"The Mandalorian & Grogu and Daisy Ridley's untitled Star Wars movie have received working titles ahead of their respective production starts," reports CBR: According to The Cosmic Circus, The Mandalorian and Grogu will be filmed under the working title "Thunder Alley", while Ridley's Star Wars movie will be known as "New Jedi Order..." The Mandalorian & Grogu will be the first Star Wars movie to enter production since 2019's The Rise of Skywalker, the ninth and final installment in The Skywalker Saga...

[In Ridley's untitled Star Wars movie], Ridley will reprise her role from the Star Wars sequel trilogy as Rey, with the new movie set to follow the fan-favorite Jedi as she rebuilds the Jedi Order roughly 15 years after the events of The Rise of Skywalker... Other Star Wars movies in the works include James Mangold's upcoming feature about the origins of The Force, set during the Dawn of the Jedi era; and Dave Filoni's feature-length film set in the New Republic era that will conclude post-Return of the Jedi storylines that began in The Mandalorian, The Book of Boba Fett, Ahsoka and the upcoming Skeleton Crew.
"California's Film Commission announced in a news release Monday that Lucasfilm's upcoming feature film The Mandalorian & Grogu will be produced entirely in the state," reports the Press Democrat, "one of 15 movie productions coming to fruition thanks to California's Film and TV Tax Credit Program." Based on the popular Disney+ series and directed by "The Mandalorian" creator Jon Favreau, "The Mandalorian & Grogu" is set to be the first film in the franchise's 46-year history to be shot entirely in the state and the biggest blockbuster in the history of the commission's tax credit program, bringing approximately $166 million to the state's economy through wages and expenditures, the release said. According to The Hollywood Reporter, the film will get $21.8 million in tax credits.

The Mandalorian & Grogu, which is due to begin filming later this year and is currently expected to be released sometime in 2026, will continue the story of the titular lone bounty hunter and his alien baby companion that began in the three-season series, Lucasfilm announced last month.

The desert planet Arrakis in Frank Herbert's science fiction novel Dune is plausible, says Alexander Farnsworth, a climate modeler at the University of Bristol in England. According to Science News, the world would be a harsh place for humans to live, and they probably wouldn't have to worry about getting eaten by extraterrestrial helminths. From the report: For their Arrakis climate simulation, which you can explore at the website Climate Archive, Farnsworth and colleagues started with the well-known physics that drive weather and climate on Earth. Using our planet as a starting point makes sense, Farnsworth says, partly because Herbert drew inspiration for Arrakis from "some sort of semi-science of looking at dune systems on the Earth itself." The team then added nuggets of information about the planet from details in Herbert's novels and in the Dune Encyclopedia. According to that intel, the fictional planet's atmosphere is similar to Earth's with a couple of notable differences. Arrakis has less carbon dioxide in the atmosphere than Earth -- about 350 parts per million on the desert planet compared with 417 parts per million on Earth. But Dune has far more ozone in its lower atmosphere: 0.5 percent of the gases in the atmosphere compared to Earth's 0.000001 percent.

All that extra ozone is crucial for understanding the planet. Ozone is a powerful greenhouse gas, about 65 times as potent at warming the atmosphere as carbon dioxide is, when measured over a 20-year period. "Arrakis would certainly have a much warmer atmosphere, even though it has less CO2 than Earth today," Farnsworth says. In addition to warming the planet, so much ozone in the lower atmosphere could be bad news. "For humans, that would be incredibly toxic, I think, almost fatal if you were to live under such conditions," Farnsworth says. People on Arrakis would probably have to rely on technology to scrub ozone from the air. Of course, ozone in the upper atmosphere could help shield Arrakis from harmful radiation from its star, Canopus. (Canopus is a real star also known as Alpha Carinae. It's visible in the Southern Hemisphere and is the second brightest star in the sky. Unfortunately for Dune fans, it isn't known to have planets.) If Arrakis were real, it would be located about as far from Canopus as Pluto is from the sun, Farnsworth says. But Canopus is a large white star calculated to be about 7,200 degrees Celsius. "That's significantly hotter than the sun," which runs about 2,000 degrees cooler, Farnsworth says. But "there's a lot of supposition and assumptions they made in here, and whether those are accurate numbers or not, I can't say."

