XBox (Games)

Microsoft Outlines the Upgrade Procedures For Xbox One X (arstechnica.com) 48

An anonymous reader quotes a report from Ars Technica: The easiest way to get all your games to the new system, as outlined by Microsoft Vice President Mike Ybarra, will be to just put them on an external USB hard drive and then plug that drive into the new console. "All your games are ready to play" immediately after this external hard drive move, he said, and user-specific settings can also be copied via external hard drive in the same way. If you don't have an external drive handy, "we're going to let you copy games and apps off your home network instead of having to manually move them or redownload them off the Internet," Ybarra said. It's unclear right now if Microsoft will mirror the PS4 Pro and allow this kind of system-to-system transfer using an Ethernet cable plugged directly into both consoles. For those who want to see as many pixels as possible as quickly as possible when they get their Xbox One X, Ybarra says you'll be able to download 4K updates for supported games before the Xbox One X is even available, then use those updates immediately after the system transfer. Microsoft also released a list of 118 current and upcoming games that will be optimized for the Xbox One X via updates, a big increase from the few dozens announced back at E3.
The Internet

Cord-Cutting Still Doesn't Beat the Cable Bundle (wired.com) 421

I'd like to cut the cord, writes Brian Barrett for Wired, then, the very instant I allow myself to picture what life looks like after that figurative snip, my reverie comes crashing down. From an article: Cutting the cord is absolutely right for some people. Lots of people, maybe. But it's not that cheap, and it's not that easy, and there's not much hope of improvement on either front any time soon. Not to turn this into a math experiment, but let's consider cost. Assuming you're looking for a cord replacement, not abandoning live television altogether, you're going to need a service that bundles together a handful of channels and blips them to your house over the internet. The cheapest way you can accomplish this is to pay Sling TV $20 per month, for which you get 29 channels. That sounds not so bad, and certainly less than your cable bill. But! Sling Orange limits you to a single stream. If you're in a household with others, you'll probably want Sling Blue, which offers multiple streams and 43 channels for $25 per month. But! Sling Orange and Sling Blue have different channel lineups (ESPN is on Orange, not Blue, while Orange lacks FX, Bravo and any locals). For full coverage, you can subscribe to both for $40. But! Have kids? You'll want the Kids Extra package for another $5 per month. Love ESPNU? Grab that $5 per month sports package. HBO? $15 per month, please. Presto, you're up to $65 per month. But! Don't forget the extra $5 for a cloud-based DVR. Plus the high-speed internet service that you need to keep your stream from buffering, which, by the way, it'll do anyway. That's not to pick on Sling TV, specifically. But paying $70 to quit cable feels like smoking a pack of Parliaments to quit Marlboro Lights. You run into similar situations across the board, whether it's a higher base rate, or a limited premium selection, or the absence of local programming altogether. It turns out, oddly enough, that things cost money, whether you access those things through traditional cable packages or through a modem provided to you by a traditional cable operator.
Space

How the Voyager Golden Record Was Made (newyorker.com) 122

Fascinating article on The New Yorker about how the Voyager Golden Record was made: The Voyagers' scientific mission will end when their plutonium-238 thermoelectric power generators fail, around the year 2030. After that, the two craft will drift endlessly among the stars of our galaxy -- unless someone or something encounters them someday. With this prospect in mind, each was fitted with a copy of what has come to be called the Golden Record. Etched in copper, plated with gold, and sealed in aluminum cases, the records are expected to remain intelligible for more than a billion years, making them the longest-lasting objects ever crafted by human hands. We don't know enough about extraterrestrial life, if it even exists, to state with any confidence whether the records will ever be found. They were a gift, proffered without hope of return. I became friends with Carl Sagan, the astronomer who oversaw the creation of the Golden Record, in 1972. He'd sometimes stop by my place in New York, a high-ceilinged West Side apartment perched up amid Norway maples like a tree house, and we'd listen to records. Lots of great music was being released in those days, and there was something fascinating about LP technology itself. A diamond danced along the undulations of a groove, vibrating an attached crystal, which generated a flow of electricity that was amplified and sent to the speakers. At no point in this process was it possible to say with assurance just how much information the record contained or how accurately a given stereo had translated it. The open-endedness of the medium seemed akin to the process of scientific exploration: there was always more to learn.
Businesses

The Windows App Store is Full of Pirate Streaming Apps (torrentfreak.com) 98

Ernesto Van der Sar, reporting for TorrentFreak: When we were browsing through the "top free" apps in the Windows Store, our attention was drawn to several applications that promoted "free movies" including various Hollywood blockbusters such as "Wonder Woman," "Spider-Man: Homecoming," and "The Mummy." Initially, we assumed that a pirate app may have slipped past Microsoft's screening process. However, the 'problem' doesn't appear to be isolated. There are dozens of similar apps in the official store that promise potential users free movies, most with rave reviews. Most of the applications work on multiple platforms including PC, mobile, and the Xbox. They are pretty easy to use and rely on the familiar grid-based streaming interface most sites and services use. Pick a movie or TV-show, click the play button, and off you go. The sheer number of piracy apps in the Windows Store, using names such as "Free Movies HD," "Free Movies Online 2020," and "FreeFlix HQ," came as a surprise to us. In particular, because the developers make no attempt to hide their activities, quite the opposite.
Television

Plex Responds, Will Allow Users To Opt Out Of Data Collection (www.plex.tv) 91

stikves writes: This weekend Plex had announced they were implementing a new privacy policy, including removing the ability for opting out of data collection and sharing. Fortunately the backlash here, on their forums, Reddit, and other placed allowed them to offer a more sensible state, including bringing back opt-out, and anonymity of some of the data.
Plex CEO Keith Valory wrote Saturday that some information must be transferred just to provide the service -- for example, servers still check for updates, they have to determine whether a user has a premium Plex Pass, and "we have to provide accurate reporting to licensors for things like trailers and extras, photo tagging, lyrics, licensed codecs and so on... [W]e came to the conclusion that providing an 'opt out' in the set-up gives a false sense of privacy and feels disingenuous on our part. That is, even if you opted out, there is still a bunch of data we are collecting that we tried to call out as exceptions." But to address concerns about data collection, Plex will make new changes to their privacy policy: [I]n addition to providing the ability to opt out of crash reporting and marketing communications, we will provide you the ability to opt out of playback statistics for personal content on your Plex Media Server, like duration, bit rate, and resolution in a new privacy setting... we are going to "generalize" playback stats in order to make it impossible to create any sort of "fingerprint" that would allow anyone to identify a file in a library... Finally, in the new privacy tab in the server settings we will provide a full list of all product events data that we collect... Our intention here is to provide full transparency. Users will have one place where they can see what data is being collected and where they can opt out of playback data that they are not comfortable with."
And he emphasized that "we will never sell or share data related to YOUR content libraries."
Classic Games (Games)

'Wing Commander' Music Composer Runs Kickstarter Campaign (kickstarter.com) 39

DMJC writes: George Oldziey, the music composer from Wing Commander 3 and 4, is running a Kickstarter campaign to re-orchestrate the music from the venerable series. The Kickstarter is in its final week and has approximately $2000 left to go before it reaches it's goal.
Oldziey shares some history on his web site: In 2014 I launched a Kickstarter campaign to document the music I created for the Wing Commander games in the way I had originally imagined it: for full orchestra and chorus. 588 generous supporters helped me reach my goal! In late 2014 I traveled to Bratislava, Slovakia, where the 95-piece Slovak National Symphony Orchestra and the 40-voice Lucina Chorus recorded this music under my supervision.
But last November -- and again in June -- Oldziey unsuccessfully tried raising funds on Kickstarter to record more of his Wing Commander music with a full orchestra. So this month's campaign sets a more modest goal of raising $15,000 "as a foundation and springboard from which to build with a more open ended crowdfunding campaign." It'll fund the creation of digital MIDI tracks for the new orchestral music plus a recording of the "jazzy bar music" from Wing Commander 3 (which will both be released as digital downloads and on CD). "Future campaign(s) will tackle the goal of getting a live orchestra to record everything..." Oldziey writes, adding this campaign "builds an exciting foundation to build on -- with some cool music to enjoy in the mean time!"

