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Peter Jackson Will Not Be Making The Hobbit

Posted by Hemos on Mon Nov 20, 2006 09:35 AM
from the a-sad-day dept.
An anonymous reader writes "Due to legal wranglings with New Line Cinema over accounting issues for Lord Of The Rings, Peter Jackson and Fran Walsh will not be involved in the making of either The Hobbit or the planned Lord of the Rings prequel." I suppose there is still a chance that Jackson & Co. could end up involved, but at this point that looks unlikely.
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[+] News: Peter Jackson Unlikely To Direct a Hobbit Film 298 comments
Petersko writes to mention a CNN article about an escalation between Peter Jackson and New Line that likely means we'll never see a Jackson-helmed "Hobbit" film. It already looked grim, but I'd say this is the nail in the coffin. From the article: "In an interview with the Sci Fi Channel news service Sci Fi Wire, [New Line co-chairman Bob] Shaye said Jackson will never make another movie for the studio and said the filmmaker just wants more money. 'I don't care about Peter Jackson anymore,' Shaye said. 'He wants to have another $100 million or $50 million, whatever he's suing us for. He doesn't want to sit down and talk about it. He thinks that we owe him something after we've paid him over a quarter of a billion dollars. ... Cheers, Peter.'"
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DrJimbo writes "Just in time for the 70th Anniversary of the Hobbit (published September 21, 1937) Entertainment Weekly has a 5-page article on a possible reconciliation between Peter Jackson and New Line Cinema that may pave the way for the director of the Lord of the Rings trilogy to return and helm the filming of The Hobbit. It was previously reported here that Jackson would not be making the Hobbit film. The EW article says that Jackson wants to make two films: first the Hobbit in its entirety and then another film that bridges the roughly 60 years between the end of the Hobbit and the start of the Lord of the Rings. Unfortunately Jackson already has a lot on his plate with filming of The Lovely Bones scheduled to start this month and a live action Tintin film in the works."
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jagermeister101 tips us to news that Peter Jackson and the Lord of the Rings production team have officially selected Guillermo del Toro to direct the upcoming Hobbit film and its sequel. del Toro's resume includes films such as Pan's Labyrinth, Hellboy, and Blade 2. This confirms rumors which began after the controversy between Jackson and New Line Cinemas was resolved last year.
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  • prequel? (Score:3, Insightful)

    by SeaPig (649774) <jeremiah0@gmail.com> on Monday November 20 2006, @09:38AM (#16914138)
    I am confused - The Hobbit is the LOTR prequel - Are they doing two prequels?
    • Re:prequel? (Score:5, Informative)

      by spellraiser (764337) on Monday November 20 2006, @09:43AM (#16914232) Journal

      Apparently they are [moviehole.net].

      Peter Jackson says:

      Several years ago, Mark Ordesky told us that New Line have rights to make not just The Hobbit but a second "LOTR prequel", covering the events leading up to those depicted in LOTR.
    • Re:prequel? (Score:5, Informative)

      by Delirium Tremens (214596) on Monday November 20 2006, @09:48AM (#16914326) Journal
      I am confused - The Hobbit is the LOTR prequel - Are they doing two prequels?
      The 5 Silmarillion [wikipedia.org] books come to mind.
      • Re: (Score:3, Interesting)

        Funnily enough I was thinking that too. I don't know if I want to read them any time soon though, apparently they're very heavy going compared to LOTR (and I got bored 20 pages from the end of LOTR book 2, that Tolkien fellow needs to cut back on his descriptions of geography). The Hobbit was an excellent book though. Second time I read it (must have been when I was 9 I went through it in a day.. no idea how old I was the first time..
            • Re:prequel? (Score:4, Interesting)

              by Mr. Shiny And New (525071) on Monday November 20 2006, @11:54AM (#16916516) Homepage Journal
              Actually, I think when he wrote The Hobbit JRRT "didn't realize" that it was set in the same world as his other stories. The original version of The Hobbit had Bilbo win the Ring from Gollum (See Wikipedia [wikipedia.org]). Later on, as he was writing LOTR, he went back and revised The Hobbit to make it consistent with the rest of the universe. This explains why the terminology in The Hobbit is different (The orcs are referred to as Goblins, etc) and the other inconsistencies.
  • First reaction... (Score:4, Interesting)

