New Hope for Jackson Hobbit Film? 268
DrJimbo writes "Just in time for the 70th Anniversary of the Hobbit (published September 21, 1937) Entertainment Weekly has a 5-page article on a possible reconciliation between Peter Jackson and New Line Cinema that may pave the way for the director of the Lord of the Rings trilogy to return and helm the filming of The Hobbit. It was previously reported here that Jackson would not be making the Hobbit film. The EW article says that Jackson wants to make two films: first the Hobbit in its entirety and then another film that bridges the roughly 60 years between the end of the Hobbit and the start of the Lord of the Rings. Unfortunately Jackson already has a lot on his plate with filming of The Lovely Bones scheduled to start this month and a live action Tintin film in the works."
Not public domain (Score:3, Insightful)
Er, what? (Score:5, Insightful)
What exactly happens, of any interest, in that period? Bilbo uses the Ring a few times to avoid the Sackville-Bagginses. Writes memoirs. Lends mithril armour to the Michel Delving Mathom-house. Wow, riveting stuff.
In the wider world, Sauron has returned to Mordor and is rebuilding Barad-dur. Three hours on an Orcish construction site, then?
The only excitement you might get is following Aragorn incognito in the guard of Minas Tirith. But to what end?
Re:Hope? (Score:3, Insightful)
Someone smack New Line with a cluestick? (Score:5, Insightful)
So New Line realizes they could stop buggering the goose that laid the golden egg and make another fat pile of shiny if they treat it nice? DUUUH, but still a bit of cluefulness not expected from Hollywood. Now go make the movie!
Re:Would it really be so bad if he didn't direct i (Score:5, Insightful)
Re:Er, what? (Score:5, Insightful)
Dwarves, Elves, and Humans were already fighting Suaron on their own fronts by the time they talked about it at Elrond's Rivendell council in Fellowship. Plenty of elaborate battle scenes for Jackson to film. If they can get at least a handful of the same actors from the other movies, they'll do fine.
Re:You are taking the piss, right? (Score:5, Insightful)
While not entirely successful, changes were necessary to make it possible to make a poetic work function dramatically.
Dramatic storytelling is fundamentally unrealistic, because it overemphasizes the power of an individual's ability to control situations through their decisions. LotR doesn't believe the fundamental model. In LotR, no individual is capable of achieving success. While individuals may fail through their own actions, they cannot succeed. This is a profoundly un-dramatic viewpoint; the rules of drama say that the protagonist must overcome adversity through his own virtues. In LotR, characters may attain their ends, but they do not achieve them. It is not accidental that Frodo fails in his quest, it is a deliberate philosophical statement about the action of grace in the lives of people who at least try to be virtuous.
In Tolkien's world view, the agency of individuals even in their own decisions is limited. People roll along in the grooves that their habitual actions have worn in their character. We are carefully presented with pairs of characters in which the practice or non practice of the Christian virtues of faith, hope and love play out in their destinies: Frodo/Gollum, Theoden/Denethor, Faramir/Boromir. The idea that a character's destiny is part of a larger process than the events of the story is also anti-dramatic.
It is inevitable that changes are made to make the movie work dramatically -- at the very least the elaborate parallelism of Tolkien would have doubled the length of the movies. This is not heresy, Tolkien himself was the kind of author who never stopped changing a manuscript until it was torn from his hands. Some of the movie changes work, some of them don't.
The changes that don't work fail because the story is simply too complex already for them to be developed adequately. As it is, considerable familiarity with the story is needed to follow the movies. The story changes work to the degree their ends are consistent with time available. The changes in Faramir, for example, simply don't ring true, because there isn't enough time to show him making a believable "change of heart" decision. Rewriting Theoden's death scene to be played with Eowyn was not only time efficient, it heightened the emotional impact of the scene. It also brings the somewhat brash screen Theoden back to Tolkien's Theoden, whose saving grace was humility.
Many changes were done to preserve pieces of poetry in the original; Eomer's words are put in Theoden's mouth; the words of the unnamed narrator are put in Gandalf's mouth. By in large these are to the benefit of the movies in that they preserve some of the beauty of the original.
I was watching the DVD of Return of the King recently, and I was particularly struck by the Rohirrim in the Battle of Pelennor Fields. This was of course altered to fit the needs of dramatization, but I believe Tolkien would have been thrilled. It shows how Jackson understands the heroic values of Lord of the Rings, even if he is not 100% successful in translating those values to the screen: heroism is not conferred by victory, but by acting courageously when reason tells you victory is impossible.
Sounds like another case... (Score:3, Insightful)
Re:You are taking the piss, right? (Score:3, Insightful)
Which was pretty much inevitable. No two people would make the same choices, therefore any specific changes are bound to cause dissatisfaction in some people. Fan satisfaction/dissatisfaction is not a viable criterion for judging whether a change works.
My opinion is that in order for changes to work, they have to have screen time to play out. This means that reasonable changes that condense the story nearly always work, although we might be disappointed to lose some of our personal favorite bits. Changes that demand explanation tend to fail to make their point and make the movie somewhat more confusing. Very few of the changes made were "silly", although more than a few were too ambitious. I could give examples of seemingly arbitrary changes that actually make sense withing the overall plan of the movie; the fact that the plan is not 100% successful doesn't make them "arbitrary".
You might not agree, but I think that's a substantive opinion.
I have over the years made a point of studying literary criticism of Tolkien. Right or wrong, serious literary criticism is at least subject to refutation, which means it takes some courage and integrity to do. I wonder who in your opinion, is not self-absorbed, fallacious, or dumb when it comes to Tolkien, other than (obviously) yourself?
Re:Er, what? (Score:3, Insightful)
Treebeard was not by any means out-of-touch with the world. He was fully aware of what was going on, as he had had many sources of information -- Gandalf and and even Saruman had once spoken often with him, because they knew him to be wise and knowledgeable. Over and over again, Treebeard is described as extremely intelligent and has an uncanny knowledge of events. Merry and Pippin did not need to rouse the Ents to action in the book, because Treebeard was already concerned about what was going on, and Merry and Pippin were just another further motivator for him. The only concern he had was convincing all the other Ents to rouse themselves, which he and a few other activist Ents (many had been severely wounded or lost many of their trees to Saruman) succeeded in doing. In the movie, Treebeard is reasonably kind, but an idiot.
In the book, Treebeard uses the Hobbits as an aid in convincing the other Ents to act. He's the master of the situation, fully aware, cognizant, and active. In the movie, he's an oaf that decides to do nothing until he actually sees what's going on -- like he wouldn't have before? Huh? And suddenly the democratic Entmoot is canceled out just because Treebeard got angry? It really doesn't make much sense, compared with the book, but I suppose it's more dramatic. I think that's the kind of changes the GP is talking about, and there indeed a lot of them -- scenes and events changed to become more dramatic instead of logical.
Re:Er, what? (Score:3, Insightful)
I enjoy both the film and the books. The film has great costumes, awsome effects, and is a lot of fun to watch. The books are great because I can fully immerse myself in the world of middle earth when I read them. You can like both, they aren't mutually exclusive.
I would welcome a Jackson-directed Hobbit movie since I know it would be a lot of fun to see the costumes, effects, and world of middle earth come alive on the screen again. I know it will not be an exact representation of the book, but it really doesn't need to be in order to be a good film.