such work was published. Per Article 48, to use such person's musical work, one must contact the NCAC, identify the published material and its author, and within 1 month of use, submit a usage fee as per the NCAC, to facilitate the distribution of payment to applicable parties. I wonder what happens when someone applies to make use of Chinese Democracy by Guns N' Roses." What would you do, if copyright were so strongly time-limited?

Fluffeh writes "Richard Bell, an Australian Film Maker, on a fellowship in New York, produced and directed approximately 18 hours of raw footage for a film with the help of an assistant called Tanya Steele and paid her for these services. Ms Steele, through her American lawyers, sent letters to Mr Bell and his agent claiming that she owned the copyright in the footage and demanding that the trailer be removed from the Internet. She also caused the Vimeo website to remove the trailer. In response, Bell went to the (Australian) courts, which declared him the owner of the copyright in the film, and deemed Steele's threats "unjustifiable". Bell then asked for damages. These were granted in the latest judgment because Bell had lost the opportunity to sell some of his works, which typically cost tens of thousands of dollars, as a result of Steels' threats. The Australian judge awarded over $150,000 in damages plus another $23,000 costs against her."

silentbrad writes with an excerpt from the Financial Post: "BCE Inc., Rogers Communications Inc., and Shaw Communications Inc. which together control two-thirds of the $8.3-billion broadcast distribution market, are lobbying against the so-called 'a la carte' model that would allow customers to pick and pay for individual networks, arguing the change would have disastrous consequences for programmers, such as Bell Media and Shaw Media. 'A regulation requiring that all programming services must be made available to consumers on a stand-alone basis would have far-reaching ramifications,' BCE, whose Bell owns 30 specialty networks, said in a submission to the Canadian Radio-television and Telecommunications Commission. 'Undoubtedly, a market shake-out, causing many specialty services to exit, would ensue.' The three big players, led by BCE, have told the CRTC they support the status quo of 'tied selling,' or the practice of grouping weaker-performing networks in with a popular channels, versus a new approach to sell channels individually. ... In the race for subscription dollars, rates for TV services across providers have risen sharply over the last decade as the number of specialty channels, each commanding its own fee, has soared. Net costs to subscribers climbed another 2.6% in 2011, while average bills now hover around $60 a month."

redletterdave writes "While the movie and music industries would have you think that torrents are a threat to their business, thousands of independent artists heartily disagree. That's why more than 5,000 musicians, actors, writers, filmmakers and artists have signed up to be promoted by The Pirate Bay, the world's largest torrent site. Earlier this year, following the seizures of many popular file-sharing domains like MegaUpload, The Pirate Bay introduced a new promotion platform for artists called 'The Promo Bay,' which let independent artists reach tens of millions of people by offering favorable advertising spots on the The Pirate Bay's homepage. The response to The Pirate Bay's promotion platform has been overwhelming: the company announced on Thursday that it has already received more than 5,000 applications, and has managed to be a quality platform for driving significant interest to independent artists."

asavin writes "The founder of Marshall Amplification, Jim Marshall OBE, has died at the age of 88. A tribute to the man known as the Father of Loud was posted on his official website, praising the man whose name became iconic for electric guitarists." Reader LizardKing points to the Guardian's coverage of Marshall's passing, and adds : "A former drummer, Jim Marshall initially became involved with guitar amplification as an importer of Fender equipment, until he eventually decided to branch out and make his own amps. The trademark Marshall sound evolved alongside the requirements of such luminaries as Pete Townshend and Eric Clapton. The Marshall stack has since become a ubiquitous symbol of live rock music in particular — so much so that some bands perform in front of veritable walls of Marshall branded speakers. In addition to his lead guitar amplifiers, Jim will also be remembered for his great bass amps (as used by Lemmy Kilmister in particular) and the much sought after Guv'nor distortion pedal."

suraj.sun writes "Netflix and Hulu are convincing millions of cable, satellite and telco subscribers to cut the cord and dive into video streaming. That's the conclusion of a new report released this week by the Convergence Consulting Group, which finds that 2.65 million Americans canceled TV subscriptions between 2008-2011 in favor of lower-cost internet subscription services or video platforms. Though Convergence co-founder Brahm Eiley projects that the number of people opting out of TV subscription services will begin to slow in 2012 and 2013. Part of the problem, Eiley argues, may be the rising price tag for streaming rights to programming which could cause fiscal fits for Netflix."

