A coalition of security firms working with Japan's National Police Agency has disrupted a botnet of more than 1.3 million Android devices across 200+ countries. "We assess with high confidence that the backdoor and botnet were intentionally developed, deployed, and operated for financial gain by Videostrong Technology," the Google Threat Intelligence Group (GTIG) said in a blog post. The Register reports: Videostrong Technology is a hardware manufacturer based in Shenzhen, China. It builds Android devices, including home TV boxes and projectors. According to Google, Videostrong deliberately embedded the XCPE backdoor in device firmware and sold access to criminal affiliates, allowing them to install additional malware modules on devices shipped to unsuspecting customers. When buyers connected these devices to their home networks, the preinstalled backdoor allowed operators to create proxy networks and hide malicious traffic using the customers' internet connections without their knowledge.

The firmware's pre-installed management agent purported to be a standard remote-management client, according to TrendAI. It pulled updates from a GitHub page, and connected to a Message Queuing Telemetry Transport (MQTT) server that gave the operator full remote control of each box, allowing them to install and remove apps, change settings, and push updates to the infected devices. Between June 3 and October 1, TrendAI documented more than 3.8 million distinct home and mobile IP addresses connected to the operation.

The coalition also disrupted the command-and-control domains used to manage the affiliate modules. "Because these affiliates each have diversified distribution channels for their modules beyond XCPE, we assess that taking down their C2 domains will sever access to at least 10 million additional compromised devices," according to GTIG. Google said it had since cut ties with Videostrong, and banned the OEM from making devices with preloaded Google apps.

An anonymous reader quotes a report from Techdirt: Recently, reports emerged that LG TVs are sniffing around your local network, and even listening to your local environment, even when the TV is purportedly "off." Some of those voice commands were then stored in plain text and uploaded to the internet. LG's response? To deny everything. [...] That latter point is central to a new study out of Northeastern that conducted 5,943 experiments across twelve commercial "smart" TV devices. The researchers found that most smart TVs utilize automatic content recognition (ACR), a technology that captures audio or video snapshots of viewed content and then monetizes that data to help build personalized profiles of viewers.

TV makers insist that users are supposed to be able to opt out, but the choice simply doesn't work across a large segment of TVs. Companies like Vizio simply ignored the consumer requests entirely more often than not: "We find that the advertised ACR opt-out fully suppresses ACR-attributable traffic on only four operating systems; on Samsung Tizen traffic consistent with ACR activity persists in more than 60% of evaluated scenarios, and on Vizio SmartCast a content correlated endpoint hosted on Amazon Kinesis continues to receive traffic in 100% of opted-out scenarios."

[...] The researchers say since they can't see the precise scope of what's being collected due to encryption, they're unsure whether Vizio is technically violating its FTC agreement (not that we have a current FTC that would care if they were): "The opt-out setting has no observable effect on traffic sent to this endpoint; however, we cannot inspect the payload due to encryption so we cannot confirm whether this violates the FTC settlement." Results of whether opting out of ACR tracking actually stopped ACR tracking were all over the map. Roku, for example, ignores opt-out requests when users are watching Roku's own channels. None of the smart TV vendors track Netflix viewing for fear of violating agreements with the streaming giant. Samsung's opt out function was more likely to actually work when a user was watching antenna broadcasts.

On two Smart TV platforms, personal viewing data collected by ACR remains unencrypted, despite years of bad press and scandal on the subject. Many appear to be violating the law, but because U.S. regulatory oversight has been gutted, they see no meaningful accountability. That includes smart TV OS' like VIDAA, which is most prominently found on Hisense and Toshiba smart TVs: "VIDAA OS sends ACR data to servers run by Unruly over MQTT without encryption, so anyone on the network path between the TV and those servers can read it. Each message carries a Client ID, a permanent identifier for the TV that can't be reset, along with the time zone, the app name, the input (antenna, HDMI), the antenna channel and an audio fingerprint."

Slashdot readers Cpt_Kirks, eklektic, sconeu, and Vrallis share the unfortunate news of Patrick Stewart's passing. Longtime spokesperson Kelly Bush Novak said Stewart died Wednesday at the age of 86 at his home in Los Angeles following "a brief and poignant journey with Alzheimer's disease and Lewy body dementia."

