An anonymous reader writes "Last weekend, during the Nuremberg Toy Fair 2012, I spotted a really cool new system for 'professional' RC models based on Embedded Linux. The WiRC allows you to control an RC car (or any other RC vehicle) with an iOS/Android device using WiFi. The core of this system is a 240 MHz ARM9 processor, with 16 MB SDRAM and 4 MB FLASH (with 2 USB ports and 802.11b/g WiFi, a microphone input and a Speaker output). It features 8+4 channels of output. A free software SDK is now in development to code your own transmitter applications."
lukehopewell1 writes "IMAX Sydney has replaced its screen — the largest in the world — at a cost of $250,000. Weighing over 800 kilograms, painting the screen took over 12 days and 350 kilograms of paint. Lifting the massive screen and installing it took a year of planning and 31 riggers. A neat photo gallery is included so you can get an idea of just how big a job this was."
Hugh Pickens writes "The Hollywood Reporter reports that members of the iconic disco-era musical group Sister Sledge have filed a major class action lawsuit against Warner Music Group claiming that the music giant's method for calculating digital music purchases as 'sales' rather than 'licenses' has cheated them out of millions of dollars from digital music sales. Songwriters typically make much less money when an album is 'sold' than they do when their music is 'licensed' (the rationale derives from the costs that used to be associated with the physical production of records) but record labels have taken the position that music sold via such digital stores as iTunes should be counted as 'sales' rather than licenses. The difference in revenue can be significant as Sister Sledge claim their record deal promises 25 percent of revenue from licenses but only 5-1/2% to 6-1/2% of net from sales. Eminem's publisher brought a nearly identical claim against Universal Music Group and won an important decision at the 9th Circuit Court of Appeals in 2010 when the 9th Circuit ruled that iTunes' contract unambiguously provided that the music was licensed. The lawsuit argued that record companies' arrangements with digital retailers resembled a license more than it did a sale of a CD or record because, among other reasons, the labels furnished the seller with a single master recording that it then duplicated for customers. 'Unlike physical sales, where the record company manufactures each disc and has incremental costs, when they license to iTunes, all they do is turn over one master,' says attorney Richard S. Busch. 'It's only fair that the artist should receive 50 percent of the receipts.'"
First time accepted submitter CIStud writes "Famed 'Dark Side of the Moon' engineer Alan Parsons, who also worked on the Beatles 'Abbey Road,' says audiophiles spend too much money on equipment and ignore room acoustics. He also is surprised the music industry has not addressed the artists' rights violations taking place on YouTube, wonders why surround-sound mixes for albums never took off, and calls the Jonas Brothers 'garbage' all in one interview."
Harperdog writes "Laura Kahn has a lovely essay about the history of science fiction, and how science fiction can help explain concepts that are otherwise difficult for many...or perhaps, don't hold their interest. Interesting that Frankenstein is arguably the first time that science fiction appears. From Frankenstein to Jurassic Park, authors have been writing about 'mad scientists' messing around with life. Science fiction can be a powerful tool to influence society's views — one scientists should embrace."
First time accepted submitter psiogen writes "Flynn Michael, an instructor at New York Jedi, an organization that teaches 'practical knowledge of how to use a lightsaber, left his custom-crafted blade for only a few imperial minutes, but when he returned, it was gone. From the article:'“Who steals somebody’s lightsaber? It’s like stealing someone’s toy out of the sandbox,” said Michael, the founder of New York Jedi, a stage combat performance group. “I finally got my uber custom saber, and then some jerk walks out with it."'"
bs0d3 writes "After some litigation; ReDigi, a site where people can sell used MP3s has been found legal in America. One of the key decisions the judge had to make was whether MP3's were material objects or not. 'Material objects' are not subject to the distribution right stipulated in "17 USC 106(3)" which protects the sale of intellectual property copies. If MP3's are material objects than the resale of them is guaranteed legal under the first sale' exception in 17 USC 109. Capitol Records tried to argue that they were material objects under one law and not under the other. Today the judge has sided with the first-sale doctrine, which means he is seeing these as material objects."
NewYorkCountryLawyer writes "The motion by Capitol Records for a preliminary injunction against used digital music marketplace ReDigi has been denied. After hearing almost two hours of oral argument by attorneys for both sides, Judge Richard J. Sullivan ruled from the bench (PDF), holding that plaintiff had failed to show 'irreparable harm.'"