redletterdave writes about more movies being made available on Youtube's rental service. From the article: "Google announced a new deal with Paramount Pictures on Tuesday, which will make more than 500 movie titles available for rental on YouTube and the new Google Play platform. The deal was made even though Google is still embroiled in a four-year-old legal battle over copyrights with Paramount's parent company, Viacom. The latest deal means Google has rental deals with five of the six major Hollywood studios, including Paramount, Warner Bros., Disney, Universal Pictures, and Sony Pictures. The lone exception is 20th Century Fox, which is owned by Rupert Murdoch's News Corp. Google will only make these titles available for rent; the search giant has not yet made a decision to sell any movies it licenses, despite pressure from major Hollywood studios looking to compensate for poor DVD sales."

New submitter Hentes writes "France has one of the strictest anti-piracy laws. After 17 months of operation, Hadopi has released a report, claiming that illegal P2P downloads have been reduced significantly in the country: the studies they cite measured 43% and 66% decrease in copyright infringement. But that huge amount of 'lost revenue' doesn't seem to show up in the French recording industry, as the overall recorded music market has decreased by 3.9% in 2011. Even more interesting is that digital music sales have skyrocketed in France. Could it be that it's not piracy killing the traditional recording industry but digital distribution?"

An anonymous reader writes "Variety is reporting that Ashton Kutcher – who you likely recognize from That 70s Show, Punked, and Two and a Half Men – has been tapped to play Apple co-founder Steve Jobs in an indie film titled 'Jobs', based on a script from Matt Whiteley. The film will chronicle Steve Jobs from wayward hippie to co-founder of Apple, where he became one of the most revered creative entrepreneurs of our time."

New submitter reovirus1 writes "Mike Smith, the character Bubbles on the Canadian TV show Trailer Park Boys, is leading the Race for Space contest that will send one lucky reader into space. 'Throughout the series, Bubbles often talks about his love for space and his lifelong desire to become a spaceman someday, but his poor eyesight has always prevented him from even owning a driver's license. It's a fictional show obviously, but Bubble's desire to go to space on the show was actually born out of my love of space and rocketry. It has been a hobby of mine since I was 5 years old. If I win this chance to go to space, I intend to shoot a documentary of the entire process leading up to the flight, in hopes of inspiring a new generation of young people to become involved in space exploration,' he writes."

lightbox32 writes "Samsung has finally responded to an article recently published by HD Guru titled 'Is your TV watching you?' [See this related Slashdot post] which discussed the fact that new features in Samsung's top 2012 models — including built-in microphones, HDTV camera, wireless and wired Internet connection, built-in browser with voice to text conversion, face recognition and more — could be used to collect unprecedented personal information and invade our privacy. Samsung has now provided their privacy policy, which may or may not lay the issue to rest." I vote for "not" — conspiracy theories about mandatory (or just secret) surveillance equipment in consumer electronics is just too persistent, even when the technical capabilities turn out to be a hoax; when the equipment is actually all in place and the user is protected only by a corporate honor policy, it's hard to be sanguine. (I recall there was a much rumored secret capability for law enforcement agencies to secretly and remotely turn on the internal microphones in PCs meeting the PC 97 spec, and this was an integral part of the plan. Since the government insists that telecom equipment have built-in backdoors, why should that sound all that crazy?)

kodiaktau writes "An interesting article from the BBC News Magazine explores the reasons why most fantasy worlds use British as their primary accent. Citing specific examples from recent and upcoming shows and movies like Lord of The Rings, The Hobbit and Game of Thrones, the article concludes British accents are 'sufficiently exotic,' 'comprehensible' and have a 'splash of otherness.' It would be odd to think of a fantasy world having a New Jersey accent, or even a Mid-West accent, which tends to be the default for TV and movies in the U.S., but how do UK viewers feel about having British as a default? More specifically, what about the range of UK accents, like Scottish, Welsh, Cockney? The International Dialects of English Archive shows at least nine regional sounds, with dozens of sub-regional pronunciations in England alone. In the U.S., there have always been many regional accents that might be used in interesting ways. Filmmakers should consider looking at speech accents from other areas of the world to create more interesting dialects."