    by Randolpho (628485) on Monday November 20 2006, @09:41AM (#16914194) Homepage Journal
    .... WTF? What do you mean "The Hobbit or the planned Lord of the Rings prequel"? Aren't the two the same thing? Or is this an allusion to The Silmarillion? Alas, the article is slashed, so I can't find out!!!
      • Re:First reaction... (Score:5, Interesting)

        by Woldry (928749) on Monday November 20 2006, @12:10PM (#16916764) Journal
        You know, I've never understood all the Silmarillion-bashing. Call me a drooling fanboy, but I enjoyed the Silmarillion far more than the Hobbit, and about as much as LOTR. Tolkien captured the feel and pace of the medieval literature he studied and loved all his life. If you are at all familiar with the Norse sagas, or with a lot of the original Arthurian literature (as opposed to the pap novels put out in the past 50 years), or with Spenser and Chaucer and Beowulf and Sturluson, The Silmarillion conveys their flavor with remarkable authenticity, and adds some theological, philosophical and moral depth. Reading some of Tolkien's predecessors in fantasy (E. R. Eddison, George Macdonald, William Morris, even H. Rider Haggard to some degree), you can also see where he learned some of his stylistic habits; Morris's style is echoed especially. The style is archaic, certainly, and that could make it difficult for a modern reader, but that is not a flaw per se. It's an aesthetic choice that has its own cadences and beauties.

        Attempting to read the work as a modern novel will not serve the reader well. If people go into it expecting a genre fantasy novel, they are bound to be disappointed. But it is a tremendous and unique accomplishment in fantasy. Read it with an eye to its place in the fantastic tradition, and with an understanding that you are not reading a novel, but a chronological and cosmological saga (in the old, strict literary sense, not the back-of-the-paperback-blurb sense), and its power and creativity are breathtaking.
  • MGM be warned : (Score:3, Insightful)

    by unity100 (970058) on Monday November 20 2006, @09:42AM (#16914218) Homepage Journal
    Lack of Jackson in hobbit will cost more than the gain you will make wrangling over the accounting issues.
  • by rkhalloran (136467) on Monday November 20 2006, @09:43AM (#16914234) Homepage
    After I RTFA, it looks like they're trying to spank Jackson for calling them on their accounting practices. He wouldn't settle on their terms, so "his services will not be needed".

    The guy made them a bleepin' 10^9 bucks with the trilogy, and they assume they can slot in any schmoe that can aim a camera? And I suppose they're too damn cheap to go back to WETA Digital for the FX too, they'll get some folks from over at Sci-Fi Channel and it'll be just fine.

    At this point we can only hope the project collapses from being nickle-and-dimed to extinction.
    • And I suppose they're too damn cheap to go back to WETA Digital for the FX too, they'll get some folks from over at Sci-Fi Channel and it'll be just fine.
      I vote for the MST3K team!!! Just imagine...
    • by Lumpy (12016) on Monday November 20 2006, @10:10AM (#16914672) Homepage
      The guy made them a bleepin' 10^9 bucks with the trilogy, and they assume they can slot in any schmoe that can aim a camera?

      Yes they do and yes they can.

      There are 60,000 wannabe directors out there and with the DP and production staff from the original filming it would not be too hard. Hollywierd is known for butchering and making a mess of things.

      Hollywood is known for borderline illegal accounting practices, NO move has ever made a profit, so if you get net points on a film you are royally "fubared" you want gross points as those are the real pay dollars..... dont believe me? ask Stan Lee about the profits he recieved from his Net points on the Spiderman movies and the lawsuits he has going against the studio about it...

