Cory Doctorow just wrote a new thriller "about cryptocurrency shenanigans that will awaken you to how the world really works," according to his publisher. Doctorow calls Red Team Blues "a book about the financial rot at the center of Silicon Valley... a kind of anti-finance finance thriller."

The publisher describes the book's hero as "a self-employed forensic accountant, a veteran of the long guerilla war between people who want to hide money, and people who want to find it. " He knows computer hardware and software alike, including the ins and outs of high-end databases and the kinds of spreadsheets that are designed to conceal rather than reveal. He's as comfortable with social media as people a quarter his age, and he's a world-level expert on the kind of international money-laundering and shell-company chicanery used by Fortune 500 companies, mid-divorce billionaires, and international drug gangs alike.

He also knows the Valley like the back of his hand, all the secret histories of charismatic company founders and Sand Hill Road VCs. Because he was there at all the beginnings. He's not famous, except to the people who matter. He's made some pretty powerful people happy in his time, and he's been paid pretty well. It's been a good life.

Now he's been roped into a job that's more dangerous than anything he's ever agreed to before — and it will take every ounce of his skill to get out alive.
"I write when I'm anxious, and right now these are anxious times," Doctorow explained last month in Publisher's Weekly, describing what he'd learned about selling audiobooks without going through Amazon's service Audible. This time Cory got 4,080 backers to pledge $152,735 to fund an audiobook for Red Team Blues read by Wil Wheaton that his Kickstarter campaign stressed would be DRM-free. ("Every audiobook sold on Audible be wrapped in Amazon's Digital Rights Management technology, which is a felony for you to remove, even if the copyright holder asks you to. It's punishable by a five-year prison sentence and a $500,000 fine!")

Red Team Blues is the first book in a new trilogy, and Cory is now making in-person appearances to promote the book — starting today (and tomorrow) at the LA Times Festival of Books at the University of Southern California. Tuesday he'll be in San Diego, and a week from Sunday he's appearing in San Francisco, before heading to Portland, Mountain View, Berkeley, and Gaithersburg Maryland.

The Pentagon's All-domain Anomaly Resolution Office (AARO), which was created last year to investigate unidentified flying objects (UFOs), said on Wednesday that they have not found any evidence of aliens in its analysis. The office within the Secretary of Defense is, however, tracking more than 650 potential cases of so-called "unidentified aerial phenomena" -- up from the 350 reports referenced in an unclassified intelligence report released earlier this year. Half of them are considered "especially interesting and anomalous." The Register reports: At hearings (one open and one closed) held by the Senate Armed Services Committee's Subcommittee on Emerging Threats and Capabilities this week, Sean Kirkpatrick said most sightings of UFOs are not as strange as they first appear. They are often balloons, unmanned aerial systems, or aircraft, and look odd due to natural phenomena. "I want to underscore that only a very small percentage of [unidentified anomalous phenomena] (UAP) reports display signatures that could reasonably be described as anomalous," he said during this opening testimony at the hearing.

AARO has failed to resolve some incidents, but it's not because something is inexplicable but due to a lack of data. "In our research, AARO has found no credible evidence thus far of extraterrestrial activity, off-world technology, or objects that defy the known laws of physics," Kirkpatrick confirmed. In other words: It's not aliens. Kirkpatrick said that if the Office does find sufficient scientific data supporting the idea of an object of extraterrestrial origin, it would share its findings with NASA and alert US government personnel. Amateur UFO spotters are fine, he said, but need to apply scientific method to their claims. Further reading: Pentagon Official Floats a Theory For Unexplained Sightings: Alien Motherships

The official in charge of a secretive Pentagon effort to investigate unexplained aerial incursions has co-authored an academic paper that presents an out-of-this-world theory: Recent objects could actually be alien probes from a mothership sent to study Earth. Politico reports: In a draft paper dated March 7 (PDF), Sean Kirkpatrick, head of the Pentagon's All-domain Anomaly Resolution Office, and Harvard professor Avi Loeb teamed up to write that the objects, which appear to defy all physics, could be "probes" from an extraterrestrial "parent craft." It's unusual for government officials, especially those involved in the nascent effort to collect intelligence on recent sightings, to discuss the possibility of extraterrestrial life, although top agency officials don't rule it out when asked. After Loeb posted it online, the paper gained notoriety from a post on Military Times and has also circulated among science-focused news outlets.