Hugh Pickens writes "Joshua Phillips writes that something was lost when videos went from magnetic tape and plastic, to plastic discs, and now to digital streams as browsing aisles is no more and the once-great video shops slowly board up their windows across the country. Future generations may know little of the days when buying a movie meant you owned it even if the Internet went down and when getting a movie meant you had to scour aisles of boxes in search of one whose cover art called back a story that echoed your interests. Josh Johnson, one of the filmmakers behind the upcoming documentary 'Rewind This!' hopes to tell the story of how and why home video came about, and how it changed our culture giving B movies and films that didn't make the silver screen their own chance to shine. 'Essentially, the rental market expanded, because of voracious consumer demand, into non-blockbuster, off-Hollywood video content which would never have had a theatrical life otherwise,' says Palmer. While researching the documentary Palmer found something interesting: there is a resurgence taking place of people going back to VHS because a massive number of films are 'trapped on VHS' with 30 and 40 percent of films released on VHS never to be seen again on any other format. 'Most of the true VHS fanatics are children of the 1980s,' says Palmer. 'Whether they are motivated by a sense of nostalgia or prefer the format for the grainy aesthetic qualities of magnetic tape or some other reason entirely unknown, each tapehead is unique like a snowflake.'"
NewYorkCountryLawyer writes "Google has sought leave to submit an amicus curiae brief against Capitol Records' preliminary injunction motion in Capitol Records v. ReDigi. In their letter seeking pre-motion conference or permission to file (PDF) Google argued that '[t]he continued vitality of the cloud computing industry — which constituted an estimated 41 billion dollar global market in 2010 — depends in large part on a few key legal principles that the preliminary injunction motion implicates.' Among them, Google argued, is the fact that mp3 files either are not 'material objects' and therefore not subject to the distribution right articulated in 17 USC 106(3) for 'copies and phonorecords,' or they are material objects and therefore subject to the 'first sale' exception to the distribution right articulated in 17 USC 109, but they can't be — as Capitol Records contends — material objects under one and not the other."
eldavojohn writes "Currently DC Comics' site has a banner announcing a new series called "Before Watchmen." Unfortunately the blog pages for this new series appear to be experiencing high traffic and are unreachable. But a number of sites are breaking down these new endeavors that will be giving backstories to the seven characters and who will be creating each of those series. There's also speculation ranging from how much this must upset Alan Moore (egg frying on his forehead seems to be the popular guess) to the theory that this is simply for more movie material. There's an abundance of information from interviews released today."
First time accepted submitter Joe_Dragon writes "The composer of the Survivor hit Eye of the Tiger has sued Newt Gingrich to stop the Republican presidential candidate from using the Rocky III anthem at campaign events. The lawsuit was filed Monday in federal court in Chicago by Rude Music Inc., the Palatine-based music publishing company owned by Frank Sullivan, who, with Jim Peterik, composed the song and copyrighted it in 1982. The lawsuit states that as early as 2009, Gingrich has entered rallies and public events to the pulsing guitar riffs of the song. In a lengthy section of the five-page complaint, Rude's attorneys point out that Gingrich is well aware of copyright laws, noting he is listed as author or co-author of more than 40 published works and has earned between $500,000 to $1 million from Gingrich Productions, a company that sells his written work, documentaries and audio books. It also notes Gingrich's criticism of the 'Stop Online Piracy Act' during a recent debate in South Carolina, where Gingrich suggested the law was unnecessary because 'We have a patent office, we have copyright law. If a company finds it has genuinely been infringed upon, it has the right to sue.' The suit asks for an injunction to prevent Gingrich from using the song, as well as damages and attorneys' fees to be determined by the court."
coondoggie writes "Some call it the museum of failed inventions and others might just call it the stupidity museum, either way it is officially known as the Museum of Nonsense and it opened in Austria this month. It is decidedly low-tech though it does contain some high-tech ideas like a truly interesting way to anonymize identity (a piece of black card on a stick so people can't see your eyes) and a device that promises to cut down on those huge cell-phone bills (think tin cans and a string)."
An anonymous reader writes "I used Lego's Digital Designer software to build a model of a Sinclair ZX81 — the computer that kicked me off on my interest in such matters way back in 1981. Until very recently, the software allowed you to upload your model, buy it and get a boxed set with all the pieces to build it (as well as instructions). The ZX81 model is as close to the shape of the original as I could make it, considering that Lego is quite a lo-resolution modelling tool. I even made it so that you can lift off the lid and see a representation of the PCB in side. I have also posted the model to Lego's Cuusoo site — a place where you can post ideas, and if they gain enough support they will be considered for production."
An anonymous reader writes "Mitt Romney's campaign is airing an ad that is basically 30 seconds lifted from an NBC News broadcast and NBC is trying to stop them from using the ad. I found it interesting that the Romney campaign is invoking fair use to defend the ad. Romney adviser Eric Fehrnstrom said 'we believe it falls within fair use. We didn't take the entire broadcast; we just took the first 30 seconds.'"