Stories
Slash Boxes
Comments

News for nerds, stuff that matters

Slashdot Log In

Log In

Create Account  |  Retrieve Password

Patti Santangelo v. RIAA May Be Over

Posted by Zonk on Sun Apr 08, 2007 03:11 PM
from the keep-the-faith-kids dept.
newtley writes "Odds are that Patti Santangelo, the RIAA case defendant and New York mother who has made a determined stand against the Big 4, may have won her battle to clear her name. She and her lawyer, Jordan Glass, have signed and submitted a stipulation to dismiss with prejudice the case lodged against her by the RIAA. US federal district court judge Colleen McMahon's language had earlier seemed to indicate it was time to end the farce, and the court had the power to entertain a motion for legal fees. Unfortunately, her two children are still 'in the line of fire' in the court room."
+ -
story

Related Stories

[+] News: RIAA v. Santangelo Default Judgment Vacated 56 comments
NewYorkCountryLawyer writes "It was reported last week that at the July 13th status conference in Elektra v. Santangelo II, the default judgment taken by the RIAA against Patti Santangelo's daughter, Michelle, was vacated by Judge Stephen C. Robinson. This has now been confirmed in papers filed by the RIAA's lawyers in which they indicated that the Judge vacated the default judgment because he prefers cases to be decided on their merits, rather than by default (pdf). The papers sought $513 in attorneys fees for (a) procuring the default judgment and (b) preparing judgment enforcement documents. Patti Santangelo is the first RIAA defendant known to have moved to dismiss the RIAA complaint. After two years of litigation, the RIAA dropped its case against Patti Santangelo, leaving open only the question of whether the RIAA will be ordered to pay her attorneys fees."
This discussion has been archived. No new comments can be posted.
The Fine Print: The following comments are owned by whoever posted them. We are not responsible for them in any way.
 Full
 Abbreviated
 Hidden
More
Loading... please wait.
  • by Anonymous Coward on Sunday April 08 2007, @03:13PM (#18657403)
    She began singing "Ding dong, the witch is dead" which lead to the RIAA suing her again for a public performance of the song.
    • by CRCulver (715279) <crculver@christopherculver.com> on Sunday April 08 2007, @03:54PM (#18657671) Homepage
      BMI et al. would prosecute public performances, not the RIAA.
      • by Anonymous Coward on Sunday April 08 2007, @04:07PM (#18657753)
        Dude, this is Slashdot - stop being knowledgeable.
      • by joe_adk (589355) on Sunday April 08 2007, @06:58PM (#18658789) Homepage
        BMI et al. is behind the first case. These cases wont go away until we start identifying them with the parent company, and not the RIAA. They already laughed off being named "Worst Company In America 2007." Being hated and feared is heir plan. This way the record companies can hide behind their little monster and not get the bad publicity. I wish slashdot and other sites would stop posting about the RIAA and start posting about the parent companies. This article should be "Patti Santangelo v. Elektra Entertainment Group, Virgin Records America, UMG Recordings, BMG Music and Sony BMG Music Entertainment May Be Over."

        I guess we could shorten the company names for readability.
        • by shark72 (702619) on Sunday April 08 2007, @11:45PM (#18660155)

          "BMI et al. is behind the first case. These cases wont go away until we start identifying them with the parent company, and not the RIAA."

          BMI is a performance rights society. Like ASCAP, they are run by and for songwriters, composers, and publishers. They are not a record company, and were not "behind" the RIAA suit by any stretch. Thus, the GP's joke about BMI going after her for singing "Ding, Dong...": if you want to perform a songwriter's work, you pay the songwriter by licensing it through BMI/ASCAP; you don't pay the record company.

          BMI/ASCAP and the RIAA look after different people. BMI/ASCAP represent the artists; the RIAA represents the record companies.

          Nota bene that BMI/ASCAP are normally the "good guys" while the record labels are the "bad guys." But, this changes whenever people get wind of BMI/ASCAP shaking down a bar or restaurant owner who neglects to buy a performance license. It seems that we're okay with artists having rights; we just don't want artists to exercise those rights.