More than half of the five-page paper is devoted to discussing the possibility that the unexplained objects DoD is studying could be the "probes" in the mothership scenario, including most of the page-long introduction. One section is titled: "The Extraterrestrial Possibility" and another "Propulsion Methods." Kirkpatrick's involvement in the academic paper demonstrates that the Pentagon is open to scientific debate of the origins of UFOs, an important signal to send to the academic world, experts said. But they add that his decision to attach his name to a theory considered in most academic circles to be highly unsubstantiated also raises questions about AARO's credibility.

The paper explains that interstellar objects such as the cigar-shaped "Oumuamua" that scientists spotted flying through the galaxy in 2017 "could potentially be a parent craft that releases many small probes during its close passage to Earth." The paper goes on to compare the probes to "dandelion seeds" that could be separated from the parent craft by the sun's gravitational force. It examines the physics of how the smaller craft could move through the Earth's atmosphere to reach the surface, where they could be spotted by humans. The paper notes that the "probes" could use starlight to "charge their batteries" and the Earth's water as fuel. It also speculates on the motive for aliens to send exploratory probes to Earth. "What would be the overarching purpose of the journey? In analogy with actual dandelion seeds, the probes could propagate the blueprint of their senders," the authors write. "As with biological seeds, the raw materials on the planet's surface could also be used by them as nutrients for self-replication or simply scientific exploration."

For the first time, you can now buy or rent every single Star Trek movie in the latest 4K and HDR standards. That includes all six movies based on the original series cast, all four featuring The Next Generation's cast, and the more recent J.J. Abrams films. Ars Technica reports: On April 4, Paramount released an UltraHD Blu-ray set that included Star Trek: Generations, Star Trek: First Contact, Star Trek: Insurrection, and Star Trek: Nemesis along with several special features. The set marks the first time these films have been available in a 4K and HDR home video release. Alongside the Blu-rays, the films also became available on on-demand storefronts like Apple's TV app.

Last year, the original series films (Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier, and Star Trek VI: The Undiscovered Country) received the same treatment. The reboot films (Star Trek, Star Trek Into Darkness, and Star Trek Beyond) have long been available in modern formats. So as of this week, all 13 theatrically released Star Trek films are finally available in 4K and HDR. The latest releases also support the Dolby Atmos audio standard in addition to Dolby Vision HDR.

A Cornell University researcher has developed sonar glasses that "hear" you without speaking. Engadget reports: The eyeglass attachment uses tiny microphones and speakers to read the words you mouth as you silently command it to pause or skip a music track, enter a passcode without touching your phone or work on CAD models without a keyboard. Cornell Ph.D. student Ruidong Zhang developed the system, which builds off a similar project the team created using a wireless earbud -- and models before that which relied on cameras. The glasses form factor removes the need to face a camera or put something in your ear. "Most technology in silent-speech recognition is limited to a select set of predetermined commands and requires the user to face or wear a camera, which is neither practical nor feasible," said Cheng Zhang, Cornell assistant professor of information science. "We're moving sonar onto the body."

The researchers say the system only requires a few minutes of training data (for example, reading a series of numbers) to learn a user's speech patterns. Then, once it's ready to work, it sends and receives sound waves across your face, sensing mouth movements while using a deep learning algorithm to analyze echo profiles in real time "with about 95 percent accuracy." The system does this while offloading data processing (wirelessly) to your smartphone, allowing the accessory to remain small and unobtrusive. The current version offers around 10 hours of battery life for acoustic sensing. Additionally, no data leaves your phone, eliminating privacy concerns. "We're very excited about this system because it really pushes the field forward on performance and privacy," said Cheng Zhang. "It's small, low-power and privacy-sensitive, which are all important features for deploying new, wearable technologies in the real world." "The team at Cornell's Smart Computer Interfaces for Future Interactions (SciFi) Lab is exploring commercializing the tech using a Cornell funding program," adds Engadget. "They're also looking into smart-glasses applications to track facial, eye and upper body movements."

A video of the eyeglasses can be viewed here.

