XM+MP3 Going to Trial 206
fistfullast33l writes "A federal judge has ruled that Music Companies can take XM Radio to trial over the XM+MP3 device that allows users to record songs off the Satellite Radio Company's network for playback later. The lawsuit, which was filed last year, asserts that XM is violating the Music publishers' sole distribution rights. From the article: 'XM has argued it is protected from infringement lawsuits by the Audio Home Recording Act of 1992, which permits individuals to record music off the radio for private use. The judge said she did not believe the company was protected in this instance by the act.'"
Re:I am not a lawyer, but.. (Score:5, Informative)
The statement was given in a hearing about whether or not this case will go to trial. Both sides gave an argument, and the judge decided that the RIAA's argument was compelling enough to move to a full trial. This type of opinion is normal in a ruling, be it a hearing or trial.
This is just a negotiating tactic (Score:5, Informative)
They're reasoning is that music is the biggest draw for XM listeners. So if XM can afford to pay Jimmie Johnson a million a year for one radio show, then the music cartel deserves at least 60 times that much (for sixty channels of music). But currently, the muisc mafia is locked into a ten year contract for a total of 60 million dollars.
This was all explained in a letter to XM subscribers a couple of months ago.
According to Wikipedia... (Score:5, Informative)
From The U.S. Copyright Office [copyright.gov]:
It looks like this is saying that you can't sue the makers of any recording device based no the noncommercial use of an infringing consumer. (Not it doesn't stop them from suing the consumer).
I may be missing something... any ideas?
We should look back to the Copyright Act of 1976 (Score:3, Informative)
Basically, the amendment says that digital recording devices must abide by a Serial Copy management System Basically an SCMS will allow you to make as many first generation copies of the original source but this copy will not allow copies to be made from it. (No second generation.)
Maybe the judge sees that this XM+MP3 does not have this copy-bit protection and will allow the lawsuit to continue. I didn't see anymore information in the TFA to tell why she ruled. But if XM+MP3 can show that it only allows for first generation copying only, then there should be no case.
http://en.wikipedia.org/wiki/Serial_Copy_Managemen t_System [wikipedia.org].
Re:Scope of Civil Court questions (Score:3, Informative)
Amendment VII
In suits at common law, where the value in controversy shall exceed twenty dollars, the right of trial by jury shall be preserved, and no fact tried by a jury, shall be otherwise reexamined in any court of the United States, than according to the rules of the common law.
Re:Protection (Score:4, Informative)
Well, from that very article, we find this paragraph
Which, if I read it correctly, a "device marketed primarily for making copies of music" (ie, a sattelite receiver with a record feature) might, in fact, be an infringing device because that is it's primary function. It also isn't a device whose primary function is recording of non-music.
As I read this, XM may be in deep doo doo here. The protection you reference isn't a blanket permission, but it has restrictions on it. XM may be running afoul of those restrictions.
Cheers
Re:I am not a lawyer, but.. (Score:3, Informative)
Re:Protection (Score:5, Informative)
Re:Satelitte radio sucks ... (Score:2, Informative)
That would be nice. My favorite music station is Radio Paradise, [radioparadise.com] a listener-supported station out of Paradise California. It is my great pleasure to support them for all the enjoyment I get from listening to commercial-free music at work and at home. They are also responsible for the majority of my music purchases (hundreds, if not thousands, of dollars per year), which makes things like the PERRORM Act [slashdot.org] particularly offensive.
But does it matter if in MP3 (w/ reguards to SCMS) (Score:3, Informative)
Re:Tape recorders?? (Score:3, Informative)
Re:This is a case... (Score:5, Informative)
It's like "it's legal for minors to possess, but not purchase, cigarettes."
If I have a right to record music, denying me any device that allows me to exercise that right denies me that right - and so having an act that protects that right is useless to begin with.
Not necessarily going to trial. (Score:1, Informative)
This decision was in response to XM's motion to dismiss, which requires the court to accept all allegations in the recording industry's complaint as true. Therefore, all this decision is saying is that if what the recording companies say in their complaint is correct, they at least state a claim under the law.
This does NOT mean it is going to trial. It just means the case isn't thrown out immediately. It could go to trial, but first it will have to go through discovery and summary judgment motions, where the parties actually present evidence to the court.
Oh, and IAAL, hence the AC.
Re:I am not a lawyer, but.. (Score:3, Informative)
The case "began" as soon as it was filed, this ruling is not before the case began. Judges often are called upon to make legal rulings before a case proceeds to trial, as here, which would include determining whether or not, on the facts alleged, the entire cause of action is prohibited by a statute and therefore the case must be thrown out.
Now, admittedly, the summary would have been more accurate if it said "The judge held that, assuming the truth of the factual allegations made by the RIAA, the suit was not clearly barred, as a matter of law, by the AHRA."
