Movies

Why Does Hollywood Remain Out of Step With the Body-Positive Movement? (nytimes.com) 688

According to a report from The New York Times, Hollywood continues to praise plus-sized actresses in knockout roles and then reduce them to bit parts about physical weight. Slashdot reader cdreimer shares an excerpt from the report: The first thing Danielle Macdonald did at the Cannes Film Festival in May was break into a cold sweat: The airline had lost her luggage. She was already nervous enough. Ms. Macdonald, 26, had been plucked from obscurity to play the lead role in "Patti Cake$," a drama about a rapper that was about to face the Cannes critics. Now she had to find something glamorous to wear -- pronto -- to the premiere. "As a bigger girl," Ms. Macdonald told me recently, "where was I meant to find something that would fit?" Her story then veered in an unexpected direction -- revealing her approach to Hollywood, which expects its lead actresses to be scarily skinny. "I gave myself a pep talk," she said. "This situation is what it is. Find a way to work around it." The red carpet crisis was resolved (another "Patti Cake$" star, Cathy Moriarty, lent her a black dress), but if the experiences of countless actresses before Ms. Macdonald are any indication, it will not be as easy to overcome the career obstacles that await her post-"Patti Cake$."

For women -- less so for men -- weight is perhaps the most stubborn of the entertainment industry's many biases. Have an average-sized body? Call us when you've starved yourself. In particular, Ms. Macdonald must avoid a cycle that plays out over and over in moviedom, one that some film agents coarsely call the fat flavor of the moment. A plus-size actress, almost always an unknown, lands the central role in a film and delivers a knockout performance. She is held up by producers and the entertainment news media as refreshing, long overdue evidence that Hollywood's insistence on microscopic waistlines is ending. And then she is slowly but surely pushed into bit parts, many of which are defined by weight.

Piracy

Roku Gets Tough On Pirate Channels, Warns Users (torrentfreak.com) 79

An anonymous reader quotes a report from TorrentFreak: Earlier this year Roku was harshly confronted with this new piracy crackdown when a Mexican court ordered local retailers to take its media player off the shelves. While this legal battle isn't over yet, it was clear to Roku that misuse of its platform wasn't without consequences. While Roku never permitted any infringing content, it appears that the company has recently made some adjustments to better deal with the problem, or at least clarify its stance. Pirate content generally doesn't show up in the official Roku Channel Store but is directly loaded onto the device through third-party "private" channels. A few weeks ago, Roku renamed these "private" channels to "non-certified" channels, while making it very clear that copyright infringement is not allowed. A "WARNING!" message that pops up during the installation of these third-party channels stresses that Roku has no control over the content. In addition, the company notes that these channels may be removed if it links to copyright infringing content.

"By continuing, you acknowledge you are accessing a non-certified channel that may include content that is offensive or inappropriate for some audiences," Roku's warning reads. "Moreover, if Roku determines that this channel violates copyright, contains illegal content, or otherwise violates Roku's terms and conditions, then ROKU MAY REMOVE THIS CHANNEL WITHOUT PRIOR NOTICE."

Television

YouTube Has An Illegal TV Streaming Problem (mashable.com) 119

An anonymous reader quotes a report from Mashable: Most people turn to Netflix to binge watch full seasons of a single TV show, but there could be a much cheaper way: YouTube. You might be surprised to learn that you can watch full episodes of popular TV shows on YouTube for free, thanks to a large number of rogue accounts that are hosting illegal live streams of shows. Perhaps the most shocking thing about these free (and very illegal) TV live streams might even make their way into your suggested video queue, if you watch enough "random shit" and Bobby Hill quote compilations on the site, as Mashable business editor Jason Abbruzzese recently experienced. He first noticed the surprisingly high number of illegal TV streaming accounts on his YouTube homepage, which has tailored recommended videos based on his viewing habits. Personalized recommendations aren't exactly new -- but the number of illegal live streams broadcasting copyrighted material on a loop was a shocker. When we looked deeper into the livestreams, the number we found was mindblowing. Many of these accounts appear to exist solely to give watchers an endless loop of their favorite shows and only have a few other posts related to the live streamed content. "YouTube respects the rights of copyright holders and we've invested heavily in copyright and content management tools to give rights holders control of their content on YouTube," a YouTube spokesperson told Mashable in an email. "When copyright holders work with us to provide reference files for their content, we ensure all live broadcasts are scanned for third party content, and we either pause or terminate streams when we find matches to third party content."
Businesses

Apple Is Bringing a Billion Dollar Checkbook To Hollywood and Wants To Buy 10 TV Shows (recode.net) 79

Apple is officially open for business in Hollywood. From a report: The company is telling content makers it wants to spend $1 billion on its own stuff over the next year. That's music to studios' ears, and a tune they have been expecting for some time -- especially after Apple hired two top Sony TV executives in June. We still don't know what Apple wants to do with that content: The Wall Street Journal says Apple wants to make up to 10 "Game of Thrones" -- or "House of Cards"-scale shows, but that's not enough to launch a full-scale subscription service.
Businesses

Netflix Co-Founder's Crazy Plan: Pay $10 a Month, Go to the Movies All You Want (bloomberg.com) 274

Mitch Lowe, a founder of Netflix, has a crazy idea. Through his new startup MoviePass, he wants to subsidize our film habit, letting us go to the theater once a day for about the price of a single ticket. From a report: Lowe, an early Netflix executive who now runs a startup called MoviePass, plans to drop the price of the company's movie ticket subscriptions on Tuesday to $9.95. The fee will let customers get in to one showing every day at any theater in the U.S. that accepts debit cards. MoviePass will pay theaters the full price of each ticket used by subscribers, excluding 3D or Imax screens. MoviePass could lose a lot of money subsidizing people's movie habits. So the company also raised cash on Tuesday by selling a majority stake to Helios and Matheson Analytics, a small, publicly traded data firm in New York. [...] Theater operators should certainly welcome any effort to increase sales. The top four cinema operators, led by AMC Entertainment, lost $1.3 billion in market value early this month after a disappointing summer.
Displays

Samsung Pushes Its 4K/HDR TV Service in Europe (4k.com) 55

An anonymous reader quotes 4K.com: Samsung Electronics has announced that its premium Smart TV content service, TV Plus, is now available for users of Samsung Smart TVs in France, Germany, Italy, Spain and the United Kingdom... Owners of eligible Samsung Smart TVs with 4K / HDR capabilities in the above-mentioned European countries now have direct access to premium 4K UHD HDR content offered by Samsung, in partnership with Rakuten TV, and can find their favorite shows using the TV Plus straightforward interface... The expansion comes at what could be considered a strategically well timed moment in the European market, given that 4K TV sales in the huge continental market are steadily growing year by year and are expected to rise to over 17 million 4K TV units shipped by the end of 2017. Meanwhile, TV Plus content has become a success in Southeast Asia since its launch, where 70% of Smart TV users in Korea are watching TV PLUS channels, and 41% of Smart TV users in Vietnam are using TV PLUS.
Music

Crowdfunding Campaign Seeks a Libre Recording of a Newly-Completed Bach Work (kickstarter.com) 87

Slashdot reader DevNull127 writes: Robert Douglass's Kickstarter campaigns have resulted in free fan-funded open source recordings of Bach's Goldberg Variations and the 48 pieces in his Well-Tempered Clavier, Book 1. "Even Richard Stallman found these recordings, and he promptly wrote an email encouraging us to drop the word 'Open' in favor of 'Free' or 'Libre'," Douglas tells BoingBoing (adding "when RMS writes you telling you to change the name of your music project, you change the name of your music project.")