It was exactly 30 years ago that The X-Files began filming in Vancouver. Now X-Files creator Chris Carter tells CBC's On the Coast that the groundbreaking TV series is going to be "remounted" by Black Panther director Ryan Coogler: Carter says he thinks the series would need to be significantly tweaked for current audiences. "We're so steeped in conspiracies now," he said. "The X-Files dealt with a central conspiracy, but now the world is so full of conspiracies that I think that it would be a different show."
The original X-Files series is available for streaming on Disney+. (And Wikipedia notes there was also a six-episode 10th season ran in 2016 and a 10-episode 11th in 2018.) There was also a Lone Gunmen spin-off series in 2001 (co-created by Vince Gilligan, who went on to produce and create Breaking Bad).

The CBC also reports that a documentary about the show will be released this fall. "Superfans Lauren Krattiger and Carly Blake have created The X-Files Fan Retrospective, where they conducted more than 90 interviews with crew members, cast and fans to memorialize the show and its impact."

But don't get your hopes up for an X-Files cartoon. "A few years ago it was announced that Chris Carter was developing an X-Files animated series titled The X-Files: Albuquerque..." writes GeekTyrant, "but unfortunately, it's no longer moving forward at Fox." It was going to revolve around an "office full of misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with." It's explained that these agents are basically the X-Files' B-team.
Thanks to Slashdot reader GoJays for sharing the news.

An anonymous reader shares a report: Almost two decades after the release of the Guillermo del Toro-directed Hellboy, the character is getting yet another reboot. Millennium Media has confirmed that Hellboy: The Crooked Man will enter production next month in Bulgaria, Deadline reports. Casting for the titular character (originally played by Ron Perlman and then David Harbour) is yet to be announced, but the new film will be directed by Brian Taylor, best known for the Jason Statham action movie Crank.

Perhaps most interesting is that the comics' original creator Mike Mignola has written the script for the upcoming film alongside Chris Golden. Both were reported to have worked on the script for the 2019 reboot by The Hollywood Reporter, though Andrew Cosby ultimately ended up with sole credit for writing the screenplay. The 2019 reboot is widely considered to have been both a commercial and critical failure, bringing in roughly $55 million at the box office on a budget of $50 million.

Ryan Graves, former Lt. U.S. Navy and F/A-18F pilot who was the first active-duty fighter pilot to come forward publicly about regular sightings of UAP, says more data is needed about unidentified anomalous phenomena (UAP). "We should encourage pilots and other witnesses to come forward and keep the pressure on Congress to prioritize UAP as a matter of national security," writes Graves in an opinion piece for The Hill. An anonymous Slashdot reader shares an excerpt from his report: As a former U.S. Navy F/A-18 fighter pilot who witnessed unidentified anomalous phenomena (UAP) on a regular basis, let me be clear. The U.S. government, former presidents, members of Congress of both political parties and directors of national intelligence are trying to tell the American public the same uncomfortable truth I shared: Objects demonstrating extreme capabilities routinely fly over our military facilities and training ranges. We don't know what they are, and we are unable to mitigate their presence. The Office of the Director of National Intelligence (ODNI) last week published its second ever report on UAP activity. While the unclassified version is brief, its findings are sobering. Over the past year, the government has collected hundreds of new reports of enigmatic objects from military pilots and sensor systems that cannot be identified and "represent a hazard to flight safety." The report also preserves last year's review of the 26-year reporting period that some UAP may represent advanced technology, noting "unusual flight characteristics or performance capabilities."

Mysteriously, no UAP reports have been confirmed to be foreign so far. However, just this past week, a Chinese surveillance balloon shut down air traffic across the United States. How are we supposed to make sense of hundreds of reports of UAP that violate restricted airspace uncontested and interfere with both civilian and military pilots? Here is the hard truth. We don't know. UAP are a national security problem, and we urgently need more data.

Why don't we have more data? Stigma. I know the fear of stigma is a major problem because I was the first active-duty fighter pilot to come forward publicly about regular sightings of UAP, and it was not easy. There has been little support or incentive for aircrew to speak publicly on this topic. There was no upside to reporting hard-to-explain sightings within the chain of command, let alone doing so publicly. For pilots to feel comfortable, it will require a culture shift inside organizations and in society at large. I have seen for myself on radar and talked with the pilots who have experienced near misses with mysterious objects off the Eastern Seaboard that have triggered unsafe evasive actions and mandatory safety reports. There were 50 or 60 people who flew with me in 2014-2015 and could tell you they saw UAP every day. Yet only one other pilot has confirmed this publicly. I spoke out publicly in 2019, at great risk personally and professionally, because nothing was being done. The ODNI report itself notes that concentrated efforts to reduce stigma have been a major reason for the increase in reports this year. To get the data and analyze it scientifically, we must uproot the lingering cultural stigma of tin foil hats and "UFOs" from the 1950s that stops pilots from reporting the phenomena and scientists from studying it. Last September, the U.S. Navy said that all of the government's UFO videos are classified information and releasing any additional UFO videos would "harm national security."

