theodp writes "Just when you think the cable TV viewing experience couldn't get any worse, GeekWire reports on the Microsoft Xbox Incubation team's patent-pending Consumer Detector, which uses cameras and sensors like those in the Xbox 360 Kinect controller to monitor, count and in some cases identify the people in a room watching television, movies and other content. Should the number of viewers detected exceed the limits of a particular content license, the system would halt playback unless additional viewing rights were purchased."
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Hugh Pickens writes "iTunes has been criticized in the past for being slow and growing increasingly unwieldy as more and more media types have been added to what used to be simply a music player. Apple announced iTunes 11, the latest version of the program, at its iPhone 5 event in September and said the update would be released by the end of October, but Apple's deadline for the upgrade has slipped. 'The new iTunes is taking longer than expected and we wanted to take a little extra time to get it right,' Apple told technology site AllThingsD. 'We look forward to releasing this new version of iTunes with its dramatically simpler and cleaner interface and seamless integration with iCloud before the end of November.' The update is said to be the most significant upgrade to iTunes in the 11-year life of the program, which has grown from a simple music player to the most powerful retailer in the music business — and a force in the movie, television and e-books businesses — and, on Apple's PCs, the portal to its app store."
An anonymous reader writes "Mathematician Benjamin K. Tippett has written a fascinating and deadpan paper (Pdf) giving insights into Cthulhu. A 'Bubble' of warped Space-Time makes alarmingly consistent sense of the dead God's cyclopean city under the sea. From the paper: 'We calculate the type of matter which would be required to generate such exotic spacetime curvature. Unfortunately, we determine that the required matter is quite unphysical, and possess a nature which is entirely alien to all of the experiences of human science. Indeed, any civilization with mastery over such matter would be able to construct warp drives, cloaking devices, and other exotic geometries required to conveniently travel through the cosmos.'"
Jason Levine writes "Disney will acquire Lucasfilm, including the Star Wars trilogy. Additionally, Star Wars: Episode 7 is due to be released in 2015, with more feature films on the way. George Lucas said, 'For the past 35 years, one of my greatest pleasures has been to see Star Wars passed from one generation to the next. It's now time for me to pass Star Wars on to a new generation of filmmakers. I've always believed that Star Wars could live beyond me, and I thought it was important to set up the transition during my lifetime. I'm confident that with Lucasfilm under the leadership of Kathleen Kennedy, and having a new home within the Disney organization, Star Wars will certainly live on and flourish for many generations to come.'"
M.Nunez writes with a tale of copyright woes. From the article: "The digital 'Saturday Night Live' archive does not feature a recent Bruno Mars sketch because it includes impersonations of pop singers and their chart-topping hits. Bruno Mars sings several songs that are not owned by NBC, so it can be presumed that the company refrained from uploading the sketch into its digital archive to avoid any legal issues. Convoluted music licensing laws have essentially erased the Bruno Mars sketch from the digital archives of SNL. In the short comedy sketch, Bruno Mars impersonates vocal performances by Billie Joe Armstrong (Green Day), Steven Tyler (Aerosmith), Katy Perry, Justin Bieber, Louis Armstrong, and Michael Jackson. The sketch cannot be found on NBC.com or Hulu, as a short clip or in either full editions of the episode."
Kittenman writes "After 38 years (1974 - 2012) the BBC's CEEFAX service has ceased transmission. The service gave on-line up-to-date textual information (albeit in condensed form) to TV viewers in the pre-Internet era and afterwards. Its final broadcast signed off with, 'Goodbye, cruel world.' '... the real impetus for viewers came when BBC Television decided to use a selection of Ceefax pages, accompanied by music, before the start of programming each day. Initially called Ceefax AM and Ceefax In Vision, the Pages From Ceefax "programme" continued for 30 years, being broadcast overnight on BBC Two until this week. As viewers got a small taste of what Ceefax had to offer, millions of Britons during the 1980s invested in new teletext-enabled TV sets which gave them access to the full Ceefax service, which by now included recipe details for dishes prepared on BBC cookery shows, share prices, music reviews and an annual advent calendar.' An British ex-PM (John Major) said, 'From breaking global news to domestic sports news, Ceefax was speedy, accurate and indispensable. It can be proud of its record.'"
An anonymous reader writes "Just after half past seven on the evening of Friday 19th October, history was made at the Destination Star Trek London event at the capital's ExCel centre; when Captains Archer (Scott Bakula), Janeway (Kate Mulgrew), Sisko (Avery Brooks), Picard (Patrick Stewart) and James T. Kirk (William Shatner) appeared together on a European stage. This momentous event, which had occurred just once before, at the Wizard World Comic Con in Philadelphia in June, not only lived up to the expectations of fans, but exceeded them by a good light-year."
