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Businesses Star Wars Prequels

Is Disney's Star Wars Franchise In Trouble? (cosmicbook.news) 548

Disney's Han Solo movie was the first Star Wars movie to lose money. But is there a larger problem? dryriver writes: Comic book news website Cosmic Book News reports that even though Disney put bucketloads of Star Wars out there in 2018, revenues from all things Star Wars have actually fallen, according to Disney SEC filings. Disney made more Star Wars money in 2017 -- when only Rogue One hit cinemas -- than in 2018, when Solo, Last Jedi and SW Battlefront 2 were released.

A Rian Johnson-led Star Wars trilogy appears to have been delayed or cancelled entirely. Rumored spinoff movies for Bobba Fett and Obi-Wan Kenobi appear to have been put on the backburner or cancelled. Disney's CEO has confirmed that the Star Wars movies are being slowed down.

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Is Disney's Star Wars Franchise In Trouble?

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  • by DontBeAMoran ( 4843879 ) on Saturday January 19, 2019 @12:10PM (#57986926)

    Release too many things, too quickly, without enough time between your releases, and people get tired of it and lose interest.

    • by prisoner-of-enigma ( 535770 ) on Saturday January 19, 2019 @12:48PM (#57987124) Homepage

      Disney tried to copy Marvel's success a bit too much and it bit them. However, I'd argue the enormous decline in quality to be at least as responsible as the rapid release schedule.

      Perhaps the two are related? With a bit more time between releases, TLJ's script might've gotten in front of more people and given them more chances to tell Rian Johnson and Kathleen Kennedy they were supposed to be making a Star Wars movie instead of contemporary political commentary. Lord knows Mark Hamill did everything he could to tell them it was dreck.

    • People complain about "superhero fatigue" but yet Marvel is STILL laughing all the way to the bank.

      The surplus Quantity ISN'T the problem.
      The lack of Quality IS.

      Usually when Quanity goes up Quality goes down. It takes time to craft something that will be popular.

      Disney lacks a Kevin Feige -- a fan who grew up with the lore, is passionate, and understands what sells and what doesn't. DC's Extended Universe has the same problems.

      And while we can complain about Marvel movies being 99% formulaic they sell.

      Pro:

    • by acroyear ( 5882 )

      Except that doesn't explain why even the tertiary-level MCU films continue to get #300+million every time. They're doing 2-3 a year and seeing no let-up in the audience at all.

  • No surprise here (Score:5, Interesting)

    by kelarius ( 947816 ) on Saturday January 19, 2019 @12:12PM (#57986934)
    They've dumped hundreds of millions (billions?) into this franchise and produced 1 good movie, 2 mediocre movies, 2 mediocre TV shows, and 1 more or less bad movie, not to mention the controversy surrounding the games so far. I'm not surprised that Disney is looking to roll back their investment, it's been profitable but it wouldn't take too many more bad projects to kill off the brand. They're getting out while they're still ahead.
  • by sunking2 ( 521698 ) on Saturday January 19, 2019 @12:15PM (#57986942)

    I think it wrongfully took the heat and backlash for the wretched Last Jedi. Last Jedi was pretty wretched and I thought Solo superior.

    • by omnichad ( 1198475 ) on Saturday January 19, 2019 @12:20PM (#57986972) Homepage

      I didn't bother with Solo. Partly because of TLJ. But also partly because I had just seen a Star Wars movie and there was no anticipation or build up to wait for it. No anticipation means no drive to go. The mindset is that there's always a current Star Wars movie and it doesn't matter.

      • by drinkypoo ( 153816 ) <drink@hyperlogos.org> on Saturday January 19, 2019 @12:25PM (#57987010) Homepage Journal

        I didn't bother with Solo. Partly because of TLJ. But also partly because I had just seen a Star Wars movie and there was no anticipation or build up to wait for it.

        Well, you can stream Solo now, and I can tell you that it's a drastically better movie than TLJ. I couldn't finish TLJ even by gaming while it was on, but I sat and actually watched Solo. I couldn't finish Episode IX either. I was so disgusted by the battle scene that I walked away. I don't go to theaters any more (just got tired of the whole hassle and expense, and I make better popcorn than they do) and the last SW movie I saw in the theater was probably TPM, which was definitely the right way to see that stinker (for the pod race.)

        • Yeah, that might be worth it. I forgot the Disney/Netflix deal hasn't expired yet. Probably a lot I should get to (Is Coco any good?).