Now Douglass is crowdfunding a libre recording of Bach's last masterpiece, 20 fugues developed from a single theme called "the Art of the Fugue". "He wanted to culminate in a final fugue that literally spells his name, B-A-C-H, in musical notation," remembers Douglass, but "unfortunately, Bach died before completing that work, and it has remained a musical mystery (and tragedy) for hundreds of years." Fortunately Kimiko Ishizaka completed the work in 2016, "based on the music that Bach left us... This new composition will also be released under a Creative Commons license as part of the new OpenScore.cc project... Kimiko is eminently grateful to her fans and supporters of free culture for allowing her to focus all of her energies on growing the public domain and bringing the music of J.S. Bach to a far broader audience than ever imagined."

They're also rewarding supporters with tickets to two live performances -- one at Carnegie Hall in New York City and one in Hamburg's new Elbphilharmonie.
The Internet

28 Years Later, Pioneering Tech Magazine 'Mondo 2000' Relaunches Online (mondo2000.com) 35

In 1989 Mondo 2000 magazine ran an editorial promising they'd cover "the leading edge in hyperculture...the latest in human/technological interactive mutational forms as they happen." 28 years later, they're now heckling that editorial as they relaunch into a web site. Slashdot reader DevNull127 quotes Motherboard's interview with R.U. Sirius, the founder of Mondo 2000 (as well as its predecessors High Frontiers and Reality Hackers): "It was my idea to merge psychedelics and emerging technologies, and the culture around technology," Sirius said, citing Timothy Leary, writer Robert Anton Wilson and counterculture magazine The Whole Earth Catalog among his inspirations... "I kind of found my way into that particular stream of bohemian culture. It was probably a minority, but there had always been that idea of letting robots replace human work." Soon High Frontiers evolved into a glossy magazine, Reality Hackers ("Some distributors at the time thought it was about hacking people up, and put it on the shelf next to murder mystery magazines"), and later Mondo 2000, which ran from 1989 till 1998...

"We really had to work to convince people that technology was defining the future. Nobody really got it. Doug Rushkoff wrote his book Cyberia, and his first book company cancelled its publication because they said the internet was a fad and that it would be over by the time the book came out"... While he uses Facebook and Twitter, Sirius is critical of their role in colonising what was once a more democratic and open space. "People are being herded into little buildings -- or huge ones -- in what was supposed to be a wide open space in which everybody created their own sites. It's a complete corporate takeover of the net, Facebook in particular... It's definitely not what we were expecting."

Mondo 2000's new online relaunch includes audio of a conversation between William Gibson and Timothy Leary about a Neuromancer game to accompany a proposed film back in 1989. (Gibson complained "That was no interview! That was a drunken business meeting!" when first informed of the magazine's plans to publish it, though he eventually "became friendly.") There's also a 1987 discussion about mind technologies with 73-year-old William S. Burroughs (who was also "an advocate of high technology, and the 'brain machine'"), plus an unpublished John Shirley essay titled "The Next Fifty Years: Why I'm Optimistic Because Everything Will Be Terrible" and new pieces by Paul Krassner ("Alternative Facts") and M.Christian ("La Petite Mort: The Death Of Sex").
The Internet

'I'm a Teapot' Error Code Saved From Extinction By Public Outcry (gizmodo.com.au) 111

An anonymous reader quotes Gizmodo: It started back in 1998 as an April Fool's Day gag. Written up by Larry Masinter of the Internet Engineering Task Force (IETF), error code 418 -- "I'm a teapot" -- was nothing more than a poke at the "many bad HTTP extensions that had been proposed". Despite its existence as a joke, a number of major software projects, including Node.js, ASP.NET and Google's Go language, implemented it as an Easter egg. A recent attempt to excise the fictitious code from these projects ended up doing the opposite, cementing it as a "reserved" error by the IETF...

Mark Nottingham, IETF chair for the HTTP and QUIC working groups, flagged the code's removal as an "issue" for Google's Go language, the Node.js Javascript runtime and Microsoft's ASP.NET... Nottingham's argument was that 418 was "polluting [the] core protocol" of these projects... It didn't take long for a "Save 418" website to go live and through the efforts of interested internet historians (and jokers), all three of the aforementioned projects have decided to keep the code as it is, though Google will "revisit" the situation with the next major version of Go.

The Save 418 site argued that "the application of such an status code is boundless. Its utility, quite simply, is astonishingly unparalleled. It's a reminder that the underlying processes of computers are still made by humans. It'd be a real shame to see 418 go."
Books

The 2017 Hugo Awards (thehugoawards.org) 180

Dave Knott writes: The Hugo Awards, the most prestigious awards in science fiction, had their 2017 ceremony today, at WorldCon 75 in Helsinki, Finland.
The winners are:

Best Novel: The Obelisk Gate by N.K. Jemisin
Best Novella: "Every Heart a Doorway" by Seanan McGuire
Best Novelette: "The Tomato Thief" by Ursula Vernon
Best Short Story: "Seasons of Glass and Iron", by Amal El-Mohtar
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
Best Graphic Story: Monstress, Volume 1: Awakening , written by Marjorie Liu, illustrated by Sana Takeda
Best Dramatic Presentation (Long Form): Arrival , screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve
Best Dramatic Presentation (Short Form): The Expanse: Leviathan Wakes , written by Mark Fergus and Hawk Ostby, directed by Terry McDonough
Best Series: The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W Campbell Award for Best New Writer: Ada Palmer

This year's slate of nominees, unlike the drama surrounding the 2016 and 2015 Hugos, was less impacted by the ballot-stuffing tactics of the "Rabid Puppies", thanks to a change in the way nominees were voted for this year (including the fact no work could appear in more than one category) in an attempt to avoid tactical slate picks.

Movies

Netflix Discussing Keeping Streaming Rights To Disney's Marvel, Star Wars Films (reuters.com) 52

An anonymous reader quotes a report from Reuters: Netflix is in "active discussions" with Disney about keeping Marvel and "Star Wars" films after 2019, when new Disney and Pixar movies will stop appearing on the streaming service, a senior executive said late on Thursday. Disney announced on Tuesday that it was pulling new Disney and Pixar films from Netflix, starting with new releases in 2019. It will start putting the movies on a new Disney-branded online service that year. Disney Chief Executive Officer Bob Iger told analysts the company had not yet decided where it would distribute superhero films from Marvel Studios and movies from "Star Wars" producer Lucasfilm, which the company owns, at that time. Netflix is still in discussions with Disney about retaining rights to stream Marvel and Lucasfilm releases after 2019, Chief Content Officer Ted Sarandos told Reuters.
Music

SoundCloud Saved By $170 Million Emergency Funding As CEO Steps Aside (techcrunch.com) 16