Two people have already pledged $600 to claim one of five high-end premiums in which George composes one minute of unique music just for them, and two more pledged $300 to attend the "jazzy bar music" recording session in Austin, Texas.
Music

Jonathan Coulton's New Dystopian Album Becomes a Graphic Novel (jonathancoulton.com) 57

An anonymous reader quotes NPR's report on one of Slashdot's long-time favorite musicians: In April, musician Jonathan Coulton released Solid State, a sci-fi concept album that represented a significant departure -- both from Coulton's wry, bright, tuneful back catalog and from any conventional understanding of what a sci-fi concept album sounds like... On first listen, with its shout-outs to futurist Ray Kurzweil, comment-section trolls, thinkpiece-gluts, and hack memes, Solid State seems a caustic critique of the internet -- which would be, as Coulton notes, "a little-off brand for me." Spend a bit more time with it, however, and its muted, melancholy songs reveal their true target: the toxic culture of glibness and hot takes that's leaching from the internet into every aspect of our lives.

The album features multiple perspectives and timelines, but its soundscape is allusive and impressionistic, resisting strict narrative. For that, Coulton turned to writer Matt Fraction and artist Albert Monteys, who with Coulton's input have taken some of the album's words, images and thematic preoccupations and crafted a graphic novel set largely in a future that will seem familiar to any reader of science fiction: a corporate-owned dystopia where humans have become dutiful, unthinking, unfeeling worker bees attending to menial tasks amid a culture engineered to keep them unthinking and unfeeling...These three creators believe that the roots of this dystopic future are all around us, but we're collectively choosing to ignore them in precisely the same way we blithely click past online Terms and Conditions agreements without bothering to read them.

The official music video for one of the songs takes the form of a text adventure.
Music

What Happened To Winamp? (arstechnica.com) 332

Winamp was released more than 20 years ago, and last week marked the 15th anniversary of the release of Winamp3. An anonymous Slashdot reader tries to explain what finally happened to Winamp: AOL planned to discontinue Winamp in November of 2013, but instead sold it to the Belgian online radio service Radionomy. The last update on Winamp's Twitter account was September of 2015, though it announced that they were looking for a new senior C++ developer. Then in December of 2015 Vivendi Group became that company's majority shareholder, stirring hopes that the company might one day launch a revamped version of the classic mp3 player from 1997.

So did they? Radionomy's Winamp page is still showing download links -- though they now lead instead to a forum post which says "code licensed to the previous owner" is being removed or replaced. But that post has been updated five times -- as recently as last October -- with "info about the next Winamp release," each linking to a thread on Winamp's forums which offer tantalizing glimpses into a still-ongoing development process. And last October a Winamp dev posted on Twitter that "a Winamp 5.8 public beta release could be imminent," while the web page at Winamp.com still says "There's more coming soon," with a background image of a llama.

"There's no reason that Winamp couldn't be in the position that iTunes is in today if not for a few layers of mismanagement by AOL that started immediately upon acquisition," their first general manager told Ars Technica in 2012. (Winamp's developers had been earning $100,000 a month just from $10 shareware checks before AOL acquired the company in 1999 for $100 million.) In May TechRadar wrote that Winamp "is still a great media player...but it now relies on third-party extensions to add features found as standard in more modern players."

I still remember all the visualizations and custom skins -- but does this bring back any memories for anyone else? Leave your thoughts in the comments. And what mp3-playing software are you using today?
Television

Should Plex Stop Allowing Users To Opt Out of Data Collection? (www.plex.tv) 158

UPDATE: Plex has now made more changes to their privacy policy to address concerns about data collection, including "the ability to opt out of playback statistics for personal content on your Plex Media Server" and a promise "to 'generalize' playback stats in order to make it impossible to create any sort of 'fingerprint' that would allow anyone to identify a file in a library."

Here's what the original kerfuffle was about. Slashdot reader bigdogpete wrote: Many users of Plex got an email that said they were changing their privacy policy which goes into effect on 20 September 2017. While most of the things are pretty standard, users found it odd that they were now not going to allow users to opt-out of data collection. Here is the part from their website explaining the upcoming changes.

"In order to understand the usage across the Plex ecosystem and how we need to improve, Plex will continue to collect usage statistics, such as device type, duration, bit rate, media format, resolution, and media type (music, photos, videos, etc.). We will no longer allow the option to opt out of this statistics collection, but we do not sell or share your personally identifiable statistics. Again, we will not collect any information that identifies libraries, files, file names, and/or the specific content stored on your privately hosted Plex Media Servers. The only exception to this is when, and only to the extent, you use Plex with third-party services such as Sonos, Alexa, webhooks, and Last.fm."

What do you all think?

Music

How Hackers Can Use Pop Songs To 'Watch' You (fastcompany.com) 33

An anonymous reader quotes a report from Fast Company: Forget your classic listening device: Researchers at the University of Washington have demonstrated that phones, smart TVs, Amazon Echo-like assistants, and other devices equipped with speakers and microphones could be used by hackers as clandestine sonar "bugs" capable of tracking your location in a room. Their system, called CovertBand, emits high-pitched sonar signals hidden within popular songs -- their examples include songs by Michael Jackson and Justin Timberlake -- then records them with the machine's microphone to detect people's activities. Jumping, walking, and "supine pelvic tilts" all produce distinguishable patterns, they say in a paper. (Of course, someone who hacked the microphone on a smart TV or computer could likely listen to its users, as well.)
Google

YouTube Music Head Says Company Pays Higher Royalties Than Spotify in US (engadget.com) 14

An anonymous reader shares a report: Making a living from streaming royalties is tough for music artists, and YouTube has had one of the worst reputations in the music industry for a while. Even Lyor Cohen, the current head of YouTube Music, knows that many are skeptical about the service's ability to pay out a legitimate rate. Cohen wrote a blog post this week to explain why he thinks that YouTube deserves another chance, and that his company is the highest paying music streaming service out there. The former road manager for Run DMC has been at YouTube for eight months now. He believes that YouTube music got to the subscription party late, which allowed companies like Spotify, Pandora and Apple Music to take an early lead. He also says that ads in music videos aren't the "death of the music industry," but rather a second supplement to bring in the money. Cohen claims that YouTube's ads brought in more than a billion dollars in the past 12 months. That should help soothe the music industry itself, but what about artists? Cohen rebuts the common belief that YouTube pays less than Spotify or Pandora, saying that his service pays more than $3 per thousand streams in the US, "more than other ad supported services."
Businesses