Avatar: The Way of Water "has passed Star Wars: The Force Awakens as the fourth highest-grossing movie of all time," reports Variety: Director James Cameron's sci-fi epic has now earned $2.075 billion at the global box office. Star Wars: The Force Awakens, another sci-fi sequel released long after previous installments, finished its theatrical run with $2.064 billion after hitting theaters in December 2015.

With this latest box office milestone, Cameron now has three of the top four highest-grossing movies in history — the original Avatar is still the champion [with $2.92 billion], while Titanic sits in third place [with $2.2 billion].

[The second-highest grossing film of all time is Avengers: Endgame with $2.79 billion.] Avatar: The Way of Water has quickly moved up in the record books, surpassing Spider-Man: No Way Home ($1.92 billion) on Jan. 18 and Avengers: Infinity War ($2.05 billion) shortly after on Jan. 26....

A third "Avatar" entry has already been set for release in December 2024 and there are plans for a fourth and fifth to continue the intergenerational saga
Some context from The A.V. Club: The highlight of that big pile of planetary currency being a massive $229 million turnout in China, where it's one of the first Disney movies to play in the country's lucrative markets in some time.

As it happens, James Cameron told GQ back in November, ahead of his sequel's release, that his "fucking expensive" movie would have to post these kinds of numbers to be anything other than a loss for the studio. "You have to be the third or fourth highest-grossing film in history," he noted at the time. "That's your threshold. That's your break even."
Wikipedia points out that when box office figures are adjusted for inflation, the highest-grossing film of all time is still the 1939 Civil War drama Gone with the Wind. And the next top-grossing films of all-time?

• The original Avatar
• Titanic
• The original Star Wars (1977)
• Avengers: Endgame
• The Sound of Music (1965)
• E.T. the Extra Terrestrial (1982)
• The Ten Commandments (1956)
• Doctor Zhivago (1965)
• Star Wars: the Force Awakens

"One of the most beloved sci-fi novels of the 21st century finally has been adapted for television to huge acclaim," writes Esquire, "and it's out now." Their article includes embedded videos of Tencent Video's live-action adaptation of Three-Body Problem, which is streaming free on YouTube with English subtitles. "They're already getting great reviews online, with an 8.7 IMDb score for the adaptation that is being acclaimed for its faithfulness to the original bestselling novel."

Long-time Slashdot reader gordm writes: The YouTube playlist offers the first 4 episodes (of a 30 episode series) for free, although the videos include Chinese ads.... Be sure your YouTube subtitles are turned on.

I've only watched episode one and noted the most unpleasant reaction I had during my first-read of the book is front-loaded into episode one of the show... that is, it is suggested GMO and advanced technologies are a blight upon humanity. I kept reading, and I'm glad I did. But for any viewers put off by that moment, and not knowing what Three-Body Problem is about... that moment pays off later.
Esquire calls the original book "not only the most successful Chinese science fiction novel of the century so far, but likely the most successful and acclaimed science fiction series in the world since 2000, winning the Hugo Award and the Nebula Award for Best Novel..."

Netflix says its own adaptation of Three-Body Problem will also be released before the end of 2023.

Stephen Colbert is joining the team that is adapting Roger Zelazny's "The Chronicles of Amber" for television. Variety reports: Colbert will now executive produce the potential series under his Spartina production banner. Spartina joins Skybound Entertainment and Vincent Newman Entertainment (VNE) on the series version of the beloved fantasy novels, with Skyboudn first announcing their intention to develop the series back in 2016. The books have been cited as an influence on "Game of Thrones," with author George R.R. Martin recently stating he wanted to see the books brought to the screen.

