For Us, The Living, by Robert A. Heinlein 348
For Us, The LIving | |
author | Robert A. Heinlein |
pages | 288 pages |
publisher | Scribner |
rating | 3 |
reviewer | Seth Bokelman |
ISBN | 074325998X |
summary | Great piece for die-hard Heinlein fans, not for newbies. |
The book starts with an excellent foreword from Spider Robinson, a friend of Heinlein's as well as a fan, and an excellent Sci-Fi writer in his own right. Spider lays it all out for you in the foreword: this book isn't strong on stories, it's strong on ideas. People who found Heinlein's later works too preachy should steer clear, as this book is probably his preachiest. Robinson speculates that Heinlein really wanted to convey his radical ideas, having just lost a political race, and spent too much of the book standing on the proverbial soapbox, and not enough telling a good story. He says that Heinlein learned from this, and went on to become a master storyteller, learning that people are much more likely to sit still for the lecture if it's embedded in a gripping story.
And that leads me to exactly what's wrong with For Us, The Living. There's very little story in it. There is a plot, and it goes like this. Perry, our hero, (n reality a thinly veiled version of Heinlein himself), is involved in a car accident in 1939, and wakes up in the year 2086 in the body of someone who looks very much like himself, but the original inhabitant of the body chose to end his life (shades of Stranger in a Strange Land here). Our Hero was discovered in the snowy Nevada mountains by a woman named Diana, who is a professional dancer and lives in the mountains. She takes him back to her place to recover, and they're lounging around her house naked by the second page of the book.
From then on, the rest of the book is primarily spent following our hero as he is lectured (literally at times) on the ways of the future, covering topics such as polygamy/polyamory, nudism, the stupidity of jealousy, economics, religion, and the treatment of criminals as patients who need to be cured, rather than miscreants who need to be punished. Many of the ideas that turn up later in Heinlein's books, especially his later books, appear here for the first time. The book is very much, as Spider calls it in the foreword, Heinlein's literary DNA. This is the primordial ooze from which the later books, (Time Enough For Love, Stranger in a Strange Land, Starship Troopers, The Moon is a Harsh Mistress, and dozens more) are formed.
I found Heinlein's predictions of the future very interesting. Since the book was written in 1938-1939, the world hadn't witnessed World War II yet, though Heinlein predicts it. In his version, the U.S. stays out of the War, and Europe eventually self-destructs. Heinlein gets quite a bit of the future right, and quite a bit of it wrong. For instance, in 2086, they still haven't landed a man on the moon, though they're working on it. And, while in the future everyone has terminals (seen in later Heinlein novels) from which they can access live video and audio, information is still printed on paper and transported physically via pneumatic (and magnetic) tubes. But, given that it was written before the atomic age, those things are forgiven, and they're part of what makes the book interesting to read.
It's very obvious why this book wasn't published in 1939 -- it's not very good. Also, much of the subject matter is so controversial and sexual to this day that no major publisher would have dared print it then. The book is a bit rough, and a bit "off" in places. For instance, Heinlein uses a two-page footnote(!) to give us Diana's life story, rather than weave it into the story or the dialogue, something he'd never do in his later work, and the story only starts to get compelling in the last 50 pages or so, once the bulk of the lectures are past us.
So do I recommend this book? Yes and no. If you're a Heinlein fan, and you've read most, if not all, of his other work, then you'll love this book, and you should get a copy right now. It's a great snapshot of Heinlein's writing while he was still struggling to define it himself. If you've never read a Heinlein book, don't start here, pick up Starship Troopers, or Have Spacesuit, Will Travel. If you've read a few Heinlein books, read a few more before you try this one, especially Time Enough For Love, and his later works. I've read everything he ever published, and was sad when I finished off The Menace From Earth, as I'd run out of Heinlein to read. This book provided me with one more thrill, and it made me appreciate how strongly Heinlein held his convictions, and how far he came as a writer, from this, his first attempt.
Now that Bob & Ginny Heinlein have passed on, however, this is almost certainly the last significant piece of Heinlein's writing left unpublished, and for us, the living, it's fun to have something new from the Grand Master to curl up with on a cold winter night.
You can purchase For Us, The Living from bn.com. Slashdot welcomes readers' book reviews -- to submit a review for consideration, read the book review guidelines, then visit the submission page.
Re:Who? (Score:2, Insightful)
Are there still people who haven't heard of Google [google.com]? Or Wikipedia [wikipedia.org]?
The lesson here (Score:4, Insightful)
Heinlein Published Just One Novel (Score:5, Insightful)
Then I read "Stranger in A Strange Land", and I thought it was very similar in important respects, but I still liked it.
I went on to read several more of his books and short stories, and eventually I came to feel that he simply took the same central ideas, wrapped them in a thin veneer of different characters, and re-published them as a "new" book.
MAN, did I quickly grow tired of him!
(It did NOT help that I think his politics suck.)
Asimov is the Grand Master, not Heinlein. (In my opinion.)
Thanks, but... (Score:5, Insightful)
Re:Who? (Score:2, Insightful)
Go to www.heinleinsociety.org to find out more.
Re:Who? (Score:5, Insightful)
I read great heaps of RAH in high school and my early college years. One of my "first loves" in SF. I'm less of a fan now, and see a lot of his stuff as dated and politically cranky . . . but his best stuff holds up well.
Have Spacesuit, Will Travel was already mentioned. A great YA novel.
The Moon is a Harsh Mistress. Libertarian moon colony vs. heavy-handed Earth authorities.
Time for the Stars. Under-appreciated YA novel about telepathic twins used to communicate with starships.
Waldo. Actually a novella. Genius-nerd with atrophied muscles, not satisfied with bedrest, builds . . . waldos.
