Amazon is planning a vast expansion of its free streaming service on its Fire TV devices and has asked marketers to commit millions of dollars to support new channels and expanded content offerings, multiple people who held discussions with the company told Cheddar. From a report: Amazon has talked to executives at media companies and advertising agencies about its plans to include more ad-supported streaming channels to compete with Roku and Pluto TV, which offer free access to TV shows and movies with commercials. Advertisers are reluctant to pledge millions of dollars before they know what content Amazon would make available on the new channels, sources said. Some buyers said Amazon is asking for as much as a large cable network for advertising commitments. Since contracts for shows and movies to appear on the new services Amazon is planning are still being negotiated, there's little guaranteed programming to advertise against.

The Justice Department has warned the Academy of Motion Picture Arts and Sciences that its potential rule changes limiting the eligibility of Netflix and other streaming services for the Oscars could raise antitrust concerns and violate competition law. From the report: According to a letter obtained by Variety, the chief of the DOJ's Antitrust Division, Makan Delrahim, wrote to AMPAS CEO Dawn Hudson on March 21 to express concerns that new rules would be written "in a way that tends to suppress competition." "In the event that the Academy -- an association that includes multiple competitors in its membership -- establishes certain eligibility requirements for the Oscars that eliminate competition without procompetitive justification, such conduct may raise antitrust concerns," Delrahim wrote. The letter came in response to reports that Steven Spielberg, an Academy board member, was planning to push for rules changes to Oscars eligibility, restricting movies that debut on Netflix and other streaming services around the same time that they show in theaters. Netflix made a big splash at the Oscars this year, as the movie "Roma" won best director, best foreign language film and best cinematography.

Delrahim cited Section 1 of the Sherman Act that "prohibits anticompetitive agreements among competitors." "Accordingly, agreements among competitors to exclude new competitors can violate the antitrust laws when their purpose or effect is to impede competition by goods or services that consumers purchase and enjoy but which threaten the profits of incumbent firms," Delrahim wrote. He added, "if the Academy adopts a new rule to exclude certain types of films, such as films distributed via online streaming services, from eligibility for the Oscars, and that exclusion tends to diminish the excluded films' sales, that rule could therefore violate Section 1." An Academy spokesperson said, "We've received a letter from the Dept. of Justice and have responded accordingly. The Academy's Board of Governors will meet on April 23 for its annual awards rules meeting, where all branches submit possible updates for consideration."

According to a new study published in the journal Acta Tropica, listening to electronic music -- specifically dubstep, produced by U.S. artist Skrillex -- could protect against mosquito bites. The BBC reports: Sound is "crucial for reproduction, survival, and population maintenance of many animals," says a team of international scientists specializing in mosquitoes and the diseases they carry. They subjected adults of the species Aedes aegypti, known as the yellow fever mosquito, to electronic music to see whether it could work as a repellent. Scary Monsters And Nice Sprites, a track by Skrillex which features on his Grammy-award winning album of the same name, was chosen because of its mix of very high and very low frequencies.

"In insects, low-frequency vibrations facilitate sexual interactions, whereas noise disrupts the perception of signals from conspecifics [members of the same species] and hosts," the scientists said. Female adult mosquitoes were "entertained" by the track and attacked hosts later and less often than those in a dubstep-free environment. Scientists said "the occurrence of blood feeding activity was lower when music was being played." The scientists also found that mosquitoes exposed to the song had sex "far less often" than mosquitoes without music. "The observation that such music can delay host attack, reduce blood feeding, and disrupt mating provides new avenues for the development of music-based personal protective and control measures against Aedes-borne diseases."

An anonymous reader shares a report: Weeks after Steven Spielberg took a swing at Netflix and Hulu, the Hollywood legend had a change of heart about the medium, appearing at Apple's star-studded event to help the iPhone-maker launch a streaming service. The embrace comes as people are increasingly cutting their cable connections and moving to streaming services for their entertainment needs. Just last week, the Motion Picture Association of America (MPAA), a trade body that represents major Hollywood studios and Netflix, reported that video streaming services now have more subscribers worldwide (613.3 million users) than those with a cable connection (some 556 million users). Another disruption is nigh. Revenue generated by streaming services is set to surpass worldwide theatrical revenue this year, according to research firm Ampere Analysis. Media and technology companies are naturally fighting for a piece of that pie.