This does not mean that the judge agrees with the RIAA's fact claims: presenting evidence to controvert fact claims and resolving the truth of those is a matter for trial.
Re:Protection (Score:4, Informative)
"Where do you get that from? The cassette recorder on my home stereo has no such feature neither does the VCR in the attic."
He's referring to the AHRA. He referenced it in his note; it's also in the writeup. Specifically he's referring to the AHRA's requirement that digital audio recording devices have serial copy management systems in place. He was pretty terse; he made the (obviously incorrect) assumption that readers are familiar with the AHRA.
At any rate, the devices you mention aren't likely defined as digital audio recording devices by the AHRA. While you're 100% correct that they don't have SCMS, it's not germane to the discussion.
Re:According to Wikipedia... (Score:4, Informative)
First, it does stop you from suing the consumer, which was rather the point of the media tax and the AHRA in the first place.
Second, the RIAA's claim is that XM isn't being sued for manufacturing the equipment, they are being sued for illegal "distribution" of copyrighted content because the combination of equipment and service they provide makes them a distributor, not merely a broadcaster, and they've only paid for a license to broadcast.
If it succeeds, the RIAA probably won't have struck a lasting blow against recording satellite-broadcast music, but may strike an unintentional blow against integration of content delivery services with recording services and hardware, which might indirectly promote interoperability and open standards.
xm (Score:1, Informative)
i just wanted to clear some of the recording features up. all if they take away my xm/mp3 player, i don't know what i'll do. i'll burn cali down or something. oh wait, it's always on fire......
A quick Macrovision primer (Score:3, Informative)
Not true. Macrovision works (as I understand it) by making the auto-brightness-adjust of the VCR go nuts.
Pretty close. It's actually the record level, which affects all aspects of the video signal stored on the tape.
Magnetic tape recording devices need to set their record levels so that the tape comes as close as possible to being saturated. Too low, bad signal to noise ratio. Too high, distortion - clipping in audio, and "white clip" (a lack of contrast on bright objects) in video.
VHS uses the vertical blanking interval (that black horizontal bar when the vertical hold control is set wrong) to set the record level - the video is a known state in this bar; it should be black. Some older VHS VCRs did it in other ways, and Betamax/U-Matic also set the record level in other ways. Most professional machines use a manual record level adjustment.
Macrovision simply adds flickering white blocks into the vertical blanking interval. As a result, the VCR's record levels are set wrong. Flashing and flickering are easily implemented by playing with the Macrovision pulse levels during the movie - the VCR's record levels go way off and the recording becomes unwatchable.
When you're simply feeding the signal through the VCR, chances are that the VCR is adjusting the video levels to the TV by using its record level setting mechanism, but since the TV is a lot less sensitive to the variations in signal strength (thanks to an AGC circuit built into the TV), it is not affected anywhere near as drastically as the magnetic tape. This is why you *might* be able to use your VCR as a modulator for your DVD player, but it is by no means guaranteed.
Some older TVs (typically pre-1980) will be affected by Macrovision, typically because their sync separator circuits require the black lines to "recalibrate" after the vertical sync pulse - this is the reason why the NTSC system had such a large vertical blanking interval in the first place. With the advent of non-professional and sometimes unstable video sources (VCRs are notoriously unstable, since the sync they generate depends on tape speed and other mechanical factros), TV set designers were forced to improve sync circuits.
Macrovision is easy enough to remove - after the vertical sync pulse, ensure that there are 22 lines of blackness separated only by horizontal sync pulses, then pass all lines until the next vertical sync pulse completely transparently. An LM1881 sync separator IC, a simple TTL counter and an op-amp are all that is required to scrub Macrovision. My own reason for doing this is to be able to watch DVDs on my collection of 1950s TV sets, most of which lose vertical sync with a Macrovision signal. You could also use a TBC (TimeBase Corrector), since the TBC re-draws all the NTSC sync features as well as compensating for VCR jitter (even a professional analog VTR doesn't produce broadcast-quality sync or timing). I scored a used broadcast quality TBC a few years ago and it does wonders for the stability of my TV collection, especially being able to switch video sources and having the TBC ensure rock-solid sync through the transition.
Oh, and your DVD player actually inserts it when it generates the sync. DVD video files do not include either the horizontal or vertical blanking interval (for one thing, it would waste space on the disc); these NTSC requirements are generated by the DVD player's electronics, and the Macrovision signal in the vertical blanking interval is instead enabled or disabled by an instruction from the disc. I'd also imagine that DVD recorders are susceptible to Macrovision; to enforce copy protection and for design convenience, it would be easy enough to use the vertical blanking interval to set their own black levels just like a VHS VCR.