In a sea of 3D audio products and true-wireless earbuds, USB Type-C headphones were nowhere in sight at CES 2019. From a report: This absence isn't an accident, however. Rather, it's the deafening silence of an abandoned product category. While many looked to USB-C audio as the successor to the famed physical port, the available models aren't catching on, and they don't seem to be going anywhere. Their absence at CES 2019 doesn't paint a rosy picture of their future, either.

In general, it takes new standards quite a while to catch on, however, USB-C was thrust into the limelight far before its time. When Apple and Google ditched their headphone jacks, it limited the pool of audio peripherals to Bluetooth, or the very young USB-C category. Perhaps with a little more time and backing from a few more serious partners this could have matured alongside its older brother the TRRS plug, but it just wasn't to be. [...] One of the biggest issues that companies need to navigate pertains to source and peripheral device compatibility. USB Type-C headphone cables can either be active or passive -- or manifest as a dongle adapter. This inconsistency, paired with the fact that Audio Accessory Mode has yet to be universally supported, results in a barrage of compatibility issues. Hence why many users are unable to operate playback controls or use a headset's integrated microphone.

dryriver writes: A recent Guardian article about the need for actors and celebrities -- male and female -- to look their best in a high-definition media world ended on the note that several low-profile Los Angeles VFX outfits specialize in "beautifying actors" in movies, TV shows and video ads. They reportedly use a software named "Beauty Box," resulting in films and other motion content that are -- for lack of a better term -- "motion Photoshopped." After some investigating, it turns out that "Beauty Box" is a sophisticated CUDA and OpenGL accelerated skin-smoothing plugin for many popular video production software that not only smooths even terribly rough or wrinkly looking skin effectively, but also suppresses skin spots, blemishes, scars, acne or freckles in realtime, or near realtime, using the video processing capabilities of modern GPUs.

The product's short demo reel is here with a few examples. Everybody knows about photoshopped celebrities in an Instagram world, and in the print magazine world that came long before it, but far fewer people seem to realize that the near-perfect actor, celebrity, or model skin you see in high-budget productions is often the result of "digital makeup" -- if you were to stand next to the person being filmed in real life, you'd see far more ordinary or aged skin from the near-perfection that is visible on the big screen or little screen. The fact that the algorithms are realtime capable also means that they may already be being used for live television broadcasts without anyone noticing, particularly in HD and 4K resolution broadcasts. The question, as was the case with photoshopped magazine fashion models 25 years ago, is whether the technology creates an unrealistic expectation of having to have "perfectly smooth looking" skin to look attractive, particularly in people who are past their teenage years.

"How does the actual, purchaseable consumer technology available in 2019 compare to what you -- back in the 1960s, '70s, '80s or '90s -- thought consumer technology might look like around the year 2020?" asks Slashdot reader dryriver. Is today's consumer technology as advanced, inventive, groundbreaking and empowering as you imagined it would be 30, 40, 50 years ago? Or is the "technological future that has now actually arrived" different, in various ways, from how you'd hoped/imagined it might be a few decades back?

If so, what was different in your "future technologies imagination" than what is available to buy today?
Each generation received different dreams from the pop culture of their time. Back in 1969 an 18-year-old Kurt Russell starred in a Disney movie with a malfunctioning mainframe. By 1984 one TV series showed David Hasselhoff with his own talking self-driving car. But how close did your own personal predictions come, asks the original submission.

"Do today's technological gadgets manage to live up to how you imagined tech around the year 2020 would be, or do they fall short of what you hoped/imagined might exist by today?

Lucas Matney writes via TechCrunch: Improbable is taking a daring step after announcing earlier today that Unity had revoked its license to operate on the popular game development engine. The U.K.-based cloud gaming startup has inked a late-night press release with Unity rival Epic Games, which operates the Unreal Engine and is the creator of Fortnite, establishing a $25 million fund designed to help game developers move to "more open engines." This is pretty bold on Improbable's part and seems to suggest that Unity didn't give them a call after Improbable published a blog post that signed off with, "You [Unity] are an incredibly important company and one bad day doesn't take away from all you've given us. Let's fix this for our community, you know our number."