Last month, SoundCloud announced it was cutting about 40 percent of its staff in a cost-cutting move to help it compete against larger rivals like Spotify and Apple. One week after that announcement, TechCrunch published a report claiming "the layoffs only saved the company enough money to have runway 'until Q4' -- which begins in just 80 days." It now appears the company has closed the necessary funding round to keep itself afloat. TechCrunch reports: CEO Alex Ljung will step aside though remain chairman as former Vimeo CEO Kerry Trainor replaces him. Mike Weissman will become COO as SoundCloud co-founder and CTO Eric Wahlforss stays as chief product officer. New York investment bank Raine Group and Singapore's sovereign wealth fund Temasek have stepped in to lead the new Series F funding round of $169.5 million. SoundCloud declined to share the valuation or quantity of the new funding round. Yesterday, Axios reported the company was raising $169.5 million at a $150 million pre-money valuation. That's a steep decline in value from the $700 million it was valued at in previous funding rounds. The new Series F round supposedly gives Raine and Temasek liquidation preferences that override all previous investors, and the Series E investors are getting their preferences reduced by 40 percent. They're surely happy about that, but it's better than their investment vaporizing. Raine will get two board seats for bailing out SoundCloud, with partner and former music industry attorney Fred Davis, and the vice president who leads music investments, Joe Puthenveetil, taking those seats.
Movies

Hollywood's Bad Summer Movies Are Driving a Decline in Movie Ticket Sales (fastcompany.com) 245

An anonymous reader shares a report: While some people may point at The Emoji Movie as the root of all that is wrong with Hollywood, The Wall Street Journal reports that the problem goes much deeper than a single misfire featuring Patrick Stewart as a poop emoji. WSJ reports that movie attendance has dropped by 5%, compared with the same period in 2016, and revenues are down, too, dipping just 2.9%, thanks to higher ticket prices making up for the lack of ticket sales. On Aug. 2, AMC shares dropped 27% in one day, the WSJ reports. While films like Beauty and the Beast, Wonder Woman, and Get Out fared well at the box office, they were the anomalies in a year full of box office disappointments. Instead of giving moviegoers more badass female leads and genre-bending horror films, Hollywood keeps throwing gobs of money at an unwanted fifth installment of Pirates of the Caribbean, more Transformers movies, and putting $175 million into King Arthur: Legend of the Sword, and then clutching their pearls in shock that no one wanted to see them.
Security

HBO Hacker Leaks Message From HBO Offering $250,000 'Bounty Payment' (variety.com) 60

The HBO hacker has struck yet again. From a report: Variety has obtained a copy of another message released Thursday by the anonymous hacker to select journalists in which HBO is apparently responding to the initial video letter that was sent informing the Time Warner-owned company of the massive data breach. The message from HBO, dated July 27, features the network's offer to make a "bounty payment" of $250,000 as part of a program in which "white hat IT professionals" are rewarded for "bringing these types of things to our attention." While the message takes a curiously non-confrontational tone in response to a hacker out to damage HBO, a source close to the investigation who confirmed the veracity of the email explained it was worded that way to stall for time while the company attempted to assess the serious situation.
Businesses

Watch Out Ticketmaster: Amazon In Talks To Offer Event Ticketing In US (reuters.com) 67

According to Reuters, Amazon is seeking to partner with U.S. venue owners to sell event tickets -- a move that could loosen Ticketmaster's powerful grip on the lucrative ticketing business. From the report: The Seattle-based company sees the U.S. ticketing market as ripe for attack. Consumers dislike ticket fees, and venue owners, sports leagues and teams want more distributors for their tickets as they seek to boost sales. Access to tickets could be another means to lure members to the Amazon Prime shopping club. For music acts and sports teams, selling tickets through Amazon could help sell their merchandise. Currently Ticketmaster, owned by Live Nation Entertainment, is the exclusive seller of primary tickets for many top venues in the United States. Would-be challengers have struggled to compete in the face of Ticketmaster's strong relationships with the operators of major U.S. sports stadiums, arenas, concert halls and other venues. Amazon has had success with ticketing in Britain, where it has been selling seats to West End shows since 2015, even outselling Ticketmaster for some events, according to one of the sources, who owns venues in that country. It is less common for venues in Britain to have an exclusive ticket provider.
Facebook

Facebook Launches Watch Tab For Video Shows, Uses TV's 75-Year-Old Marketing Pitch (marketwatch.com) 40

From a report: Facebook's push toward original video content will take a big step forward Thursday with the launch of a new section, dubbed Watch. The new tab, which Facebook FB, said late Wednesday will launch for a limited number of U.S. users for now, will feature about 40 original series, with plans to eventually scale up to hundreds of shows. Facebook said it will become available to more users in the coming weeks. The Mountain View, Calif., social network is hoping to tap into lucrative TV advertising revenue to boost its ever-expanding bottom line. If successful, Watch could stem the ad-load slowdown for the rest of the year that Chief Financial Officer David Wehner warned about last month when Facebook filed its quarterly earnings. Facebook also hopes the Watch tab will open up a new method of advertising that doesn't clutter users' News Feeds, and keep its 2 billion users on its site longer. Company's founder Mark Zuckerberg is understandably very excited about the move. He says the company believes "it's possible to rethink a lot of experiences through the lens of building community -- including watching video. Watching a show doesn't have to be passive. It can be a chance to share an experience and bring people together who care about the same things." If that pitch sounds familiar to you, it's because TV has been doing it for more than 75 years.
Movies

Disney Ditching Netflix Keeps Piracy Relevant (torrentfreak.com) 263

Yesterday, Disney announced its intent to pull its movies from Netflix and start its own streaming service. This upset many users across the web as the whole appeal of the streaming model becomes diluted when there are too many "Netflixes." TorrentFreak argues that "while Disney expects to profit from the strategy, more fragmentation is not ideal for the public" and that the move "keeps piracy relevant." From the report: Although Disney's decision may be good for Disney, a lot of Netflix users are not going to be happy. It likely means that they need another streaming platform subscription to get what they want, which isn't a very positive prospect. In piracy discussions, Hollywood insiders often stress that people have no reason to pirate, as pretty much all titles are available online legally. What they don't mention, however, is that users need access to a few dozen paid services, to access them all. In a way, this fragmentation is keeping the pirate ecosystems intact. While legal streaming services work just fine, having dozens of subscriptions is expensive, and not very practical. Especially not compared to pirate streaming sites, where everything can be accessed on the same site.
Communications

Disney To Pull Its Movies From Netflix and Start Its Own Streaming Service (theverge.com) 270

Disney announced today that it will end its distribution deal with Netflix and launch its own streaming service in 2019. "The move is a real blow to Netflix, which secured a valuable streaming deal with Disney back in 2012 -- before streaming had really taken off," reports The Verge. "The deal only kicked into effect last year, so Netflix is barely seeing any benefit here." From the report: Netflix won't lose its Disney movies right away. Disney says it plans to cut Netflix off starting with the studio's 2019 films, and Netflix says it'll be able to keep all the Disney movies it gets through the end of that year. That means Netflix should be able to stream the next two Star Wars movies, but it'll miss out on the new trilogy's final installment. "We continue to do business with the Walt Disney Company on many fronts, including our ongoing deal with Marvel TV," said a spokesperson for Netflix. Disney's streaming service will be built off technology from BAMTech, the MLB-founded video streaming platform. Disney was already a major investor in BAMTech, and today it's making an even bigger investment -- of $1.58 billion -- giving it a 75 percent stake in the company. The acquisition still requires regulatory approval. The Disney-branded streaming service will be the "exclusive home in the U.S. for subscription-video-on-demand viewing," and will kick off with films including Toy Story 4 and the sequel to Frozen. "Original movies, TV shows, [and] short-form content" will be added to the service, and it'll be filled out with older movies from Disney and Pixar's catalog and shows from Disney's TV channels. The report also notes Disney plans to launch a streaming service exclusively for ESPN, targeted for launch early next year. "Disney is promising about '10,000 live regional, national, and international games and events a year,' with individual sports packages available as well," reports The Verge.
Television