"He has been held in the warm embrace of family and friends, surrounded by live music, prayer, tears, laughter and the kind of profound emotion that only he could inspire after a lifetime of devotion to us all," Bush Novak wrote. "We will forever cherish the peaceful ease and reflection on his face, an enduring reminder of his invincible grace."

The acclaimed British actor became a science-fiction icon as Capt. Jean-Luc Picard in Star Trek: The Next Generation and Professor Charles Xavier in the X-Men films. Beyond those iconic roles, Stewart earned multiple Emmy and Golden Globe nominations for performances in Moby Dick, The Lion in Winter, Extras, Hamlet, and Blunt Talk. He later returned to his most famous role in Star Trek: Picard.

Instagram is testing a new longform, horizontal video format called "Features" as it pushes further into YouTube territory and expands its presence on TVs. The Verge reports: Instagram boss Adam Mosseri has been against doing longform video on the platform "for a long time," he says in a six-and-a-half-minute video (here's the widescreen version) with VP of product Tessa Lyons, saying that "one of my concerns has been, how do we make sure that we keep Instagram not just about entertainment, but about connecting with friends." If you watch a longform video, "it's a lot of Reels, photos, and carousels that you might not have sent to a friend," meaning less likes and shares. Now, though, the team is working on making shortform and longform video "symbiotic," according to Mosseri, like podcasts or comedy specials that can be both long videos and broken up into shorter ones.

The announcement of this widescreen video push also follows the launch of Instagram's TV app late last year. That app launched first as a Reels-focused experience and as a pilot for Amazon Fire TV devices in the US, but it's since expanded to Google TVs, Samsung TVs and Apple TV, and Instagram launched new features like the ability to watch Stories earlier this year.

Longtime Slashdot reader schwit1 shares a report from CBS News: Walter Koenig, the actor who played Pavel Chekov in the original "Star Trek" series and several movies, has died, his rep confirmed to CBS News. He was 90. Koenig died Sunday night at his home in the North Hollywood neighborhood of Los Angeles, talent rep Zachery McGinnis said in a statement. He died surrounded by his daughter and niece, McGinnis said.

In 'Star Trek,' Ensign Chekov was the sole member of the spaceship Enterprise bridge staff from what was the Communist bloc. His friendly, supportive presence showed how the rival nations (in the far-off future in which the show was set) were capable of working together. Speaking heavily Russian-accented English, Chekov embodied stereotypical Russian personality traits, including fierce pride, love of poetry and blind loyalty. "Through countless convention appearances and interactions with fans, he shared his kindness, wit, and appreciation with everyone fortunate enough to meet him. He understood what Star Trek meant to people and embraced the community that grew around it," McGinnis said. "Thank you, Walter, for the memories, the inspiration, and for boldly going where few have gone before."

Watch some of the Chekov's best moments on YouTube.

Frustrated by intrusive ads, sluggish interfaces, and data tracking, smart TV owners are using AI coding tools and open-source projects to strip unwanted software from their televisions and build customized home screens. The Verge reports: Several vibe-coded TV-debloating projects exploded in popularity over the weekend. Cleanyourtv (known as tv-vibehack until the 19th), tv-detox, and dumbtv all claim to accomplish similar things -- remove sponsored ads, debloat the TV so it runs faster, and block unwanted data collection that tracks what you're watching -- without hacking, or rooting, the TV. By default, they all also replace the TV's built-in app launcher with simpler ones. Many users are going a step further and vibe-coding their own replacement launchers, like the Pokemon one below.

Most of the projects we've seen so far focus on TVs that run on Android and Google TV operating systems (such as TCL, Hisense, Sony, and older Amazon Fire products), using existing developer modes and the Android Debug Bridge (ADB) to tweak settings and apply (and remove) packages. According to the GitHub pages, they can also work with some Fire TV products that use a custom fork of Android (although likely not on the new Vega-based Fire TV Sticks). Because they use built-in developer tools, they don't require root access or firmware hacking, and they're reversible. Even projects that totally change the look of the interface just use Android's ability to install custom launchers -- in many cases with an assist from Claude Code or a similar tool to create the new launcher, too.