Unity, for its part, claims that they gave Improbable ample notice that they were in violation of their Terms of Service and that the two had been deep in a "partnership" agreement that obviously fell short. The termination of Improbable's Unity license essentially cut them off from a huge portion of indie developers who build their stuff on Unity. Epic Games CEO Tim Sweeney was quick to jump on the news earlier today, rebuking Unity's actions. "Epic Games' partnership with Improbable, and the integration of Improbable's cloud-based development platform SpatialOS, is based on shared values, and a shared belief in how companies should work together to support mutual customers in a straightforward, no-surprises way," the blog post reads.

Google has discontinued the Chromecast Audio dongle that allowed you to stream music via Wi-Fi to any dumb speaker with a 3.5mm headphone jack. If you're saddened by the news and would like to pick one up before they're completely gone, Google is now selling its remaining inventory for $15 instead of $35. TechCrunch reports: "Our product portfolio continues to evolve, and now we have a variety of products for users to enjoy audio," Google told us in a statement. "We have therefore stopped manufacturing our Chromecast Audio products. We will continue to offer assistance for Chromecast Audio devices, so users can continue to enjoy their music, podcasts and more."

Google is clearly more interested in getting people to buy its Google Home products and Assistant- or Cast-enabled speakers from its partners. It's also worth noting that all Google Home devices can connect to Bluetooth enabled speakers, though plenty of people surely have a nice speaker setup at home that doesn't have built-in Bluetooth support. "Bluetooth adapters suck," Google told us at the time, though at this point, it seems a Bluetooth adapter may just be the way to go.

An anonymous reader quotes a report from Polygon: Netflix's first interactive movie, Black Mirror: Bandersnatch makes no bones about its Choose Your Own Adventure inspiration, and that's reportedly caught the eye of the series' original publisher. Chooseco, a publishing company specializing in children's books, is suing Netflix for infringing on the company's "Choose Your Own Adventure" trademark. According to the official complaint, Netflix has been in negotiations with Chooseco over a license for the series since 2016, but Chooseco says Netflix never actually gained permission to use it. After the release of Black Mirror: Bandersnatch late last month, Chooseco has filed a complaint against Netflix for $25 million in damages, as the company says that Netflix's new movie benefits from association with the Choose Your Own Adventure series, without the company ever receiving the trademark. Chooseco says it sent a cease-and-desist request to Netflix at least once over the Choose Your Own Adventure trademark in the past. Netflix has declined to comment on the complaint.

An anonymous reader quotes a report from The Verge: IMDb is known as the place to go to look up details for any film under the sun, and now it's entering the streaming video arena. The company has launched Freedive, a free streaming platform that's supported by periodic ad breaks. The service's films and TV shows are available to registered IMDb or Amazon users and Amazon Fire TV owners. (The list of compatible devices is the same as the list for Prime Video.) Fire owners can navigate the service by way of a new icon in the "Your Apps & Channels" section or by telling their Amazon smart device, "Alexa, go to Freedive." The site says it will continually add new offerings to the site. The site will also indicate on a film's page if it's available on Freedive.

In a wide-ranging interview, Nilay Patel of The Verge speaks with Bill Baxter, chief technology officer of Vizio, about what the company thinks of some TV vendors adding support for Apple's AirPlay 2, and other things. A remarkable exchange on the business of data collection and selling: Nilay Patel: I guess I have a philosophical question. You guys are committed to low price points and you often beat the industry at those price points. Can you hit those price points without the additional data collection that TV does if you don't have an ad business or a data business on top of the TV?
Bill Baxter: So that's a great question. Actually, we should have a beer and have a long, long chat about that. So look, it's not just about data collection. It's about post-purchase monetization of the TV. This is a cutthroat industry. It's a 6-percent margin industry, right? I mean, you know it's pretty ruthless. You could say it's self-inflicted, or you could say there's a greater strategy going on here, and there is. The greater strategy is I really don't need to make money off of the TV. I need to cover my cost.

And then I need to make money off those TVs. They live in households for 6.9 years -- the average lifetime of a Vizio TV is 6.9 years. You would probably be amazed at the number of people come up to me saying, "I love Vizio TVs, I have one" and it's 11 years old. I'm like, "Dude, that's not even full HD, that's 720p." But they do last a long time and our strategy -- you've seen this with all of our software upgrades including AirPlay 2 and HomeKit -- is that we want to make things backward compatible to those TVs. So we're continuing to invest in those older TVs to bring them up to feature level comparison with the new TVs when there's no hardware limitation that would otherwise prevent that.