David Letterman Returning to TV With Netflix Talk Show (hollywoodreporter.com) 70

Lesley Goldberg, writing for The Hollywood Reporter: Two years after signing off CBS' The Late Show, David Letterman is returning to the small screen. The longest-serving host in U.S. late-night TV history is set to topline a new talk show for Netflix. The untitled six-episode series will premiere in 2018. Unlike The Late Show, each hourlong episode of the Netflix series will be prerecorded and feature Letterman conducting longform conversations with a singular guest as well as exploring topics on his own -- outside of the studio. A guest list has not yet been revealed. "I feel excited and lucky to be working on this project for Netflix. Here's what I have learned, if you retire to spend more time with your family, check with your family first. Thanks for watching, drive safely," Letterman said.
Privacy

Game of Thrones Hackers Demand Ransom (bbc.com) 70

An anonymous reader shares a report: Hackers who have leaked Game of Thrones scripts and other data from entertainment company HBO have released a note demanding a ransom payment. In a new dump, they also published a script for the as yet unbroadcast fifth episode of the current series. Company documents and video episodes of other HBO shows were also shared. The hackers claim to have 1.5TB of data in total, but HBO has said it does not believe its email system has been compromised. Documents in the latest leak were marked "HBO is falling," according to the Wired news site, and included legal information, employment agreements and other company files. The Associated Press reports that some documents appeared to contain personal contact information for Game of Thrones actors.
Businesses

Netflix's First Takeover: a Comics Firm (bbc.com) 37

Netflix announced today that it is acquiring Mark Millar, a well-known name in the world of comics. As part of the deal, the on-demand streaming company said, it will be creating original movies and TV shows from the content. It's Netflix's first acquisition. From a report: Millarworld, founded by Mark Millar from Coatbridge, includes his portfolio of characters and stories such as Kick-Ass, Kingsman, and Old Man Logan. Mr Millar said he was still "blinking" over the news. He said it was only the third time a comic book purchase on this scale had ever happened, with Warner Bros buying DC Comics in 1968, and Disney buying Marvel in 2009. Mr Millar, who lives in Glasgow, started Millarworld as a creator-owned comic-book company nearly 15 years ago. He runs the company with his wife Lucy Millar. It is the first ever company acquisition in Netflix's history. The terms of the transaction were not disclosed. Mr Millar said: "I'm so in love with what Netflix is doing and excited by their plans. Netflix is the future and Millarworld couldn't have a better home."
Music

Why Steve Jobs Loved the IPod Shuffle (wired.com) 214

"Right after the keynote in which Steve Jobs introduced the iPod Shuffle, I went backstage with one question in mind: What makes an iPod an iPod?" remembers Steven Levy. mirandakatz writes Apple recently announced that it's officially discontinuing the iPod -- sad news for anyone who'd prefer to not have to lug around an entire phone to listen to music. At Backchannel, Steven Levy offers a requiem... The Shuffle, he writes, was unique in that it was an iPod stripped down to a single basic function -- and, as Steve Jobs told Levy in 2005, it made the perfect [cheap] gift for inculcating young kids in the ways of Apple.

"I will go buy them one of these for 100 bucks apiece," he told Levy, referring to why the Shuffle was an especially appropriate gift for his daughters, six and nine at the time. "They'll probably lose them in 60 days. But they'll get into it this way."

Jobs called the Shuffle "every bit an iPod -- just a different iPod," saying that the definition was simply "a great digital music player." (Though later he'd say that creating a radically smaller Nano was still "a huge bet.") Levy remembers the Shuffle as "one of the company's most fun products ever...stripped down to the one feature I adored," writing that he loved how "algorithmic serendipity" approximated a genius deejay (or "the 'Hand of God' chess move that Deep Blue used to confuse Garry Kasparov into thinking the computer had trespassed into realms formerly limited to brilliant humans.")

I bought my first mp3 player in 2000 -- an Archos Jukebox 6000 which weighed three quarters of a pound. Anyone else have fond memories they want to share about the iPod, the Nano, the Shuffle, your old Newton -- or your own first mp3 player?
Star Wars Prequels

Warner Music Files Copyright Claim on A Silent 'Star Wars' Video On YouTube (wired.com) 73

rgh02 writes: Earlier this summer, popular YouTube channel Auralnauts received some unfortunate news: Warner/Chappell had filed a monetization claim on their "Star Wars Minus Williams" video through YouTube's Content ID System. More than anything, the Auralnauts were confused -- the video the music company was claiming rights over didn't have any music in it at all.
In fact, the video is almost entirely silent, augmented with a few awkward coughs as Han Solo and Luke Skywalker plod noiselessly toward Princess Leia in a two-minute scene where they're awarded ceremonial medallions. Wired's article describes it as "a tongue-in-cheek tribute" to John Williams' Star Wars score for the film's final scene, also reporting that it had been online for almost three years before Warner/Chappell music publishing claimed rights to all money the video would receive: When I tried to get Warner/Chappell's side of this story, the company offered no comment. But apparently my reporting helped bring the "Star Wars Minus Williams" copyright dispute to an unexpectedly speedy resolution. When Koonce told his YouTube partner manager that a journalist had interviewed him, YouTube stepped in and removed the copyright claim against the video.
YouTube has also created a "Fair Use Protection" program covering legal costs for channels they believe are unfairly targeted with video takedown notices. But the article points out that 95% of the time music companies just chose YouTube's "monetize" option to claim the ad revenue rather than asking that a video be blocked -- and that last year YouTube paid the music industry $1 billion. (Though the music industry insists that amount is still below what they're receiving from streaming music services.)
Sci-Fi

CBS Delaying 'Star Trek: Discovery' To Maintain Quality (foxnews.com) 228

New submitter Zorro shares a report from Fox News: The premiere of "Star Trek: Discovery" on CBS' subscription streaming service, CBS All Access, was postponed nine months to maintain the quality of the brand. Executive producer Alex Kurtzman told the Television Critics Association Tuesday that they "spent a lot of time" discussing how to create this new world for TV that felt authentic to the "Star Trek" universe. Also during that time, executive producer Bryan Fuller decided to exit the series as showrunner to focus on other projects. Kurtzman said "it became clearer and clearer" that the targeted January debut would "compromise the quality of the show," so it was pushed with the blessing of CBS Chairman and CEO Leslie Moonves.
Television