Starship Troopers is a wonderful, obnoxious polemic.
Stefan
Re:Contradiction (Score:1, Insightful)
Now, it has come to see the light of day.
It was his first, I actually would assume he would not have wanted it published, but I will read it anyway.
About what I expected (Score:5, Insightful)
Heinlein hated the direction he foresaw the world taking, and it came out more and more in his later works, when he could write pretty much anything and his publisher would print it. I confess to liking Number of the Beast, but lord Bob almighty, it certainly can't compare to Stranger or The Moon is a Harsh Mistress. I'm glad Heinlein took the time to refine his craft.
That said, I'm kinda looking forward to reading what sounds like a Mary Sue story that neither he nor Ginny would ever have let see the light of day during their lives.
-Carolyn
Re:The lesson here (Score:5, Insightful)
Re:Heinlein Published Just One Novel (Score:3, Insightful)
IMHO, everything he wrote before Stranger in a Strange Land is awesome science fiction... And everything there and since is pretty Frakking awful. Except Friday. And now, not only do we have the Friday exception, we have the For Us, The Living exception.
From what I can tell from reading, For Us, The Living as a title is in part an homage to Ayn Rand (We The Living.) Heinlein was so much better when his characters practiced their philosophy instead of preaching it.
If you want to enjoy a great science fiction author, read Heinlein pre-Stranger. Especially The Puppet Masters and Double Star. I've read them both a dozen times and I still tear up like the fanboy I am at the last page of each one.
In fact, I can quote the last line of The Puppet Masters by heart: The free men of Earth are coming to kill you. Death and destruction!
See? Fanboy goosebumps and a tear in the eye. Lazarus Long and Valentine Michael Smith ain't gonna do that for anybody... Frakking hippies.
Decent Review (Score:2, Insightful)
Re:Heinlein Published Just One Novel (Score:5, Insightful)
But in a way thats good I suppose. If people either love you or hate you then you must really be saying something.
Re:Who? (Score:4, Insightful)
When you're reading a Heinlein book and there is a scene where one of the characters drops a name and you GET the reference to a different Heinlein story...you're no longer starting to read Heinlein. At that point you're prepared for his best, worst and strangest works.
Heinlein is not for everyone. He was an intelligent, strong and opinionated writer. His characters reflect this with an "I'm doing it my way and unless you plan to TRY kill me thats the way its going to be." kind of attitude. Often people are intimidated or offended by that attitude. I'm a huge fan of it. While I don't agree with all of Heinlein's views, I have imense respect for the fact that he took the time to develop an opinion and effort to express it as he did.
Re:i don't see it (Score:1, Insightful)
He primarily wrote about adolescent fantasy worlds with few or no real humans in them, but the prose itself is fantasic.
It's a problem for a lot of his fans -- we read him along with Ayn Rand in high school and thought "Wow, this is what life is really about!". Now we're all embarrassed to have him on our shelves
It's no solution (Score:3, Insightful)
It's the do-nothing vision of how things should work. No planning, not even any recognition of a problem. In other words, pretty much the perfect human solution to such a problem.
I strongly suspect that's about how it's going to work out, too.
Re:Who? (Score:3, Insightful)
Re:Heinlein Published Just One Novel (Score:3, Insightful)
I've read IWFNE three times. The first time, I thought it was disappointing. Years later, I thought that I'd read it again, because I had come to think that, just possibly it couldn't be as bad as I remembered, and of course my experience has been that many books I had trouble with as a teenager became more comprehensible and enjoyable later into my adult years. So I tried it again, and, if anything, it was worse than I remembered.
Being a slow learner, I tried it again a few years later. And lo, and behold! It had not gotten any better in the intervening years. So I've finally learned that it blows chunks, and I won't ever read it again.
Next worst (in my opinion) is The Number of the Beast. But that one is at least possible for me to read without gagging.
My all-time favorite is Citizen of the Galaxy. The odyssey of Thorby is one of the most compelling stories I've ever read.
Re:Thanks, but... (Score:3, Insightful)
The Number of the Beast was decidedly not RAH at his best. "Job", on the other hand, was really quite funny and a decent read. The Door Into Summer is worth the read just for RAH's description of the cat looking for "the door into summer.
Re:Oh, really? (Score:5, Insightful)
Johnny Rico? Jubal Harsaw?
Valentine Michael Smith?
Friday? Mr. Kiku?
Waldo? The Great Lorenzo?
Thorby? Joe-Jim?
The Unmarried Mother?
Podkayne, and her obnoxious brother?
These were all thinly veiled versions of Heinlein?
Nope, not buying it.
P.S. I think what's going on here is that Heinlein was always story-driven, much more than character-driven. Some people like that, some people don't. Unless the story happens to be about character development, characters in a story-driven story don't get as much attention.
But to leap from that to saying that every character is RAH himself in disguise is, IMHO, less than insightful.
steveha
Re:The lesson here (Score:3, Insightful)
In any case, again, you're dead. Really, who cares about your wishes in the matter? Why should they?
Heinlein for the beginning geek (Score:3, Insightful)
A personal favorite of mine is Have Spacesuit Will Travel, which is a mix of some gritty hard SF (e.g. survival situation on the moon involving solving problems with incompatible valve fittings) and crazed space opera (an amorphous alien blob named "The Mother Thing", representing the authority of the unified Three Galaxes).
The three books by Heinlein that may ultimately be the most interesting (and also the most controversial) are:
[1] Yes, I said "*military* veterans". Yes, I know what Heinlein said in "Expanded Universe". Try reading this (warning PDF): The Nature of "Federal Service" in Robert A. Heinlein's Starship Troopers [nitrosyncretic.com]