  • With hope (Score:5, Insightful)

    by RobertM1968 (951074) on Sunday April 08 2007, @03:18PM (#18657445) Homepage Journal
    With hope, this will be the beginning of a trend, especially if this case can be used as precedent against the RIAA on other cases. The RIAA will hopefully realize that it is time to stop bringing frivilous lawsuits with shoddy evidence against the public. One can hope anyway...
      • Well, in light of the RIAA's lobbying efforts to get laws passed to exclude them from following the same laws as everyone else, I guess it is sadly kinda funny... regardless of whether this should be a learning experience for the RIAA or not. I guess it will all be a matter of how the other cases they look like they are going to lose proceed, combined with whether or not their lobbying efforts come to fruition. Time will tell.
      • Re: (Score:3, Funny)

        by beckerist (985855)
        (Score: 4, Funny)

        The RIAA has modpoints?
  • Woohoo! (Score:4, Funny)

    by priestx (822223) on Sunday April 08 2007, @03:30PM (#18657525) Homepage
    i had a dream that the RIAA busted into the shower cause i was singing too loud
  • Hey. (Score:4, Insightful)

    by ScrewMaster (602015) on Sunday April 08 2007, @03:33PM (#18657537)
    Where's the NewYorkCountryLawyer when you need him.
  • by bhuga (1061382) on Sunday April 08 2007, @03:33PM (#18657539)
    While this case is important, it has little to do with a standard RIAA case. She's probably going to get attorney's fees not because of the merits of her case in particular, but because the RIAA did not drop the lawsuit against her after it was made rather clear that her children were the more likely culprits, which the judge considered harassment (my words; read the motions/rulings). The motions for attorney's fees are quite clear on this.

    That being said, there are some significantly more important cases going on for the likes of the everyday file sharer. In particular, Ray Beckerman finally managed to depose the RIAA's expert witness in UMG vs Lindor, and, while not absolutely crushing him, showed him to be a very poor witness on which to build an airtight case. The outcome of that case could have a huge impact on how these cases are done in the future. A disastrous result for UMG might well discourage further lawsuits. Before you get excited, though, that case is months from being solved.

    In addition, there are some other cases going in which the defendants might get fees on their own merits, but they need some time to resolve. It's amazing, but these cases are the first ones that might actually go to a trial.

    Beckerman's blog, which is great reading for those interested in this stuff, is http://recordingindustryvspeople.blogspot.com/ [blogspot.com]

    Bhuga
    • by RyanFenton (230700) on Sunday April 08 2007, @04:22PM (#18657821)
      Well, the danger for the RIAA is that this sets precedents not that stop them from pursuing their current path, but that it makes that path more statistically more expensive to follow. If they can expect to be successfully counter sued a given (even small)percentage of the time based on blind accusations, not only does that make their strategy more expensive in all likelyhood, it also spreads less fear.

      It's like a despot who makes money by demanding it of his neighbors, otherwise he sends his slaves off to explode in their town centers. If his neighbors learn that it is possible to identify and send these slaves back home before they explode in some cases (but not always), then this despot's income and power mechanisms are potentially at risk. His neighbors may in fact be able to join together at this point and find more ways of stopping him. That, and the rich nobles (Sir Sony, Sir BMG, et al) who finance this horrible dictator may finally realize the problems of spending so much money on propping up such a horrible dictator just to maintain the value of their positions, as their own bombs start to blow up in their own faces.

      Ryan Fenton
    • Re: (Score:3, Interesting)

      While it might not help set legal precident, it might make the RIAA more cautious in the future on who it goes after and continues to go after, which is still a plus.

      Why they continued pursuing this case after finding out her children were the more likely culprits I can only imagine; they should have realized this case would not go their way after that but instead they kept trying. Maybe they thought they could still win? Or maybe they felt pulling out would be even worse? I can only speculate.

      Regardless
    • I disagree with the part about "not absolutely crushing him".

      His testimony is now inadmissible in court.

      How much more "crushed" can you get?

      I don't take credit for the crushing; his own carelessness and lack of integrity is what crushed him.

      He's a fake.