"The Chronicles of Amber" follows the story of Corwin, who is said to "awaken on Earth with no memory, but soon finds he is a prince of a royal family that has the ability to travel through different dimensions of reality (called 'shadows') and rules over the one true world, Amber." The story is told over ten books with two story arcs: "The Corwin Cycle" and "The Merlin Cycle." The series has sold more than fifteen million copies globally. The search is currently on for a writer to tackle the adaptation. No network or streamer is currently attached. Colbert and Spartina are currently under a first-look deal at CBS Studios, but they are not currently the studio behind the series. "George R.R. Martin and I have similar dreams," Colbert said. "I've carried the story of Corwin in my head for over 40 years, and I'm thrilled to partner with Skybound and Vincent Newman to bring these worlds to life. All roads lead to Amber, and I'm happy to be walking them."

"Most companies are trying to create lab-grown meat with little to no genetic engineering, which despite shifts in attitude is still frowned on," writes Fast Company. And other companies "think that modifications like this will complicate getting regulatory approval," especially in Europe, which considers CRISPR to be a form of genetic modfication.

But then there's the cultivated meat startup SciFi Foods (formerly Artemys Foods). Fast Company reports that its CEO/cofounder Joshua March became "obsessed" with cultivated meat "after reading about it in The Player of Games, a 1988 science fiction novel by Iain M. Banks that is beloved by techies." For a while, March sat on the sidelines running other startups. "I didn't think I had to do anything," he says, "that it would happen on its own." But years ticked by, and there was little advancement in what was then usually referred to as lab-grown meat. "I honestly became pretty disenchanted with the companies in the space and all the arm waving about how the costs would be solved." If he wanted it to be a real thing in the world, he'd have to do something. He'd have to play the game.

Unlike virtually every other startup in the space — and according to the Good Food Institute, there are 152 cultivated meat companies as of the end of 2022, operating in 29 countries — March and SciFi are using CRISPR (the technology that makes gene editing as easy as using a 3D printer) to hasten its advances. To Kasia Gora, SciFi's CTO, it's merely an engineering challenge. "We take a synthetic biology approach to figuring out how to make scalable beef cell lines," she tells me. The key is engineering cycles that enable rapid prototyping. The best cell lines will go on to create the next round of modifications....

SciFi is betting that the only way to economically scale cultivated meat is with CRISPR, and that by making iterative tweaks they can create dependable cell lines with rich, meat-y flavor. "We have an eventual target of $1 per burger at commercial scale," March says. Once harvested, beef cells will be formulated into a blended burger that is mostly like the plant-based burgers you may already know — soy protein and coconut oil. SciFi's secret sauce is adding a small percentage of SciFi cells (5% to 20%, according to March) to reward our taste buds with the beef-y notes we may think are missing from competitors like Impossible Foods and Beyond Meat.

In the mid-1970s, Chilean filmmaker Alejandro Jodorowsky tried to film Dune (working with artists including H.R. Giger). A documentary about that attempt was filmed by Frank Pavich, who now writes in the New York Times that "The cast would have included Mick Jagger, Orson Welles, Salvador Dalí and Alejandro's 12-year-old son, Brontis, in the lead role. The soundtrack would have been composed and recorded by Pink Floyd.... It will forever be the greatest film never made, because it exists solely in our imaginations."

Just because you cannot watch Alejandro's "Dune" doesn't mean it didn't change the world. This unfilmed film's influence on our culture is nothing short of astounding. Specific ideas and images from the "Dune" art bible have escaped into the world. They can be experienced in movies such as "Blade Runner," "Raiders of the Lost Ark," "Prometheus," "The Terminator" and even the original "Star Wars." His "Dune" does not exist, yet it's all around us.
Nearly half a century later... I was recently shown some frames from a film that I had never heard of: Alejandro Jodorowsky's 1976 version of "Tron." The sets were incredible. The actors, unfamiliar to me, looked fantastic in their roles. The costumes and lighting worked together perfectly. The images glowed with an extravagant and psychedelic sensibility that felt distinctly Jodorowskian.

However, Mr. Jodorowsky, the visionary Chilean filmmaker, never tried to make "Tron." I'm not even sure he knows what "Tron" is. And Disney's original "Tron" was released in 1982. So what 1970s film were these gorgeous stills from...? The truth is that these weren't stills from a long-lost movie. They weren't photos at all. These evocative, well-composed and tonally immaculate images were generated in seconds with the magic of artificial intelligence.
The article notes that the real Jodorowsky is now almost 94 — and is planning to direct a new film. But it also points out that in the early 1970s Jodorowsky's team put in "two years of pure analog struggle to create his Dune," — while Canadian film director Johnny Darrell generated the Tron images in less than a minute using an A.I. program called Midjourney. Pavich says this raises several questions. "Has Alejandro been robbed? Is the training of this A.I. model the greatest art heist in history? How much of art-making is theft, anyway?"