Hollywood, Apple Said To Mull Rental Plan, Defying Theaters (bloomberg.com) 74

An anonymous reader shares a report: Movie studios are considering whether to ignore the objections of cinema chains and forge ahead with a plan to offer digital rentals of films mere weeks after they appear in theaters, according to people familiar with the matter. Some of the biggest proponents, including Warner Bros and Universal Pictures, are pressing on in talks with Apple and Comcast on ways to push ahead with the project even without theater chains, the people said. After months of negotiations, the two sides have been unable to arrive at a mutually beneficial way to create a $30 to $50 premium movie-download product. The leading Hollywood studios, except for Walt Disney, are eager to introduce a new product to make up for declining sales of DVDs and other home entertainment in the age of Netflix. They have discussed sharing a split of the revenue from premium video on demand, or PVOD, with the cinema chains if they give their blessing to the concept. But the exhibitors have sought a long-term commitment of as much as 10 years for that revenue split, which the studios have rejected, the people said. Deals with potential distributors such as Apple and Comcast could be reached as soon as early next year to sell digital downloads of major films as soon as two weeks after they debut in theaters, the people said.
Media

Video Is Coming To Reddit (variety.com) 74

An anonymous reader shares a report from Variety: Videos are coming to Reddit, thanks to a new feature that allows users to upload video clips directly to the service. Reddit rolled out the new video feature Tuesday after testing it with around 200 communities over the past couple of weeks. Reddit users are now able to upload videos of up to 15 minutes in length, with file sizes being limited to 1 gigabyte. Users will be able to upload videos via Reddit's website and its mobile apps for iOS and Android, with the latter offering basic trimming functionality as well. And, in keeping with the spirit of the site, Reddit is also offering a conversion tool to turn videos into animated Gifs. Videos are being displayed persistently, or pinned, meaning that users can scroll through the comments while the video keeps playing in the corner of their screen. And community moderators can opt not to allow videos in their Subreddits at all, with Le arguing that some discussion-heavy Subreddits may decide that the format just doesn't work for them.
Television

Netflix Plans To Spend $7 Billion On Content In 2018 (streamingobserver.com) 97

According to the Streaming Observer, Netflix plans to increase its budget by $1 billion dollars over the next year and spend over $7 billion on content in 2018. Previously, the company paid $6 billion in 2017 and $5 billion in 2016. From the report: While the internet freaks out about Disney ending its streaming agreement with Netflix, the company continues to forge ahead signing high-profile talent and throwing an enormous budget at its original programming. Just days after the Disney turmoil, Netflix's visionary Chief Content Officer Ted Sarandos stated that the streaming leader plans to increase its budget by $1 billion dollars over the next year. As of now, Netflix currently has $15.7 billion in outstanding obligations in deals for new series and films over the next few years. With such an astronomically-large budget, media analysts are already beginning to wonder if Netflix is "rescuing" or "ruining" Hollywood by creating such a singular creator-producer-distributor model. Sarandos counters those claims, however, stating that Netflix is merely on the forefront of what's already a growing trend throughout the media industries: "I would say that the relationship between studios and networks has always been that of a frenemy. Everyone is doing some version of it already. They just have to make a decision for their companies, their brands and their shareholders on how to best optimize the content. We started making original content five years ago, betting this would happen."
Movies

Why Does Hollywood Remain Out of Step With the Body-Positive Movement? (nytimes.com) 688

According to a report from The New York Times, Hollywood continues to praise plus-sized actresses in knockout roles and then reduce them to bit parts about physical weight. Slashdot reader cdreimer shares an excerpt from the report: The first thing Danielle Macdonald did at the Cannes Film Festival in May was break into a cold sweat: The airline had lost her luggage. She was already nervous enough. Ms. Macdonald, 26, had been plucked from obscurity to play the lead role in "Patti Cake$," a drama about a rapper that was about to face the Cannes critics. Now she had to find something glamorous to wear -- pronto -- to the premiere. "As a bigger girl," Ms. Macdonald told me recently, "where was I meant to find something that would fit?" Her story then veered in an unexpected direction -- revealing her approach to Hollywood, which expects its lead actresses to be scarily skinny. "I gave myself a pep talk," she said. "This situation is what it is. Find a way to work around it." The red carpet crisis was resolved (another "Patti Cake$" star, Cathy Moriarty, lent her a black dress), but if the experiences of countless actresses before Ms. Macdonald are any indication, it will not be as easy to overcome the career obstacles that await her post-"Patti Cake$."

For women -- less so for men -- weight is perhaps the most stubborn of the entertainment industry's many biases. Have an average-sized body? Call us when you've starved yourself. In particular, Ms. Macdonald must avoid a cycle that plays out over and over in moviedom, one that some film agents coarsely call the fat flavor of the moment. A plus-size actress, almost always an unknown, lands the central role in a film and delivers a knockout performance. She is held up by producers and the entertainment news media as refreshing, long overdue evidence that Hollywood's insistence on microscopic waistlines is ending. And then she is slowly but surely pushed into bit parts, many of which are defined by weight.

Piracy

Roku Gets Tough On Pirate Channels, Warns Users (torrentfreak.com) 79

An anonymous reader quotes a report from TorrentFreak: Earlier this year Roku was harshly confronted with this new piracy crackdown when a Mexican court ordered local retailers to take its media player off the shelves. While this legal battle isn't over yet, it was clear to Roku that misuse of its platform wasn't without consequences. While Roku never permitted any infringing content, it appears that the company has recently made some adjustments to better deal with the problem, or at least clarify its stance. Pirate content generally doesn't show up in the official Roku Channel Store but is directly loaded onto the device through third-party "private" channels. A few weeks ago, Roku renamed these "private" channels to "non-certified" channels, while making it very clear that copyright infringement is not allowed. A "WARNING!" message that pops up during the installation of these third-party channels stresses that Roku has no control over the content. In addition, the company notes that these channels may be removed if it links to copyright infringing content.

"By continuing, you acknowledge you are accessing a non-certified channel that may include content that is offensive or inappropriate for some audiences," Roku's warning reads. "Moreover, if Roku determines that this channel violates copyright, contains illegal content, or otherwise violates Roku's terms and conditions, then ROKU MAY REMOVE THIS CHANNEL WITHOUT PRIOR NOTICE."

Television

YouTube Has An Illegal TV Streaming Problem (mashable.com) 119

An anonymous reader quotes a report from Mashable: Most people turn to Netflix to binge watch full seasons of a single TV show, but there could be a much cheaper way: YouTube. You might be surprised to learn that you can watch full episodes of popular TV shows on YouTube for free, thanks to a large number of rogue accounts that are hosting illegal live streams of shows. Perhaps the most shocking thing about these free (and very illegal) TV live streams might even make their way into your suggested video queue, if you watch enough "random shit" and Bobby Hill quote compilations on the site, as Mashable business editor Jason Abbruzzese recently experienced. He first noticed the surprisingly high number of illegal TV streaming accounts on his YouTube homepage, which has tailored recommended videos based on his viewing habits. Personalized recommendations aren't exactly new -- but the number of illegal live streams broadcasting copyrighted material on a loop was a shocker. When we looked deeper into the livestreams, the number we found was mindblowing. Many of these accounts appear to exist solely to give watchers an endless loop of their favorite shows and only have a few other posts related to the live streamed content. "YouTube respects the rights of copyright holders and we've invested heavily in copyright and content management tools to give rights holders control of their content on YouTube," a YouTube spokesperson told Mashable in an email. "When copyright holders work with us to provide reference files for their content, we ensure all live broadcasts are scanned for third party content, and we either pause or terminate streams when we find matches to third party content."
Businesses