  • by mutube (981006) on Sunday April 08 2007, @03:37PM (#18657577) Homepage
    Patti Santangelo v. RIAA May Be Over ...in Space [slashdot.org].

    My work here is done.
  • by zymano (581466) on Sunday April 08 2007, @03:55PM (#18657677)
    The Riaa makes the rules so they set the standards.

    How would you like it if you weren't allowed to take photographs or pay HUGE fines?

    How about going to the library and copying a magazine artice with the xerox?

    The Riaa still has the original copies.

    I know I will lose this one with all the software people on slash.

    But it's NOT theft in any conventional meaning and saying so is lying. Pure spin by the Riaa and software copyright holders.
    • Re: (Score:3, Insightful)

      by Todd Knarr (15451)

      It's close enough to theft for practical purposes. The essence of theft is depriving the legal owner of the benefits of possessing the item. The primary benefit of copyright ownership is the ability to control the distribution of copies and thus get paid for those copies. Copyright infringement, to one degree or another depending on the scale, deprives the copyright owner of the primary benefit of their ownership. In short, the work hasn't been stolen but the money that would be paid for copies of that work

      • Re: (Score:3, Insightful)

        by Anonymous Coward
        It's close enough to theft for practical purposes.

        Well, aren't you just the lawyerly one -- "close enough for practical purposes", shit. Listen up, asshole, this is law, not woodshop.

        Theft and copyright infringement are two distinct offenses. Only one is written in the charges. Which one do you think that would be?

        If I slap you in the face (get your ass over here!!!), no one is going to go into court charging me wth attempted murder -- the charge will read "battery", no matter how loud you bleat to the con

      • Re: (Score:3, Informative)

        by jabuzz (182671)
        No it's copyright infringement not theft. That requires an intention to "permanently deprive", which given that the copyright holder still holds the copyright (the "property" that is owned) when an unauthorized copy is made, has not happened. The law in the U.K. is quite clear on the subject and I suspect that it will be in most other jurisdictions. Copyright infringement is not legally theft so don't refer to is as being so.
        • by Mr2001 (90979)
          Not just legally, but also morally speaking, copyright infringement is nothing like theft. The very reason theft is wrong is that it deprives the victim of the stolen item, but that aspect is missing from copyright infringement.

          If someone steals my car, I'm going to be upset because I don't have a car anymore. On the other hand, if he could "steal" a copy of my car, leaving the original untouched in my driveway, then why should I care? I have a car, he has a car too; we both win.
          • by packeteer (566398) <packeteer@NOSpAm.subdimension.com> on Monday April 09 2007, @02:15AM (#18660615)
            Anyone who has a basic understanding of logic and the english language can understand that copyright infringement and theft are 2 similar but different things. Obviously the original owner is not deprived of anything with the infringement but that is over simplifying it. Ecomonists would refer to the opportunity cost of infringement. Unrealized income is almost the same and having income stolen but once again, there is an important but slight difference.

            The main reason that "infringement is the same as theft" arguement does not hold up very well is becuase you can't prove that there was an opportunity cost for the copyright holder. It is quite possible that the person who recieved the illegal copy was going to pay and now is not, but that is not always the case. Becuase it is very easy to acquire a lot of music for free many people's consumption of music goes up. People who might have owned only a dozen albums in the past may now own a few more. These people probably wouldn't have payed for the music or tried to get it unless it was free.

            The RIAA is pushing too hard to convince people that every copied song is the same as theft, and the downloaders are trying to argue that every downloaded song probably wasn't money for them anyway. The truth is somewhere in the middle and sadly both sides end up wrong when they claim these extreme scenarios are 100% true.
            • by Mr2001 (90979) on Monday April 09 2007, @03:20AM (#18660759) Homepage Journal

              Unrealized income is almost the same and having income stolen but once again, there is an important but slight difference. [...] The RIAA is pushing too hard to convince people that every copied song is the same as theft, and the downloaders are trying to argue that every downloaded song probably wasn't money for them anyway.
              Not necessarily. In order for this to work as an argument against copying, you have to start with the premise that it's inherently wrong to prevent sales. But in fact, there are several other ways that potential future income can become "unrealized", and they aren't considered a problem.