Millennials Unearth an Amazing Hack to Get Free TV: the Antenna (wsj.com) 564

From a report on WSJ: Dan Sisco has discovered a technology that allows him to access half a dozen major TV channels, completely free. "I was just kind of surprised that this is technology that exists (alternative source)," says Mr. Sisco, 28 years old. "It's been awesome. It doesn't log out and it doesn't skip." Let's hear a round of applause for TV antennas, often called "rabbit ears," a technology invented roughly seven decades ago, long before there was even a cord to be cut, which had been consigned to the technology trash can along with cassette tapes and VCRs. The antenna is mounting a quiet comeback, propelled by a generation that never knew life before cable television, and who primarily watch Netflix , Hulu and HBO via the internet. Antenna sales in the U.S. are projected to rise 7 percent in 2017 to nearly 8 million units, according to the Consumer Technology Association, a trade group. Mr. Sisco, an M.B.A. student in Provo, Utah, made his discovery after inviting friends over to watch the Super Bowl in 2014. The online stream he found to watch the game didn't have regular commercials -- disappointing half of his guests who were only interested in the ads. "An antenna was not even on my radar," he says. He went online and discovered he could buy one for $20 and watch major networks like ABC, NBC, Fox and CBS free.
Privacy

Hackers Break Into HBO's Networks, May Have Leaked 'Game of Thrones' Script (variety.com) 82

An anonymous reader shares a report: Hackers have broken into the networks of HBO and reportedly leaked unreleased episodes of a number of shows, as well as the script for next week's "Game of Thrones" episode. Altogether, they have reportedly obtained a total of 1.5 terabyte of data. HBO confirmed the intrusion in a statement sent to Variety: "HBO recently experienced a cyber incident, which resulted in the compromise of proprietary information. We immediately began investigating the incident and are working with law enforcement and outside cybersecurity firms. Data protection is a top priority at HBO, and we take seriously our responsibility to protect the data we hold."
Google

YouTube Red and Google Play Music Will Merge To Create a New Service (theverge.com) 59

YouTube's head of music, Lyor Cohen, confirmed that the company is planning on merging its Google Play Music service with YouTube Red to create a new streaming offering. "The important thing is combining YouTube Red and Google Play Music, and having one offering," Cohen said. The Verge reports: Right now, YouTube's music ecosystem is unnecessarily complicated. There's YouTube Red, which removes ads from videos and lets you save them offline, while also giving you access to Google Play Music for free. Then there's YouTube Music, which anyone can use, but it gets better if you're signed up for YouTube Red. And YouTube TV is also a thing -- an entirely separate thing -- but it's not available everywhere yet. The merger has been rumored within the industry for months, and recently picked up steam after Google combined the teams working on the two streaming services earlier this year. In a statement to The Verge, Google said it will notify users of any changes before they happen. "Music is very important to Google and we're evaluating how to bring together our music offerings to deliver the best possible product for our users, music partners and artists. Nothing will change for users today and we'll provide plenty of notice before any changes are made."
Businesses

Apple Discontinues iPod Nano and iPod Shuffle (macrumors.com) 151

From a report: Apple today removed the iPod nano and iPod shuffle from its website and online store around the world, suggesting the iconic portable media players may be discontinued. Apple continues to sell the iPod touch. Beyond new colors and storage capacities, Apple had last updated the iPod nano in October 2012 and the iPod shuffle in September 2010. Apple last updated the iPod touch in July 2015 with an 8-megapixel rear camera. Apple introduced the iPod shuffle in January 2005, followed by the iPod nano in September 2005. In total, there were seven generations of the iPod nano, and four generations of the iPod shuffle. The company has confirmed that it has discontinued the devices.
Google

Google Is Testing Autoplay Videos Directly In Search Results (thenextweb.com) 126

For a select group of individuals, Google has enabled autoplay videos in Search. "We are constantly experimenting with ways to improve the search experience for our users, but have no plans to announce [the feature] at this time," a Google spokesperson told Search Engine Land. Facebook, Instagram and Twitter all have similar features that were introduced fairly recently. If you find automatic videos to be a nuisance, now is the time to let Google know how you feel about this "feature."
AT&T

AT&T Loses Record Number of Traditional TV Subscribers In Q2, Drops 156,000 DirecTV Satellite Customers (variety.com) 83

According to Variety, AT&T's pay-TV business has lost a record 351,000 traditional video customers in the second quarter, with the internet-delivered DirecTV Now service failing to fully offset the losses. From the report: In Q2, historically a seasonally weak period for the pay-TV business, DirecTV's U.S. satellite division lost 156,000 customers sequentially, dropping to 20.86 million, compared with a gain of 342,000 in the year-earlier quarter. AT&T's U-verse lost 195,000 subs in the quarter, which was actually an improvement over the 391,000 it lost in Q2 of 2016. AT&T touted that it gained 152,000 DirecTV Now customers in Q2, after adding just 72,000 in the first quarter of 2017. Overall, it had signed up 491,000 DirecTV Now subs as of the end of June, after the OTT service launched seven months ago.
Businesses

Cloudflare Wants to Eliminate 'Moot' Pirate Site Blocking Threat (torrentfreak.com) 23

Cloudflare is not happy with the RIAA's efforts to hold the company liable for pirate websites on its network. From a report: Representing various major record labels, the RIAA filed a lawsuit against MP3Skull in 2015. Last year a Florida federal court sided with the RIAA, awarding the labels more than $22 million in damages. In addition, it issued a permanent injunction which allowed the RIAA to take over the site's domain names. Despite the multi-million dollar verdict, MP3Skull continued to operate using a variety of new domain names, which were subsequently targeted by the RIAA's legal team. As the site refused to shut down, the RIAA eventually moved up the chain targeting CDN provider Cloudflare with the permanent injunction. The RIAA argued that Cloudflare was operating "in active concert or participation" with the pirates. Cloudflare objected and argued that the DMCA shielded the company from the broad blocking requirements. However, the court ruled that the DMCA doesn't apply in this case, opening the door to widespread anti-piracy filtering. The court stressed that, before issuing an injunction against Cloudflare, it still had to be determined whether the CDN provider is "in active concert or participation" with the pirate site. [...] Cloudflare now wants the dangerous anti-piracy filtering order to be thrown out. The company submitted a motion to vacate the order late last week, arguing that the issue is moot. In fact, it has been for a while for some of the contended domain names. The CDN provider says it researched the domain names listed in the injunction and found that only three of the twenty domains used Cloudflare's services at the time the RIAA asked the court to clarify its order. Some had never used CloudFlare's services at all, they say.
Network

Ask Slashdot: Best Option For a Touring Band With Mobile Data? 203

New submitter SEMLogistics writes: I'm working with a well-known rock band, that is not based in the U.S., and has an upcoming U.S. tour this fall. The issue they always run into, however, is when renting a tour bus and traveling with 12 to 14 people, they consistently blow through data allowances set by the bus company. This leads to tremendously expensive overages, and greatly throttled data. "When chartering a Nightliner tour bus, travel companies only typically allow for 10GB data a month. With 12 people, downloading music and streaming movies, we can easily exceed 12GB a day! This leads to thousands of dollars every month in overages!"