McGruber writes "The NY Times ('Cookies Set to Cleared, Captain!') is reporting that CBS is blocking fan-generated internet series 'Star Trek New Voyages: Phase II' from making an episode using an unproduced script from the original series. In a statement, CBS said, 'We fully appreciate and respect the passion and creativity of the "Star Trek" fan and creative communities. This is simply a case of protecting our copyrighted material and the situation has been amicably resolved.'" The original writer of the episode, sci-fi author Norman Spinrad, was enthusiastic about the production, and planned to direct it himself.

Fluffeh writes with a piece of good news on the privacy front: "Two rulings in related cases this week have dealt a serious blow to the plaintiffs and their dodgy legal strategy. Ordinarily, copyright law is handled by the federal courts, but Florida plaintiffs have begun using an obscure provision of state law called a 'pure bill of discovery' to attempt to force ISPs to reveal the identity of suspected file-sharers. The rulings, one on Monday and one on Wednesday, saw two different judges siding with the objecting ISPs. 'These back-to-back rulings against the plaintiffs suggest that they're likely to lose any time ISPs raise objections to fishing expeditions against their customers.'"

New submitter SchroedingersCat writes "New York educators banned references to 'dinosaurs,' 'birthdays,' 'Halloween' and dozens of other topics on city-issued tests. That is because they fear such topics 'could evoke unpleasant emotions in the students.' Dinosaurs, for example, call to mind evolution, which might upset fundamentalists; birthdays are not celebrated by Jehovah's Witnesses; and Halloween suggests paganism. Homes with swimming pools and home computers are also unmentionables — because of economic sensitivities. The city asks test companies to exclude 'creatures from outer space' as well — for unspecified reasons."

New submitter Volanin writes "The e-book versions of the Harry Potter series are being released through Pottermore, and J.K. Rowling has chosen to do a number of interesting things with them, including releasing them without DRM restrictions. 'One of the encouraging things about the Pottermore launch is that the books will be available on virtually every platform simultaneously, including the Sony Reader, the Nook, the Kindle and Google's e-book service. ... even Amazon has bowed to the power of the series and done what would previously have seemed unthinkable: it sends users who come to the titles on Amazon to Pottermore to finish the transaction.'"

tekgoblin writes something not quite worth rejoicing over. From the article: "Comcast Internet subscribers can rejoice. Comcast has recently announced that they will not be counting content streamed via their Comcast Xfinity App on the Xbox 360 against their bandwidth caps. Comcast claims that since the data is only traversing their internal Comcast network that it will not count towards your 250 GB limit a month." Comcast is claiming this does not violate net neutrality laws (and it very well may not); a number of folks are not very happy about it. I've always been perplexed by the large media interests of most U.S. last-mile providers.

Fluffeh writes "In a recent story that is beating around the nets, Kim Dotcom has fired back at studios with emails that make for some interesting reading: 'A Disney executive e-mailed Megaupload in 2008. He said he was interested in having Megaupload host Disney content, but said he would need Megaupload to tweak its terms of service to make it clear Disney retained ownership of files uploaded to the site. He sent Megaupload a proposed alternative to the standard Megaupload TOS. Fox emailed "Please let me know if you have some time to chat this week about how we can work together to better monetize your inventory," in an attempt to promote their newly launched ad network. And finally, this gem: a Warner Brothers executive e-mailed Megaupload seeking to expedite the process of uploading Warner content to Megaupload. "I would like to know if your site can take a Media RSS feed for our syndications," he wrote. "We would like to upload our content all at once instead of one video at a time."' Pot calling the kettle black anyone?" Torrentfreak is running the full interview with Kim Dotcom.

Presto Vivace writes "Neil Chenoweth, of the Australian Financial Review, reports that the BBC program Panorama is making new allegations against News Corp of serious misconduct. This time it involves the NDS division of News Corp, which makes conditional access cards for pay TV. It seems that NDS also ran a sabotage operation, hiring pirates to crack the cards of rival companies and posting the code on The House of Ill Compute (thoic.com), a web site hosted by NDS. 'ITV Digital collapsed in March 2002 with losses of more than £1 billion, overwhelmed by mass piracy, as well as technical restrictions and expensive sports contracts. Its collapse left Murdoch-controlled BSkyB the dominant pay TV provider in the UK.' Chenoweth reports that James Murdoch has been an advocate for tougher penalties for pirates, 'These are property rights, these are basic property rights,' he said. 'There is no difference from going into a store and stealing a packet of Pringles or a handbag, and stealing something online. Right?'"