Kittenman writes "After 38 years (1974 - 2012) the BBC's CEEFAX service has ceased transmission. The service gave on-line up-to-date textual information (albeit in condensed form) to TV viewers in the pre-Internet era and afterwards. Its final broadcast signed off with, 'Goodbye, cruel world.' '... the real impetus for viewers came when BBC Television decided to use a selection of Ceefax pages, accompanied by music, before the start of programming each day. Initially called Ceefax AM and Ceefax In Vision, the Pages From Ceefax "programme" continued for 30 years, being broadcast overnight on BBC Two until this week. As viewers got a small taste of what Ceefax had to offer, millions of Britons during the 1980s invested in new teletext-enabled TV sets which gave them access to the full Ceefax service, which by now included recipe details for dishes prepared on BBC cookery shows, share prices, music reviews and an annual advent calendar.' An British ex-PM (John Major) said, 'From breaking global news to domestic sports news, Ceefax was speedy, accurate and indispensable. It can be proud of its record.'"
Check out the new SourceForge HTML5 internet speed test! No Flash necessary and runs on all devices. Also, Slashdot's Facebook page has a chat bot now. Message it for stories and more. ×
An anonymous reader writes "Just after half past seven on the evening of Friday 19th October, history was made at the Destination Star Trek London event at the capital's ExCel centre; when Captains Archer (Scott Bakula), Janeway (Kate Mulgrew), Sisko (Avery Brooks), Picard (Patrick Stewart) and James T. Kirk (William Shatner) appeared together on a European stage. This momentous event, which had occurred just once before, at the Wizard World Comic Con in Philadelphia in June, not only lived up to the expectations of fans, but exceeded them by a good light-year."
You asked Daniel Knight, director of the crowd-funded filmed version of Terry Pratchett's Troll Bridge, about cameras, Kickstarter, and his source material. Daniel's answered now with details on the process of filming, why they selected Troll Bridge, and his favorite He-Man figurines. Read on below!
New submitter roryed writes "Performer Jonathan Coulton, famous among some geeks for 'Code Monkey' and writing Portal's 'Still Alive' wrote on his blog, 'Salt Lake City, the last ticket link for the Nov/Dec tour, has finally gone up. The reason for the delay was that we were working on the details of this experimental ticketing thing called Bring the Gig.' Bring the Gig is a new form of crowdsourcing, much like a Kickstarter for concerts. The idea is to have fans put up the money to bring bands to their city by buying premium tickets. If the goal is met and the band is booked, general box office tickets are sold. If the show sells enough at the box office, or sells out, the original premium ticket holders get a full refund and keep their ticket, effectively seeing the show they helped bring for free. Coulton also writes, 'Could be a disaster! Exciting! Honestly I have no idea if this is going to work, but as you know, I am a scientist. I like to watch what happens.'"
New submitter ShadoCat points out this interesting project to restore the set of Star Trek: The Next Generation, writing: "This isn't the original set unfortunately (which was destroyed making the ST:Generations movie). This is one that Paramount created for display in 1991. Huston Huddleston saved the pieces of the set late 2011 when they were about to be trashed by Paramount. Huddleston and crew will be refitting the set with working displays and controls. They plan to host parties and educational events in the set which, apparently, is big enough to hold a large number of students. For safety though, I hope they add circuit breakers (a technology along with seat belts that seems to have been lost in the 24th century)."
First time accepted submitter johntromp writes "Source code for the 21st International Obfuscated C Code Contest was released last weekend, following announcement of the winners on Sep 30, and just over a month after the submission window closed on Sep 14, a new speed record for the judges. Happy source code browsing!"
jfruh writes "When the iPhone was first released in 2007, the blind community assessed it and determined it was essentially useless for them. Today it's the number one phone used by blind people, largely because of the efforts of the National Center for Accessible Media (NCAM). NCAM is part of WGBH, Boston's public television station, which broadcast the first captioned TV show in 1972. Since then NCAM has been a lifeline that makes sure that people with disabilities aren't left out of the technological revolution."
An anonymous reader writes "Boxee has announced the game-changing Boxee TV, offering live streaming TV via two on-board tuners and an industry-first 'No Limit' DVR service that allows users to record as much TV content as they want, and access it from virtually anywhere. The problem is that the unit, which records directly to the cloud, does not allow recording to a local drive, meaning users are stuck with Boxee for as long as they want to access their stored content — potentially hundreds or thousands of hours – to the tune of $14.99 per month until Boxee ups the ante. CEPro.com suggests, 'I suspect Boxee is offering unlimited storage to make users especially beholden to them. The more content you have, the less likely you are to drop the service.'"