Here's a look at some of the biggest rivals, the markets they operate in, and how they are trying to win customers. At the top of the list is Netflix, which began offering a streaming service in 2007, long before most companies even considered getting in the ring. This gave Netflix enough breathing room to bulk up its content catalog through licensing deals with cable networks and content studios. Twelve years later, Netflix has amassed 139 million subscribers in over 190 nations and territories. Following in Netflix's footsteps is Amazon, which has also made its Prime Video streaming service available in over 190 nations and territories. [...] While YouTube is the most-consumed video streaming app in most markets, Netflix is leading in revenue worldwide. As of 2018, Netflix generated more revenue than any other video streaming service -- and in some cases, more than any app in any category -- in Argentina, Australia, Brazil, Canada, Denmark, Finland, France, Germany, Hong Kong, India, Indonesia, Malaysia, Mexico, Netherlands, Singapore, South Korea, Spain, Sweden, Switzerland, Thailand, Turkey, the U.K., the U.S., and Vietnam, among other markets, according to App Annie.

Cutting_Crew writes: After the last remaining Blockbuster Video store closed in Australia on March 31st, there is only one remaining left on earth. That location is in Bend, Oregon and seems to be a thriving location, where they write out membership cards by hand and the system is rebooted using floppy disks, apparently only something one person, the general manager, knows how to do. If you are wondering how there could be still blockbuster videos open since they went bankrupt back in 2010, the remaining stores left open were independent franchises and were separate from most of the other corporate stores, thus not part of the bankruptcy. There was also an Onion video before they even went bankrupt that's pretty funny. I remember getting a membership way back in late 90s and new releases were $8 per night. Even then, that seemed way too expensive. What are your most memorable (good or bad) memories of your local blockbuster?

After partnering with HTC to launch the Vive in 2016, Valve has moved ahead with plans to launch its own headset, called the Valve Index, in May 2019. Ars Technica reports: The news came on Friday in the form of a single teaser image, shown above, of a headset with the phrase "Valve Index" written on its front. The front of the headset is flanked by at least two sensors. This shadow-covered hardware matches the leaked headset reported by UploadVR in November of last year. That report hinted to Valve's headset supporting a wider, 135-degree field-of-view (FOV), as opposed to the roughly 110-degree FOV of the original HTC Vive and Oculus Rift.

Valve's dedicated website for the new device includes no other information than the above image and the date "May 2019." It does not include any mention of the new SteamVR Knuckles controllers, which Valve has advertised pretty heavily via developer outreach since their 2016 reveal and a later series of improved prototypes in 2018. This page also doesn't mention a series of three Valve-produced VR games that have been repeatedly advertised by Valve co-founder Gabe Newell since 2017. There's very little information about the headset, but after cranking up the brightness and contrast of the teaser image, Ars Technica's Sam Machkovech was able to find "a series of six dots on one of the headset's surfaces, [...] which may hint to this headset's use of an outside tracking sensor, a la the HTC Vive's infrared trackers." He adds: "Even so, those two giant lenses imply that 'inside-out' tracking, managed entirely by the headset without any extra webcams or sensors, may also be in the cards. Additionally, we can see a giant physical slider, which is likely linked to interpupillary distance (IPD), a precise measurement needed to ensure maximum VR comfort."

After tearing apart Apple's new second-generation AirPods, the repair guide site found that there is no practical way to service or repair them even at a professional shop. They labeled them as "disappointingly disposable." Ars Technica reports: iFixit had to go to almost comical lengths to open the AirPods up, and despite their expertise and tools, the iFixit team was unable to do so without permanently damaging the product. [...] That's disappointing, given that the batteries in the AirPods won't last longer than a few years with heavy use, and they're hard to recycle. Apple does offer to recycle headphones through partners as part of its Apple GiveBack program, but the GiveBack Web portal does not offer a product-specific category for AirPods to consumers like it does with most other Apple products. Consumers may simply select a general "headphones & speakers" category on the site.

