New submitter terbeaux writes "The documentary TPB AFK follows the creators of The Pirate Bay — Peter Sunde, Fredrik Neij and Gottfrid Svartholm — through their technical and logistical trials of keeping TPB online as well as their court appearances in Sweden. After its premiere at Berlin International Film Festival, TechCrunch is reporting that TPB AFK is now available under a Creative Commons license for purchase, download on TPB, or viewing on YouTube. The budget for the film was raised on Kickstarter, where the makers achieved twice the funding goal in the allotted month-long funding campaign. The film already has 40,000 YouTube views, 19,000 torrent seeders, and over 2,000 paid downloads. There are public screenings happening world-wide."
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First time accepted submitter NewtonBoxers writes "Considering the amount of time most of us spend at work, it's surprising how few novels are set in the workplace and base their plot on the goings-on there. Perhaps, having spent a long day slaving in the corporate salt mines, many of us would rather forget about such humdrum matters and take refuge in books that offer us more excitement. Others, though, seem to enjoy the humor that can derive from the very things that drive us mad – management incompetence, byzantine procedures, pointless meetings... in short the stuff of everyday office life. We read Dilbert, we watch The Office, and we could do a lot worse than read Augustus Gump's very funny second novel, The Rise and Fall of T. John Dick. " Read on for the rest of NewtonBoxers's review.
Andy Prough writes "Apparently those wise folks at Fox have figured out America's reluctance to invest as much money in solar energy as Germany — the Germans simply have more sun! Well, as Will Oremus from Slate points out, according to the U.S. Dept. of Energy's Solar Resource map comparison of the U.S. and Germany, nothing could be further from the truth — Germany receives as much sunlight as the least lit U.S. state — Alaska."
tad001 writes "CNET is reporting 'Discovered last night within a freshly jailbroken iPad: a set of buttons and code references for "radio," a feature found in iTunes on Macs and PCs, but not on the iPad or iPhone.' ... 'The buttons hint at Apple's much-rumored radio service, a product that will let people stream music much like they do on the popular Pandora service, but with deep ties to Apple's iTunes library.' ... 'The discovery follows a high-profile jailbreak of iOS 6.1, the updated system software Apple released just last week. A team of developers came up with a tool that gives users deep system-level access to do things like install applications from third-party app stores, change the look and feel of iOS, and add new software features.'"
jfruh writes "The MPAA and other entertainment industry groups have been locked for years in a legal struggle against Newzbin2, a Usenet-indexing site. Since Newzbin2 profited from making it easier for users to find pirated movies online, the MPAA contends they can sue to take those profits on behalf of members who produced that content in the first place. But a British court has rejected that argument."
LordStormes writes "JJ Abrams, who apparently plans to direct every movie for the rest of time, is teaming with Gabe Newell and Valve to explore films for both the Half-Life and Portal franchises. 'Abrams and Newell made the surprise, succinct announcement at the end of their keynote speech, which took the form of a carefully rehearsed discussion between the two creatives about the strengths and weaknesses of games and movies as storytelling mediums. ... "Movies let you experience moments that you might not think are the point, but really are everything,” Abrams said, pointing to the early introduction of compressed air canisters in the opening scenes of the movie Jaws, which initially seem unimportant but prove consequential to the film’s ending. Newell pointed out that the “take your child to work” scene in Portal 2 accomplished the same thing, setting up important plot points in a way that made them initially seem like humorous throwaways.' No word on Half-Life 3, sadly..."
New submitter jzoetewey writes "An author I know (MCA Hogarth) recently had her book Spots the Space Marine taken off Amazon because Games Workshop claimed it violated their trademark. The interesting thing? Their trademark doesn't include ebooks or novels. Unfortunately, she doesn't have the money to fight them. Plus, the idea of a space marine was around long before they were: 'In their last email to me, Games Workshop stated that they believe that their recent entrée into the e-book market gives them the common law trademark for the term “space marine” in all formats. If they choose to proceed on that belief, science fiction will lose a term that’s been a part of its canon since its inception.' Cory Doctorow at Boing Boing also made this important point: 'Amazon didn't have to honor the takedown notice. Takedown notices are a copyright thing, a creature of the Digital Millennium Copyright Act. They don't apply to trademark claims. This is Amazon taking voluntary steps that are in no way required in law.'"
theodp writes "Back in Biblical times, creating abundance was considered innovative. That was then. Last Tuesday, GeekWire reports, the USPTO awarded Amazon.com a broad patent on reselling and lending 'used' digital goods for an invention that Amazon boasts can be used to 'maintain scarcity' of digital objects, including audio files, eBooks, movies, apps, and pretty much anything else."
An anonymous reader writes "The BBC reports that Sony, the creators of the MiniDisc audio format, are to deliver their last MiniDisc stereo system in March. Launched over 20 years ago in late 1992 as a would-be successor to the original audio cassette, MiniDisc outlasted Philips' rival Digital Compact Cassette format, but never enjoyed major success outside Japan. Other manufacturers will continue making MiniDisc players, but this is a sign that — over ten years after the first iPod — the MiniDisc now belongs to a bygone era."