Slashdot, help! Are there any good mobile hotspot options with unlimited data, and monthly contracts (I haven't found any), or other alternatives than to simply be held a data-hostage?
Bug

DNS Lib Underscore Bug Bites Everyone's Favorite Init Tool, Blanks Netflix (theregister.co.uk) 292

Reader OneHundredAndTen writes and shares a report: Systemd doing what it does best. From a report on The Register: A few Penguinistas spent a weekend working out why they can't get through to Netflix from their Linux machines, because when they tried, their DNS lookups failed. The issue emerged over the weekend, when Gentoo user Dennis Schridde submitted a bug report to the Systemd project. Essentially, he described a failure within systemd-resolve, a Systemd component that turns human-readable domain names into IP addresses for software, like web browsers, to connect to. The Systemd resolver couldn't look up Netflix's servers for Schridde's web browser, according to the report. In his detailed post, Schridde said he expected this to happen: ipv6_1-cxl0-c088.1.lhr004.ix.nflxvideo.net gets resolved to 37.77.187.142 or 2a00:86c0:5:5::142. When in reality, that wasn't happening, so Netflix couldn't be reached on his box. His speculation that libidn2, which adds internationalised domain names support to the resolver, was at fault turned out to be accurate. Rebuilding Systemd without that library cleared the problem.
Star Wars Prequels

Predatory Journals Hit By "Star Wars" Sting (discovermagazine.com) 112

intellitech quotes an article from Discover's Neuroskeptic blog: A number of so-called scientific journals have accepted a Star Wars-themed spoof paper...an absurd mess of factual errors, plagiarism and movie quotes. I know because I wrote it... I created a spoof manuscript about "midi-chlorians" -- the fictional entities which live inside cells and give Jedi their powers in Star Wars...and submitted it to nine journals under the names of Dr. Lucas McGeorge and Dr. Annette Kin... The American Journal of Medical and Biological Research accepted the paper, but asked for a $360 fee, which I didn't pay. Amazingly, three other journals not only accepted but actually published the spoof.
At one point the paper simply transcribes dialogue from Star Wars: Episode III - Revenge of the Sith. ("Did you ever hear of the tragedy of Darth Plagueis the Wise? I thought not. It is not a story the Jedi would tell you....") And the author also cut-and-pasted big chunks of the Wikipedia page for mitochondrion (after globally replacing mitochondr* with midichlor*), then admitted in the paper's "Methodology" section that "The majority of the text in the current paper was Rogeted from Wikipedia" -- with a direct link back to that Wikipedia page. One sentence even mentions "JARJAR syndrome."

Three more journals did reject the paper -- but at least one more unquestioningly asked the author to revise and resubmit it. The author calls it "a reminder that at some 'peer reviewed' journals, there really is no meaningful peer review at all" -- adding that one journal has even invited Dr. Lucas McGeorge to join their editorial board.
Music

SoundCloud Halts Volunteer Archiving Project (vice.com) 48

Slashdot reader nielo tipped us off to more SoundCloud news. Motherboard reports: Last week, a group of volunteer digital preservationists known as The Archive Team announced they would be attempting to independently archive a 123.6 million track, 900-terabyte swath of SoundCloud, the popular streaming music and audio service that recently announced mass layoffs and office closures, sparking fears of an imminent closure. But just as the volunteer archive of SoundCloud was due to be getting started, it's been abruptly called off at the behest of the company... I reached out to SoundCloud for more information, and a spokesperson responded with the following written statement: "SoundCloud is dedicated to protecting the rights and content of the creators who share their work on SoundCloud. We requested the Archive Team halt their efforts as any action to take content from SoundCloud violates our Terms of Use and infringes on our users' rights... SoundCloud is not going away -- not in 50 days, not in 80 days or anytime in the foreseeable future..." But that hasn't stopped some individuals on Reddit's r/datahoarder subreddit from attempting to gather their own personal archives of as much of SoundCloud as they want and can afford to host.
Music

Steve Jobs' Life Is Now An Opera (cnn.com) 74

An anonymous reader quotes CNN's report on a new project from Pulitzer Prize-winning librettist Mark Campbell: "The (R)evolution of Steve Jobs" is set to open on Saturday night at the Santa Fe Opera, home to the largest summer-opera festival in U.S. The high-tech production, which runs until August 26, jumps in and out of key moments in the Apple founder's life, from early product-development days alongside Steve Wozniak and the launch of the original iPhone, to his wedding day with Laurene Powell Jobs... The opera features an electronic score, developed by Mason Bates, that incorporates sounds from the products Jobs created, including the audio synonymous with turning on an early Macintosh computer. The libretto, or operatic script, doesn't call out words like Apple or iPhone due to copyright issues; instead, it uses descriptors like "one device" to reference the smartphone. "Only one device, does it all," the libretto reads. "In one hand, all your need. One device. Communication, entertainment, illumination, connection, interaction, navigation, inspiration..."
One scene in the high-tech production shows Jobs standing in his family's garage on his 10th birthday. When his father gives him a workbench, the walls around them light up into video screens...
Google

Linus Torvalds Now Reviews Gadgets On Google+ (zdnet.com) 51

An anonymous reader quotes ZDNet: If you know anything about Linus Torvalds, you know he's the mastermind and overlord of Linux. If you know him at all well, you know he's also an enthusiastic scuba diver and author of SubSurface, a do-it-all dive log program. And, if you know him really well, you'd know, like many other developers, he loves gadgets. Now, he's starting his own gadget review site on Google+: Working Gadgets...

"[W]hile waiting for my current build to finish, I decided to write a note about some of the gadgets I got that turned out to work, rather than all the crazy crap that didn't. Because while 90% of the cool toys I buy aren't all that great, there's still the ones that actually do live up to expectations. So the rule is: no rants. Just good stuff. Because this is about happy gadgets."

So far Linus has reviewed an automatic cat litter box, a scuba diving pressure regulator, and a Ubiquiti UniFi Wi-Fi access point that complements his Google WiFi mesh network.

Linus will be great at this. Just last week I saw him recommending a text editor.
Businesses

Nolan's Cinematic Vision in 'Dunkirk' is Hollywood's Best Defense Against Netflix (marketwatch.com) 196

There's nothing quite like filming a movie on film, according to the director Christopher Nolan. His new WWII film, Dunkirk, was shot entirely on epic 65mm, as opposed to digital. And it's receiving the widest release of that film format in recent history. But Nolan's views on doing things the way "they're meant to be done," isn't limited to just making a film. He also wants you watch the movie in the theatre, and not on streaming service Netflix, which he says he rarely uses. From a report: "Dunkirk," director Christopher Nolan's big budget war epic, is a filmmaker's film and a movie buff's dream with its wide, high-resolution 70mm format. It's like an expressionist painting, said ComScore media analyst Paul Dergarabedian. The Hollywood Reporter even said "Dunkirk" could launch a 70mm film renaissance. "I would always prefer and really recommend that everyone see it on Imax 70mm," Dergarabedian said. "People talk about 'they don't make movies like that anymore.' Well, this is that movie." Dunkirk, which opens across the U.S. this weekend, is a film that everyone will tell you has to be seen on the big screen. And that has rekindled the debate about the pros and cons of films opening in a theater versus being streamed by Netflix. In an interview with Indiewire ahead of the film's premiere, Nolan criticized Netflix for its "bizarre aversion to supporting theatrical films." Netflix, despite doubling down on its film business and looking to make inroads in the industry, has continued its controversial stance against Hollywood's theatrical window model. To the film industry's dismay, Netflix is still adopting a day and date release model -- dropping a movie on the streaming service the same day it hits theaters. Hollywood relies on the money moviegoers spend at the box office, and the industry is reluctant to give up the exclusive window of time that films are only in theaters, fearing it would cripple that income stream. "Dunkirk" is an impressive $150 million argument on behalf of cinema.
Piracy