The teardown also revealed some differences from the first-generation AirPods. The battery is the same size, but iFixit identified the new, Bluetooth 5-ready H1 chip in the earbuds themselves. The site also found some small differences likely related to Apple's efforts to increase the case's water resistance. For all the details, visit iFixit's teardown page for the product. All told, iFixit gave the AirPods a 0 out of 10 for repairability -- that's low even for Apple products. By contrast, the site also opened up Samsung's Galaxy Buds and gave them a 6 out of 10.

An anonymous reader quotes a report from The Verge: Last week, a press release went out to tech and music reporters claiming that little-known startup Endel had become the "first-ever algorithm to sign [a] major label deal" with Warner Music. The news was covered widely, with commentators tossing around phrases like "the end is nigh" while hand-wringing over the idea of coders coming for musicians' label contracts. But the press release wasn't exactly right, and questions about the future of music are even bigger than anyone thought. Endel is an app that generates reactive, personalized "soundscapes" to promote things like focus or relaxation. It takes in data like your location, time, and the weather to create these soundscapes, and the result is not quite "musical" in the traditional sense. It's ambient, layering in things like washed-out white noise and long string notes. It's the type of stuff that's exploded on streaming platforms in recent years under newly invented genre names like "sleep."

Although Endel signed a deal with Warner, the deal is crucially not for "an algorithm," and Warner is not in control of Endel's product. The label approached Endel with a distribution deal and Endel used its algorithm to create 600 short tracks on 20 albums that were then put on streaming services, returning a 50 / 50 royalty split to Endel. Unlike a typical major label record deal, Endel didn't get any advance money paid upfront, and it retained ownership of the master recordings. Even if Endel had signed over the masters, the company could easily just make more: Dmitry Evgrafov, Endel's composer and head of sound design, says all 600 tracks were made "with a click of a button." There was minimal human involvement outside of chopping up the audio and mastering it for streaming. Endel even hired a third-party company to write the track titles. Five Endel albums have already been released, and 15 more are coming this year — all of which will be generated by code. In the future, Endel will be able to make infinite ambient tracks.

The music industry is suing Charter Communications, claiming that the cable Internet provider profits from music piracy by failing to terminate the accounts of subscribers who illegally download copyrighted songs. The lawsuit also complains that Charter helps its subscribers pirate music by selling packages with higher Internet speeds. Ars Technica reports: While the act of providing higher Internet speeds clearly isn't a violation of any law, ISPs can be held liable for their users' copyright infringement if the ISPs repeatedly fail to disconnect repeat infringers. The top music labelsâ"Sony, Universal, Warner, and their various subsidiariesâ"sued Charter Friday in a complaint filed in U.S. District Court in Colorado. While Charter has a copyright policy that says repeat copyright infringers may be disconnected, Charter has failed to disconnect those repeat infringers in practice, the complaint said: "Despite these alleged policies, and despite receiving hundreds of thousands of infringement notices from Plaintiffs, as well as thousands of similar notices from other copyright owners, Charter knowingly permitted specifically identified repeat infringers to continue to use its network to infringe. Rather than disconnect the Internet access of blatant repeat infringers to curtail their infringement, Charter knowingly continued to provide these subscribers with the Internet access that enabled them to continue to illegally download or distribute Plaintiffs' copyrighted works unabated. Charter's provision of high-speed Internet service to known infringers materially contributed to these direct infringements."

The complaint accuses Charter of contributory copyright infringement and vicarious copyright infringement. Music labels asked for statutory damages of up to $150,000 for each work infringed or for actual damages including any profit Charter allegedly made from allowing piracy. The complaint focuses on alleged violations between March 24, 2013 and May 17, 2016. During that time, plaintiffs say they sent infringement notices to Charter that "advised Charter of its subscribers' blatant and systematic use of Charter's Internet service to illegally download, copy, and distribute Plaintiffs' copyrighted music through BitTorrent and other online file-sharing services." The music industry's complaint repeatedly focused on BitTorrent and other peer-to-peer networks, saying that "online piracy committed via BitTorrent is stunning in nature, speed, and scope."