Velcroman1 writes "Ever wonder how troops serving abroad in remote locations and even underwater might get to watch the Super Bowl? The very same highly advanced technology used to pass classified drone video feeds will be deployed this Sunday to ensure U.S. troops can see the Super Bowl — - no matter how far away from home they are. The broadcast is the result of a unique media, government and technology partnership with the American Forces Radio and Television Service, Raytheon and the U.S. Air Force. The Global Broadcast Service (GBS) may be normally used to disseminate video, images and other data, but major sporting events have been broadcast over it as well. The system will be 'as small as a laptop, and [equipment] the size of a shoebox and umbrella' yet 'in other places will be projected onto large screens in hangers' like aircraft carriers out at sea, explained Raytheon Intelligence and Information Systems' chief innovation officer Mark Bigham."
djl4570 writes "xkcd's 'What If' series consists of humorous takes on highly implausible but oddly interesting hypothetical physics questions, like how to cook a steak with heat from atmospheric re-entry. The most recent entry dealt with flying a Cessna on other planets and moons in the solar system. Mars: 'The tricky thing is that with so little atmosphere, to get any lift, you have to go fast. You need to approach Mach 1 just to get off the ground, and once you get moving, you have so much inertia that it’s hard to change course—if you turn, your plane rotates, but keeps moving in the original direction.' Venus: 'Unfortunately, X-Plane is not capable of simulating the hellish environment near the surface of Venus. But physics calculations give us an idea of what flight there would be like. The upshot is: Your plane would fly pretty well, except it would be on fire the whole time, and then it would stop flying, and then stop being a plane.' There are also a bunch of illustrations for flightpaths on various moons (crashpaths might be more apt), which drew the attention of physics professor Rhett Allain, who explained the math in further detail and provided more accurate paths."
ncc189 writes "The Funimation Roku channel has been basically unusable during primetime for about a month now. With very little feedback from the company and no improvements to the service at all, I canceled my account. My question to Slashdot users is: how long do you give a service to fix issues before you cancel the service, and how much leeway do you give the service's representatives in communicating issue with us? It seems to me that a few days is more than enough in the internet age; 3+ weeks is beyond reason. How long do you think is fair for services like this?"
concealment sends this excerpt from the NY Times: "Late last year, Zoe Keating, an independent musician from Northern California, provided an unusually detailed case in point. In voluminous spreadsheets posted to her Tumblr blog, she revealed the royalties she gets from various services, down to the ten-thousandth of a cent. Even for an under-the-radar artist like Ms. Keating, who describes her style as “avant cello,” the numbers painted a stark picture of what it is like to be a working musician these days. After her songs had been played more than 1.5 million times on Pandora over six months, she earned $1,652.74. On Spotify, 131,000 plays last year netted just $547.71, or an average of 0.42 cent a play. 'In certain types of music, like classical or jazz, we are condemning them to poverty if this is going to be the only way people consume music,' Ms. Keating said. ... The question dogging the music industry is whether these micropayments can add up to anything substantial. 'No artist will be able to survive to be professionals except those who have a significant live business, and that’s very few,' said Hartwig Masuch, chief executive of BMG Rights Management."
silentbrad sends word of a recent lecture given by Valve's Gabe Newell to a college class. He had some interesting remarks about the future of games in the living room: "The threat right now is that Apple has gained a huge amount of market share, and has a relatively obvious pathway towards entering the living room with their platform," Newell said. "I think that there's a scenario where we see sort of a dumbed down living room platform emerging — I think Apple rolls the console guys really easily. The question is can we make enough progress in the PC space to establish ourselves there, and also figure out better ways of addressing mobile before Apple takes over the living room? ... We're happy to do it if nobody else will do it, mainly because everybody else will pile on, and people will have a lot of choices, but they'll have those characteristics. They'll say, 'Well, I could buy a console, which assumes I'll re-buy all my content, have a completely different video system, and, oh, I have a completely different group of friends, apparently. Or I can just extend everything I love about the PC and the internet into the living room.' ... I think the biggest challenge is that Apple moves on the living room before the PC industry sort of gets its act together." There's another hour-long lecture from Newell posted on YouTube talking about productivity, economics, and the future of corporations. Speaking of Steam, reader skade88 points out an article at Linux.com about the current state of the Steam for Linux beta.
An anonymous reader writes in about the latest fallout from CNET's parent company, CBS banning Dish Network's hopper from reviews and award lists. "The Consumer Electronics Association has not only today bestowed its Best in Show title upon the same Dish Network product that started this whole mess in the first place — in the same release, the group says it will no longer work with CNET. CES has enjoyed a long and productive partnership with CNET and the Best of CES awards,' said Karen Chupka, the CEA's senior vice president for events and conferences. "However, we are concerned the new review policy will have a negative impact on our brand should we continue the awards relationship as currently constructed. We look forward to receiving new ideas to recognize the 'best of the best' products introduced at the International CES.""