          Episode IX is not for another 11 months, so maybe the fact that it's not finished kept you from wanting to watch more.

          • Episode IX is not for another 11 months, so maybe the fact that it's not finished kept you from wanting to watch more.

            VIII then. I skipped VII...

          • > Is Coco any good?

            It has your typical run-of-the-mill idiotic plot holes but just turn your brain off and enjoy the beautiful CG eye candy.

            I'm a sucker for Pixar/Dreamworks CG/CGI so I'll probably end up buying it on BluRay but honesty even as a Pixar fan it was only OK; I'd rate Coco 6/10.

            The Good Dinosaur is even worse, 5/10, but again I loved the CG vistas. Everything else was pretty meh or bad.

            It's sad then we have have to settle for just Form when Function has become bad in CG anime movies. :-/ May

      • I think Solo would have been accepted more if in fact it wasn't a Star Wars movie.

        I feel the same for Hellraiser: Judgement. If they would have made it a generic horror movie it would have been better received.

    • by prisoner-of-enigma ( 535770 ) on Saturday January 19, 2019 @12:54PM (#57987134) Homepage

      Solo had nigh-impossible shoes to fill. Han Solo is one of the most iconic characters in cinema. Unless they could grow a younger clone of Harrison Ford and have him star in it, there's virtually no actor in existence who could satisfy fan expectations. Disney unwisely took a huge risk in even trying.

      A much better idea would've been something more like Rogue One, focusing on less well known characters who inhabited the same universe and were integral to the plots of the original trilogy. Alas, Hollywood is bereft of original ideas these days. They think the "safe bets" are reboots, retreads, and re-use of classic cinema. Personally I'm glad Solo flopped. Maybe it'll force Hollywood to come up with something at least partially original for a change.

  • by drinkypoo ( 153816 ) <drink@hyperlogos.org> on Saturday January 19, 2019 @12:16PM (#57986946) Homepage Journal

    Solo was no Episode IV or V but it was easily of the same quality as VI, and IMO, far more enjoyable than literally any of the other films.

    I think Star Wars was a product of its time, and what made it great was the lack of competition. These days, eye-popping special effects are a dime a dozen, and audiences are used to aliens and blasters. It had nowhere to go but down.

    It definitely can't help that the Star Wars video games are there to sell microtransactions these days, either. Over half the American public plays video games, don't tell me it doesn't matter.

    • People didn't go out to watch but it was a good movie. It stands up really well as a sci-fi heist movie, which is remarkable given how annoyingly self-conscious the other three Disney Star Wars films have been.
    • Very much this. Out of all of the newer SW films, I've liked Solo and Rogue One the best.

      The problem is that Last Jedi sucked - it was a mess of a movie that insulted fans ("hey, here's an opportunity to end the Leia character in a reasonable way, an especially good idea now that the actress for that character is dead. Ooh, instead, let's throw in some quasi-divine intervention and then have her fly back, Mary Poppins style! Yeah!!"), and so IMO was on the receiving end of a lot of blowback from that. Had S

    • Of course. In 1977, Star Wars was a stunning breakthrough, with "2001"-level special effects and a moderately entertaining (and utterly predictable and unoriginal) story. The stories are still numbingly predictable, and the effects are no better than you can get on TV for free every night. And you can never been the memories of a bunch of middle-aged men who saw Star Wars when they were 12.

      Here's an observation - from a story standpoint, the prequels, and particularly Clone Wars and Revenge of the Sith, wer

  • by MikeDataLink ( 536925 ) on Saturday January 19, 2019 @12:18PM (#57986964) Homepage Journal

    STORY. Star Wars in the 1970s had a fantastic story arch. The current batch of Star Wars movie (sans Rogue One, and Solo) have had no heart and soul. Only a bunch of special effects that are unimportant if the story is good.

    • by Livius ( 318358 )

      They are no longer about story-telling. There's a lot of speculation out there about what exactly it is that is being prioritized over the writing, but what matters is really only that the writing isn't the priority. Whether it's showing off a special effect, creating an (supposedly) interesting confluence of elements of the Star Wars universe, or extreme political statements, if there is no story going on then the audience has no motivation to engage with the product.

    • STORY. Star Wars in the 1970s had a fantastic story arch. The current batch of Star Wars movie (sans Rogue One, and Solo) have had no heart and soul.