Apple has unveiled a few different subscription services today at its "show time" event, including a new Apple Arcade game subscription service for titles that can be installed from the App Store. The company is aiming to curate some of the 300,000 games currently available from the App Store into this new ad-free subscription service. "There will be 100 new and exclusive games available on Apple Arcade, which will launch on the iPhone, iPad, Mac, and Apple TV," reports The Verge. From the report: These games won't be available on any other mobile platform or any subscription service other than Apple Arcade. Games will be downloaded and played straight from the App Store, and subscribers will be able to try games whenever they want and resume them across devices. All of the game features, content, and future updates will be included, and there will be no ads shown within the games.

SimCity creator Will Wright is also making a game for the service. Apple is promising games from Annapurna Interactive, Bossa Studios, Cartoon Network, Finji, Giant Squid, Klei Entertainment, Konami, Lego, Mistwalker Corporation, SEGA, Snowman, ustwo games, and more. Apple isn't just curating the games for Apple Arcade; it's actually planning to contribute to the development costs of creating them. Apple might not have announced its own game studio today, but it's certainly a big step toward that. Apple Arcade is launching this fall in more than 150 countries, but Apple is not yet revealing pricing for this subscription service. Apple does say that "access for up to six family members," will be available, suggesting you'll be able to share the subscription. While the full list of games isn't available yet, some of the titles revealed on Apple Arcade's website include: LEGO Brawls, HitchHiker, Kings of the Castle, Where Cards Fall, and Frogger in Toy Town. If you're a game developer, you can sign up for more information about the service here.

Alongside its new news and payment services, Apple today also unveiled Apple TV+, a place for its new slate of original shows. The new service, billed as a place for the "highest-quality storytelling," will be available in over 100 countries and released starting this fall through the Apple TV app. From a report: It will be ad-free, on-demand and available both streaming online and downloadable. Pricing will be announced this fall. Apple TV Plus is the company's way of jumping into the streaming video game, where Netflix, Amazon Prime Video, Hulu and others have already established themselves and brought in millions of cord-cutter customers fleeing cable subscriptions. The new service also works as a way for Apple to grow its thriving services business, helping it continue to grow despite lagging iPhone sales.

The company in 2017 hired Jamie Erlicht and Zack Van Amburg from Sony Pictures Television to oversee "all aspects of video programming." The two were responsible for shows such as Breaking Bad, The Crown and Rescue Me. And in the past year, Apple has continually announced original content it's producing -- including a multiyear partnership deal with Oprah and deals with Reese Witherspoon, J.J. Abrams and dozens of others. The company has reportedly gone well past its original $1 billion budget to bring in this list of movie and television A-listers, who are slated to create about 30 shows and a handful of movies.

MoviePass's original founder and CEO is launching a new company, reports IndieWire, "to score viewers movie tickets for the low, low price of sitting through 15 to 20 minutes of advertisements." Before you point out that everyone already does that when they watch trailers in the theater, know this: PreShow wants to utilize facial recognition and track how much attention you're paying to each ad. "If it weren't for facial recognition, I don't think we could still do it," Stacy Spikes, PreShow's founder and chief executive, said in an interview with CNET last week. "If not, they could game this all day long."

Here's how it works, per CNET: "Forgoing a password, PreShow's app will only unlock with your phone's facial recognition technology. And while you're watching the ads to earn that free ticket, your phone's camera monitors your level of attention. Walk away or even obscure part of your face? The ad will pause after five seconds."
It's being launched through a Kickstarter campaign, which describes PreShow as "the first ad-supported moviegoer network," saying that the service will be available this July. It also promises that the ad content "is high quality, entertaining, and is an entertainment value in and of itself..."

And though it monitors your face, "Privacy is a top concern. Nobody is recorded, no personally identifiable data is shared, all data is aggregated and anonymized to brand partners."

Long-time Slashdot reader beckman101 writes: This week Electric Dollar Store opened its doors, selling interchangeable postage-stamp sized I2C-based modules for prices between $1.00 and $1.80. The modules include lights, buzzers, counters and sensors — the range is aimed at electronic makers. These aren't manufacturing rejects shipping from Asia — they're assembled, tested and shipped from a small farming town in California, where winter labor is cheap.

All the code for the project is BSD licensed.

The project is a spin-off from the popular open-source I2CDriver hardware debugger.

