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Sci-Fi Books

Revolution of the Science Fiction Authors 292

An anonymous reader writes "85 science fiction authors including Iain M Banks, Larry Niven, Stephen Hunt, Greg Bear and Michael Moorcock have written an open letter of protest to the BBC complaining of disrespect towards the genre, when, during an entire day of coverage of fiction by the BBC, not a single SF, fantasy or horror book was looked at. Here's the original article that sparked the open letter, along with updates. The British prime minister, David Cameron, when asked to comment, said that he doesn't have a favorite genre, so I guess he's not taking Greg Bear books to bed either!"
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Revolution of the Science Fiction Authors

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  • Something for children, adolescents, and overgrown man-children who lack the sophistication to appreciate the subtle beauty of the real world. Never mind that that is simply not true, as the genre includes some of the most beautiful and mature artistic works ever published. People who are into "literature" as opposed to "reading books" tend to be elitist snobs.

  • by WebManWalking ( 1225366 ) on Friday April 22, 2011 @04:29PM (#35909676)
    Condolences to the UK, but the US doesn't fare much better. Decades ago, NBC was in on the ground floor of a multibillion dollar franchise ("Star Trek"). They moved its time slot capriciously, as if trying to lose viewership, and cut its budget mercilessly. In its last season, just about every set was nothing but cheapo paper mache boulders. Then they cancelled it at the height of its popularity. In other words, they underestimated the public's appetite for sci-fi by tens of billions, dollars or pounds, take your pick.

    Now we have a cable channel dedicated to sci-fi, and they changed their name to "Syfy". How's that's supposed to be pronounced, "siffie"? They used to produce remakes of Dune that were more faithful to the books, but "Syfy" now only makes end-of-the-world and big-animal movies. They've lost faith in sci-fi too, as much as NBC did.

    Both sides of the Atlantic, sad to say.
  • That's because realistic utopias without external threats would hold absolutely no dramatic tension. You could basically write, "And they all lived happily ever after" and be done with it. So utopias in fiction have to be either false utopias, or faced with a credible existential threat.

  • by MrHanky ( 141717 ) on Friday April 22, 2011 @04:50PM (#35909864) Homepage Journal

    You know what's funny? The fact that you're as condescending towards "mainstream lit" as you yourself imagine it is towards you. Project much?

  • by 0xdeadbeef ( 28836 ) on Friday April 22, 2011 @05:37PM (#35910298) Homepage Journal

    Never mind that that is simply not true, as the genre includes some of the most beautiful and mature artistic works ever published.

    When the authors win Nobel Prizes (eg. Gabriel Garcia Marquez, Doris Lessing), then it's not considered science fiction or fantasy, then it is literature.

    They do this because the ethos of the literary critic is grounded in resentment. They resent not having talent themselves, they resent the lack of attention given to their field, and they greatly resent how the scientific rationalist worldview does not consider mere rhetoric as a valid form of argument. They value opinion over evidence, and in that respect they are no different than the talking heads on Fox News. You must flatter them and their ideology before they will accept your fantastic literature as literature.

    What they're too stupid to comprehend is that all literature descends from fantasy. Keeping stories plausible is a modern invention. In every culture, the original fiction always involved gods, magic, and feats of heroism.

  • by Canazza ( 1428553 ) on Friday April 22, 2011 @06:12PM (#35910620)

    What about the really old-school authors?
    Asimov's End of Eternity and The Gods Themselves are two of my favourite books (although they haven't aged well), and Ray Bradbury's Fahrenheit 451 is still scarily relevant today as it was when it was written (And is a damn site less anachronistic than Asimov's future predictions) *and* Fahrenheit 451 has some excellent characterisation, is choc full of the allusions and metaphors that lit-lovers seem to gobble up.
    Before he died, Arthur C Clarke did some colabs with Stephen Baxter and Time's Eye is one of my favourite reads of the last decade. At its core it's is an exploration and deconstruction of what people of all ages past expected of the future, and how they react when they actually see it (and not in a goofy 'Bill and Ted' way, this is Arthur C Clarke after all)

    At the very least Fahrenheit 451 should have been mentioned. I still hold that above 1984 as the most portentous prediction in sci-fi, plus, it's got government sanctioned arson and that's always a bonus.

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