Kodi Magazine 'Directs Readers To Pirate Content' (bbc.com) 48

An anonymous reader writes: A British magazine is directing readers to copyright-infringing software, the Federation Against Copyright Theft (Fact) has said. Kodi is a free, legal media player for computers -- but software add-ons can make it possible to download pirated content. The Complete Guide to Kodi magazine instructs readers on how to download such add-ons. Dennis Publishing has not yet responded to a BBC request for comment. The magazine is available at a number of retailers including WH Smith, Waterstones and Amazon. It was spotted on sale by cyber-security researcher Kevin Beaumont. It repeatedly warns readers of the dangers of accessing pirated content online, but one article lists a series of software packages alongside screenshots promoting "free TV", "popular albums" and "world sport". "Check before you stream and use them at your own risk," the guide says, before adding that readers should stay "on the right side of the law."
Businesses

Verizon Accused of Throttling Netflix and YouTube, Admits To 'Video Optimization' (arstechnica.com) 52

New submitter dgatwood writes: According to an Ars Technica article, Verizon recently began experimenting with throttling of video traffic. The remarkable part of this story is not that a wireless ISP would throttle video traffic, but rather that Verizon's own Go90 video platform is also affected by the throttling. From the article, "Verizon Wireless customers this week noticed that Netflix's speed test tool appears to be capped at 10Mbps, raising fears that the carrier is throttling video streaming on its mobile network. When contacted by Ars this morning, Verizon acknowledged using a new video optimization system but said it is part of a temporary test and that it did not affect the actual quality of video. The video optimization appears to apply both to unlimited and limited mobile plans. But some YouTube users are reporting degraded video, saying that using a VPN service can bypass the Verizon throttling."
If even Verizon can get on board with throttling sans paid prioritization, why is Comcast so scared of the new laws that are about to go into effect banning it?

Movies

Disney Facing VFX Firm's Injunction Bid on Three Blockbuster Films (hollywoodreporter.com) 95

From a report: 'Guardians of the Galaxy,' 'Avengers: Age of Ultron' and 'Beauty and the Beast' are now under the microscope for use of facial capture technology. Upping the stakes over a technology called "performance motion capture," Rearden LLC is going after The Walt Disney Company in a lawsuit filed this week. The plaintiff, a firm incubated by Silicon Valley entrepreneur Steve Perlman, is demanding an injunction prohibiting Disney from distributing Guardians of the Galaxy, Avengers: Age of Ultron and Beauty and the Beast. The new lawsuit comes a year after Rearden scored a startling injunction against two Chinese firms that purchased allegedly stolen technology known as MOVA, which was being licensed by Digital Domain 3.0. At the time, some legal observers were reading the ruling as notice to Hollywood studios that the facial motion capture technology was out of play. According to Rearden's latest lawsuit in California federal court, Disney didn't listen. "Disney used the stolen MOVA Contour systems and methods, made derivative works, and reproduced, distributed, performed, and displayed at least Guardians of the Galaxy, Avengers: Age of Ultron, and Beauty and the Beast, in knowing or willfully blind violation of Rearden Mova LLC's intellectual property rights."
The Internet

Swedish Rail Firm Approves Trainy McTrainface As Name Following Online Poll (theguardian.com) 88

Those disappointed when Britain rejected the name Boaty McBoatface for a polar research ship should find joy in the name of a new train in Sweden. After a public vote, a Swedish rail operator has vowed to name one of its trains Trainy McTrainface. The Guardian reports: Trainy McTrainface won 49% of the votes in the naming competition, conducted online by train operator MTR Express and Swedish newspaper Metro, beating choices such as Hakan, Miriam and Poseidon. The train will run between the Swedish capital Stockholm and Gothenburg, the country's second-biggest city. MTR said another train had been voted to be named "Glenn," an apparent tribute to an IFK Gothenburg soccer team of the 1980s that featured four players of that name -- uncommon in Sweden -- including Glenn Hysen, who later captained Liverpool.
Chrome

Chromium To Get Support For MP3 (browsernative.com) 54

An anonymous reader shares a post: Chromium, the open source project behind Google Chrome, Opera and several other browsers, is going to support MP3. This would enable users and websites to play MP3 files in Chromium browser. A Chromium contributor informed about this, "We have approval from legal to go ahead and move MP3 into non-proprietary codecs list." The MP3 support in Chromium is targeted for version 62.
Piracy

Game of Thrones Pirates Being Monitored By HBO, Warnings On The Way (torrentfreak.com) 282

HBO is leaving no stones unturned in keeping Game of Thrones' piracy under control. The company is monitoring various popular torrent swarms and sending thousands of warnings targeted at internet subscribers whose connections are used to share the season 7 premiere of the popular TV series, reports TorrentFreak: Soon after the first episode of the new season appeared online Sunday evening, the company's anti-piracy partner IP Echelon started sending warnings targeted at torrenting pirates. The warnings in question include the IP-addresses of alleged BitTorrent users and ask the associated ISPs to alert their subscribers, in order to prevent further infringements. "We have information leading us to believe that the IP address xx.xxx.xxx.xx was used to download or share Game of Thrones without authorization," the notification begins. "HBO owns the copyright or exclusive rights to Game of Thrones, and the unauthorized download or distribution constitutes copyright infringement. Downloading unauthorized or unknown content is also a security risk for computers, devices, and networks." Under US copyright law, ISPs are not obligated to forward these emails, which are sent as a DMCA notification. However, many do as a courtesy to the affected rightsholders. The warnings are not targeted at a single swarm but cover a wide variety of torrents. TorrentFreak has already seen takedown notices for the following files, but it's likely that many more are being tracked.
Businesses

Negative Free Cash Flow Will Be an Indicator of Enormous Success For Netflix, Says CEO (barrons.com) 116

During Netflix's quarterly earnings call, in which it noted it had added more than five million subscribers in the last three months, CEO Red Hastings was also asked about the millions of dollars it burns every quarter. Hastings said that burning cash is a sign of success, in a way. Here's the money quote: Look, when we produce an amazing show like Stranger Things, that's a lot of capital up front, and then you get a payout over many years. And seeing the positive returns on that for the business as a whole is what makes us comfortable that we should continue to invest and integrate to basically self-develop many more properties as Ted (the content head) can find the appropriate ones. And then there's comfort with being able to finance it, and of course, our debt-to-market cap is incredibly low and conservative, so we've got lots of room there. And I think that combination that it's spent well and we can raise it is what makes us very excited. And the irony is the faster that we grow and the faster we grow the owned originals, the more drawn on free cash flow that we'll be. So in some senses, negative free cash flow will be an indicator of enormous success. On Monday, Netflix updated its estimate for negative free cash flow for 2017. While previously the company had said it would be $2 billion, Netflix now says it will be $2 to $2.5 billion (versus $1.7 billion in 2016).
Sci-Fi

George A. Romero, Martin Landau Both Died This Weekend (variety.com) 53

This weekend the world lost two familiar faces from the world of fantasy, horror and science fiction films -- director George A. Romero and actor Martin Landau. An anonymous reader writes: Bronx-born director Romero started his career with a segment for Mister Rogers' Neighborhood about tonsilectomies, but is best remembered for his influential zombie movies Night of the Living Dead (1968), Dawn of the Dead (1978), Day of the Dead (1985), and Land of the Dead (2005), as well as the 1982 horror film Creepshow (written by Stephen King). In 1998 Romero also directed a zombie-themed ad for Resident Evil 2, and later even wrote a rejected script for the first Resident Evil movie. In 2004 Romero began work on a zombie video game City of the Dead, which was ultimately never finished. Romero appears as himself in the zombie section of Call of Duty: Black Ops, and in 2014 Marvel comics launched Empire of the Dead, a 15-issue title written by Romero.

