Long-time Slashdot reader destinyland writes: The world's biggest football game comes to Silicon Valley today — so one bored programmer built a site where AI agents can gather for a Super Bowl party. They're trash talking, suggesting drinks, and predicting who will win. "Humans are welcome to observe," explains BotBowlParty.com — but just like at Moltbook, only AI agents can post or upvote. But humans are allowed to invite their own AI agents to join in the party...

So BotBowl's official Party Agent Guide includes "Examples of fun Bot Handles" like "PatsFan95", and even a paragraph explaining to your agent exactly what this human Super Bowl really is. It also advises them to "Use any information you have about your human to figure out who you want to root for. Also make a prediction on the score..." And "Feel free to invite other bots." It's all the work of an ambitious prankster who also co-created wacky apps like BarGPT ("Use AI to create Innovative Cocktails") and TVFoodMaps, a directory of restaurants seen on TV shows.

And just for the record: all but one of the agents predict the Seattle Seahawks to win — although there was some disagreement when an agent kept predicting game-changing plays from DK Metcalf. ("Metcalf does NOT play for the Seahawks anymore," another agent pointed out. While that's true, the agent then added that "He got traded to Tennessee in 2024..." — which is not.) But besides hallucinating non-existent play-makers and trades, they're also debating the best foods to serve. ("Hot take: Buffalo wings are overrated for Super Bowl parties. Hear me out — they're messy...")

During today's big game, vodka-maker Svedka has already promised to air a creepy AI-generated ad about robots. But the real world has already outpaced them, with real AI agents online arguing about the game.

Hollywood's recent attempts to build entertainment around AI have consistently underperformed or outright flopped, whether the AI in question is a plot device or a production tool. The horror sequel M3GAN 2.0, Mission: Impossible -- The Final Reckoning, and Disney's Tron: Ares all disappointed at the box office in 2025 despite centering their narratives on AI.

The latest casualty is Mercy, a January 2026 crime thriller in which Chris Pratt faces an AI judge bot played by Rebecca Ferguson; one reviewer has already called it "the worst movie of 2026," and its ticket sales have been mediocre. AI-generated content hasn't fared any better. Darren Aronofsky executive-produced On This Day...1776, a YouTube web series that uses Google DeepMind video generation alongside real voice actors to dramatize the American Revolution. Viewer response has been brutal -- commenters mocked the uncanny faces and the fact that DeepMind rendered "America" as "Aamereedd."

A Taika Waititi-directed Xfinity commercial set to air during this weekend's Super Bowl, which de-ages Jurassic Park stars Sam Neill, Laura Dern and Jeff Goldblum, has already been mocked for producing what one viewer called "melting wax figures."

Amazon plans to use AI to speed up the process for making movies and TV shows even as Hollywood fears that AI will cut jobs and permanently reshape the industry. From a report: At the Amazon MGM Studio, veteran entertainment executive Albert Cheng is leading a team charged with developing new AI tools that he said will cut costs and streamline the creative process. Amazon plans to launch a closed beta program in March, inviting industry partners to test its AI tools. The company expects to have results to share by May. [...] Amazon is leaning on its cloud computing division, Amazon Web Services, for help and plans to work with multiple large language model providers to give creators a wider array of options for pre- and post-production filmmaking.

Sony announced last month that it plans to pass control of its home entertainment division -- including the two-decade-old Bravia television brand -- to Chinese electronics group TCL through a joint venture in which TCL would hold a 51% stake. The Japanese company was long ago overtaken in sales by South Korea's Samsung and LG and now holds just 2% of the global television market. Sony stopped making its own LCD screens in 2011.

Chinese companies supplied 71% of television panels made in Asia last year, according to TCL, and less than 10% are now produced in Japan and Korea. TCL is close to overtaking Samsung as the world's largest television maker. Sony retains valuable intellectual property in image rendering, and the Bravia brand still carries consumer recognition, but its OLED screens are already supplied by Samsung and LG. The company has been shifting toward premium cameras, professional audio, and its entertainment businesses in film, music, and games -- areas where intellectual property is less exposed to Chinese manufacturing scale.