      There is a long tradition of making up expenses to suck up all profits a film m akes.
    • Re: (Score:3, Informative)

      To be fair, according to TFA, it is Peter Jackson who has committed himself to not enter a relationship about The Hobbit until the lawsuit is resolved. As resolving the lawsuit to PJ's satisfaction would probably require changing the voodoo accounting practices so prevalent in the industry, effecting their bottom line forever, New Line is right to take it seriously. In an industry where Forest Gump grossed about 700 million dollars yet "didn't make any money", any challenge to crooked accounting practices
    • LOTR will remain popular as a rental with future generations, will remain at the head of Peter Jackson's CV, and will be the movie that inspires many big-screen TV purchses for years to come.

      The Hobbit and The Sillymarilly--Silamarilia--The Three Rocks will go straight to DVD, will not make a name for the director, possibly the same one responsible for such cinematic triumphs as "Rob Schneider Doo-pa Doo-pa Doo", and will be responsible for many Blockbuster membership cancellations because "they just don'

  • by Phoenix666 (184391) on Monday November 20 2006, @09:51AM (#16914374)
    Peter Jackson has amply demonstrated that his skills match up to Tolkien's complexity. There were others who tried LOTR and the Hobbit before, and made a mess of it. So if Peter Jackson is not involved with the Hobbit or a LOTR prequel, then Newline should save its money because I'm just not interested.
    • Re: (Score:3, Insightful)

      Peter Jackson has amply demonstrated that his skills match up to Tolkien's complexity.

      Really? My impression from most Tolkien fans is that they felt that PJ did an OK job given the limitations of what he had to work with (screen time mostly) but I have yet to find a single Tolkien fan who said he did an excellent job at capturing Tolkien's over all vision. I find a few Tolkien fans who are downright pissed with how badly ROTK came off compared to Tolkien's original work. (I'm one of them to be honest with
      • by 10Ghz (453478) on Monday November 20 2006, @10:23AM (#16914892)
        "I have yet to find a single Tolkien fan who said he did an excellent job at capturing Tolkien's over all vision."

        I'm a Tolkien fan. I was even a card-carrying member of the Tolkien Club of Finland back in the day. I have read LOTR maybe 15 times (lost count to be honest), Hobbit maybe 6-7 times, Silmarillion 3-4 times and miscellaneous other book few times. And I think that PJ did very good job capturing the overall feel of the book, especially when we take in to account the differences in the medium.

        And I'm GLAD that he dropped Bombadil from the movie. While it works in the book, it would SUCK in the movie. Half the audience would walk out thinking "whats with the hopping and dancing dude?". Back when I first heard of the upcoming movie, my first thought was "whoa, this is great!". My second though was "um, how are they going to handle Bombadil?".

        "I find a few Tolkien fans who are downright pissed with how badly ROTK came off compared to Tolkien's original work. (I'm one of them to be honest with you)"

        maybe they should do their own movie then. They could waste all their time on pointless things, and the end-result would absolutely suck. PJ set out to create a good MOVIE. What many of those hardcore Tolkien fans (hell, I consider myself to be a hardcore fan, yet I can acknowledge the challenges PJ faced when making the movie) want is something that might be more faithful to the book, but would suck as a movie.
  • by Timesprout (579035) on Monday November 20 2006, @09:52AM (#16914392)
    Gandalf the brown (named because of his cloak) will guide young Baggins in the way of the Foot in his quest against the evil dragon master. Along the way Bilbo becomes an expert at fighting with light staffs. Gollum is going to become very ashmatic and have a penchant for black outfits with funny helmets. The 13 dwarves, or dwarf army as they will be referred to dont really feature.
  • The Silmarillion? (Score:3, Interesting)

    by Upaut (670171) on Monday November 20 2006, @09:57AM (#16914474) Homepage Journal
    Man I hope they don't try to tackle that one... Its not a novel, but a book of history. To cover it properly one needs a three week mini-series run on the history channel. (Please? With sugar on top? I put up with a week of fictional bible history, give me my Tolkein...)
  • by krell (896769) on Monday November 20 2006, @09:59AM (#16914522) Journal
    Now nothing stands in the way of the ideal Hollywood version, with Paris Hilton as Galadriel, Ben Affleck as Gandalf, Jack Black as Sam Gamgee, and Keanu Reeve as Frodo ("The ring... Whoa!")
  • How about no? (Score:3, Interesting)

    by CharAznable (702598) on Monday November 20 2006, @10:13AM (#16914726)
    How about not making the Hobbit at all? I loved the Lord Of The Rings movies, but for all the good in them, they ruined the books forever for me. When I read them now, I can't help but imagine Frodo being Elijah Wood and Gandalf being Ian McKellen. Every picture that had been formed in my mind by reading the books has been wiped over and replaced with Peter Jackson's vision, and that sucks.
    • How about not making the Hobbit at all?