An anonymous reader quotes a report from Wired: Longtime audio giant Bose announced on Wednesday that it's acquiring Skullcandy, the lifestyle brand known for its bass-heavy headphones. Skullcandy will remain a separate company within Bose's Premium Consumer Audio business and will still be based in Park City, Utah.

The acquisition isn't out of left field. Bose has lent its audio expertise to Skullcandy over the past year under its Sound by Bose licensing program. Skullcandy designs the headphones and then works with Bose on the audio front. The relationship began with the Skullcandy Method 360 ANC earbuds in 2025 and more recently, with the Crusher 1080 ANC headphones in July.

[...] This is hardly Bose's first audio acquisition (though it may be the most mainstream). Bose acquired McIntosh Group, owners of luxury audio brands McIntosh Laboratory and Sonus Faber, back in 2024. But Bose seems to be after Skullcandy's connection to its community. "What does the brand stand for? Does it have meaning for consumers? Is it relevant to a group of consumers that, frankly, we otherwise aren't reaching?" Bose CEO Lila Snyder tells WIRED. "If you think about McIntosh, Sonus Faber, and Skullcandy, they all fit into that realm. Skullcandy gives us access to a customer base that we think we're largely missing with the Bose brand."

That's why Bose has no plans to relocate Skullcandy from Park City, Utah, which Snyder says is the epicenter of board sports culture. "We want to make sure we're right at the heart of it, as they always have been," she says. Skullcandy products are also affordable, especially compared to other Bose products and Bose-owned brands, which lets Bose compete at both ends of the market.

Sony has revived its Walkman lineup with three Android 16-powered high-end music players ranging from $1,900 to $5,900, topped by the gold-plated NW-WM1ZM3 with 256GB of storage. The Register reports: The Japanese giant named the new models the NW-WM1ZM3, NW-WM1AM3 and NW-ZX900. All can store and play many codecs, including MP3s, WMA, and FLAC files, plus others like Direct Stream Digital (DSD) and Apple Lossless, which use various tricks to avoid nasty artefacts accruing during the digitization process. Sony also says it has used "key components made from oxygen-free copper" because that apparently delivers "uncompromising sound quality."

The machines also include "screws featuring a low-resistance gold-plated treatment ... providing a stable ground connection that delivers powerful bass, an expansive soundstage and smooth, extended high frequencies." Sony claims even the cabling it's used in the devices "further reduces noise and preserves signal integrity for rich, detailed sound." They're also housed in carefully-milled slabs of copper -- gold-plated in the case of the NW-WM1ZM3 -- because that apparently improves sound, too.

And then Sony's gone and spoiled it all by offering Bluetooth connectivity, a notorious music-mangler, in addition to wired headphone ports. Sony's US site lists all three devices, which run Android 16 and include Wi-Fi so they can access streaming music services. All are USB-chargeable and Sony claims their batteries allow 30-odd hours of music playback.

Nathan Fielder and Lance Oppenheim's Elizabeth Holmes documentary "You Can See Everything" earned more than $15 million in its limited opening weekend, making it one of the biggest documentary launches in decades and the strongest opening for a film on fewer than 1,000 screens since Borat in 2006. It was also "the biggest non-music documentary since 'Fahrenheit 9/11' in 2004," adds CNN. From the report: Many weekend screenings in cities like New York and Los Angeles were sold out despite the three-hour running time. The film's distributor, A24, called it "one of the largest limited-release openings of the 21st century." "You Can See Everything" opened on fewer than 900 screens following a jaw-dropping surprise premiere at the Telluride Film Festival last month.

Fielder and Oppenheim worked on the project in secret for years, filming with Holmes and her partner Billy Evans in the weeks before Holmes went to prison in 2023. Holmes was convicted of wire fraud and conspiracy to defraud Theranos investors, but she tried to convince the filmmakers of her innocence.