In his great documentary F for Fake Orson Welles intones wrly that "A forgery — is still a painting." So Pavich's piece concludes with perhaps the ultimate question. "What will it mean when directors, concept artists and film students... can paint using all the digitally archived visual material of human civilization? When our culture starts to be influenced by scenes, sets and images from old films that never existed or that haven't yet even been imagined?

"I have a feeling we're all about to find out."

A new Pentagon office set up to track reports of unidentified flying objects has received "several hundreds" of new reports, but no evidence so far of alien life, the agency's leadership told reporters Friday. The Associated Press reports: The All-domain Anomaly Resolution Office (AARO) was set up in July and is responsible for not only tracking unidentified objects in the sky, but also underwater or in space -- or potentially an object that has the ability to move from one domain to the next. The office was established following more than a year of attention on unidentified flying objects that military pilots have observed but have sometimes been reluctant to report due to fear of stigma.

In June 2021 the Office of the Director of National Intelligence reported that between 2004 and 2021, there were 144 such encounters, 80 of which were captured on multiple sensors. Since then, "we've had lots more reporting," said anomaly office director Sean Kirkpatrick. When asked to quantify the amount, Kirkpatrick said "several hundreds." An updated report from the Director of National Intelligence that will provide specific figures on new reports received since 2021 is expected by the end of the year, the officials said.

You can read the news in Military Times magazine. "Coming just after the 25th anniversary of the release of the cult classic Starship Troopers (November 1997), Offworld Industries and Sony Pictures Consumer Projects are bringing the fight against the Arachnids to a computer near you."

An official announcement and gameplay teaser were released for the upcoming game this week. "Starship Troopers: Extermination is a co-op FPS that puts you on the far-off front lines of an all-out battle against the Bugs!" explains its page on Steam. "Squad up, grab your rifle, and do your part as an elite Deep Space Vanguard Trooper set to take back planets claimed by the Arachnid threat!"

The page says an "Early Access" launch is planned for 2023: In Starship Troopers: Extermination, our vision is to show a galactic war between the Federation and the Arachnid Empire. After our initial launch and throughout the course of Early Access development, players will get to engage with exciting new updates that expand upon the in-game universe, and provide feedback through the Steam Community Hub that our developers can take into consideration.... [W]e will be sharing an exciting and robust roadmap with content already planned for 2023. Throughout Early Access we will provide players with more weapons, an updated class leveling system as well as progression achievements and unlockable skins for both weapons and armor. Additionally we will be adding vehicles special call in attacks including massive Orbital Strikes to help during missions. On the enemy side we will be adding more bugs, flying enemies, and boss battles that require complex player coordination to accomplish.

As we progress in development, our goal is to then begin ongoing planetary battles where the player can explore new items and enemies introduced in previous updates as an epic war breaks out. This transition adds a new world as we head to the completion of Early Access. The intent throughout Early Access is to convey that this part of our development cycle is the beginning of the war and the battle will only increase in complexity and ferocity as we move to full release.

Starship Troopers: Extermination is expected to be in Early Access for approximately 1 year. The full version of Starship Troopers: Extermination will span multiple worlds to liberate them from the Arachnid Threat. This will include additional weapons, enemies types, class progression upgrades, community events, and encounters. The player will have a more diverse roster of customization options allowing them to tailor their Troopers to fit their playstyle and experience." Starship Troopers: Extermination will launch with a massive map on Planet Valaka. Up to twelve players can team up to complete side and main missions before escaping to the extraction zone. We'll have more to share closer to the Early Access launch in 2023!

We plan to work closely with the community on Steam's Community Hub and in the official Starship Troopers: Extermination Discord as we add features, tune gameplay, and develop new content.
"Starship Troopers is in a league of its own when it comes to 90s science fiction films," writes Boing Boing's Devin Nealy. "Despite serving as an adaptation of the Robert A. Heinlein book, Starship Troopers forges a unique identity through its striking visuals and deft use of satire."

Noting the two "pretty weak" straight-to-video sequels (and two more CGI-animated films), Nealy argues that "Until the franchise finds a creative team that can properly capture the essence of the first film, a video game might be the best option for the series."