      Ha ha, dream on. You're going to get Hobbit Returns, The Hobbit's Revenge, and Hobbit Resurrection.

      Sam is also going to get his own spinoff movie, Samwise (the Legend of Sam Gamgee). They'll also make Gandalf in Love.

      And then, and then, just to piss everyone off and make some more money, they're going to hire a bunch of unemployed crap writers to produce a novelization of each of these movies, regardless of whether each film is already based on a Tolkien work or not. J
  • by UnknowingFool (672806) on Monday November 20 2006, @10:14AM (#16914750)

    I'm shocked! Shocked I tell you. I mean who ever heard of a movie studio cheating someone out of their money? Really, it goes to show you, it doesn't matter who you are, the movie studio will try anything to keep their money.

    Like the RIAA's accounting, movie studio accounting is even more devious. Whenever someone tries to get paid a "part of the profits" for which they deserve, the studios always pull the "but according to our estimates, we didn't make money on that film." That's why there will never be a Forrest Gump sequel. The author, Winston Groom, was supposed to get a part of the profits. But according to Paramount, Forrest Gump didn't make any profits despite its $600+ million in sales. So he refuses to let the sequel become a movie.

    Another example is the dispute between Art Buchwald and Paramount. [wikipedia.org] Buchwald pitched a script to Paramount about a movie in which Eddie Murphy playing an African king comes to America to look for a bride. After some development with director John Landis, it was abandoned. Paramount later produced a movie called Coming to America about an African prince played by Eddie Murphy that comes to America to find a bride. John Landis directed the movie. But according to Paramount, they were different movies completely. When Buchwald won his lawsuit, Paramount then argued the movie that though it had $350 million in sales, it made no profit according to their accounting. The court found their accounting "unconscionable". Rather than have the court delve into their accounting practices in detail, Paramount settled.

  • by tezza (539307) on Monday November 20 2006, @10:37AM (#16915114)
    Lord of the Rings was great. But Return of the King was a little too long. If they'd cut out some of the ending, they could have put more content in elsewhere [Tom Bomadil at the start, Sacking of Hobbiton by Saruman at end].

    And King Kong was unwatchably, laughably bad.

    Is a Director judged on their latter movies? Because if they are, I wouldn't want Jackson to do The Hobbit.
    • by Rob T Firefly (844560) on Monday November 20 2006, @09:42AM (#16914196) Homepage Journal
      Next up: Jim Henson's Hobbit Babies.
    • Re: (Score:3, Insightful)

      Given the size of the book it was inveitable he'd have to emit large chunks of it to fit it into any reasonble time. As it was its , what , 9 hours for all 3 films? Personally I think it was a mistake to miss out the Tom Bombadil section in Fellowship but I guess if he'd left that in he'd have had to have cut out something else perhaps more crucial to the story. Who knows.
      • by famebait (450028) on Monday November 20 2006, @10:21AM (#16914852)
        Given the size of the book it was inveitable he'd have to emit large chunks of it

        Sorry, I don't mean to be a spelling nazi, but I just can't get over the mental image of Peter Jackson emitting large chunks of books. My day is ruined.
            • by ronanbear (924575) on Monday November 20 2006, @11:49AM (#16916410)
              I couldn't agree more. The scouring of the Shire was one of the most important things in the book. In the classical tradition of epic the journey home is an essential part. In the Odyssey and the Aeneid the troubles experienced by the heroes on their arrival are very important parts of the story.

              I was most disappointed that the scouring wasn't even in the extended edition because it has been hinted at in the Two Towers. Instead we were left with a derivative Hollywood ending with 1/2 hour of hugging.