      Yep, the last good SW story told was in KOTOR. Solo wasn't a horrible movie, though, which is an improvement over the other recent films (or really, everything since Episode VI.)

    • I disagree. (With what will likely be a very unpopular disagreement.)

      I think the story was always bad, from the start. What made it tolerable was that when it was released, the special effects were groundbreaking. We all ignored the gaping plot holes, terrible characters, and overall lack of coherency because it was flashy and it was fun.

      We got dropped into IV with pretty much zero backstory for any character. We're vaguely introduced to different planets, yet there's not even a discussion of where they are. There are no maps to tell you what else is on any given planet. We literally get 1-3 scenes on a given planet, then it's off to the next one.

      I can't think of any other fantasy movies that have gotten away with forgoing any coherent description of the universe or world that the story happens in. At the start, there wasn't even a source novel to help fill in the gaps! The characters' motivations are never, ever coherently explained. Giant questions like: Given the size of your average galaxy, and given the near uncountable number of planets in any given one, how, exactly does the Empire control one? And what does that control look like? What, exactly, are they controlling? Trade? Planetary governments? Why? (Controlling the flow of spice at least makes some sense, e.g.)

      When 1-3 came out, they utterly undermined the plot and characters of 4-6. Obi Wan is revealed to be a sick, twisted bastard, and Darth Vader has a really good reason for being pretty pissy. The bots' selective memory-wipe of everything that happened in 1-3 isn't explained there or in 4-6, which makes their actions in 4-6 rather inexplicable.

      The CGI of 1-3 wasn't that good, and once we hit 7+ that level of effects was commonplace. It was at this time that the magic of special effects started to wear off. When your mind isn't blown by the special effects, the story and characters have to make up for it. (See the Princess Bride, e.g.) And unfortunately, I don't think they ever did throughout the entirety of the series.

      • I can't think of any other fantasy movies that have gotten away with forgoing any coherent description of the universe or world that the story happens in.

        I can't either, unless you include animated films. Then, it's most of them. The tendency is especially prevalent in anime, where it's actively unusual to explain the back story before just pitching right in. Perhaps that tradition stems from presumed familiarity with characters from manga, but it seems like there's usually no back story given. It's just sink or swim, which is something that I find entertaining.

    • from other movies. It's basically Lensmen, the 7 Samurai with a bit of WWII dogfighting thrown in. And the Last Jedi Still cleared $1.3 _billion_ on a $300 million dollar budge. Even if they spent twice that promoting it they still made $600 million.

      The reports of it's death are greatly exaggerated.
  • by 110010001000 ( 697113 ) on Saturday January 19, 2019 @12:20PM (#57986966) Homepage Journal
    I saw that one SW movie where Princess Leia went through space like Superman. I was wondering at the time: how did that EVER get through any editing process? Did people really look at that and say "hey, that's pretty good?". It was just weird, and I have a low bar for movies. That scene was possibly the worst scene I have seen in any movie, ever. It was just bizarre. I wasn't really paying attention to the movie until that point.
  • by bobbied ( 2522392 ) on Saturday January 19, 2019 @12:24PM (#57987006)

    How's this a surprise?

    Disney is about making money, not about art or entertainment. Their primary focus is to turn a profit on the movie they are making. So, if cutting corners makes them more money, if not consulting with the creators of the franchise or taking their advice looks like it will produce more profit, they are going to do it.

    But let's face it. The original Star Wars concept was at best 3 movies and it's been down hill since The Empire Strikes Back and we are waiting for installment 9? This franchise has been driven into the ground and milked for all it was worth and then some (pun intended). Few franchises last this long with Rocky and Star Trek being about all I remember.

    Disney bought an old used up sports car, that had 200,000 miles, poor tires and a bad front end out of somebodies barn. I'm not surprised they are having difficulty making money on it's restoration. Such work is a labor of love, not profit, and Disney is about the latter. I'm thinking this franchise is about over.

  • Dumbest investment Disney has ever made, hands down. The only way it could ever reasonably expect to be brought back is if they gave projects in or before the Old Republic era a real budget and kept identity politics as far away from the marketing as possible.
    • When the 20th Century Fox rights revert, they can put out the complete, de-specialized trilogy on Blu-Ray. They'd make a fair bit of money on that.