Apple Is Bringing a Billion Dollar Checkbook To Hollywood and Wants To Buy 10 TV Shows (recode.net) 79

Apple is officially open for business in Hollywood. From a report: The company is telling content makers it wants to spend $1 billion on its own stuff over the next year. That's music to studios' ears, and a tune they have been expecting for some time -- especially after Apple hired two top Sony TV executives in June. We still don't know what Apple wants to do with that content: The Wall Street Journal says Apple wants to make up to 10 "Game of Thrones" -- or "House of Cards"-scale shows, but that's not enough to launch a full-scale subscription service.
Businesses

Netflix Co-Founder's Crazy Plan: Pay $10 a Month, Go to the Movies All You Want (bloomberg.com) 274

Mitch Lowe, a founder of Netflix, has a crazy idea. Through his new startup MoviePass, he wants to subsidize our film habit, letting us go to the theater once a day for about the price of a single ticket. From a report: Lowe, an early Netflix executive who now runs a startup called MoviePass, plans to drop the price of the company's movie ticket subscriptions on Tuesday to $9.95. The fee will let customers get in to one showing every day at any theater in the U.S. that accepts debit cards. MoviePass will pay theaters the full price of each ticket used by subscribers, excluding 3D or Imax screens. MoviePass could lose a lot of money subsidizing people's movie habits. So the company also raised cash on Tuesday by selling a majority stake to Helios and Matheson Analytics, a small, publicly traded data firm in New York. [...] Theater operators should certainly welcome any effort to increase sales. The top four cinema operators, led by AMC Entertainment, lost $1.3 billion in market value early this month after a disappointing summer.
Displays

Samsung Pushes Its 4K/HDR TV Service in Europe (4k.com) 55

An anonymous reader quotes 4K.com: Samsung Electronics has announced that its premium Smart TV content service, TV Plus, is now available for users of Samsung Smart TVs in France, Germany, Italy, Spain and the United Kingdom... Owners of eligible Samsung Smart TVs with 4K / HDR capabilities in the above-mentioned European countries now have direct access to premium 4K UHD HDR content offered by Samsung, in partnership with Rakuten TV, and can find their favorite shows using the TV Plus straightforward interface... The expansion comes at what could be considered a strategically well timed moment in the European market, given that 4K TV sales in the huge continental market are steadily growing year by year and are expected to rise to over 17 million 4K TV units shipped by the end of 2017. Meanwhile, TV Plus content has become a success in Southeast Asia since its launch, where 70% of Smart TV users in Korea are watching TV PLUS channels, and 41% of Smart TV users in Vietnam are using TV PLUS.
Music

Crowdfunding Campaign Seeks a Libre Recording of a Newly-Completed Bach Work (kickstarter.com) 87

Slashdot reader DevNull127 writes: Robert Douglass's Kickstarter campaigns have resulted in free fan-funded open source recordings of Bach's Goldberg Variations and the 48 pieces in his Well-Tempered Clavier, Book 1. "Even Richard Stallman found these recordings, and he promptly wrote an email encouraging us to drop the word 'Open' in favor of 'Free' or 'Libre'," Douglas tells BoingBoing (adding "when RMS writes you telling you to change the name of your music project, you change the name of your music project.")

Now Douglass is crowdfunding a libre recording of Bach's last masterpiece, 20 fugues developed from a single theme called "the Art of the Fugue". "He wanted to culminate in a final fugue that literally spells his name, B-A-C-H, in musical notation," remembers Douglass, but "unfortunately, Bach died before completing that work, and it has remained a musical mystery (and tragedy) for hundreds of years." Fortunately Kimiko Ishizaka completed the work in 2016, "based on the music that Bach left us... This new composition will also be released under a Creative Commons license as part of the new OpenScore.cc project... Kimiko is eminently grateful to her fans and supporters of free culture for allowing her to focus all of her energies on growing the public domain and bringing the music of J.S. Bach to a far broader audience than ever imagined."

They're also rewarding supporters with tickets to two live performances -- one at Carnegie Hall in New York City and one in Hamburg's new Elbphilharmonie.
The Internet

28 Years Later, Pioneering Tech Magazine 'Mondo 2000' Relaunches Online (mondo2000.com) 35

In 1989 Mondo 2000 magazine ran an editorial promising they'd cover "the leading edge in hyperculture...the latest in human/technological interactive mutational forms as they happen." 28 years later, they're now heckling that editorial as they relaunch into a web site. Slashdot reader DevNull127 quotes Motherboard's interview with R.U. Sirius, the founder of Mondo 2000 (as well as its predecessors High Frontiers and Reality Hackers): "It was my idea to merge psychedelics and emerging technologies, and the culture around technology," Sirius said, citing Timothy Leary, writer Robert Anton Wilson and counterculture magazine The Whole Earth Catalog among his inspirations... "I kind of found my way into that particular stream of bohemian culture. It was probably a minority, but there had always been that idea of letting robots replace human work." Soon High Frontiers evolved into a glossy magazine, Reality Hackers ("Some distributors at the time thought it was about hacking people up, and put it on the shelf next to murder mystery magazines"), and later Mondo 2000, which ran from 1989 till 1998...

"We really had to work to convince people that technology was defining the future. Nobody really got it. Doug Rushkoff wrote his book Cyberia, and his first book company cancelled its publication because they said the internet was a fad and that it would be over by the time the book came out"... While he uses Facebook and Twitter, Sirius is critical of their role in colonising what was once a more democratic and open space. "People are being herded into little buildings -- or huge ones -- in what was supposed to be a wide open space in which everybody created their own sites. It's a complete corporate takeover of the net, Facebook in particular... It's definitely not what we were expecting."

Mondo 2000's new online relaunch includes audio of a conversation between William Gibson and Timothy Leary about a Neuromancer game to accompany a proposed film back in 1989. (Gibson complained "That was no interview! That was a drunken business meeting!" when first informed of the magazine's plans to publish it, though he eventually "became friendly.") There's also a 1987 discussion about mind technologies with 73-year-old William S. Burroughs (who was also "an advocate of high technology, and the 'brain machine'"), plus an unpublished John Shirley essay titled "The Next Fifty Years: Why I'm Optimistic Because Everything Will Be Terrible" and new pieces by Paul Krassner ("Alternative Facts") and M.Christian ("La Petite Mort: The Death Of Sex").
The Internet

'I'm a Teapot' Error Code Saved From Extinction By Public Outcry (gizmodo.com.au) 111

An anonymous reader quotes Gizmodo: It started back in 1998 as an April Fool's Day gag. Written up by Larry Masinter of the Internet Engineering Task Force (IETF), error code 418 -- "I'm a teapot" -- was nothing more than a poke at the "many bad HTTP extensions that had been proposed". Despite its existence as a joke, a number of major software projects, including Node.js, ASP.NET and Google's Go language, implemented it as an Easter egg. A recent attempt to excise the fictitious code from these projects ended up doing the opposite, cementing it as a "reserved" error by the IETF...