An anonymous reader quotes a report from Reuters: Scientists have long pursued a deeper understanding of wormholes and now appear to be making progress. Researchers announced on Wednesday that they forged two miniscule simulated black holes -- those extraordinarily dense celestial objects with gravity so powerful that not even light can escape -- in a quantum computer and transmitted a message between them through what amounted to a tunnel in space-time. It was a "baby wormhole," according to Caltech physicist Maria Spiropulu, a co-author of the research published in the journal Nature. But scientists are a long way from being able to send people or other living beings through such a portal, she said.

"Experimentally, for me, I will tell you that it's very, very far away. People come to me and they ask me, 'Can you put your dog in the wormhole?' So, no," Spiropulu told reporters during a video briefing. "...That's a huge leap." [...] Spiropulu said the researchers found a quantum system that exhibits key properties of a gravitational wormhole but was small enough to implement on existing quantum hardware. The researchers said no rupture of space and time was created in physical space in the experiment, though a traversable wormhole appeared to have emerged based on quantum information teleported using quantum codes on the quantum processor. "There's a difference between something being possible in principle and possible in reality," added physicist and study co-author Joseph Lykken of Fermilab, America's particle physics and accelerator laboratory. "So don't hold your breath about sending your dog through the wormhole. But you have to start somewhere. And I think to me it's just exciting that we're able to get our hands on this at all."

"It looks like a duck, it walks like a duck, it quacks like a duck. So that's what we can say at this point -- that we have something that in terms of the properties we look at, it looks like a wormhole," Lykken said.

James Cameron once got himself onto the list for a potential visit to the International Space Station. It's just one of several surprising scientific achievements buried deep inside GQ's massive 7,000-word profile: After James Cameron's Avatar came out in 2009 and made $2.7 billion, the director found the deepest point that exists in all of earth's oceans and, in time, he dove to it. When Cameron reached the bottom of the Mariana Trench, a couple of hundred miles off the southwest coast of Guam, in March 2012, he became the first person in history to descend the 6.8-mile distance solo, and one of only a few people to ever go that deep....

It would be fair to call him the father of the modern action movie, which he helped invent with his debut, The Terminator, and then reinvent with his second, Aliens; it would be accurate to add that he has directed two of the three top-grossing films in history, in Avatar (number one) and Titanic (number three). But he is also a scientist — a camera he helped design served as the model for one that is currently on Mars, attached to the Mars rover — and an adventurer, and not in the dilettante billionaire sense; when Cameron sets out to do something, it gets done. "The man was born with an explorer's instincts and capacity," Daniel Goldin, the former head of NASA, told me....

The original Avatar... required the invention of dozens of new technologies, from the cameras Cameron shot with to the digital effects he used to transform human actors into animated creatures to the language those creatures spoke in the film. For [his upcoming Avatar sequel] The Way of Water, Cameron told me, he and his team started all over again. They needed new cameras that could shoot underwater and a motion-capture system that could collect separate shots from above and below water and integrate them into a unified virtual image; they needed new algorithms, new AI, to translate what Cameron shot into what you see....

Among other things, Cameron said, The Way of Water would be a friendly but pointed rebuke to the comic book blockbusters that now war with Cameron's films at the top of the box office lists: "I was consciously thinking to myself, Okay, all these superheroes, they never have kids. They never really have to deal with the real things that hold you down and give you feet of clay in the real world." Sigourney Weaver, who starred in the first Avatar as a human scientist and returns for The Way of Water as a Na'vi teenager, told me that the parallels between the life of the director and the life of his characters were far from accidental: "Jim loves his family so much, and I feel that love in our film. It's as personal a film as he's ever made."
Another interesting detail from the article: Cameron and his wife became vegetarians over a decade ago, built their own pea-protein facility in Saskatchewan, and though they later sold it Cameron says he "pretty much" loves farming and pea protein as much as movies. And he once suggested re-branding the word vegan as "futurevore," since "We're eating the way people will eat in the future. We're just doing it early."

But in a 29-minute video interview, Cameron also fondly discusses his earlier ground-breaking films, even as GQ's writer notes their new trajectory. "It is a curious fact that Cameron has directed only two feature films in the last 25 years — and perhaps more curious that both are Avatar installments, and perhaps even more curious that the next three films he hopes to direct are also Avatar sequels....