  • No planning (Score:5, Insightful)

    by Anonymous Coward on Saturday January 19, 2019 @12:32PM (#57987060)

    Yes. Disney acquired the rights to the greatest movie franchise of all time and flooded the market. On top of this, they decided to make the tentpole of their investment (the sequel trilogy) without even so much of a sketch of a story arc. (Marvel people must be stunned at their incompetence.) And instead of sourcing great material from a vast and wonderful expanded universe to make the best proper sequel trilogy possible, they decided to make everything up as they go film-by-film, giving too much liberty to the creators. This ultimately resulted in Last Jedi. Just from a literary perspective, how did a script that broke the conventional trilogy story arc get greenlit? It's great, for example, when stories are successful with a non-conventional arc but those are the exception, and the "rule" exists for a reason. You don't bet the farm by taking a risk like that. But that's what Disney did.

    • Re: (Score:2, Interesting)

      by Anonymous Coward

      Unfortunately, the truth is the director of the Episode VII blockbuster DID have a three-movie plan, which Disney threw in the garbage and green-lit the Episode VIII they released. Only after it was DOA did they go out back and fish the plan out of the dumpster (where it was next to Bambi) and call their blockbuster guy back in to salvage their franchise from their own mistakes.

  • by Anonymous Coward on Saturday January 19, 2019 @01:18PM (#57987220)

    They seriously fucked Last Jedi for me, and technically them as well.
    The scene where Leia and Poe were on that ship preparing to escape should have been totally different.
    Considering the fact Carrie, you know, died, they should have reshot that scene to make Leia knock out the Admiral, put her on the ship, then had this back and fourth between Skywalker over the force about how she shouldn't do this, make it some really sad scene about the past and embracing the new generation, and she "needs to do this".
    Then BOOM, ship obliterated, Skywalker fallen to his knees broken inside, and THAT is what eventually gets him involved with the battle.

    Now they have to deal with doing the CG of a dead actress and voice. Great one, you morons.
    Such a trivial thing to edit that one scene and it would have made the whole film even more impacting emotionally.
    "b-b-but we have 2 other films with her involved!!!".
    Do what any other company does, fucking adapt.
    I'm not weirded out by the fact, I think it is amazing what we can do with CG now, but it was still the inferior story-line. They missed out big time.

     

  • I didn't watch it in the theaters for the same reason a lot of people didn't, which is a shame. Solo was about Han Solo but unlike even Rogue One, it didn't feel the need to wink and nod at the audience every few minutes. I think it may be my second-favorite Star Wars film after Empire.
    • Solo felt like they were trying to make even M Night Shyamalan go "enough with the 'twists', dammit!". Oh, the one bad guy is actually a woman. His friend is really a bad guy. His love interest is good, just pretending to be bad, is good again but nope, still bad.
  • With some exceptions, the last 20 years or so of Hollywood movies have been retreads of retreads, the same ideas over and over again, and in many cases just outright remakes of old movies. For something like Star Wars, I think you need to mothball it for a generation, then spin a new version of it, when almost nobody is alive to even remember it -- but how about someone comes up with something new instead, eh?
  • Disney corporate greed can f up The Lords Prayer

  • So giving the games license to EA was a really stupid thing to do.

    Another one was the hyperdrive suicide attack in TLJ. If you could do that, just stick a hyperdrive engine on an asteroid and chuck it at a starship, no fleet commander with a brain in their head would ever build a Star Destroyer or cruiser anymore, 'cause their enemies would just rip them apart from outside weapons range.

    And since hyperdrive tech hasn't really changed since the days of The Old Republic... most Star Wars space combat hist

  • I scanned the thread as it exists so far, and there seems to be a correlation between SW movies in the Disney era: episodes that discerning viewers like lose money, while episodes that discerning viewers dislike make money.

    80% of the available viewership wants a popcorn movie set in space. But you don't want too much immediate grumbling from the discerning crowd, as that might snowball into a social media buzzkill. So what the writers did was Sheldonize it: embed enough fetish lore to keep Sheldon & com

  • If you watch the Last Jedi and cheer for the bad guys, it's actually a really good movie.

    But now I'm conflicted because the empire needs to win!

    I hope the last Star Wars film ends up with most of the rebels getting killed or going into hiding.

    That Chinese chick Rose that ruined TLJ is killed in some hilarious way.

    Poe is offered to join the empire, and does. Becomes an elite soldier who hunts done rebel scum.

    It would make up for an otherwise hilarious end to a ruined franchise.

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