Mark Nottingham, IETF chair for the HTTP and QUIC working groups, flagged the code's removal as an "issue" for Google's Go language, the Node.js Javascript runtime and Microsoft's ASP.NET... Nottingham's argument was that 418 was "polluting [the] core protocol" of these projects... It didn't take long for a "Save 418" website to go live and through the efforts of interested internet historians (and jokers), all three of the aforementioned projects have decided to keep the code as it is, though Google will "revisit" the situation with the next major version of Go.

The Save 418 site argued that "the application of such an status code is boundless. Its utility, quite simply, is astonishingly unparalleled. It's a reminder that the underlying processes of computers are still made by humans. It'd be a real shame to see 418 go."
Books

The 2017 Hugo Awards (thehugoawards.org) 180

Dave Knott writes: The Hugo Awards, the most prestigious awards in science fiction, had their 2017 ceremony today, at WorldCon 75 in Helsinki, Finland.
The winners are:

Best Novel: The Obelisk Gate by N.K. Jemisin
Best Novella: "Every Heart a Doorway" by Seanan McGuire
Best Novelette: "The Tomato Thief" by Ursula Vernon
Best Short Story: "Seasons of Glass and Iron", by Amal El-Mohtar
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
Best Graphic Story: Monstress, Volume 1: Awakening , written by Marjorie Liu, illustrated by Sana Takeda
Best Dramatic Presentation (Long Form): Arrival , screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve
Best Dramatic Presentation (Short Form): The Expanse: Leviathan Wakes , written by Mark Fergus and Hawk Ostby, directed by Terry McDonough
Best Series: The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W Campbell Award for Best New Writer: Ada Palmer

This year's slate of nominees, unlike the drama surrounding the 2016 and 2015 Hugos, was less impacted by the ballot-stuffing tactics of the "Rabid Puppies", thanks to a change in the way nominees were voted for this year (including the fact no work could appear in more than one category) in an attempt to avoid tactical slate picks.

Movies

Netflix Discussing Keeping Streaming Rights To Disney's Marvel, Star Wars Films (reuters.com) 52

An anonymous reader quotes a report from Reuters: Netflix is in "active discussions" with Disney about keeping Marvel and "Star Wars" films after 2019, when new Disney and Pixar movies will stop appearing on the streaming service, a senior executive said late on Thursday. Disney announced on Tuesday that it was pulling new Disney and Pixar films from Netflix, starting with new releases in 2019. It will start putting the movies on a new Disney-branded online service that year. Disney Chief Executive Officer Bob Iger told analysts the company had not yet decided where it would distribute superhero films from Marvel Studios and movies from "Star Wars" producer Lucasfilm, which the company owns, at that time. Netflix is still in discussions with Disney about retaining rights to stream Marvel and Lucasfilm releases after 2019, Chief Content Officer Ted Sarandos told Reuters.
Music

SoundCloud Saved By $170 Million Emergency Funding As CEO Steps Aside (techcrunch.com) 16

Last month, SoundCloud announced it was cutting about 40 percent of its staff in a cost-cutting move to help it compete against larger rivals like Spotify and Apple. One week after that announcement, TechCrunch published a report claiming "the layoffs only saved the company enough money to have runway 'until Q4' -- which begins in just 80 days." It now appears the company has closed the necessary funding round to keep itself afloat. TechCrunch reports: CEO Alex Ljung will step aside though remain chairman as former Vimeo CEO Kerry Trainor replaces him. Mike Weissman will become COO as SoundCloud co-founder and CTO Eric Wahlforss stays as chief product officer. New York investment bank Raine Group and Singapore's sovereign wealth fund Temasek have stepped in to lead the new Series F funding round of $169.5 million. SoundCloud declined to share the valuation or quantity of the new funding round. Yesterday, Axios reported the company was raising $169.5 million at a $150 million pre-money valuation. That's a steep decline in value from the $700 million it was valued at in previous funding rounds. The new Series F round supposedly gives Raine and Temasek liquidation preferences that override all previous investors, and the Series E investors are getting their preferences reduced by 40 percent. They're surely happy about that, but it's better than their investment vaporizing. Raine will get two board seats for bailing out SoundCloud, with partner and former music industry attorney Fred Davis, and the vice president who leads music investments, Joe Puthenveetil, taking those seats.
Movies

Hollywood's Bad Summer Movies Are Driving a Decline in Movie Ticket Sales (fastcompany.com) 245

An anonymous reader shares a report: While some people may point at The Emoji Movie as the root of all that is wrong with Hollywood, The Wall Street Journal reports that the problem goes much deeper than a single misfire featuring Patrick Stewart as a poop emoji. WSJ reports that movie attendance has dropped by 5%, compared with the same period in 2016, and revenues are down, too, dipping just 2.9%, thanks to higher ticket prices making up for the lack of ticket sales. On Aug. 2, AMC shares dropped 27% in one day, the WSJ reports. While films like Beauty and the Beast, Wonder Woman, and Get Out fared well at the box office, they were the anomalies in a year full of box office disappointments. Instead of giving moviegoers more badass female leads and genre-bending horror films, Hollywood keeps throwing gobs of money at an unwanted fifth installment of Pirates of the Caribbean, more Transformers movies, and putting $175 million into King Arthur: Legend of the Sword, and then clutching their pearls in shock that no one wanted to see them.
Security

HBO Hacker Leaks Message From HBO Offering $250,000 'Bounty Payment' (variety.com) 60

The HBO hacker has struck yet again. From a report: Variety has obtained a copy of another message released Thursday by the anonymous hacker to select journalists in which HBO is apparently responding to the initial video letter that was sent informing the Time Warner-owned company of the massive data breach. The message from HBO, dated July 27, features the network's offer to make a "bounty payment" of $250,000 as part of a program in which "white hat IT professionals" are rewarded for "bringing these types of things to our attention." While the message takes a curiously non-confrontational tone in response to a hacker out to damage HBO, a source close to the investigation who confirmed the veracity of the email explained it was worded that way to stall for time while the company attempted to assess the serious situation.
Businesses

Watch Out Ticketmaster: Amazon In Talks To Offer Event Ticketing In US (reuters.com) 67

According to Reuters, Amazon is seeking to partner with U.S. venue owners to sell event tickets -- a move that could loosen Ticketmaster's powerful grip on the lucrative ticketing business. From the report: The Seattle-based company sees the U.S. ticketing market as ripe for attack. Consumers dislike ticket fees, and venue owners, sports leagues and teams want more distributors for their tickets as they seek to boost sales. Access to tickets could be another means to lure members to the Amazon Prime shopping club. For music acts and sports teams, selling tickets through Amazon could help sell their merchandise. Currently Ticketmaster, owned by Live Nation Entertainment, is the exclusive seller of primary tickets for many top venues in the United States. Would-be challengers have struggled to compete in the face of Ticketmaster's strong relationships with the operators of major U.S. sports stadiums, arenas, concert halls and other venues. Amazon has had success with ticketing in Britain, where it has been selling seats to West End shows since 2015, even outselling Ticketmaster for some events, according to one of the sources, who owns venues in that country. It is less common for venues in Britain to have an exclusive ticket provider.
Facebook

Facebook Launches Watch Tab For Video Shows, Uses TV's 75-Year-Old Marketing Pitch (marketwatch.com) 40