              The whole point of the scouring is that Frodo isn't regarded as a hero in the Shire even though he saved Middle Earth. The hobbits had their own problems and weren't interested in hearing about difficult to understand adventures on the other side of the world. Merry and Pippin fought in a war though and when they came back they saved the Shire.

              It's removing the ending which was the point to the story in the first place. It's what completes the explanation of hobbits as characters.
    • I was just re-reading bits of William Goldman's "Which Lie Did I Tell?", and there's a particularly interesting section, dealing with adaptations. And one of the first things he talks about is that, when adapting, you can't keep everything, sometimes, you barely keep anything, the trick being to, as he says, keep the "spine" of the story and reject anything that won't work on the screen, because books and movies ARE TWO DIFFERENT FUCKING MEDIUMS.

      I, too have loved the LOTR books since I was a kid, and I too would have loved to have seen Bombadil in the movies, etc., but, let's be honest: Jackson & Co. made an absolutely amazing film trilogy, by ANY standard you care to measure, so can we fucking end shit like "hideous mess" already? It's not true, you know it's not true, so please just fucking leave it, alright? It makes you sound like you live in your mom's basement, and just annoys the rest of us.
      • Re:Peter Jackson (Score:4, Insightful)

        by Andrew Nagy (985144) on Monday November 20 2006, @10:34AM (#16915078) Homepage Journal
        Great, you have an opinion. I'm glad. Unfortunately, it's only that, so quit trying to force an objective standard on a subjective medium. If you enjoyed the LOTR movies, we're all happy for you. Some of us didn't. Some of us are of the opinion that Jackson changed the spine of the story when he changed characters, i.e. Faramir (shows his quality by taking the ring to Osgiliath, yeah right), Theoden (let's make him a pansy so Aragorn looks better), and even Frodo (in Return of the King he never distrusts Sam).

        Some of us are of the opinion that the first movie was actually great and Tom Bombadil did need to be cut out. Some of us enjoyed parts of the movies, but overall were upset by the changes we thought were unneccessary.

        But in any case, it's our opinion, you have yours, and there's no need to use uncivilized language.
      • Bullshit (Score:4, Insightful)

        by Weaselmancer (533834) on Monday November 20 2006, @10:43AM (#16915204)

        ...as he says, keep the "spine" of the story and reject anything that won't work on the screen, because books and movies ARE TWO DIFFERENT FUCKING MEDIUMS.

        Sorry, my friend. But you are 100% wrong here.

        The story is the story. And that's that. JRR wrote it in a particular way to tell a particular story. If you make changes, you change the story. It is no longer JRR Tolkien's Lord of the Rings. It becomes Peter Jackson's Lord of the Rings - a different story.

        Omissions, like Bombadil, I can excuse. It's not a change per se, it's an omission. In your mind's eye you can still imagine that they met Tom, they just didn't have enough time to show you the meeting. But the changes. Inexcusable.

        If you'd like an example of why people get so torqued over this, consider Frodo. His relationship with Sam and with Gollum as they traveled. In the books it was Frodo, his trusted servant Sam, and Gollum whom he never really trusted. "His promise will hold him for a bit, Sam". That kind of a thing.

        But making Frodo take the word of Gollum over that of Sam when they were at Minas Morgul? Exactly *how* does that help convey JRR's ideas better because it's on film???

        Short answer is - it does not. It is a change that Peter Jackson thought would be better than the original story, or make for more exciting film, or whatever. And no offense PJ if you're reading this - but I seriously doubt you're a better story teller than the Old Professor.

        Omit things due to time, fine. Add a few cute scenes that don't change the story (like the wagon ride with Frodo and Gandalf at the beginning of Fellowship) - fine.

        Make a change because you think you're a better storyteller than JRR - no way. If you think you're a better storyteller then write your own damn stories and make movies of those.

        • Re:Bullshit (Score:5, Insightful)

          by Coryoth (254751) on Monday November 20 2006, @10:57AM (#16915490) Homepage Journal
          But making Frodo take the word of Gollum over that of Sam when they were at Minas Morgul? Exactly *how* does that help convey JRR's ideas better because it's on film?