Fielder, who appears on camera interviewing Holmes and Evans, takes the film in unexpected directions, thrilling critics and theatergoers. The film has an extraordinarily high 99% "fresh score" on Rotten Tomatoes and a record-high 4.8 rating on Letterboxd. Further reading: Will New Documentary Make Theranos Founder Elizabeth Holmes More Sympathetic?

TechCrunch writes: "Isn't it weird that I, like, did a TV show about kind of a business scam, and you got in trouble for like ... a business scam?" comedian and filmmaker Nathan Fielder gently asks Elizabeth Holmes.

One month before the notorious Theranos CEO surrendered to begin her 11-year criminal fraud sentence in 2023, Holmes and her husband contacted A24 as a last-ditch effort to exonerate her in the public eye, suggesting they send a film crew to document her final days of freedom. Alongside director Lance Oppenheim, Fielder — a cringe-comedy mastermind whose work often walks the line between fact and fiction — embraced the impossible project of figuring out who the infamous Stanford dropout really is.

"I never actually made that connection," says Holmes. "I think it's a pretty different situation...."

We already know that Elizabeth Holmes is not innocent. What we still can't figure out, though, is whether she really, truly believes she did nothing wrong. Even as she sat on trial — listening to testimonies from investors who lost hundreds of millions of dollars, whistleblowers who were silenced when they flagged that Theranos' blood-testing devices didn't work, and patients who acted on incorrect blood test results — Holmes never wavered.
Business Insider says the scariest thing about the new documentary "is how much I wanted to believe her." SFGate calls it "one of the finest works of journalism I've ever seen." As Fielder ingratiates himself with Holmes and [her husband] Evans, he gets them comfortable enough to ask the hard questions: about Theranos, about prison, and even about themselves. The resulting footage is often shocking. You will see Elizabeth Holmes, who still maintains she did nothing wrong, answer "no" when Fielder asks her if she's ever lied in her life... [Y]ou will also see Holmes and Evans spend a great deal of time in this movie attempting to boot up Theranos 2.0. They even go so far as to drag out some of the original Theranos blood testing apparatus, which looks like a bunch of random parts from TigerDirect they hooked together, to show Fielder what their product can do. We do not see it doing anything on screen, but the couple assures that we would if it was, like, hooked up properly.

These scenes are extremely funny, but funny isn't what Fielder is looking for. He's trying to figure out if this woman is a clueless naif, if she believes her own lies, or if she is playing the character of an innocent woman, and doing so with such effectiveness that, to paraphrase Fielder, she might be the most manipulative person in the world. The answer proves fabulously elusive, and so Fielder and Oppenheim go to extremes in their attempt to find it. They hold the camera on Holmes' rubbery elfin face for what feels like hours at a time, to see if she'll blink (figuratively or literally!). They interview Holmes' visiting parents, with the father, former Enron exec Christian Holmes, casually telling Fielder that everything changed for his daughter "when she was raped." To the furthest extreme, they bring in actress Amanda Seyfried — who played Holmes in the Hulu TV show "The Dropout" — to recreate any dialogues Fielder had with Holmes herself that couldn't be recorded on camera. Seyfried is so convincing in mimicking Holmes that you, the audience, might forget which scenes were Seyfried talking to the camera and not Holmes herself. I know I did.
Continuing that theme in the film, TechCrunch notes, is how her husband Billy Evans "has constructed a lifelike AI avatar of his wife, trapped inside of a large vertical screen that he wheels over to the dinner table to sit with him and his kids as though she's actually there."

Elizabeth Holmes "comes off in the doc as every bit as innately bizarre as anyone showing up for a cinematic freak show might hope," writes Variety: My personal hunch is that Fielder came away thinking Holmes is on the level, to the extent that someone who sometimes seems like an AI program's idea of how a human should behave can be on the level. There are a few possibilities that might explain how Holmes comes off the way she does in the movie: (a) She is a simpleton. (b) She is a conniving sociopath who happens to be utterly brilliant at playing a simpleton. (c) Somewhere between those poles, she is the very emblem of a woman who throughout her life has put herself in the sway of controlling men, to the detriment of her intellect, willpower and emotional development... Is it possible that the more you learn about someone, the less you might know how to think about them?
Meanwhile, NBC News recently reported: Elizabeth Holmes, who was convicted of fraud for siphoning hundreds of millions of dollars from several high-profile investors, is scheduled to be transferred from a minimum-security federal prison to a halfway house next year, according to one of her victims... [America's Department of Justice "is required by law to notify victims of crime of case developments through letters and emails," the article points out.] She was sentenced in 2022 to 11 years and three months in prison. She and her business partner, Ramesh "Sunny" Balwani, were ordered to pay 12 victims a total of $452 million in restitution.