Back in 2006, we discussed Jonathan Coulton's 'Code Monkey,' a song about the plight of under-appreciated developers. In the years since, Coulton's efforts to produce geek-oriented songs have propelled him to a successful music career. To mark Slashdot's 15th anniversary, he was kind enough to do a brand new recording of 'Code Monkey' for us. The video is embedded below, and here's a description from the email he sent to CmdrTaco: "It seemed fitting to do a new version of that song. I have all these gadgets that I buy and barely learn how to play, and when I heard you guys were looking for videos and things, it inspired me to sit down and actually try to get some of them working. What you see is me doing a version of Code Monkey performed live on electric guitar and laptop. The grid with lights is a monome running Pages, Polygomé and mlrv on my mac. You’re also hearing some loops and noises from Ableton Live, controlled by footswitches, the monome, and the little keyboard, which is an OP-1. Back in 2006 I didn’t know what I was doing, and with all these gizmos, I still don’t. So that’s a relief." Thanks, Jonathan.
sciencehabit writes "Science Magazine has crowned the winner of its annual 'Dance Your Ph.D.' contest. Scientists from around the globe are invited to submit videos of themselves interpreting their graduate theses in dance form. The results are often hilarious--and highly entertaining--and this year is no exception. This year's winner is Peter Liddicoat, a materials scientist at the University of Sydney in Australia, whose 'Evolution of nanostructural architecture in 7000 series aluminum alloys during strengthening by age-hardening and severe plastic deformation' is interpreted as a performance that employs juggling, clowning, and a big dance number—representing the crystal lattices that he studies with atomic microscopy."
alen writes "The FCC is now allowing cable companies to encrypt free OTA channels that they also rebroadcast over their networks. 'The days of plugging a TV into the wall and getting cable are coming to an end. After a lengthy review process, the FCC has granted cable operators permission to encrypt their most basic cable programming.' Soon the only way to receive free OTA channels via your cable company will involve renting yet another box or buying something like Boxee."
olsmeister writes "Ever wonder if the universe is really a simulation? Well, physicists do too. Recently, a group of physicists have devised a way that could conceivably figure out one way or the other whether that is the case. There is a paper describing their work on arXiv. Some other physicists propose that the universe is actually a giant hologram with all the action actually occurring on a two-dimensional boundary region."
concealment writes "Dotcom confirmed to the Associated Press in a telephone interview that he has completed 90% the work on "new Mega" and "Megabox", a music site that he announced in June. Megabox will allow users to download music for free in exchange for accepting some advertisements, and 90% of the revenue will go to the artists."
Curseyoukhan writes "With its economy struggling, New Zealand hopes to cash in on 'The Hobbit' by turning it into actual cash. The nation is releasing special commemorative coins depicting characters from J.R.R. Tolkien's beloved book. The coin release coincides with the premiere of the first installment in Peter Jackson's film adaptation of the book. It is also part of a publicity campaign aimed to rebrand the country '100 percent Middle Earth.'"
An anonymous reader writes "Today in a blog post, Pandora has shared some details of the fees they pay to musical artists for playing songs over their music streaming service. Over 2,000 different artists will pull in $10,000 or more in the next year, and 800 will get paid over $50,000. They provided a few specific examples as well. Grupo Bryndis, who has a sales rank on Amazon of 183,187 (in other words, who is not at all a household name), is on track to receive $114,192. A few earners are getting over $1 million annually, such as Coldplay and Adele. 'Drake and Lil Wayne are fast approaching a $3 million annual rate each.' The post segues into a broader point about the age of internet radio: 'It's hard to look at these numbers and not see that internet radio presents an incredible opportunity to build a better future for artists. Not only is it bringing tens of millions of listeners back to music, across hundreds of genres, but it is also enabling musicians to earn a living. It's also hard to look at these numbers, knowing Pandora accounts for just 6.5% of radio listening in the U.S., and not come away thinking something is wrong. ... Congress must stop the discrimination against internet radio and allow it to operate on a level playing field, under the same rules as other forms of digital radio.'"