"Cameron told me he'd already shot all of a third Avatar, and the first act of a fourth. There is a script for a fifth and an intention to make it, as long as the business of Avatar holds up between now and then. It seems entirely possible — maybe even probable — that Cameron will never make another non-Avatar film again."

How expensive is "Avatar: The Way of Water"? Early reports have claimed the production budget alone was in the $250 million range, but director James Cameron isn't willing to give a hard number just yet. The only answer Cameron would give about the sequel's budget when asked by GQ magazine was the following: "Very fucking [expensive]." From a report: Cameron apparently told Disney and 20th Century Studios executives that his sequel budget was so high it represented "the worst business case in movie history." According to the director's estimates, "you have to be the third or fourth highest-grossing film in history. That's your threshold. That's your break even."

On the current chart of highest-grossing movies worldwide (unadjusted for inflation), Cameron's original 2009 "Avatar" ranks at the top with $2.9 billion. Disney's "Avengers: Endgame" is in second position with $2.7 billion, while Cameron's "Titanic" remains in the third slot with $2.1 billion. That means, according to Cameron, that if "Avatar: The Way of Water" wants to break even, it'll need to overtake either âoeStar Wars: The Force Awakens" ($2.07 billion) or "Avengers: Infinity War" ($2.05 billion) in the fourth or fifth slots, respectively.

In 1999, Slashdot editor Hemos said Greg Bear was "rightly recognized as a master of hard science fiction" (introducing a review of Bear's then-new book, Nebula-winning book Darwin's Radio). In 2011 Bear began writing the Forerunner Saga , a trilogy of books set 100,000 years before the events in the game Halo.

Today theGamer.com writes that Bear has passed away at age 71: Bear's family and fans are paying tribute to the legendary author, who had more than 50 sci-fi novels to his name. Many share fond memories of reading Bear's work and meeting him at conventions, describing him as generous, welcoming, and brilliant. Fans are also sharing their favourite books from Bear in tribute, encouraging others to explore his works to celebrate his legacy.

Bear's wife, Astrid Bear, confirmed the news of his passing in the early hours of Sunday. This was after she revealed that her husband has been placed on life support, with no chance of making a full recovery after the stroke.
More from File770.com: Bear's novels won Nebulas for Moving Mars (1995) and Darwin's Radio. Three other works of short fiction won Nebulas, and two of those — "Blood Music" (1984) and "Tangents" (1987) — also won the Hugo....

Bear sold his first short story, "Destroyers", to Famous Science Fiction at age 15, and along with high-school friends helped found San Diego Comic-Con.

He also published work as an artist at the beginning of his career, including illustrations for an early version of theÂStar Trek Concordance,Âand covers forÂGalaxyÂandÂF&SF. He was a founding member of the Association of Science Fiction Artists. He even created the cover for his novel, Psychlone...

Earlier this month, agents from both the FBI and the U.S. Air Force raided multiple homes belonging to a man who runs a little-known blog about Area 51. Gizmodo reports: That man, Joerg Arnu, said the swarm of federal agents in riot gear busted into his primary residence, handcuffed him, then marched him outside to wait in the freezing cold while they rifled through his apartment and took pretty much every piece of electronic equipment that he owned. So far, the government has been pretty tight-lipped about the whole thing, but officials did verify that it happened. In a statement provided to the Las Vegas Review-Journal, Lt. Col. Bryon McGarry confirmed the raid. He did not elaborate on its purpose, saying only: "This is an open and ongoing law enforcement investigation between the Las Vegas FBI and Air Force OSI."

What did cops want? It's not exactly clear. Since 1999, Arnu has run Dreamland Resort, a website that covers activities in and around Area 51, the notoriously secretive government facility located in Groom Lake, Nevada. Long the subject of speculation and curiosity, the highly classified facility is the site of myriad UFO sightings. Coincidentally (or not), it is also the location where the Air Force reportedly tests and develops some of its most sensitive and experimental new projects and aircraft (see: the U-2 spy plane in the 1950s, for instance). Among other things, Arnu's site features pictures and writing about the Air Force's so-called "black projects" -- opaque, classified operations carried out behind a veil of government secrecy. Arnu claims that the agents confiscated his "laptops, phones, backup drives, camera gear, and my drone were seized." He describes the situation in detail in a blog post on his website.