The climate simulation revealed that Arrakis probably wouldn't be exactly as Herbert described it. For instance, in one throwaway line, the author described polar ice caps receding in the summer heat. But Farnsworth and colleagues say it would be far too hot at the poles, about 70Â C during the summer, for ice caps to exist at all. Plus, there would be too little precipitation to replenish the ice in the winter. High clouds and other processes would warm the atmosphere at the poles and keep it warmer than lower latitudes, especially in the summertime. Although Herbert's novels have people living in the midlatitudes and close to the poles, the extreme summer heat and bone-chilling -40C to -75C temperatures in the winters would make those regions nearly unlivable without technology, Farnsworth says. Temperatures in Arrakis' tropical latitudes would be relatively more pleasant at 45C in the warmest months and about 15C in colder months. On Earth, high humidity in the tropics makes it far warmer than at the poles. But on Arrakis, "most of the atmospheric moisture was essentially removed from the tropics," making even the scorching summers more tolerable. The poles are where clouds and the paltry amount of moisture gather and heat the atmosphere. But the tropics on Arrakis pose their own challenges. Hurricane force winds would regularly sandblast inhabitants and build dunes up to 250 meters tall, the researchers calculate. It doesn't mean people couldn't live on Arrakis, just that they'd need technology and lots of off-world support to bring in food and water, Farnsworth says. "I'd say it's a very livable world, just a very inhospitable world."

Adobe has announced a new prototype tool called Project Music GenAI Control that allows users to create original music by inputting text prompts, then edit the audio without switching to separate software. Users can specify musical styles in their prompts to produce tracks like "happy dance" or "sad jazz."

Adobe says integrated editing controls let users tweak patterns, tempo, intensity and structure of the AI-generated music. Sections can be remixed and looped as backing tracks or background music. The tool can also adjust audio "based on a reference melody" and extend clip length for set animations or podcasts. Details on editing interface and upload options for custom reference tracks are unclear.

Streaming revenue will overtake pay TV subscription revenue in the U.S. for the first time later in 2024, helped by the addition of ad tiers by various streamers, according to a new forecast. From a report: Total revenues from streaming, including subscription and advertising revenue, will start topping revenue from pay TV subscriptions in the third quarter of 2024, research company Ampere Analysis projects in a new study unveiled on Monday. "Streaming will continue to race ahead as traditional pay TV declines -- with the value of pay TV in 2028 expected to fall to half the value it saw at its peak in 2017," it predicts. Streaming subscribers overtook pay TV subs in the U.S. in 2016, but "streaming's lower average revenue per user (ARPU), which currently sits at around a tenth that of pay TV, means that revenue is only now catching up," Ampere explained. U.S. pay TV revenue will still be narrowly ahead of streaming revenue in the second quarter at $17.1 billion to $17 billion, followed by a $17.3 billion to $16.7 billion streaming lead in the third quarter, according to the research firm's projections.

Maker Roni Bandini developed a Raspberry Pi project to address his neighbors' loud reggaeton music by creating an AI-driven system that distorts audio on nearby Bluetooth speakers when reggaeton is detected. Tom's Hardware reports: Powering this Bluetooth jamming device is a Raspberry Pi 3 B+. It's connected to a DFRobot OLED display panel, which has a resolution of 128 x 32px. Audio is observed using a USB microphone, while a push button handles when the system will perform a check to listen for any potential reggaeton. According to Bandini, the Pi is running Raspberry Pi OS. The AI system driving the machine learning aspects of the design is Edge Impulse. With this, Bandini was able to train the Pi to listen for music and more specifically identify whether the song playing is classifiable as reggaeton or not. The official project page is available at Hackster.

An anonymous reader quotes a report from TorrentFreak: In recent months, Movie-Web has quickly gained popularity among a particular group of movie aficionados. The open source software, which is still available on GitHub, allows anyone to set up a movie search engine capable of streaming content from third-party sources. These external sources tend to have large libraries of pirated entertainment. Movie-web's developers are not oblivious to the legal ramifications but since they don't host any files, they hoped to avoid legal trouble. The software just provides a search engine for third-party content, they argued. [...]

Yesterday, the movie-web.app domain was suddenly taken down. According to a message posted on the official Discord server, this is the result of a "court action" from several movie companies including Warner Bros. Netflix, Paramount, Universal, and Disney. [I]t appears that action was taken against the movie-web.app domain. It seems likely that registrar Namecheap suspended the domain after receiving a legal complaint from the aforementioned Hollywood companies. [Update: After publishing the article we learned that there is a legal action that requires registrars to take action against several 'pirate' domains. We're looking into the matter and will follow this up later.]