From a report: Facebook's push toward original video content will take a big step forward Thursday with the launch of a new section, dubbed Watch. The new tab, which Facebook FB, said late Wednesday will launch for a limited number of U.S. users for now, will feature about 40 original series, with plans to eventually scale up to hundreds of shows. Facebook said it will become available to more users in the coming weeks. The Mountain View, Calif., social network is hoping to tap into lucrative TV advertising revenue to boost its ever-expanding bottom line. If successful, Watch could stem the ad-load slowdown for the rest of the year that Chief Financial Officer David Wehner warned about last month when Facebook filed its quarterly earnings. Facebook also hopes the Watch tab will open up a new method of advertising that doesn't clutter users' News Feeds, and keep its 2 billion users on its site longer. Company's founder Mark Zuckerberg is understandably very excited about the move. He says the company believes "it's possible to rethink a lot of experiences through the lens of building community -- including watching video. Watching a show doesn't have to be passive. It can be a chance to share an experience and bring people together who care about the same things." If that pitch sounds familiar to you, it's because TV has been doing it for more than 75 years.
Movies

Disney Ditching Netflix Keeps Piracy Relevant (torrentfreak.com) 263

Yesterday, Disney announced its intent to pull its movies from Netflix and start its own streaming service. This upset many users across the web as the whole appeal of the streaming model becomes diluted when there are too many "Netflixes." TorrentFreak argues that "while Disney expects to profit from the strategy, more fragmentation is not ideal for the public" and that the move "keeps piracy relevant." From the report: Although Disney's decision may be good for Disney, a lot of Netflix users are not going to be happy. It likely means that they need another streaming platform subscription to get what they want, which isn't a very positive prospect. In piracy discussions, Hollywood insiders often stress that people have no reason to pirate, as pretty much all titles are available online legally. What they don't mention, however, is that users need access to a few dozen paid services, to access them all. In a way, this fragmentation is keeping the pirate ecosystems intact. While legal streaming services work just fine, having dozens of subscriptions is expensive, and not very practical. Especially not compared to pirate streaming sites, where everything can be accessed on the same site.
Communications

Disney To Pull Its Movies From Netflix and Start Its Own Streaming Service (theverge.com) 270

Disney announced today that it will end its distribution deal with Netflix and launch its own streaming service in 2019. "The move is a real blow to Netflix, which secured a valuable streaming deal with Disney back in 2012 -- before streaming had really taken off," reports The Verge. "The deal only kicked into effect last year, so Netflix is barely seeing any benefit here." From the report: Netflix won't lose its Disney movies right away. Disney says it plans to cut Netflix off starting with the studio's 2019 films, and Netflix says it'll be able to keep all the Disney movies it gets through the end of that year. That means Netflix should be able to stream the next two Star Wars movies, but it'll miss out on the new trilogy's final installment. "We continue to do business with the Walt Disney Company on many fronts, including our ongoing deal with Marvel TV," said a spokesperson for Netflix. Disney's streaming service will be built off technology from BAMTech, the MLB-founded video streaming platform. Disney was already a major investor in BAMTech, and today it's making an even bigger investment -- of $1.58 billion -- giving it a 75 percent stake in the company. The acquisition still requires regulatory approval. The Disney-branded streaming service will be the "exclusive home in the U.S. for subscription-video-on-demand viewing," and will kick off with films including Toy Story 4 and the sequel to Frozen. "Original movies, TV shows, [and] short-form content" will be added to the service, and it'll be filled out with older movies from Disney and Pixar's catalog and shows from Disney's TV channels. The report also notes Disney plans to launch a streaming service exclusively for ESPN, targeted for launch early next year. "Disney is promising about '10,000 live regional, national, and international games and events a year,' with individual sports packages available as well," reports The Verge.
Television

David Letterman Returning to TV With Netflix Talk Show (hollywoodreporter.com) 70

Lesley Goldberg, writing for The Hollywood Reporter: Two years after signing off CBS' The Late Show, David Letterman is returning to the small screen. The longest-serving host in U.S. late-night TV history is set to topline a new talk show for Netflix. The untitled six-episode series will premiere in 2018. Unlike The Late Show, each hourlong episode of the Netflix series will be prerecorded and feature Letterman conducting longform conversations with a singular guest as well as exploring topics on his own -- outside of the studio. A guest list has not yet been revealed. "I feel excited and lucky to be working on this project for Netflix. Here's what I have learned, if you retire to spend more time with your family, check with your family first. Thanks for watching, drive safely," Letterman said.
Privacy

Game of Thrones Hackers Demand Ransom (bbc.com) 70

An anonymous reader shares a report: Hackers who have leaked Game of Thrones scripts and other data from entertainment company HBO have released a note demanding a ransom payment. In a new dump, they also published a script for the as yet unbroadcast fifth episode of the current series. Company documents and video episodes of other HBO shows were also shared. The hackers claim to have 1.5TB of data in total, but HBO has said it does not believe its email system has been compromised. Documents in the latest leak were marked "HBO is falling," according to the Wired news site, and included legal information, employment agreements and other company files. The Associated Press reports that some documents appeared to contain personal contact information for Game of Thrones actors.
Businesses

Netflix's First Takeover: a Comics Firm (bbc.com) 37

Netflix announced today that it is acquiring Mark Millar, a well-known name in the world of comics. As part of the deal, the on-demand streaming company said, it will be creating original movies and TV shows from the content. It's Netflix's first acquisition. From a report: Millarworld, founded by Mark Millar from Coatbridge, includes his portfolio of characters and stories such as Kick-Ass, Kingsman, and Old Man Logan. Mr Millar said he was still "blinking" over the news. He said it was only the third time a comic book purchase on this scale had ever happened, with Warner Bros buying DC Comics in 1968, and Disney buying Marvel in 2009. Mr Millar, who lives in Glasgow, started Millarworld as a creator-owned comic-book company nearly 15 years ago. He runs the company with his wife Lucy Millar. It is the first ever company acquisition in Netflix's history. The terms of the transaction were not disclosed. Mr Millar said: "I'm so in love with what Netflix is doing and excited by their plans. Netflix is the future and Millarworld couldn't have a better home."
Music

Why Steve Jobs Loved the IPod Shuffle (wired.com) 214

"Right after the keynote in which Steve Jobs introduced the iPod Shuffle, I went backstage with one question in mind: What makes an iPod an iPod?" remembers Steven Levy. mirandakatz writes Apple recently announced that it's officially discontinuing the iPod -- sad news for anyone who'd prefer to not have to lug around an entire phone to listen to music. At Backchannel, Steven Levy offers a requiem... The Shuffle, he writes, was unique in that it was an iPod stripped down to a single basic function -- and, as Steve Jobs told Levy in 2005, it made the perfect [cheap] gift for inculcating young kids in the ways of Apple.

"I will go buy them one of these for 100 bucks apiece," he told Levy, referring to why the Shuffle was an especially appropriate gift for his daughters, six and nine at the time. "They'll probably lose them in 60 days. But they'll get into it this way."

Jobs called the Shuffle "every bit an iPod -- just a different iPod," saying that the definition was simply "a great digital music player." (Though later he'd say that creating a radically smaller Nano was still "a huge bet.") Levy remembers the Shuffle as "one of the company's most fun products ever...stripped down to the one feature I adored," writing that he loved how "algorithmic serendipity" approximated a genius deejay (or "the 'Hand of God' chess move that Deep Blue used to confuse Garry Kasparov into thinking the computer had trespassed into realms formerly limited to brilliant humans.")