Esther Schindler (Slashdot reader #16,185) shared this story from Hewlett Packard's Enterprise blog: Storage is a staple of both science and science fiction, and forms the basis, or a crucial component, of many a piece of speculative fiction... [H]ere are eight past visions of the storage future that either passed their error checks or succumbed to bit rot.

Why store vast quantities of data on a device when you can just slap it into someone's head?
The article acknowledges that in many science fiction stories, data is simply preserved using such primitive technologies as "the written word" and "brute-force [human] memory," as well as ordinary real-world storage technologies like the server room in Rogue One: A Star Wars Story, or basic non-cloud-based computers. But there's also wetware -- think "Johnny Mnemonic "-- and the data crystals in Babylon Five.

The article even acknowledges that time Batman beat Mr. Freeze by carving binary code into a wall, giving future generations the recipe for antifreeze.

The dream of the '90s was alive in Microsoft Teams this week when Microsoft's old office assistant, Clippy, showed up. From a report: If you used Microsoft Office between 1997 and 2001, you likely remember Clippy as the animated paperclip that popped up and offered tips for using the software. Microsoft did away with Clippy in 2001, so people were surprised to see Clippy stickers appear in Microsoft Teams this week. And they were even more surprised when, just a day later, Microsoft offed the little guy again. On Tuesday, Clippy appeared as an animated pack of stickers for Microsoft Teams. The stickers were released on the Office Developer GitHub page, but by the next day, they had vanished. Clippy was around just long enough to rally old fans, and there's now a user petition to bring Clippy back.

Google's Stadio cloud-gaming service may be intercepted by a similar service from Walmart. According to a report from US Gamer, the American retail giant is looking into launching its own cloud gaming service. From the report: Multiple sources familiar with Walmart's plans, who wish to remain anonymous, confirmed to USG that the retail giant is exploring its own platform to enter in the now-competitive video game streaming race. No other details were revealed other than it will be a streaming service for video games, and that Walmart has been speaking with developers and publishers since earlier this year and throughout this year's Game Developers Conference. Walmart's discussions with developers for its streaming service have been secretive, and it's unclear how far along the service is in-development. But our sources are confident that this is a space Walmart is trying to move into.

Though Walmart might sound like a strange company to be jumping into the streaming tech space, the move isn't wholly unexpected. In recent years due to competition from Amazon, Walmart has been increasingly looking into more tech-focused markets beyond its traditional physical retail chain. Over time, Walmart has integrated its physical stores with its large online presence, offering deliveries, app integrations, and in-store pick up services. Walmart also has a technology arm in Silicon Valley called Walmart Labs, which has 6,000 employees and develops tech for Walmart's digital presence. In addition it boasts tools like Cruxlux, which is a search engine designed to reveal the connection between any two people, places, or things. Finally, Walmart has a data center unofficially called Area 71 in Caverna, Missouri which holds over 460 trillion bytes of data. Data centers are a centerpiece of Google's Stadia streaming service and companies like Microsoft, Amazon, and Apple also own powerful data facilities, all of whom are also coincidentally working in streaming technology.

An anonymous reader quotes a report from Recode: After years of circling the TV business, Apple is finally ready to make its big splash: On Monday it will unveil its new video strategy, along with some of the new big-budget TV shows it is funding itself. One thing Apple won't do is unveil a serious competitor to Netflix, Hulu, Disney, or any other entertainment giant trying to sell streaming video subscriptions to consumers. Instead, Apple's main focus -- at least for now -- will be helping other people sell streaming video subscriptions and taking a cut of the transaction. Apple may also sell its own shows, at least as part of a bundle of other services. But for now, Apple's original shows and movies should be considered very expensive giveaways, not the core product.

All of this might very well work. Apple has an installed base of 1.4 billion users, and some of them will buy the things Apple promotes: Look at the success of Apple Music, which launched seven years after Spotify but quickly amassed 50 million subscribers due to a free trial period and prominent real estate on Apple's devices. Another reason this could work: Amazon has already been very successful with its own version of the same idea. Facebook is also bullish on selling TV subscriptions and is pushing would-be partners to sign up so it can launch later this spring or summer, according to industry sources. Similarly, Comcast (which is a minority investor in Vox Media, which owns this site) is rolling out Flex, a $5-a-month service that gives you a bunch of free content (some of which you can also get other places) and the ability to easily buy HBO, Showtime, etc. Instead of offering exclusive content, Comcast is offering subscribers a Roku-like streaming box. According to people who've talked to Apple about its plans, Apple's new TV service will consist of selling TV subscription apps surrounded by millions of other apps in its main app store. "Apple plans on making a new storefront that's much more prominent for those who use Apple TV boxes and other Apple hardware," reports Recode. "It will also be able to offer its own bundles -- for instance, it could offer a package of HBO, Showtime, and Starz at a price that's lower than you'd pay for each pay TV service on its own."