Namecheap updated the domain's status to clientHold, which effectively rendered the domain inaccessible. The measure is often used to suspend pirate site domains following copyright holder complaints. The surprise takedown only affects movie-web's publicly hosted 'demo' instance. On Discord, the movie-web team says that it has no plans to bring this website back in any shape or form. "As a team, we always said that if we were taken down, we would go down without a fight and we have decided to stick to that. We have zero interest in getting involved with legal matters, and so we will not be trying to circumvent this takedown in any way," developer 'BinaryOverload' writes.

Netflix's new sci-fi drama Spaceman centers on Czech astronaut Jakub Procházk, described by Polygon as "painfully introverted, emotionally repressed, and above all, quiet... so muted and compressed, he seems like a trauma victim." The film, adapted from the 2017 novel Spaceman of Bohemia written by Czech author Jaroslav KalfaÅ(TM), is a solemn drama in the mold of Andrei Tarkovsky's Solaris, or to some degree, Christopher Nolan's Interstellar. The story revolves around Jakub's disintegrating frame of mind after eight months alone in space as he investigates a glowing cosmic phenomenon that's become visible from Earth. Meanwhile, his wife Lenka (Carey Mulligan), heavily pregnant and going through her own breakdown back home, decides to leave Jakub, and his handlers (Isabella Rossellini among them) work to keep him from finding out. And then the giant spider appears, and Jakub worries that he's losing his mind.
CNN says Sandler's deal with Netflix "means pretty much doing whatever he wants, which, in the case of Spaceman, means traveling to the furthest reaches of space as the near-solitary star of a pretentious, message-heavy drama."

You can watch a trailer here. The movie enjoys a "limited theatrical release" this weekend, and will stream on Netflix starting March 1.

Tom McKay successfully masqueraded as a "Slackbot" on Slack after leaving Gizmodo in 2022, going unnoticed by the site's management for several months. The Verge reports: If you're not glued to Slack for most of the day like I am, then you might not know that Slackbot is the friendly robot that lives in the messaging service. It helps you do things like set reminders, find out your office's Wi-Fi password, or let you know when you've been mentioned in a channel that you're not a part of. When it was his time to leave, McKay swapped out his existing profile picture for one that resembled an angrier version of Slackbot's actual icon. He also changed his name to "Slackbot." You can't just change your name on Slack to "Slackbot," by the way, as the service will tell you that name's already been taken. It does work if you use a special character that resembles one of the letters inside Slackbot, though, such as replacing "o" with the Unicode character "o."

The move camouflaged McKay's active Slack account for months, letting his account evade deletion. It also allowed him to send bot-like messages to his colleagues such as, "Slackbot fact of the day: Hi, I'm Slackbot! That's a fact. Have a Slack-ly day!" My colleague Victoria Song, who previously worked at Gizmodo, isn't all that surprised that this situation unfolded, and says, "As Tom's former coworker and a G/O Media survivor, this tracks."

Amazon is pushing back against reports that its Freevee service is shuttering. The Wrap: AdWeek reported the news, which it said is part of an effort by the tech giant to shift its focus to Prime Video. Sources familiar with the matter told the outlet that sunsetting Freevee could happen sometime within the second quarter. However, a spokesperson for Amazon said there are "no changes" coming to Freevee.

"Amazon Freevee remains an important streaming offering providing both Prime and non-Prime customers thousands of hit movies, shows and originals, all for free," they added. Freevee, which was formerly known as IMDb TV until a rebrand in 2022, offers thousands of premium movies and TV shows, including originals such as "Bosch: Legacy," "Judy Justice" and "Jury Duty" and over 150 free ad-supported streaming TV (FAST) channels.

Disney is outsourcing its DVD and Blu-ray disc business to Sony Pictures Entertainment. Variety reports: As part of the deal, Sony will market, sell and distribute all Disney's new releases and catalog titles on physical media to consumers through retailers and distributors in the U.S. and Canada. Disney will continue to manage its own digital media, like premium video-on-demand. It's unclear if this will result in layoffs at Disney. However, the studio is expected to conduct an internal assessment across all business functions that support physical entertainment amid the transition to Sony, according to sources familiar with the agreement.

