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CNETNate writes "Most of us assume modern life is the peak of human achievement, but is it really? CNET decided to take a look at the major technologies of the modern world and compare them to their closest equivalent of pre-digital mankind — Facebook vs. dinner parties, World of Warcraft vs. actual war craft, iPhones vs. hills on fire — and the results are surprising. And slightly dumb, so laugh."

destinyland writes "Sunday night saw a reading of the William Gibson's classic cyberpunk novel featuring porn star Sasha Grey at a New York art museum, along with sculpture-props simulating virtual reality. Artist Brody Condon promised to combine 'Gibson's 1980s dystopian techno-fetishism with early twentieth-century abstraction,' but the editor of H+ magazine challenges that description. 'In a 1993 interview, Gibson himself told me: "I think my world looks dystopian if you're a middle class white guy doing reasonably well in 1993... There are so many places in the world today that are so much crappier than anything I'm writing about."' And earlier this month William Gibson shared his response to a blog post about the event. 'Gol' dang! It's news to me!'"

theodp writes "Google has actually managed to patent displaying patents. The USPTO issued US Patent No. D603,866 to six Google inventors for their 'graphical user interface for display screen of a communications terminal.' Among the six inventors is the guy who introduced Google Patents. Ironically, Google Patents can't seem to find the new Google patent for Google Patents."

Barence writes "Science fiction has long inspired real-world technology, but are the authors of sci-fi stories finally running out of steam? PC Pro has traced the history of sci-fi's influence on real-world technology, from Jules Verne to Snow Crash, but suggests that writers have run out of ideas when it comes to inspiring tomorrow's products. 'Since Snow Crash, no novel has had quite the same impact on the computing world, and you might argue that sci-fi and hi-tech are drifting further apart,' PC Pro claims. Author Charles Stross tells the magazine that he began writing a sci-fi novel in 2005 and 'made some predictions, thinking that in ten years they'd either be laughable or they'd have come true. The weird bit? Most of them came true already, by 2009.'"

An anonymous reader writes "It's great that unelected bureaucrats in California are clamoring to save energy, but when they target your big-screen TVs for elimination, consumers and manufacturers are apt to declare war. CEDIA and the CEA are up in arms over this. Audioholics has an interesting response that involves setting the TVs in 'SCAM' mode to meet the energy criteria technically without having to add additional cost or increase costs to consumers. 'In this mode, the display brightness/contrast settings would be set a few clicks to the right of zero, audio would be disabled and backlighting would be set to minimum. The power consumption should be measured in this mode much like an A/V receiver power consumption is measured with one channel driven at full rated power and the other channels at 1/8th power.' This is an example of an impending train wreck of unintended consequences, and many are grabbing the popcorn and pulling up chairs to watch."

Noryungi writes "The interestingly named 'Topless Robot' has a real trip down memory lane: how the computer graphics of the original Star Wars movie were made. The article points to this YouTube video of a short documentary made by Larry Cuba, the original artist, that explains how he did it. In 1977."

EddieSpinola writes "Everyone knows that lossless codecs like FLAC produce better sounding music than lossy codecs like MP3. Well that's the theory anyway. The reality is that most of us can't tell the difference between MP3 and FLAC. In this quick and dirty test, a worrying preponderance of subjects rated the MP3 encodes higher than the FLAC files. Very interesting, if slightly disturbing reading!" Visiting with adblock and flashblock is highly recommended, lest you be blinded. The article is spread over 6 pages and there is no print version.

eldavojohn writes "The apocalyptic film 2012 has dominated the box office, taking in $65 million on opening weekend. But with all those uninformed eyeballs watching the film, NASA has found itself answering so many common questions that their Ask an Astrobiologist blog offers calming, professional reassurance that there is no planet Nibiru, nor will it collide with Earth (although I do recall a massive solar storm forecast). NASA's main site even offers a FAQ answering similar questions. NPR has more on NASA scientist David Morrison and his efforts to calm the ensuing public hysteria, but survivalists are already planning for the big one. Pretty funny, right? Not according to Morrison: 'I've had three from young people saying they were contemplating committing suicide. I've had two from women contemplating killing their children and themselves. I had one last week from a person who said, "I'm so scared, my only friend is my little dog. When should I put it to sleep so it won't suffer?" And I don't know how to answer those questions.'"

destinyland writes "A science writer discovered it's possible to finance your cryogenic preservation using life insurance — and then leave a huge death benefit to your future thawed self. From the article, 'Most in the middle class, if they seriously want it, can afford it now. So by taking the right steps, you can look forward to waking up one bright future morning from cryopreservation the proud owner of a bank account brimming with money!' There's one important caveat: some insist that money 'will have no meaning in a future dominated by advanced molecular manufacturing or other engines of mega-abundance.'"

In September we discussed one isolated instance of the heirs of rights-holders filing for copyright termination. Now Wired discusses the general case — many copyrights from 1978 and before could come up for grabs in a few years. Some are already in play. "At a time when record labels and, to a lesser extent, music publishers, find themselves in the midst of an unprecedented contraction, the last thing they need is to start losing valuable copyrights to '50s, '60s, '70s and '80s music, much of which still sells as well or better than more recently released fare. Nonetheless, the wheels are already in motion. ... The Eagles plan to file grant termination notices by the end of the year.... 'It's going to happen,' said [an industry lawyer]. 'Just think of what the Eagles are doing when they get back their whole catalog. They don't need a record company now... You'll be able to go to Eagles.com (currently under construction) and get all their songs. They're going to do it; it's coming up.' ...If the labels' best strategy to avoid losing copyright grants or renegotiating them at an extreme disadvantage is the same one they're suing other companies for using, they're in for quite a bumpy — or, rather, an even bumpier — ride."