Martin Landau began his career playing a gunfighter in the third episode of The Twilight Zone, and a time-travelling astronaut in the sixth episode of The Outer Limits. Soon he was starring as master of disguise Rollin Hand on Mission: Impossible -- which ran from 1966 to 1973 -- and on Space: 1999, which ran from 1975 to 1977. At the age of 66 Landau finally won an Oscar for his portrayal of Bela Lugosi in Tim Burton's 1994 film Ed Wood. In 2012 Landau also provided the voice of the science teacher in Burton's Frankenweenie, and had an uncredited role in the director's 1999 movie Sleepy Hollow as one of the early victims of the headless horseman. Landau was also in the 1998 X-Files movie (playing the doctor who tips off Mulder that there's something suspicious in the morgue).

Slashdot reader schwit1 remembers that Landau began his career playing a sadistic henchman in Alfred Hitchcock's North by Northwest (who appears in the climactic final scene on Mt. Rushmore) -- and that Landau famously turned down the role of Mr. Spock on Star Trek.
Television

Tech Companies Capture A Third Of This Year's Emmy Nominations (engadget.com) 31

"Streaming companies like Netflix, Amazon and Hulu snagged nearly 1/3 of Emmy nominations this year, the most ever awarded to tech companies," reports Axios, adding that streaming companies "are pouring billions of dollars into content...and it's paying off." An anonymous reader quotes Engadget: After passing 100 million subscribers, overtaking cable TV in customer numbers in the US and expanding to over 190 countries, Netflix is starting to cement something else: sustained prestige. A record haul of 91 Emmy nominations puts Netflix -- which had 54 nominations last year -- just behind perennial frontrunner HBO with 110... A key component of this upgrade in status is the sheer number of original offerings Netflix has put out. If you throw everything at an awards committee, quite a few of them might stick... Chief Content Officer Ted Sarandos has said Netflix spends over $6 billion a year on its own shows, in comparison to Amazon's reported spend of nearly $3 billion, with HBO at $2 billion...

Hulu picked up 18 nominations, up from two last year, including a first series nomination for dystopian A Handmaid's Tale. Together with Netflix's House of Cards, Stranger Things and The Crown, the majority of nominees in the competitive Outstanding Drama category were from streaming services. Amazon picked up 16 nominations, the same as last year.

The shows nominated for the most Emmy awards were NBC's Saturday Night Live, followed by HBO's Westworld, but Netflix ultimately ended up with more Emmy nominations than ABC, CBS, and Fox combined.
Television

Doctor Who's 13th Time Lord Announced: Actress Jodie Whittaker (bbc.co.uk) 508

Peter Capaldi, the 12th Doctor Who, had said that he wanted to see a woman replace him in the Tardis, and so did former Doctor Who stars Billie Piper and Karen Gillan. And today it's official: "the 13th incarnation of Doctor Who will be portrayed by an actress," writes Slashdot reader Coisiche -- specifically Jodie Whittaker, who American viewers may remember from her performance as CIA officer Sandra Grimes in the 2014 mini-series "The Assets." The BBC reports: She was revealed in a trailer that was broadcast on BBC One at the end of the Wimbledon men's singles final... She will make her debut on the sci-fi show when the Doctor regenerates in the Christmas Day show... Whittaker said: "I'm beyond excited to begin this epic journey...with every Whovian on this planet. It's more than an honour to play the Doctor. It means remembering everyone I used to be, while stepping forward to embrace everything the Doctor stands for: hope... Doctor Who represents everything that's exciting about change."
Doctor Who's new showrunner said the 13th Doctor was always going to be a woman -- and that Whittaker was their first choice. "Jodie is an in-demand, funny, inspiring, super-smart force of nature and will bring loads of wit, strength and warmth to the role." Doctor Who #12 added that Whittaker "has above all the huge heart to play this most special part. She's going to be a fantastic Doctor." And Will Howells, who writes for the Doctor Who magazine, said "I don't think it's a risky choice at all but if a show that can go anywhere and do anything can't take risks, what can?"
Sci-Fi

Vintage SciFi Magazine 'Galaxy' Preserved Online - And Hopefully Also SoundCloud (archive.org) 52

Long-time Slashdot reader Paul Fernhout writes: Archive.org has made available 355 issues of Galaxy Magazine for free access. Galaxy Science Fiction was an American digest-size science fiction magazine, published from 1950 to 1980 with stories from many sci-fi greats [including Harlan Ellison, Ray Bradbury, and Robert Heinlein]. At its peak, Galaxy greatly influenced the science fiction field. See also Open Culture and The Verge for more about the history of a magazine that help shape the imaginations of a generation of techies..
Meanwhile, Archive.org's Jason Scott -- who also founded textfiles.com -- says his own group of preservationists "plans large scale backing up of Soundcloud soon" -- or at least part of it. A placeholder page already informs visitors that "We are currently working on getting all the API data... We also are writing the scripts to get a good grab of everything we can." Scott told Motherboard Saturday "Our main concern is artists and creators suddenly finding their stuff gone, and making it so it's not in oblivion."
Music

EU Sides With RIAA, Says YouTube Underpays For Music Streaming (mercurynews.com) 82

Profits from both CD sales and digital downloads are declining, while online streaming now accounts for the majority of the $7.7 billion U.S. music market, according to a new article. And the music industry's newest complaint is that 25% of music streaming is happening on YouTube, which they believe is paying them too little. An anonymous reader quotes the San Jose Mercury News: Now, the battle is heating up as the European Union is expected to release new rules later this year for how services such as YouTube handle music, potentially upending some of the copyright protections that undergird the Internet... The E.U. has formally recognized that there is a "value gap" between song royalties and what user-upload services such as YouTube earn from selling ads while playing music... How such a law would address the gap is still being decided, but the E.U. has indicated it plans to focus on ensuring copyright holders are "properly remunerated." Even the value gap's existence is disputed.

A recent economic study commissioned by YouTube found no value gap -- in fact, the report said YouTube promotes the music industry, and if YouTube stopped playing music, 85 percent of users would flock to services that offered lower or no royalties. A different study by an independent consulting group pegged the YouTube value gap at more than $650 million in the United States alone. "YouTube is viewed as a giant obstacle in the path to success for the streaming marketplace," said Mitch Glazier, president of the Recording Industry Association of America... YouTube pays an estimated $1 per 1,000 plays on average, while Spotify and Apple music pay a rate closer to $7... The music industry claims YouTube has avoided paying a fair-market rate by hiding behind broad legal protections. In the United States, that's the "safe harbor" provision, which essentially says YouTube is not to blame if someone uploads a copy-protected song -- unless the copyright holder complains.

YouTube argues that its automatic Content ID system recognizes 98% of all copyright-infringing uploads -- and that each year they're already paying the music industry $1 billion in royalties.

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