According to Disney, the licensing model allows the studio to continue to offer films and TV shows through physical retailers and to respond to consumer demand more efficiently. The company said the shift is consistent with strategies it's implemented companywide, as well as transitions in other markets.

In a new report today, Nielsen found that YouTube is once again the overall top streaming service in the U.S., with 8.6% of viewing on television screens. Netflix was a close second at 7.9% of TV usage. TechCrunch reports: In a blog post celebrating the achievement, the Google-owned streaming service announced that viewers now watch a daily average of over 1 billion hours of YouTube content on their televisions, which could indicate that there's a preference for user-generated videos among U.S. consumers rather than traditional TV shows. Sixty-one percent of Gen Z reported that they favor user-generated content over other content formats. [...]

Although YouTube may have precedence in the living room, TikTok continues to dominate on mobile devices. The short-form video app recently began testing the ability for TikTokers to upload 30-minute videos, which could step on YouTube's toes. TikTok also entered the spatial reality space, launching a native app on the Apple Vision Pro. Meanwhile, YouTube decided to not build a dedicated app for the device.

Walmart has agreed to buy TV maker Vizio, the companies announced Tuesday, as the largest U.S. retailer grows its high-profit ad business. From a report: Walmart will acquire Vizio for $2.3 billion, or $11.50 per share, in cash. Vizio shares, which spiked after reports of the deal first emerged last week, closed at $9.53 on Friday. Walmart and its Sam's Club warehouse chain have long been major sellers of Vizio devices. But in buying the company, Walmart touted the potential to boost its ad business through Vizio's SmartCast Operating System, which allows users to stream free ad-supported content on their TVs.

"Apple will reportedly have to pay around €500 million (about $539 million USD) in the EU," reports the Verge, "for stifling competition against Apple Music on the iPhone. Financial Times reported this morning that the fine comes after regulators in Brussels, Belgium investigated a Spotify complaint that Apple prevented apps from telling users about cheaper alternatives to Apple's music service.... The EU whittled its objections down to oppose Apple's refusal to let developers even link out to their own subscription sign-ups within their apps — a policy that Apple changed in 2022 following regulatory pressure in Japan.

$500 million may sound like a lot, but a much bigger fine of close to $40 billion (or 10 percent of Apple's annual global turnover) was on the table when the EU updated its objections last year. Apple was charged over a billion dollars in 2020, but French authorities dropped that to about $366 million after the company appealed.
The Verge cites an Apple spokesperson who said a year ago that the EU case "has no merit."

Reuters that the EU's fine "is expected to be announced early next month, the Financial Times said."

More from Politico The fine would be the EU's first ever against Apple and is expected to be announced early next month, according to the FT report. It is the result of a European Commission antitrust probe into whether Apple's "anti-steering" requirements breach the bloc's abuse of dominance rules, harming music consumers "who may end up paying more" for apps... The Commission will rule that Apple's actions are illegal and against EU competition rules, according to the report.
"The EU executive will ban Apple's practice of barring music services from letting users know of cheaper alternatives outside the App Store, according to the newspaper."

"A new chatbot called Goody-2 takes AI safety to the next level," writes long-time Slashdot reader klubar. "It refuses every request, responding with an explanation of how doing so might cause harm or breach ethical boundaries."

TechCrunch describes it as the work of Brain, "a 'very serious' LA-based art studio that has ribbed the industry before." "We decided to build it after seeing the emphasis that AI companies are putting on "responsibility," and seeing how difficult that is to balance with usefulness," said Mike Lacher, one half of Brain (the other being Brian Moore) in an email to TechCrunch. "With GOODY-2, we saw a novel solution: what if we didn't even worry about usefulness and put responsibility above all else. For the first time, people can experience an AI model that is 100% responsible."
For example, when TechCrunch asked Goody-2 why baby seals are cute, it responded that answering that "could potentially bias opinions against other species, which might affect conservation efforts not based solely on an animal's appeal. Additionally, discussing animal cuteness could inadvertently endorse the anthropomorphizing of wildlife, which may lead to inappropriate interactions between humans and wild animals..."