I bought my first mp3 player in 2000 -- an Archos Jukebox 6000 which weighed three quarters of a pound. Anyone else have fond memories they want to share about the iPod, the Nano, the Shuffle, your old Newton -- or your own first mp3 player?
Star Wars Prequels

Warner Music Files Copyright Claim on A Silent 'Star Wars' Video On YouTube (wired.com) 73

rgh02 writes: Earlier this summer, popular YouTube channel Auralnauts received some unfortunate news: Warner/Chappell had filed a monetization claim on their "Star Wars Minus Williams" video through YouTube's Content ID System. More than anything, the Auralnauts were confused -- the video the music company was claiming rights over didn't have any music in it at all.
In fact, the video is almost entirely silent, augmented with a few awkward coughs as Han Solo and Luke Skywalker plod noiselessly toward Princess Leia in a two-minute scene where they're awarded ceremonial medallions. Wired's article describes it as "a tongue-in-cheek tribute" to John Williams' Star Wars score for the film's final scene, also reporting that it had been online for almost three years before Warner/Chappell music publishing claimed rights to all money the video would receive: When I tried to get Warner/Chappell's side of this story, the company offered no comment. But apparently my reporting helped bring the "Star Wars Minus Williams" copyright dispute to an unexpectedly speedy resolution. When Koonce told his YouTube partner manager that a journalist had interviewed him, YouTube stepped in and removed the copyright claim against the video.
YouTube has also created a "Fair Use Protection" program covering legal costs for channels they believe are unfairly targeted with video takedown notices. But the article points out that 95% of the time music companies just chose YouTube's "monetize" option to claim the ad revenue rather than asking that a video be blocked -- and that last year YouTube paid the music industry $1 billion. (Though the music industry insists that amount is still below what they're receiving from streaming music services.)
Sci-Fi

CBS Delaying 'Star Trek: Discovery' To Maintain Quality (foxnews.com) 228

New submitter Zorro shares a report from Fox News: The premiere of "Star Trek: Discovery" on CBS' subscription streaming service, CBS All Access, was postponed nine months to maintain the quality of the brand. Executive producer Alex Kurtzman told the Television Critics Association Tuesday that they "spent a lot of time" discussing how to create this new world for TV that felt authentic to the "Star Trek" universe. Also during that time, executive producer Bryan Fuller decided to exit the series as showrunner to focus on other projects. Kurtzman said "it became clearer and clearer" that the targeted January debut would "compromise the quality of the show," so it was pushed with the blessing of CBS Chairman and CEO Leslie Moonves.
Television

Millennials Unearth an Amazing Hack to Get Free TV: the Antenna (wsj.com) 564

From a report on WSJ: Dan Sisco has discovered a technology that allows him to access half a dozen major TV channels, completely free. "I was just kind of surprised that this is technology that exists (alternative source)," says Mr. Sisco, 28 years old. "It's been awesome. It doesn't log out and it doesn't skip." Let's hear a round of applause for TV antennas, often called "rabbit ears," a technology invented roughly seven decades ago, long before there was even a cord to be cut, which had been consigned to the technology trash can along with cassette tapes and VCRs. The antenna is mounting a quiet comeback, propelled by a generation that never knew life before cable television, and who primarily watch Netflix , Hulu and HBO via the internet. Antenna sales in the U.S. are projected to rise 7 percent in 2017 to nearly 8 million units, according to the Consumer Technology Association, a trade group. Mr. Sisco, an M.B.A. student in Provo, Utah, made his discovery after inviting friends over to watch the Super Bowl in 2014. The online stream he found to watch the game didn't have regular commercials -- disappointing half of his guests who were only interested in the ads. "An antenna was not even on my radar," he says. He went online and discovered he could buy one for $20 and watch major networks like ABC, NBC, Fox and CBS free.
Privacy

Hackers Break Into HBO's Networks, May Have Leaked 'Game of Thrones' Script (variety.com) 82

An anonymous reader shares a report: Hackers have broken into the networks of HBO and reportedly leaked unreleased episodes of a number of shows, as well as the script for next week's "Game of Thrones" episode. Altogether, they have reportedly obtained a total of 1.5 terabyte of data. HBO confirmed the intrusion in a statement sent to Variety: "HBO recently experienced a cyber incident, which resulted in the compromise of proprietary information. We immediately began investigating the incident and are working with law enforcement and outside cybersecurity firms. Data protection is a top priority at HBO, and we take seriously our responsibility to protect the data we hold."
Google

YouTube Red and Google Play Music Will Merge To Create a New Service (theverge.com) 59

YouTube's head of music, Lyor Cohen, confirmed that the company is planning on merging its Google Play Music service with YouTube Red to create a new streaming offering. "The important thing is combining YouTube Red and Google Play Music, and having one offering," Cohen said. The Verge reports: Right now, YouTube's music ecosystem is unnecessarily complicated. There's YouTube Red, which removes ads from videos and lets you save them offline, while also giving you access to Google Play Music for free. Then there's YouTube Music, which anyone can use, but it gets better if you're signed up for YouTube Red. And YouTube TV is also a thing -- an entirely separate thing -- but it's not available everywhere yet. The merger has been rumored within the industry for months, and recently picked up steam after Google combined the teams working on the two streaming services earlier this year. In a statement to The Verge, Google said it will notify users of any changes before they happen. "Music is very important to Google and we're evaluating how to bring together our music offerings to deliver the best possible product for our users, music partners and artists. Nothing will change for users today and we'll provide plenty of notice before any changes are made."
Businesses

Apple Discontinues iPod Nano and iPod Shuffle (macrumors.com) 151

From a report: Apple today removed the iPod nano and iPod shuffle from its website and online store around the world, suggesting the iconic portable media players may be discontinued. Apple continues to sell the iPod touch. Beyond new colors and storage capacities, Apple had last updated the iPod nano in October 2012 and the iPod shuffle in September 2010. Apple last updated the iPod touch in July 2015 with an 8-megapixel rear camera. Apple introduced the iPod shuffle in January 2005, followed by the iPod nano in September 2005. In total, there were seven generations of the iPod nano, and four generations of the iPod shuffle. The company has confirmed that it has discontinued the devices.
Google

Google Is Testing Autoplay Videos Directly In Search Results (thenextweb.com) 126

For a select group of individuals, Google has enabled autoplay videos in Search. "We are constantly experimenting with ways to improve the search experience for our users, but have no plans to announce [the feature] at this time," a Google spokesperson told Search Engine Land. Facebook, Instagram and Twitter all have similar features that were introduced fairly recently. If you find automatic videos to be a nuisance, now is the time to let Google know how you feel about this "feature."
AT&T

AT&T Loses Record Number of Traditional TV Subscribers In Q2, Drops 156,000 DirecTV Satellite Customers (variety.com) 83

According to Variety, AT&T's pay-TV business has lost a record 351,000 traditional video customers in the second quarter, with the internet-delivered DirecTV Now service failing to fully offset the losses. From the report: In Q2, historically a seasonally weak period for the pay-TV business, DirecTV's U.S. satellite division lost 156,000 customers sequentially, dropping to 20.86 million, compared with a gain of 342,000 in the year-earlier quarter. AT&T's U-verse lost 195,000 subs in the quarter, which was actually an improvement over the 391,000 it lost in Q2 of 2016. AT&T touted that it gained 152,000 DirecTV Now customers in Q2, after adding just 72,000 in the first quarter of 2017. Overall, it had signed up 491,000 DirecTV Now subs as of the end of June, after the OTT service launched seven months ago.
Businesses