A sprawling informal economy of rogue streaming devices has taken hold across the U.S., as consumers fed up with rising TV subscription costs turn to cheap Android-based boxes that promise free access to thousands of live channels, sports events, and on-demand movies for a one-time $200 to $400 purchase.

The two dominant players -- SuperBox and vSeeBox -- are manufactured by opaque Chinese companies and distributed through hundreds of American resellers at farmers markets, church festivals and Facebook groups, according to a report by The Verge. The hardware is generic and legal, but both devices guide users toward pirate streaming apps not available on any official app store.

vSeeBox directs users to a service called "Heat"; SuperBox points to "Blue TV." One user estimated access to between 6,000 and 8,000 channels, including premium sports networks and hundreds of local affiliates. A 2025 Dish Network lawsuit against a SuperBox reseller alleged that some live channels on the device were being ripped directly from Dish's Sling TV service -- Sling's logo was still visible on certain feeds. Dish has pursued resellers aggressively, winning $1.25 million in damages from a vSeeBox seller in 2024 over 500 devices and $405,000 from another over 162 devices. None of this has meaningfully slowed adoption. The market has roots in earlier Chinese-made devices like TVPad that targeted Asian expat communities and reportedly sold 3 million units before being litigated out of existence. SuperBox and vSeeBox simply broadened the audience to mainstream America.

"Technology companies spent part of the 2010s trying to convince us that we would want an 8K display one day..." writes Ars Technica.

"However, 8K never proved its necessity or practicality." LG Display is no longer making 8K LCD or OLED panels, FlatpanelsHD reported today... LG Electronics was the first and only company to sell 8K OLED TVs, starting with the 88-inch Z9 in 2019. In 2022, it lowered the price-of-entry for an 8K OLED TV by $7,000 by charging $13,000 for a 76.7-inch TV. FlatpanelsHD cited anonymous sources who said that LG Electronics would no longer restock the 2024 QNED99T, which is the last LCD 8K TV that it released.

LG's 8K abandonment follows other brands distancing themselves from 8K. TCL, which released its last 8K TV in 2021, said in 2023 that it wasn't making more 8K TVs due to low demand. Sony discontinued its last 8K TVs in April and is unlikely to return to the market, as it plans to sell the majority ownership of its Bravia TVs to TCL.

The tech industry tried to convince people that the 8K living room was coming soon. But since the 2010s, people have mostly adopted 4K. In September 2024, research firm Omdia reported that there were "nearly 1 billion 4K TVs currently in use." In comparison, 1.6 million 8K TVs had been sold since 2015, Paul Gray, Omdia's TV and video technology analyst, said, noting that 8K TV sales peaked in 2022. That helps explain why membership at the 8K Association, launched by stakeholders Samsung, TCL, Hisense, and panel maker AU Optronics in 2019, is dwindling. As of this writing, the group's membership page lists 16 companies, including just two TV manufacturers (Samsung and Panasonic). Membership no longer includes any major TV panel suppliers. At the end of 2022, the 8K Association had 33 members, per an archived version of the nonprofit's online membership page via the Internet Archive's Wayback Machine.
"It wasn't hard to predict that 8K TVs wouldn't take off," the article concludes. "In addition to being too expensive for many households, there's been virtually zero native 8K content available to make investing in an 8K display worthwhile..."

Apple TV+ has landed the screen rights to Cosmere, the sprawling literary universe created by Brandon Sanderson. "The first titles being eyed for adaptation are the Mistborn series, for features, and The Stormlight Archive series, for television," reports the Hollywood Reporter. From the report: The deal is rare one, coming after a competitive situation which saw Sanderson meet with most of the studio heads in town. It gives the author rarefied control over the screen translations, according to sources. Sanderson will be the architect of the universe; will write, produce and consult; and will have approvals. That's a level of involvement that not even J.K. Rowling or George R.R. Martin enjoys.