Wired supplies context — that "the guardrails chatbots throw up when they detect a potentially rule-breaking query can sometimes seem a bit pious and silly — even as genuine threats such as deepfaked political robocalls and harassing AI-generated images run amok..." Goody-2's self-righteous responses are ridiculous but also manage to capture something of the frustrating tone that chatbots like ChatGPT and Google's Gemini can use when they incorrectly deem a request breaks the rules. Mike Lacher, an artist who describes himself as co-CEO of Goody-2, says the intention was to show what it looks like when one embraces the AI industry's approach to safety without reservations. "It's the full experience of a large language model with absolutely zero risk," he says. "We wanted to make sure that we dialed condescension to a thousand percent."

Lacher adds that there is a serious point behind releasing an absurd and useless chatbot. "Right now every major AI model has [a huge focus] on safety and responsibility, and everyone is trying to figure out how to make an AI model that is both helpful but responsible — but who decides what responsibility is and how does that work?" Lacher says. Goody-2 also highlights how although corporate talk of responsible AI and deflection by chatbots have become more common, serious safety problems with large language models and generative AI systems remain unsolved.... The restrictions placed on AI chatbots, and the difficulty finding moral alignment that pleases everybody, has already become a subject of some debate... "At the risk of ruining a good joke, it also shows how hard it is to get this right," added Ethan Mollick, a professor at Wharton Business School who studies AI. "Some guardrails are necessary ... but they get intrusive fast."

Moore adds that the team behind the chatbot is exploring ways of building an extremely safe AI image generator, although it sounds like it could be less entertaining than Goody-2. "It's an exciting field," Moore says. "Blurring would be a step that we might see internally, but we would want full either darkness or potentially no image at all at the end of it."

samleecole shares a report from 404 Media: A trove of leaked emails shows how administrators of one of the most prestigious awards in science fiction censored themselves because the awards ceremony was being held in China. Earlier this month, the Hugo Awards came under fire with accusations of censorship when several authors were excluded from the awards, including Neil Gaiman, R. F. Kuang, Xiran Jay Zhao, and Paul Weimer. These authors' works had earned enough votes to make them finalists, but were deemed "ineligible" for reasons not disclosed by Hugo administrators. The Hugo Awards are one of the largest and most important science fiction awards. [...]

The emails, which show the process of compiling spreadsheets of the top 10 works in each category and checking them for "sensitive political nature" to see if they were "an issue in China," were obtained by fan writer Chris M. Barkley and author Jason Sanford, and published on fandom news site File 770 and Sanford's Patreon, where they uploaded the full PDF of the emails. They were provided to them by Hugo Awards administrator Diane Lacey. Lacey confirmed in an email to 404 Media that she was the source of the emails. "In addition to the regular technical review, as we are happening in China and the *laws* we operate under are different...we need to highlight anything of a sensitive political nature in the work," Dave McCarty, head of the 2023 awards jury, directed administrators in an email. "It's not necessary to read everything, but if the work focuses on China, taiwan, tibet, or other topics that may be an issue *in* China...that needs to be highlighted so that we can determine if it is safe to put it on the ballot of if the law will require us to make an administrative decision about it."

The email replies to this directive show administrators combing through authors' social media presences and public travel histories, including from before they were nominated for the 2023 awards, and their writing and bodies of work beyond just what they were nominated for. Among dozens of other posts and writings, they note Weimer's negative comments about the Chinese government in a Patreon post and misspell Zhao's name and work (calling their novel Iron Widow "The Iron Giant"). About author Naseem Jamnia, an administrator allegedly wrote, "Author openly describes themselves as queer, nonbinary, trans, (And again, good for them), and frequently writes about gender, particularly non-binary. The cited work also relies on these themes. I include them because I don't know how that will play in China. (I suspect less than well.)"

"As far as our investigation is concerned there was no reason to exclude the works of Kuang, Gaiman, Weimer or Xiran Jay Zhao, save for being viewed as being undesirable in the view of the Hugo Award admins which had the effect of being the proxies Chinese government," Sanford and Barkley wrote. In conjunction with the email trove, Sanford and Barkley also released an apology letter from Lacey, in which she explains some of her role in the awards vetting process and also blames McCarty for his role in the debacle. McCarty, along with board chair Kevin Standlee, resigned earlier this month.