Cloudflare Wants to Eliminate 'Moot' Pirate Site Blocking Threat (torrentfreak.com) 23

Cloudflare is not happy with the RIAA's efforts to hold the company liable for pirate websites on its network. From a report: Representing various major record labels, the RIAA filed a lawsuit against MP3Skull in 2015. Last year a Florida federal court sided with the RIAA, awarding the labels more than $22 million in damages. In addition, it issued a permanent injunction which allowed the RIAA to take over the site's domain names. Despite the multi-million dollar verdict, MP3Skull continued to operate using a variety of new domain names, which were subsequently targeted by the RIAA's legal team. As the site refused to shut down, the RIAA eventually moved up the chain targeting CDN provider Cloudflare with the permanent injunction. The RIAA argued that Cloudflare was operating "in active concert or participation" with the pirates. Cloudflare objected and argued that the DMCA shielded the company from the broad blocking requirements. However, the court ruled that the DMCA doesn't apply in this case, opening the door to widespread anti-piracy filtering. The court stressed that, before issuing an injunction against Cloudflare, it still had to be determined whether the CDN provider is "in active concert or participation" with the pirate site. [...] Cloudflare now wants the dangerous anti-piracy filtering order to be thrown out. The company submitted a motion to vacate the order late last week, arguing that the issue is moot. In fact, it has been for a while for some of the contended domain names. The CDN provider says it researched the domain names listed in the injunction and found that only three of the twenty domains used Cloudflare's services at the time the RIAA asked the court to clarify its order. Some had never used CloudFlare's services at all, they say.
Network

Ask Slashdot: Best Option For a Touring Band With Mobile Data? 203

New submitter SEMLogistics writes: I'm working with a well-known rock band, that is not based in the U.S., and has an upcoming U.S. tour this fall. The issue they always run into, however, is when renting a tour bus and traveling with 12 to 14 people, they consistently blow through data allowances set by the bus company. This leads to tremendously expensive overages, and greatly throttled data. "When chartering a Nightliner tour bus, travel companies only typically allow for 10GB data a month. With 12 people, downloading music and streaming movies, we can easily exceed 12GB a day! This leads to thousands of dollars every month in overages!"

Slashdot, help! Are there any good mobile hotspot options with unlimited data, and monthly contracts (I haven't found any), or other alternatives than to simply be held a data-hostage?
Bug

DNS Lib Underscore Bug Bites Everyone's Favorite Init Tool, Blanks Netflix (theregister.co.uk) 292

Reader OneHundredAndTen writes and shares a report: Systemd doing what it does best. From a report on The Register: A few Penguinistas spent a weekend working out why they can't get through to Netflix from their Linux machines, because when they tried, their DNS lookups failed. The issue emerged over the weekend, when Gentoo user Dennis Schridde submitted a bug report to the Systemd project. Essentially, he described a failure within systemd-resolve, a Systemd component that turns human-readable domain names into IP addresses for software, like web browsers, to connect to. The Systemd resolver couldn't look up Netflix's servers for Schridde's web browser, according to the report. In his detailed post, Schridde said he expected this to happen: ipv6_1-cxl0-c088.1.lhr004.ix.nflxvideo.net gets resolved to 37.77.187.142 or 2a00:86c0:5:5::142. When in reality, that wasn't happening, so Netflix couldn't be reached on his box. His speculation that libidn2, which adds internationalised domain names support to the resolver, was at fault turned out to be accurate. Rebuilding Systemd without that library cleared the problem.
Star Wars Prequels

Predatory Journals Hit By "Star Wars" Sting (discovermagazine.com) 112

intellitech quotes an article from Discover's Neuroskeptic blog: A number of so-called scientific journals have accepted a Star Wars-themed spoof paper...an absurd mess of factual errors, plagiarism and movie quotes. I know because I wrote it... I created a spoof manuscript about "midi-chlorians" -- the fictional entities which live inside cells and give Jedi their powers in Star Wars...and submitted it to nine journals under the names of Dr. Lucas McGeorge and Dr. Annette Kin... The American Journal of Medical and Biological Research accepted the paper, but asked for a $360 fee, which I didn't pay. Amazingly, three other journals not only accepted but actually published the spoof.
At one point the paper simply transcribes dialogue from Star Wars: Episode III - Revenge of the Sith. ("Did you ever hear of the tragedy of Darth Plagueis the Wise? I thought not. It is not a story the Jedi would tell you....") And the author also cut-and-pasted big chunks of the Wikipedia page for mitochondrion (after globally replacing mitochondr* with midichlor*), then admitted in the paper's "Methodology" section that "The majority of the text in the current paper was Rogeted from Wikipedia" -- with a direct link back to that Wikipedia page. One sentence even mentions "JARJAR syndrome."

Three more journals did reject the paper -- but at least one more unquestioningly asked the author to revise and resubmit it. The author calls it "a reminder that at some 'peer reviewed' journals, there really is no meaningful peer review at all" -- adding that one journal has even invited Dr. Lucas McGeorge to join their editorial board.
Music

SoundCloud Halts Volunteer Archiving Project (vice.com) 48

Slashdot reader nielo tipped us off to more SoundCloud news. Motherboard reports: Last week, a group of volunteer digital preservationists known as The Archive Team announced they would be attempting to independently archive a 123.6 million track, 900-terabyte swath of SoundCloud, the popular streaming music and audio service that recently announced mass layoffs and office closures, sparking fears of an imminent closure. But just as the volunteer archive of SoundCloud was due to be getting started, it's been abruptly called off at the behest of the company... I reached out to SoundCloud for more information, and a spokesperson responded with the following written statement: "SoundCloud is dedicated to protecting the rights and content of the creators who share their work on SoundCloud. We requested the Archive Team halt their efforts as any action to take content from SoundCloud violates our Terms of Use and infringes on our users' rights... SoundCloud is not going away -- not in 50 days, not in 80 days or anytime in the foreseeable future..." But that hasn't stopped some individuals on Reddit's r/datahoarder subreddit from attempting to gather their own personal archives of as much of SoundCloud as they want and can afford to host.
Music

Steve Jobs' Life Is Now An Opera (cnn.com) 74

An anonymous reader quotes CNN's report on a new project from Pulitzer Prize-winning librettist Mark Campbell: "The (R)evolution of Steve Jobs" is set to open on Saturday night at the Santa Fe Opera, home to the largest summer-opera festival in U.S. The high-tech production, which runs until August 26, jumps in and out of key moments in the Apple founder's life, from early product-development days alongside Steve Wozniak and the launch of the original iPhone, to his wedding day with Laurene Powell Jobs... The opera features an electronic score, developed by Mason Bates, that incorporates sounds from the products Jobs created, including the audio synonymous with turning on an early Macintosh computer. The libretto, or operatic script, doesn't call out words like Apple or iPhone due to copyright issues; instead, it uses descriptors like "one device" to reference the smartphone. "Only one device, does it all," the libretto reads. "In one hand, all your need. One device. Communication, entertainment, illumination, connection, interaction, navigation, inspiration..."
One scene in the high-tech production shows Jobs standing in his family's garage on his 10th birthday. When his father gives him a workbench, the walls around them light up into video screens...

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