Holmes has been serving that sentence at a minimum-security prison in Bryan, Texas. The halfway house will provide her greater freedom... In March, a judge cut Holmes' sentence from 135 months to 123 months. According to a court document, the judge agreed with Holmes that she did not personally cause "substantial financial hardship" to her victims.
NBC News adds that a prison consultant they interviewed "said inmates who report to halfway houses can work, have phones, drive to religious services or shop for things they need and earn passes for weekends at home."

Why didn't The Social Reckoning enjoy the box office success of 2010's The Social Network, asks IndieWire/A>: [T]here wasn't the same urgency in the story being told. The Social Reckoning focuses less on Zuckerberg, and more on data engineer Frances Haugen's decision to blow the whistle on how Facebook's algorithms were promoting political content that radicalized users, as well as the company's awareness of how its products were contributing to a rise in bullying and teen suicide... [B]ut The Social Reckoning arrives as a much greater threat has emerged from Silicon Valley. Artificial intelligence is dominating the headlines, as fears mount about the economic disruptions it will unleash when millions of jobs are replaced by machines, and, graver still, its potential to trigger a world-ending event... And it's not like Haugen's testimony led to lasting change at Facebook... As IndieWire's Ryan Lattanzio put it, "'The Social Reckoning' argues that the aftermath of their whistleblowing is still somehow felt today. In actuality, living as we do in 2026, it pretty much feels like... no one cared, and nothing changed?"
After the first movie's director bowed out, Sony Pictures shied away from selling it as a sequel — but the problems run deeper, the article adds. "The Social Reckoning isn't just a financial failure, it's a critical one, too. The reviews were blistering..." Although on the bright side, "Sony wisely kept The Social Reckoning's budget at $30 million, meaning it won't face losses on the scale of a Digger... "

Variety writes that Digger "cratered in its second weekend with $3.2 million from 3,321 theaters, a 60% decline from its dismal $8 million debut. So far, the Tom Cruise satire has limped to $14 million domestically and $35.3 million globally. Warner Bros. spent above $160 million to produce the film, which is shaping up to be one of the biggest bombs ever..."

There was some Blade Runner news at New York Comic-Con this weekend — and also some news about Godzilla. Ars Technica reports: We got our first look at Prime Video's new sci-fi series Blade Runner 2099 in July at San Diego Comic-Con. With the show's premiere roughly six weeks away, the streamer unveiled the full trailer this weekend at New York Comic-Con... Prime Video will drop all eight episodes of Blade Runner 2099 on November 25, 2026. [It's already earned 2.1 million views in the last 17 hours].

We also got a new trailer for Godzilla Minus Zero, the sequel to director Takashi Yamazaki's gloriously grounded kaiju epic, Godzilla Minus One, which became a major international hit and snagged an Oscar for best visual effects. [1.2 million views in its first five hours]
And StarWars.com brings news from the Star Wars universe: Kevin Smith has already announced his Star Wars/Marvel: Hope Assembles crossover comic, interweaving the Marvel universe and the Star Wars galaxy like never before. Now, you're cordially invited to add your own creative ideas to the mix through a LEGO Ideas challenge celebrating the milestone 50th anniversary of Star Wars: A New Hope.
Using physical or virtual LEGO bricks, fans are challenged to build "their own epic mash-ups," according to Lego's web site, "in three categories: Character Fusion, Vehicle Fusion, and Scene Fusion." ("Write an engaging description and upload great images of your creation without using AI tools...")