              For example, if you're a respected reviewer and you write a negative review of an album, it probably won't sell as many copies as if you had written a positive review. If your review influences 1000 people not to buy the album, that has exactly the same effect on sales as if you had shared the album online and 1000 people ended up getting it for free instead of buying it... in fact, it might have a worse effect, because in the latter case, all those people will still hear the album, and some might go on to buy a different one, a shirt, or a concert ticket.

              So under the "opportunity cost" argument--I'm not sure if that term is being used correctly, but I'll go along with it--shouldn't reviewers be held responsible for everyone who fails to buy an album after reading their reviews?
            • Re: (Score:3, Funny)

              by clambake (37702)
              Unrealized income is almost the same and having income stolen

              So... You've just STOLEN a hundred million dollars from me, because that's how much you COULD have paid me to respond.
            • by Mr2001 (90979) on Monday April 09 2007, @01:59AM (#18660579) Homepage Journal

              When people make the "copyright enforcement is theft" argument they are not stating that it is theft from the torrent seeder, but the holder of the copyright.
              It still isn't theft, because no one, not the seeder nor the copyright holder, is deprived of the thing that you download. After you download a song, everyone involved still has everything they did before you downloaded it.

              You're not analogous to the copyright holder; the car manufacturer is. When the day comes that people can BT each other's cars, the auto industry will be right properly fucked.
              Not really, they'll just have to change their business model from manufacturing to providing a service - just like musicians are going to have to do.
      • Re: (Score:3, Informative)

        by Anonymous Coward
        No, it's not theft, and there is a legal precedence that backs this up. Stop spouting idiotic bullshit.

        United States Copyright Law:
        http://www.copyright.gov/title17/92chap5.html#501 [copyright.gov]

        [...]
        506. Criminal offenses

        (a) Criminal Infringement. - Any person who infringes a copyright willfully either -
        (1) for purposes of commercial advantage or private financial gain, or
        (2) by the reproduction or distribution, including by electronic means, during any 180-day period, of 1 or more copies or phonorecords

        • Well, can this be considered for private financial gain (through a large stretch of the imagination perhaps) since the "infringer" is not spending the money they "should have" to get the copyrighted recording? That is a financial gain, if only of a few bucks...

          I'm not disagreeing with your interpretation, but that section (section 1) doesnt seem to have a dollar amount attached to the private financial gain aspect, nor does it seem to spell out what is considered private financial gain in that section, tho

  • She and her lawyer, Jordan Glass, have signed and submitted a stipulation to dismiss with prejudice the case lodged against her by the RIAA

    This means that her lawyer filed a motion to dismiss, which is a common practice. Federal judges often issue threats of sorts at parties which are dragging at the process, often ones for dismissal or default, which they are legally allowed to apply at their discretion in situations like this. So at minimum, the judge now has to decide whether to dismiss, the timetab
  • by mi (197448) <mi+slashdot@aldan.algebra.com> on Sunday April 08 2007, @04:48PM (#18657945) Homepage

    New York mother who has made a determined stand against the Big 4, may have won her battle to clear her name.

    I'd like to point attention to the words I emphasized above... Clear hear name of what? Is it, after all, a shameful act to infringe on somebody else's copyrights and to treat their creation in a way, they did not want it to be treated?

    This woman, apparently, has not done it, so her name is clear. But the /. continues to pretend, there would've been nothing wrong in her actions, even if she has...

    Her children, very likely, have done it, yet the same author, who slipped into admitting, there is something to clear one's name of here, is describing their fate ("in the line of fire") with puzzling sympathy...

    • Re: (Score:3, Insightful)

      by Anonymous Coward

      I'd like to point attention to the words I emphasized above... Clear hear name of what? Is it, after all, a shameful act to infringe on somebody else's copyrights and to treat their creation in a way, they did not want it to be treated?

      Huh? What has "shamefulness" got to do with it? She was being sued. The court looks set to clear her of having committed a tort. That's a big deal to most people.