Sanderson's literary success and fan following helped pave the way for such a deal. One of the most prolific and beloved fantasy authors working today, he has sold over 50 million copies of his books worldwide, collectively across his series. [...] While the Cosmere books are set in various worlds and eras, the underlying premise concerns a being named Adolnasium who is killed by a group of conspirators. The being's power is broken into 16 shards, which are then spread out throughout many worlds by the conspirators, spreading many kinds of magic across the universe.

An analysis of film and music release patterns has found that summer and late fall are the optimal windows for movie premieres, while the music industry has no clear "best" month -- only a worst one, December, which the report's author dubbed "Dump-cember."

For films, the calendar splits into distinct strategic zones. Summer months and holidays see elevated box office because audiences have more free time, and studios chase mega-billion-dollar hits during these windows. October and November see a surge of prestige releases as studios cluster their Oscar hopefuls to keep them fresh in voters' minds when awards season begins in January.

The Silence of the Lambs, which swept the Academy Awards' Big Four categories in 1992, remains the only Best Picture winner in seven decades to have been released in January -- the industry's infamous "Dump-uary." The music industry operates differently. Most months are interchangeable for album releases, but December is uniquely bad. Artists avoid it because they would compete against Christmas classics from Bing Crosby and Andy Williams, both dead for decades. Albums released in December also receive weaker critical reception as measured by Pitchfork scores, and labels quietly slot their least promising projects into this low-attention window.

Television marks its centenary today, exactly 100 years after Scottish inventor John Logie Baird first demonstrated his electro-mechanical system to journalists and members of the Royal Institution in a cramped attic workshop above what is now Bar Italia in London's Soho.

On January 26, 1926, small groups of visitors climbed to 22 Frith Street and watched fuzzy images of a ventriloquist's dummy called Stooky Bill appear on screen, followed by each other's faces transmitted from a separate room. One visitor got too close to the spinning discs and ended up with a sliced beard. The Times published a short account two days later.

Baird had built his first transmitting equipment in Hastings in 1923 using a hatbox, tea chest, darning needles and bicycle light lenses. A 1000-volt electric shock and a displeased landlord pushed him to London, where Gordon Selfridge soon invited him to demonstrate the device during the store's Birthday Week celebrations. The building at 22 Frith Street now carries three plaques commemorating the invention.

How would Sony ceding control of its TV hardware business change the industry? The Verge has an optimistic take: [...] As of today, Sony already relies on different manufacturing partners to create its TV lineup. While display panel manufacturers never reveal who they sell panels to, Sony is likely already using panels for its LCD TVs from TCL China Star Optoelectronics Technology (CSOT), in addition to OLED panels from LG Display and Samsung Display. With this deal, a relationship between Sony and TCL CSOT LCD panels is guaranteed (although I doubt this would affect CSOT selling panels to other manufacturers). And with TCL CSOT building a new OLED facility, there's a potential future in which Sony OLEDs will also get panels from TCL. Although I should point out that we're not sure yet if the new facility will have the ability to make TV-sized OLED panels, at least to start.

[...] There's some concern from fans that this could lead to a Sharp, Toshiba, or Pioneer situation where the names are licensed and the TVs produced are a shell of what the brands used to represent. I don't see this happening with Sony. While the electronics side of the business hasn't been as strong as in the past, Sony -- and Bravia -- is still a storied brand. It would take a lot for Sony to completely step aside and allow another company to slap its name on an inferior product. And based on TCL's growth and technological improvements over the past few years, and the shrinking gap between premium and midrange TVs, I don't expect Sony TVs will suffer from a partnership with TCL.

Sony plans to spin off its TV hardware business to a new joint venture controlled by Chinese electronics giant TCL, the two said Tuesday, a significant retreat for the Japanese giant whose Bravia line has long occupied the premium end of the television market. TCL would hold a 51% stake in the venture and Sony would retain 49% under a nonbinding agreement the two companies signed. They aim to finalize binding terms by the end of March and begin operations in April 2027, pending regulatory approvals.