Meanwhile, Star Trek fan site TrekMovie.com covered the major Star Trek announcements:

• There was an interview with 95-year-old William Shatner by Star Trek super-fan Ben Stiller, which ended "with Stiller surprising Shatner by revealing the original Gorn head from his personal Star Trek memorabilia collection."
• Also announced was a new documentary about the disastrous fan-organized convention in 1982 that tried reuniting cast members from the original series. (Its title? The Con of Wrath: The Craziest Convention Ever!)
• Gates McFadden (who played Dr. Beverly Crusher on Star Trek: The Next Generation) will write a new comic book to "bridge the 20 year in-universe gap in Crusher's story between the events of the film Star Trek Nemesis and the television series Star Trek: Picard."
• Paramount+ offered a panel about their series Star Trek: Starfleet Academy (which returns for a second season in 2027).
• Nacelle Toys even announced new action figures of Star Trek creator Gene Roddenberry and Lucile Ball, owner of Desilu Productions.

Reuters also has photos of costumed attendees.

But there was also some excitement when an unruly fan shouted over a panel for the Prime Video animated series Helluva Boss. Entertainment Weekly reports it culminated with series star Brandon Rogers shouting "You need to shut the f--- up right now. I'm going to jump over this fence and end you. It's not cute."

Long-time Slashdot reader badger.foo writes: As some of you may remember, in 2001 RFC1149 (TCP/IP over carrier pigeon) was implemented.

Now one of the packets preserved from that event is up for auction at Christies. Direct link to the auction (current bid: USD 2600) is here.

This is a unique chance to own a piece of Internet history!

"Nicolas Cage is speaking out against Amazon," reports Variety. Amazon developed the series Spider-Noir for Prime Video, but then allegedly asked Cage to sign an AI waiver: "Amazon is a very AI-friendly company, to the tune of $50 billion invested in OpenAI," Cage said Saturday during a panel on the Empire Stage at New York Comic Con. "I am not an AI-friendly actor, so it's like, connect those dots! I'm not a member of their club. I didn't sign the waiver to let him use AI on 'Spider-Noir.' I'm probably not going to be working with that studio again, but that's okay."
Last month Amazon canceled Spider-Man Noir after just one season, Variety reports. And the cancellation was just days before the Emmy Awards, where it then earned 11 nominations (the most of any Prime Video program this year).

ScreenRant reports: Spider-Noir was the actor's first TV role and was praised globally, with season 1 earning a near-perfect Rotten Tomatoes rating from critics of 92% and a 90% rating from audiences. Critics stated that "This sharply written homage to classic film noir — which includes a standout Nicolas Cage performance — is the novel superhero project fans need," and "Spider-Noir is one of the standout shows of the year...." The cancellation was certainly a huge shock as it had earned 11 Emmy nominations and reached 2.6 billion minutes viewed within its first six weeks on Prime Video.
More from Variety: Cage went on to tell the Comic-Con audience that he hopes to work with the rising class of Gen-Z filmmakers, praising Backrooms director Kane Parsons, who parlayed his YouTube fame into a Hollywood career... "I got to get with these young directors who are Gen Z, and they're going at it their own way, whether it's through the YouTube culture or whatever it is," Cage said. "They're doing it from scratch and by hand. I want to get with that."

Amazon Prime Video will become the exclusive global home of the Emmy Awards under a six-year deal beginning in 2027, the Television Academy announced on Tuesday. The Emmys will stream live for free to viewers in more than 240 countries and territories without requiring a Prime subscription. From the report: In the release, Prime Video was named as the "permanent home" for the Emmys, in contrast to the rotating agreement in place years prior. The switch ends the traditional "wheel-deal" setup to broadcast the awards, where ABC, CBS, NBC and Fox took turns hosting the Emmys each year. The system has been in place since at least 1994, with the most recent eight-year contract expiring this year. "Television has never been more global, and the Emmys should be a celebration that the world can share," Television Academy chair Cris Abrego said in a statement. "Having a dedicated home with Prime Video allows us to build on that legacy with unprecedented global reach and a broader commitment to the Television Academy and our mission throughout the year."