      Her children, very likely, have done it

      Wow. I'll be judge, I'll be jury said cunning old Mi. Where the hell did y

    • Re: (Score:3, Interesting)

      by nevali (942731)
      It was very obvious from very early on that she hadn't infringed any of the copyrights they were talking about, and their 'expert' witness was the final nail in the coffin that was their case.

      So, to answer your question, 'clear her name of being wrongfully accused of mass copyright infringement', which is a perfectly reasonable and proper thing for her to do.

      The sympathy for the kids is largely based on the fact that the RIAA don't and haven't ever cared whether somebody is guilty of what they've been accus
  • This is just an overall observation of the RIAA's/members strategy:

    Sue and scare the filesharers *without* draining the RIAA finances with attorneys salaries. Basically beef up the legal department and keep it profitable.

    With these marching orders, RIAA's chief counsel laid out the, now well known plan, to extort $3k-$4K with little effort, and use this revenue to fund the operation.

    This plan has worked very well until now, but with a little resistance from the defendants it will fail, and it looks like tha
  • by sm62704 (957197) on Sunday April 08 2007, @05:13PM (#18658073) Journal
    The RIAA (and the MPAA and the BSA and others too numerous to mention) are all equating copyright infringement not only with theft, but murder and mayhem by calling copyright infringers "pirates". The RIAA makes copyright infringement sound worse than eating babies. Real pirates kill people [nationmedia.com].

    To this layman it sounds like slander.

    Can she sue for slander? If so, can she win?
    • by cpt kangarooski (3773) on Sunday April 08 2007, @11:44PM (#18660149) Homepage
      No, not really. If you actually look at the etymology of the word 'pirate,' you'll find that authors have been using it in this context for at least a century before copyright law even existed, which was back in the golden age of the 'arr matey' sort of pirates. If they had had to coin an equivalent word today, with the same emotional impact, it would probably be 'terrorists.'

      Since they've been doing it for about 400 years, there's little chance of getting anywhere with complaints now.

  • by Anonymous Coward on Sunday April 08 2007, @05:25PM (#18658163)
    The american music industry has terrorized and pirated artist's creativity/music for long enough. Cut off their funding :

    http://www.riaaradar.com/zeitgeist_topamazonsafe.a sp [riaaradar.com]
    • by zoftie (195518)
      mod parent up, and distribute the url to your non-internet wielding friends, make a few printouts :)

      bandwidth is near free and bands don't need the riaa cartel anymore. just telecom cartel. hopefully obama is going to be elected and jolt them good.
  • One of the worst ways to do things is this "scatter gun prosecution" mode that the RIAA runs in. And the RIAA should check its facts before it goes after people without knowing with a reasonable certainty that they have the right party.

    However, in this instance, there is something I don't understand. The basic argument seems to be that it was her children, and not her, that were sharing the songs, thus she shouldn't be the one that is sued.

    But at the same time, in the US one is responsible for the actions
    • by hxnwix (652290)
      I dunno, maybe for the deterrent effect?
      • by EzInKy (115248)

        I dunno, maybe for the deterrent effect?


        That worked well with Prohibition, didn't it? When enough people want to do something no law is going to stop them.
         
      • Re: (Score:3, Interesting)

        by Boogaroo (604901)
        The deterrent effect is only part of the reason.

        The other reason is that you'd have to reliably find and sue all infringers if you ever wanted to be paid.(Not that there's a whole lot of reliability with the RIAA's current methods)

        Downloaders would never have a reason to purchase something outright if they only had to pay $.99 for every song downloaded IF they got caught AND successfully sued.
    • Re:The fines (Score:5, Insightful)

      by McFadden (809368) on Sunday April 08 2007, @06:33PM (#18658627) Homepage

      How could you sue someone that exaggerated amount? The legal system has been blinded by the Riaa.
      Unless I'm very much mistaken, you can sue someone for whatever amount you want. It's then up to you to *prove* that you deserve what you're asking for. This has nothing to do with any blindness on the part of the legal system. In many cases, the litigant may ask for a disproportionate level of restitution in order to scare the defendant into settling early and minimize the risk of severe financial damage. I'd say it's a fairly common tactic.