MrSeb writes with ExtremeTech's account of how director (and deep sea explorer) James Cameron spent a reported $18 million converting his blockbuster movie, Titantic, to 3D. The article "looks at the primary way of managing depth in 3D films (parallax), how you add depth to a movie that was originally filmed in 2D, and some of the software (both computer and human-brain) difficulties that Cameron had to overcome in the more-than-two-year process to convert Titanic into 3D."
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T-Kir writes "Apparently 20 years ago, instead of the Fremont Experience, downtown Las Vegas was actually close to building a life sized version of the refit USS Enterprise, and would have — had it not been for the then studio chairman Stanley Jaffe nixing it at the final meeting. The project had support from Paramount licensing and then-CEO Sherry Lansing, the Las Vegas Mayor, and the downtown redevelopment committee, but not opinion of Mr Jaffe: 'I don't want to be the guy that approved this and then it's a flop and sitting out there in Vegas forever.' As a Trek fan, I'm saddened that this never got built because I feel that this would've appealed to a much wider audience than science fiction fans. Props to io9 for picking this story up."
An anonymous reader writes "I was looking at multimedia players from brands such as SumVision, Noontec and Western Digital. They all seem to be some device which accepts a USB hard-drive and commands from an IR remote control, and throws the result over HDMI. I have my own idea of what a hardware multimedia player should do (e.g. a personalized library screen for episodes, movies and documentaries; resume play; loudness control; etc.). I also think it will a good programming adventure because I will have to make the player compatible with more than a few popular codecs. Is this an FPGA arena? Or a mini-linux tv-box? Any advice, books or starting point to suggest?" There certainly have been a lot of products and projects in this domain over the years, but what's the best place to start in the year 2012?
New submitter BBCS writes "The National Copyright Administration of the People's Republic of China ('NCAC') is seeking public comments on a controversial draft amendment to China's copyright law. A number of recording artists and musicians have reacted strongly against this proposed amendment because it appears to encourage using others works without compensation. The amendments that have drawn particular ire are article 46 & 48. Per Article 46, one does not need consent to make recordings of another person's musical work if 3 months have passed since such work was published. Per Article 48, to use such person's musical work, one must contact the NCAC, identify the published material and its author, and within 1 month of use, submit a usage fee as per the NCAC, to facilitate the distribution of payment to applicable parties. I wonder what happens when someone applies to make use of Chinese Democracy by Guns N' Roses." What would you do, if copyright were so strongly time-limited?
Fluffeh writes "Richard Bell, an Australian Film Maker, on a fellowship in New York, produced and directed approximately 18 hours of raw footage for a film with the help of an assistant called Tanya Steele and paid her for these services. Ms Steele, through her American lawyers, sent letters to Mr Bell and his agent claiming that she owned the copyright in the footage and demanding that the trailer be removed from the Internet. She also caused the Vimeo website to remove the trailer. In response, Bell went to the (Australian) courts, which declared him the owner of the copyright in the film, and deemed Steele's threats "unjustifiable". Bell then asked for damages. These were granted in the latest judgment because Bell had lost the opportunity to sell some of his works, which typically cost tens of thousands of dollars, as a result of Steels' threats. The Australian judge awarded over $150,000 in damages plus another $23,000 costs against her."
silentbrad writes with an excerpt from the Financial Post: "BCE Inc., Rogers Communications Inc., and Shaw Communications Inc. which together control two-thirds of the $8.3-billion broadcast distribution market, are lobbying against the so-called 'a la carte' model that would allow customers to pick and pay for individual networks, arguing the change would have disastrous consequences for programmers, such as Bell Media and Shaw Media. 'A regulation requiring that all programming services must be made available to consumers on a stand-alone basis would have far-reaching ramifications,' BCE, whose Bell owns 30 specialty networks, said in a submission to the Canadian Radio-television and Telecommunications Commission. 'Undoubtedly, a market shake-out, causing many specialty services to exit, would ensue.' The three big players, led by BCE, have told the CRTC they support the status quo of 'tied selling,' or the practice of grouping weaker-performing networks in with a popular channels, versus a new approach to sell channels individually. ... In the race for subscription dollars, rates for TV services across providers have risen sharply over the last decade as the number of specialty channels, each commanding its own fee, has soared. Net costs to subscribers climbed another 2.6% in 2011, while average bills now hover around $60 a month."
redletterdave writes "While the movie and music industries would have you think that torrents are a threat to their business, thousands of independent artists heartily disagree. That's why more than 5,000 musicians, actors, writers, filmmakers and artists have signed up to be promoted by The Pirate Bay, the world's largest torrent site. Earlier this year, following the seizures of many popular file-sharing domains like MegaUpload, The Pirate Bay introduced a new promotion platform for artists called 'The Promo Bay,' which let independent artists reach tens of millions of people by offering favorable advertising spots on the The Pirate Bay's homepage. The response to The Pirate Bay's promotion platform has been overwhelming: the company announced on Thursday that it has already received more than 5,000 applications, and has managed to be a quality platform for driving significant interest to independent artists."