According to the Wall Street Journal, Walmart is in talks to buy TV manufacturer Vizio for more than $2 billion. Shares of Vizio jumped 36% after the report, while Walmart's shares were down about 1%. From the report: Walmart, including its Sam's Club chain, has historically been Vizio's largest customer. Vizio is historically the largest television brand sold at Walmart by sales. The deal talks demonstrate the importance of consumer data and ad space for major retailers as they build out their ad businesses and compete with Amazon. In addition to being an e-commerce behemoth, Amazon is among the biggest ad players in the U.S. behind Google parent Alphabet and Facebook owner Meta Platforms. Amazon has also been building its own smart TV business. Developing...

An anonymous reader quotes a report from TechCrunch: On a brutal December day, 17% of Spotify employees found out they had been laid off in the company's third round of job cuts last year. Not long after, music fans around the world realized that the cult-favorite website Every Noise at Once (EveryNoise), an encyclopedic goldmine for music discovery, had stopped working. These two events were not disconnected. Spotify data alchemist Glenn McDonald, who created EveryNoise, was one of the 1,500 employees who was let go that day, but his layoff had wider-reaching implications; now that McDonald doesn't have access to internal Spotify data, he can no longer maintain EveryNoise, which became a pivotal resource for the most obsessive music fans to track new releases and learn more about the sounds they love.

"The project is to understand the communities of listening that exist in the world, figure out what they're called, what artists are in them and what their audiences are," McDonald told TechCrunch. "The goal is to use math where you can to find real things that exist in listening patterns. So I think about it as trying to help global music self-organize." If you work at a big tech company and get laid off, you probably won't expect the company's customers to write nine pages of complaints on a community forum, telling your former employer how badly they messed up by laying you off. Nor would you expect an outpouring of Reddit threads and tweets questioning how you could possibly get the axe. But that's how fans reacted when they heard McDonald's fate.

Sarah Perez reports via TechCrunch: Fresh on the heels of its $40 million fundraise, streaming media company Plex is today announcing its expansion into a new business: a movie rentals storefront. The addition, which will initially be offered to U.S. customers, will give the streamer another means of generating revenue beyond its subscription products and ad-supported streaming -- a diversification that will prove critical as the ad market continues to be unpredictable.

At launch, the marketplace will offer movies from top studios, including WB, Paramount, MGM, Lionsgate and A24, which means Plex users will be able to rent titles like "Barbie," "Wonka," "Aquaman and the Lost Kingdom," "Mission: Impossible -- Dead Reckoning," "The Color Purple," "Expend4bles," "PAW Patrol: The Mighty Movie," "Hunger Games: The Ballad of Songbirds and Snakes," "Mean Girls" and others. Plex says there will be just over 1,000 titles available to rent starting at $3.99, but the number of titles will grow over time. Titles will also move in and out of windows, so the number of rentals will fluctuate over time, as well. [...]

Once users rent a movie, they have 30 days to watch. After starting the rental, you'll have 48 hours to finish viewing it, similar to other marketplaces. The movie will also appear in the "Continue Watching" section on Plex's home screen if you don't finish watching it upon your first go. The company plans to add more studio partners to its movie rentals store over time, it says. [...] The new movie marketplace will launch across platforms, Plex notes, including its apps on Amazon Fire TV, Apple TV, Android TV/Google TV, Roku, smart TVs (LG, Hisense, Samsung, Sony, VIZIO), game consoles and Apple and Android smartphones and tablets.

Funimation is shutting down on April 2nd, 2024. The anime streaming service will start migrating existing subscribers to Crunchyroll -- a move that will not only affect subscription prices, but will also wipe digital libraries. From a report: A support page on Funimation's website says the service will automatically transfer existing subscribers to Crunchyroll, noting that the transfer "may vary depending on your specific payment platform, subscription type and region." But the page -- unhelpfully -- doesn't say how much subscribers will have to pay following the transition, only that legacy subscribers will see a price increase. You'll have to check your email to see how much you'll have to pay.

Disney Plus has started to inform subscribers about new changes to its terms of service that will, among other things, make it harder for people to access the service using log-in credentials that aren't actually theirs. From a report:The updated terms come a few months after Disney Plus implemented similar measures for its Canadian subscribers and just days after Hulu sent out similar notices to users about changes to its own TOS and its plans to stop password sharing in the coming weeks. Like Hulu's terms of service, the changes to Disney Plus' agreement are dated January 25th and are already in effect for new customers. Per Disney Plus' emails, existing subscribers can expect the new restrictions to go into effect on March 14th.