          My guess is that the issue here is with the portrayal of how the ring is eating away at Frodo's mind. In a book you can simply state it, and present internal dialogue - on film it needs to be visually portrayed in a way that makes it adequately clear to the audience exactly how deep an effect it is having. Whether having Frodo become so jealously protective of the ring that he'll betray Sam was necessary to do that, it certainly did help achieve the desired effect. Whether it was the right thing to do I can't say (film is subjective - it seemed okay to me, clearly not so to you) but certainly I can say that it was done with reason.
        • Re:Bullshit (Score:5, Insightful)

          by DMadCat (643046) <dmadcat@nOspam.moondans.com> on Monday November 20 2006, @11:21AM (#16915954)
          And that is why you don't make movies and Peter Jackson does.

          Listen, simply because you've read and reread the stories written by Tolkien until you've memorized every line doesn't mean 90% of the audience has.

          Trying to convey a story of such magnitude in such a fast medium as film is challenging and as another poster pointed out, in a book you get insight into the character's thoughts, but on film it's all visual.

          I suppose we could just go back and remake the films but instead of changing anything at all we'll just add some voice-over dialogue so we can hear the characters thoughts as outlined in the books. Maybe we can get Harrison Ford to do it...
        • Re:Bullshit (Score:4, Interesting)

          by Himring (646324) on Monday November 20 2006, @11:51AM (#16916462) Homepage Journal
          Let's not forget a scene was added in Gibson's "Hamlet." Talk about thinking you can do better than the author....

          Tolkien stated that LoTR "uniquely leant itself to not being dramatized." Or something to that effect. Exactly, the movies are not LoTR. They are another man's interpretation of the original story. Being that as they may, it is still well done. I was extremely nervous -- as a huge fan -- that Jackson would blow it, but I think he did not. Liv Tyler as Arwen freaked me out, but I think she did a superb job.

          I also noted in all of Jackson's interviews he rarely mentions Tolkien. This troubled me as I feel he is a fan, and maybe it is nothing, but still. I think he has a tad bit of the, "this is my work. I'm the director," thing going on.

          The movies are what they are, and 50 years from now they may do another whole adaptation. Jackson, btw, took many concepts of depiction from the animated movie -- I actually picked it up in a checkout line for a buck and watched it recently. I think Jackson even states he took the scene of the rider along the road -- indeed, the animation has the same angle and shot. Jackson did a far better job with the treason of Isengard (Gandalf & Saruman). What a great line, "Tell me, friend, when did Saruman the wise abandon reason for madness?!" That's not in the book. Also, he really pumped up The Bridge of Khazad Dum (sic?). Gandalf's fall into the shadows. Ebert points out that the book's piece on that is only a few hundred words.

          Finally, the discovery of the party of Dwarrowdelf (sic?) the dwarvish city in Moria, is incredibly done by Jackson. I got goose bumps as the scene revealed itself, Sam looks up and says, "now there's a sight you don't see every day." The background music, the look on their faces, Sam's words -- it really made the great city become what I think Tolkien would want it to. In the book, you just don't get that sense.

          Finally, finally, Boromir's death was incredible. The book did nothing for me, but Jackson really built that up. I was right there in that scene as each arrow sunk into him, as he looked back to the hobbits, then fought, then shot, then back again. Each arrow weakening him, yet he finds it within himself to go on. Aragorn saving him, yet he died but not without a final bonding moment where reconciliation occurs as he blesses both the quest and the king. Jackson deservs mighty praise for that scene (which, btw, he did not edit).

          I am very proud of the movies. I do think before Jackson dies he needs to film a Bombadil piece for an extra, extra, lucasian DVD release (digital enhancements and remastering and all that).

    • by baryon351 (626717) on Monday November 20 2006, @09:53AM (#16914422)
      Given the hideous mess he made of LOTR, I'm relatively pleased that he won't be butchering The Hobbit in the same way.

      I hear it's Uwe Boll doing The Hobbit, so it definitely won't be butchered in the same way. :)

    • Re:Good! (Score:5, Insightful)

      by finkployd (12902) on Monday November 20 2006, @09:52AM (#16914400) Homepage
      Way too much homo-eroticism going on between Sean Astin and Elijah Wood.