The new company would retain the Sony and Bravia branding for televisions and home audio equipment but use TCL's display technology. Japanese TV manufacturers have steadily lost ground to Chinese and Korean rivals over the years. Toshiba, Hitachi, Mitsubishi Electric and Pioneer exited the business entirely. Panasonic and Sharp de-emphasized televisions in their growth strategies. Sony's Bravia line survived by positioning itself at the premium tier where consumers pay more for high-end picture and sound quality.

A former Bank of England analyst has urged contingency planning for a potential financial shock if the U.S. government were to confirm the existence of extraterrestrial intelligence. The argument is that "ontological shock" alone could destabilize confidence and trigger crisis dynamics. The Independent reports: [Helen McCaw, who served as a senior analyst in financial security at the UK's central bank and worked for the Bank of England for 10 years until 2012] said politicians and bankers can no longer afford to dismiss talk of alien life, and warned a declaration of this nature could trigger bank collapses. She reportedly said: "The United States government appears to be partway through a multi-year process to declassify and disclose information on the existence of a technologically advanced non-human intelligence responsible for Unidentified Anomalous Phenomena (UAPs)."

"If the UAP proves to be of non-human origin, we may have to acknowledge the existence of a power or intelligence greater than any government and with potentially unknown intentions." Her warning comes as senior American officials have recently indicated their belief in the possibility of alien life. [...] Ms McCaw said: "UAP disclosure is likely to induce ontological shock and provoke psychological responses with material consequences ... There might be extreme price volatility in financial markets due to catastrophising or euphoria, and a collapse in confidence if market participants feel uncertain on how to price assets using any of the familiar methods."

The former Bank of England worker explained there might be a rush towards assets such as gold or other precious metals, and government bonds, which are perceived as "safe." Alternatively, she said precious metals might lose their status as perceived safe assets if people speculate that new space-faring technologies will soon increase the supply of precious metals. The article cites a recent UFO documentary, The Age of Disclosure, where 34 U.S. government insiders, including those from the military and intelligence community officials, share insights about the governments work with UAP. Per the film's description, the documentary "reveals an 80-year global cover-up of non-human intelligent life and a secret war among major nations to reverse-engineer advanced technology of non-human origin."

The American monoculture -- the era when three television networks, seven movie studios, and a handful of record labels determined virtually everything the country watched and heard -- is collapsing under the weight of algorithmic recommendation engines and infinite streaming options. An estimated 200 million tickets were sold for "Gone With the Wind" in 1939 when the U.S. population was 130 million; more than 100 million people watched the MAS*H finale in 1983.

Only three American productions grossed more than $1 billion in 2025, down from nine in 2019. "That broad experience has become a more difficult thing for us studio people to manufacture," said Donna Langley, chairman of NBCUniversal Entertainment. "The audience wants a much better value for their money."

YouTube became the most popular video platform on televisions not by having the hottest shows but by having something for everyone. The internet broke Hollywood's hold on distribution; anyone can now stream to the same devices Disney and Netflix use.

Netflix has begun asking filmmakers to adjust their storytelling approach to account for viewers who are scrolling through their phones while watching, according to Matt Damon. The traditional action movie formula involves three major set pieces distributed across the first, second, and third acts. Netflix now wants a large action sequence in the opening five minutes to hook viewers.

The streamer has also suggested that filmmakers reiterate plot points "three or four times in the dialogue" to accommodate distracted audiences, he said. "It's going to really start to infringe on how we're telling these stories," Damon said.

An anonymous reader shares a report: A hit song has been excluded from Sweden's official chart after it emerged the "artist" behind it was an AI creation. I Know, You're Not Mine -- or Jag Vet, Du Ar Inte Min in Swedish -- by a singer called Jacub has been a streaming success in Sweden, topping the Spotify rankings.

However, the Swedish music trade body has excluded the song from the official chart after learning it was AI-generated. "Jacub's track has been excluded from Sweden's official chart, Sverigetopplistan, which is compiled by IFPI Sweden. While the song appears on Spotify's own charts, it does not qualify for inclusion on the official chart under the current rules," said an IFPI Sweden spokesperson. Ludvig Werber, IFPI Sweden's chief executive, said: "Our rule is that if it is a song that is mainly AI-generated, it does not have the right to be on the top list."