asavin writes "The founder of Marshall Amplification, Jim Marshall OBE, has died at the age of 88. A tribute to the man known as the Father of Loud was posted on his official website, praising the man whose name became iconic for electric guitarists." Reader LizardKing points to the Guardian's coverage of Marshall's passing, and adds : "A former drummer, Jim Marshall initially became involved with guitar amplification as an importer of Fender equipment, until he eventually decided to branch out and make his own amps. The trademark Marshall sound evolved alongside the requirements of such luminaries as Pete Townshend and Eric Clapton. The Marshall stack has since become a ubiquitous symbol of live rock music in particular — so much so that some bands perform in front of veritable walls of Marshall branded speakers. In addition to his lead guitar amplifiers, Jim will also be remembered for his great bass amps (as used by Lemmy Kilmister in particular) and the much sought after Guv'nor distortion pedal."
suraj.sun writes "Netflix and Hulu are convincing millions of cable, satellite and telco subscribers to cut the cord and dive into video streaming. That's the conclusion of a new report released this week by the Convergence Consulting Group, which finds that 2.65 million Americans canceled TV subscriptions between 2008-2011 in favor of lower-cost internet subscription services or video platforms. Though Convergence co-founder Brahm Eiley projects that the number of people opting out of TV subscription services will begin to slow in 2012 and 2013. Part of the problem, Eiley argues, may be the rising price tag for streaming rights to programming which could cause fiscal fits for Netflix."
redletterdave writes about more movies being made available on Youtube's rental service. From the article: "Google announced a new deal with Paramount Pictures on Tuesday, which will make more than 500 movie titles available for rental on YouTube and the new Google Play platform. The deal was made even though Google is still embroiled in a four-year-old legal battle over copyrights with Paramount's parent company, Viacom. The latest deal means Google has rental deals with five of the six major Hollywood studios, including Paramount, Warner Bros., Disney, Universal Pictures, and Sony Pictures. The lone exception is 20th Century Fox, which is owned by Rupert Murdoch's News Corp. Google will only make these titles available for rent; the search giant has not yet made a decision to sell any movies it licenses, despite pressure from major Hollywood studios looking to compensate for poor DVD sales."
New submitter Hentes writes "France has one of the strictest anti-piracy laws. After 17 months of operation, Hadopi has released a report, claiming that illegal P2P downloads have been reduced significantly in the country: the studies they cite measured 43% and 66% decrease in copyright infringement. But that huge amount of 'lost revenue' doesn't seem to show up in the French recording industry, as the overall recorded music market has decreased by 3.9% in 2011. Even more interesting is that digital music sales have skyrocketed in France. Could it be that it's not piracy killing the traditional recording industry but digital distribution?"
An anonymous reader writes "Variety is reporting that Ashton Kutcher – who you likely recognize from That 70s Show, Punked, and Two and a Half Men – has been tapped to play Apple co-founder Steve Jobs in an indie film titled 'Jobs', based on a script from Matt Whiteley. The film will chronicle Steve Jobs from wayward hippie to co-founder of Apple, where he became one of the most revered creative entrepreneurs of our time."
New submitter reovirus1 writes "Mike Smith, the character Bubbles on the Canadian TV show Trailer Park Boys, is leading the Race for Space contest that will send one lucky reader into space. 'Throughout the series, Bubbles often talks about his love for space and his lifelong desire to become a spaceman someday, but his poor eyesight has always prevented him from even owning a driver's license. It's a fictional show obviously, but Bubble's desire to go to space on the show was actually born out of my love of space and rocketry. It has been a hobby of mine since I was 5 years old. If I win this chance to go to space, I intend to shoot a documentary of the entire process leading up to the flight, in hopes of inspiring a new generation of young people to become involved in space exploration,' he writes."
kodiaktau writes "An interesting article from the BBC News Magazine explores the reasons why most fantasy worlds use British as their primary accent. Citing specific examples from recent and upcoming shows and movies like Lord of The Rings, The Hobbit and Game of Thrones, the article concludes British accents are 'sufficiently exotic,' 'comprehensible' and have a 'splash of otherness.' It would be odd to think of a fantasy world having a New Jersey accent, or even a Mid-West accent, which tends to be the default for TV and movies in the U.S., but how do UK viewers feel about having British as a default? More specifically, what about the range of UK accents, like Scottish, Welsh, Cockney? The International Dialects of English Archive shows at least nine regional sounds, with dozens of sub-regional pronunciations in England alone. In the U.S., there have always been many regional accents that might be used in interesting ways. Filmmakers should consider looking at speech accents from other areas of the world to create more interesting dialects."