      Ummm, have you READ the books? Did you manage to forget all of the "hand stroking"? If anything, Jackson toned it down.

      It is also an interesting commentary on our society today. At the time, nobody saw this as homo-eroticism, guys were allowed to be friends and be close without being considered gay.

      Finkployd
      • by cascadingstylesheet (140919) on Monday November 20 2006, @11:38AM (#16916228)

        It is also an interesting commentary on our society today. At the time, nobody saw this as homo-eroticism, guys were allowed to be friends and be close without being considered gay.

        Interesting indeed.

        In the "bad" old days, the taboo against male-male sexual relations made a safe space for male-male close friendship.

        It was precisely because it was unthinkable that there be a sexual dimension to it that it was OK to show affection to a male friend.

        So it's actually the newfangled "enlightened" attitudes that have led to "homophobia", by introducing so much ambiguity.

    • article text within (Score:5, Informative)

      by adam (1231) * on Monday November 20 2006, @10:00AM (#16914528)
      I was actually going to post my thoughts, but since this article is slashdotted, and I still have the window open, i'll post my thoughts + the article text below them, for anyone who missed the article due to /.ing

      WOW. Let me say, respect to Peter Jackson for telling it as he sees it. ...Obviously there are two sides to every story, but he really digs into some of the gritty details (naming names, etc), and the story he tells sounds like typical hollywood modus operandi to me. He is rather scant on details regarding the "accounting" irregularities, but nontheless he still vents pretty heavily in other regards.

      I am a filmmaker myself, and have to deal with a variety of industry business annoyances on a daily basis, and I can sympathize with his frustration. This is an industry predicated upon many absurd practices. My assumption is that Peter Jackson must be pretty ticked off to be willing to vent in public like this.

      Unfortunately for him, last we heard, he's hit a snag with HALO [imdb.com] as well. Although general slashdot community concensus seemed to be "oh gawd, not another video game movie," so perhaps that snag is a bit less depressing than The Hobbit troubles.



      11-19-06 Latest News
      Peter Jackson and Fran Walsh Talk THE HOBBIT
      Xoanon @ 10:32 pm EST

      Moments ago we received this email from Peter Jackson and his crew down in New Zealand, take a look...

      Dear One Ringers,

      As you know, there's been a lot of speculation about The Hobbit. We are often asked about when or if this film will ever be made. We have always responded that we would be very interested in making the film - if it were offered to us to make.

      You may also be aware that Wingnut Films has bought a lawsuit against New Line, which resulted from an audit we undertook on part of the income of The Fellowship of the Ring. Our attitude with the lawsuit has always been that since it's largely based on differences of opinion about certain accounting practices, we would like an independent body - whether it be a judge, a jury, or a mediator, to look at the issues and make an unbiased ruling. We are happy to accept whatever that ruling is. In our minds, it's not much more complex than that and that's exactly why film contracts include right-to-audit clauses.

      However, we have always said that we do not want to discuss The Hobbit with New Line until the lawsuit over New Line's accounting practices is resolved. This is simple common sense - you cannot be in a relationship with a film studio, making a complex, expensive movie and dealing with all the pressures and responsibilities that come with the job, while an unresolved lawsuit exists.

      We have also said that we do not want to tie settlement of the lawsuit to making a film of The Hobbit. In other words, we would have to agree to make The Hobbit as a condition of New Line settling our lawsuit. In our minds this is not the right reason to make a film and if a film of The Hobbit went ahead on this basis, it would be doomed. Deciding to make a movie should come from the heart - it's not a matter of business convenience. When you agree to make a film, you're taking on a massive commitment and you need to be driven by an absolute passion to want to get the story on screen. It's that passion, and passion alone, that gives the movie its imagination and heart. To us it is not a cold-blooded business decision.