You asked Daniel Knight, director of the crowd-funded filmed version of Terry Pratchett's Troll Bridge, about cameras, Kickstarter, and his source material. Daniel's answered now with details on the process of filming, why they selected Troll Bridge, and his favorite He-Man figurines. Read on below!
New submitter roryed writes "Performer Jonathan Coulton, famous among some geeks for 'Code Monkey' and writing Portal's 'Still Alive' wrote on his blog, 'Salt Lake City, the last ticket link for the Nov/Dec tour, has finally gone up. The reason for the delay was that we were working on the details of this experimental ticketing thing called Bring the Gig.' Bring the Gig is a new form of crowdsourcing, much like a Kickstarter for concerts. The idea is to have fans put up the money to bring bands to their city by buying premium tickets. If the goal is met and the band is booked, general box office tickets are sold. If the show sells enough at the box office, or sells out, the original premium ticket holders get a full refund and keep their ticket, effectively seeing the show they helped bring for free. Coulton also writes, 'Could be a disaster! Exciting! Honestly I have no idea if this is going to work, but as you know, I am a scientist. I like to watch what happens.'"
New submitter ShadoCat points out this interesting project to restore the set of Star Trek: The Next Generation, writing: "This isn't the original set unfortunately (which was destroyed making the ST:Generations movie). This is one that Paramount created for display in 1991. Huston Huddleston saved the pieces of the set late 2011 when they were about to be trashed by Paramount. Huddleston and crew will be refitting the set with working displays and controls. They plan to host parties and educational events in the set which, apparently, is big enough to hold a large number of students. For safety though, I hope they add circuit breakers (a technology along with seat belts that seems to have been lost in the 24th century)."
First time accepted submitter johntromp writes "Source code for the 21st International Obfuscated C Code Contest was released last weekend, following announcement of the winners on Sep 30, and just over a month after the submission window closed on Sep 14, a new speed record for the judges. Happy source code browsing!"
jfruh writes "When the iPhone was first released in 2007, the blind community assessed it and determined it was essentially useless for them. Today it's the number one phone used by blind people, largely because of the efforts of the National Center for Accessible Media (NCAM). NCAM is part of WGBH, Boston's public television station, which broadcast the first captioned TV show in 1972. Since then NCAM has been a lifeline that makes sure that people with disabilities aren't left out of the technological revolution."
An anonymous reader writes "Boxee has announced the game-changing Boxee TV, offering live streaming TV via two on-board tuners and an industry-first 'No Limit' DVR service that allows users to record as much TV content as they want, and access it from virtually anywhere. The problem is that the unit, which records directly to the cloud, does not allow recording to a local drive, meaning users are stuck with Boxee for as long as they want to access their stored content — potentially hundreds or thousands of hours – to the tune of $14.99 per month until Boxee ups the ante. CEPro.com suggests, 'I suspect Boxee is offering unlimited storage to make users especially beholden to them. The more content you have, the less likely you are to drop the service.'"
Back in 2006, we discussed Jonathan Coulton's 'Code Monkey,' a song about the plight of under-appreciated developers. In the years since, Coulton's efforts to produce geek-oriented songs have propelled him to a successful music career. To mark Slashdot's 15th anniversary, he was kind enough to do a brand new recording of 'Code Monkey' for us. The video is embedded below, and here's a description from the email he sent to CmdrTaco: "It seemed fitting to do a new version of that song. I have all these gadgets that I buy and barely learn how to play, and when I heard you guys were looking for videos and things, it inspired me to sit down and actually try to get some of them working. What you see is me doing a version of Code Monkey performed live on electric guitar and laptop. The grid with lights is a monome running Pages, Polygomé and mlrv on my mac. You're also hearing some loops and noises from Ableton Live, controlled by footswitches, the monome, and the little keyboard, which is an OP-1. Back in 2006 I didn't know what I was doing, and with all these gizmos, I still don't. So that's a relief." Thanks, Jonathan.
sciencehabit writes "Science Magazine has crowned the winner of its annual 'Dance Your Ph.D.' contest. Scientists from around the globe are invited to submit videos of themselves interpreting their graduate theses in dance form. The results are often hilarious--and highly entertaining--and this year is no exception. This year's winner is Peter Liddicoat, a materials scientist at the University of Sydney in Australia, whose 'Evolution of nanostructural architecture in 7000 series aluminum alloys during strengthening by age-hardening and severe plastic deformation' is interpreted as a performance that employs juggling, clowning, and a big dance number—representing the crystal lattices that he studies with atomic microscopy."