An anonymous reader quotes a report from Ars Technica: Cable lobbyists don't want to be called cable lobbyists anymore. The nation's top two cable industry lobby groups have both dropped the word "cable" from their names. But the lobby groups' core mission -- the fight against regulation of cable networks -- remains unchanged. The National Cable & Telecommunications Association (NCTA) got things started in 2016 when it renamed itself NCTA-The Internet & Television Association, keeping the initialism but dropping the words it stood for. The group was also known as the National Cable Television Association between 1968 and 2001. The American Cable Association (ACA) is the nation's other major cable lobby. While NCTA represents the biggest companies like Comcast and Charter, the ACA represents small and mid-size cable operators. Today, the ACA announced that it is now called America's Communications Association or "ACA Connects," though the ACA's website still uses the americancable.org domain name.

"The new name reflects a leading position for the association in the fast-growing telecommunications industry, where technology is rapidly changing how information is provided to and used by consumers," the cable lobby said. "It's all about the communications and connections our members provide," said cable lobbyist Matthew Polka, who is CEO of the ACA. The "ACA Connects" moniker "explains what our association and members really do," Polka continued. "We connect, communicate, build relationships and work together with all, and that will never change."

AmiMoJo writes: All 24 movies from the iTunes exclusive 4K "James Bond Collection" have leaked online. This is further evidence to suggest that pirates have found a way to decrypt 4K source files from the iTunes store. How, exactly, remains a mystery. While most regular releases can be ripped or decrypted nowadays, 4K content remains a challenge to breach. Up until a few days ago, pirate sites had never seen a decrypted 4K download from Apple's video platform. However, a flurry of recent leaks, including many titles from the iTunes-exclusive "James Bond Collection," suggests that the flood gates are now open. It all started earlier this month ago when a pirated 4K copy of Aquaman surfaced online. The file is a so-called "Web" release, also known as WEB-DL in P2P circles. This means that it's a decrypted copy of the original source file. These were never seen before for 4K releases. Because the Aquaman release was only available on iTunes in this quality at the time, the most likely conclusion was that Apple's platform was the source. However, based on just one single leak, it was tricky to draw strong conclusions.

An anonymous reader shares a report: The domestic box office rebounded in 2018 in a recovery fueled by blockbusters such as "Black Panther" and "Incredibles 2." Ticket sales in the U.S. climbed 7% to top out at a record $11.9 billion, according to a new report by the Motion Picture Association of America (MPAA). That helped off-set declines in overseas markets in Europe and Latin America, pushing the global box office to $41.1 billion, a year-over-year improvement of a percentage point. The MPAA study is produced by the entertainment industry trade group and is intended to provide a comprehensive look at the overall state of the film business.

In addition to box office revenues, the report found that the global home entertainment business increased by 16% to reach $55.7 billion last year. This was driven primarily by the rise of digital rentals, sales, and subscriptions to streaming services such as Netflix. Digital home entertainment spending in the U.S. increased 24% to $17.5 billion; internationally this sector climbed 34% to $25.1 billion. That helped plug the gap left by massive declines in the sale and rental of DVDs and Blu-rays. In the U.S., disc sales dropped 15% to $5.8 billion and fell 14% internationally to $7.3 billion. Four years ago, physical sales in the U.S. were $10.3 billion and were $14.9 billion internationally, a sign of just how precipitously the DVD market has fallen. Over that same period, digital spending has increased 170% globally. Much of that rise is attributable to the popularity of Netflix, Amazon Prime, and other subscription services. Globally, the number of digital subscriptions increased by 27% to 613.3 million. Online video subscriptions surpassed cable for the first time in 2018. Cable subscriptions fell 2% to 556 million.