      A couple of months ago there was a flurry of Hobbit news in the media. MGM, who own a portion of the film rights in The Hobbit, publicly stated they wanted to make the film with us. It was a little weird at the time because nobody from New Line had ever spoken to us about making a film of The Hobbit and the media had some fun with that. Within a week or two of those stories, our Manager Ken Kamins got a call from the co-president of New Line Cinema, Michael Lynne, who in essence told Ken that the way to se
      • Re: (Score:3, Interesting)

        I for one am going to Boycott any Hobbit movie made without Peter Jackson. I mean come on so the LOTR was not exactly like the books big deal they put in the parts that kept the story moving and some of the stuff they left out was infered. All this is about is New Line not wanting to miss out on the Billions this movie would make with PJ at the helm. Their rights to make a hobbit movie run out in 2007 and go back to the publisher at which point MGM or Peter Jackson himself could buy the rights to make it. I
        • by Suspended_Reality (927563) on Monday November 20 2006, @02:22PM (#16919006)
          I intend to boycott any Hobbit movie altogether (please read on, slashdotters).

          I've said this several times on Digg, but always get the thumbs down from the largely adolescent juvenile crowd. The Hobbit, unlike LOTR, has a much more rhythmic momentum, and each chapter in and of itself, has an up and down cycle to it (it is a children's book after all). Am I the only one who thinks that the Hobbit would be much better served as a 21 episode mini-series? Think Sopranos, Band of Brothers, etc. Each chapter becomes an episode. Much of the storyline would therefore remain intact (a lot more happens in 302 pages of the Hobbit than the 900-or so pages of LOTR), and the original flow would be better observed.

          When its all done, release a $119 nine disc DVD set. Sell 1 DVD set for every 12 people who would have gone to the movie, and you're already making serious money. Throw in advertising for the 21 episodes, and you've got a goldmine. Seriously, why isn't anyone pitching this? Haven't LOST, The West Wing, and these other dramas shown that the mini-series format is what people are now looking for in movies (big sweeping story arcs with smaller plots along the way)? Am I crazy? Please, somebody give me some honest feedback on this. Thanks!

      • I suppose there is a chance I will get laid tonight too, but at this point that looks unlikely as well...
        But just like PJ and The Hobbit, keep the hope alive buddy, keep the hope alive.

    • The difference between The Hobbit and LoTR is that the former is primarily a kid's book.
      • Re: (Score:3, Insightful)

        Given English as we know it didn't exist in 1066 (ever tried reading Anglo Saxon?) I think he may have been wrong on that account :)

        I was going to add a flame against JRRT's position on precisely that basis, but I didn't because I wasn't confident enough of the quote. He might have said ``In England'', for example. I think his belief was that the last great stories were the Norse and Icelandic sagas (Egil's Saga, etc). The move towards literary styles of writing, as opposed to the simple recording of

      • Re:Perhaps (Score:4, Insightful)

        by Anonymous Coward on Monday November 20 2006, @10:59AM (#16915524)
        You're joking, right? Tolkien is the master of wasting pages. The entire fucking flight from the Shire took roughly 150 pages and consisted of hobbits walking, cowering in the bushes because the Nazgul came by, and pissing themselves in fear. 150 pages and there was no plot development, no character development, no action, or anything else of substance!

        Someone needed to take a red pen to that bloated manuscript. Jackson at least did a good job of it. He may have irritated obsessive purists, but he took what was a decent story mired in excessive ink struggling along at a wretched pace, and turned it into a well-paced story accessible even to those who don't have the patience to read page after page of nothing.
          • Re:Perhaps (Score:4, Insightful)

            by lpcustom (579886) on Monday November 20 2006, @11:56AM (#16916556)
            Well considering that the books were written at a time before everyone could go to the theater to see a movie, I think it's good that Tolkien described everything the way he did. Books aren't written like movies. All good authors took care in describing everything in great detail. They couldn't cheat by using a big screen. They had to use words. I know it's unbelievable. Try to imagine it. BTW, the books pwnd the movies, and I liked the movies. Also, wtf is the other prequel? The Hobbit is the prequel? Dear God they aren't going to try to make a movie out of the Silmarillion are they? I don't think I'd let Jackson around that one either. That would take some serious hacking to make into a friggin movie.