And the reason why we do that is there are ways to monetize that TV and data is one, but not only the only one. It's sort of like a business of singles and doubles, it's not home runs, right? You make a little money here, a little money there. You sell some movies, you sell some TV shows, you sell some ads, you know. It's not really that different than The Verge website.

Patel: One sort of Verge-nerd meme that I hear in our comments or on Twitter is "I just want a dumb TV. I just want a panel with no smarts and I'll figure it out on my own." But it sounds like that lifetime monetization problem would prevent you from just making a dumb panel that you can sell to somebody.
Baxter: Well, it wouldn't prevent us, to be honest with you. What it would do is, we'd collect a little bit more margin at retail to offset it. Again, it may be an aspirational goal to not have high margins on our TV business because I can make it up downstream. On the other hand, I'm actually aggregating that monetization across a large number of users, some of which opt out. It's a blended revenue model where, in the end, Vizio succeeds, but you know, it's not wholly dependent on things like data collection.

Apple CEO Tim Cook told CNBC's Mad Money host Jim Cramer that the company will announce new "services" this year, suggesting that Apple might be planning to launch its long-awaited TV service in the first half of 2019. "While Cook didn't say what kind of services -- Cramer was asking whether Apple had any tricks up its services sleeve, including healthcare or mobile payments -- it's the long-awaited TV service that has recently seen all the pieces fall into place," notes The Verge. From the report: Here at CES 2019, there's been a series of surprise announcements from TV manufacturers that are suddenly supporting Apple's AirPlay 2 and HomeKit features to allow you to cast content directly from your iPhone, iPad and Mac -- including TVs running rival operating systems from Google and Samsung. New TVs from rival Samsung will actually support iTunes, too, letting you access your movies and TV shows there as well. It wouldn't be a stretch to think Apple might be priming the pump with those hardware manufacturers for the upcoming TV service, too.

Then, there's content: We reported last June how Apple has been spending over $1 billion on original TV content with no obvious place for users to watch it. Another report suggested that some of those original shows were slated to debut as soon as this March. And another still claimed that those shows might be free for people who own Apple devices. But even if the TV service is one of the "services" Cook mentioned, it's not clear what other services Apple might be talking about.

One of the 2019 TV models LG outlined at its CES press conference today was the LG Signature OLED TV R (65R9), which has a display that can roll up and disappear into its base when you're not using it. "LG calls the TV 'a revolutionary innovation that helps address the very human need for an aesthetically pleasing environment' and says it is 'redefining space' to offer unprecedented levels of 'immersion' and 'a new level of space integration,'" reports Ars Technica. From the report: LG says to expect picture quality on par with its just-announced 2019 4K OLED lineup. That means 120Hz and AI image processing using LG's new Alpha 9 Gen 2 CPU. The TV's base -- the same one it rolls into -- houses a 4.2-channel, 100-watt soundbar with Dolby Atmos support. Additionally, the TV doesn't have to scroll all the way in. As seen in one of the images at the start of this article, it can fold down to what LG calls "Line View." This has five modes: music, clock, frame, mood, and home dashboard. Music offers an interface for playing music from the base. Clock shows the time, date, and weather. Frame displays a scrolling line of photos streamed from your smartphone, which is the mode in the photo above. The mood mode is for aesthetics, and home dashboard will allow access to some of LG's usual TV software features. No price has been announced yet, but TechCrunch reports that it could cost more than the 8K TV LG announced last week, which will compete directly with Samsung's $15,000 8K offering. LG says the Signature OLED TV R will be available for purchase in the second half of the year.

AT&T's DirecTV, Dish, and Comcast are all planning to raise their rates again in the new year, "a move that could boost revenue but risks alienating subscribers who have been ditching their traditional TV subscriptions in record numbers," reports Dallas News. From the report: Cable and satellite providers are hoping to squeeze more money from consumers who remain loyal to their packages with hundreds of channels, Philip Cusick, a JPMorgan Chase & Co. analyst, said in a note this week, even though "this strategy could accelerate video sub declines." The latest price increases come as cord-cutting accelerates. In the third quarter, the TV industry saw its largest ever rate of decline, with subscribers shrinking by 3.7 percent, according to MoffettNathanson LLC. Consumers are dropping traditional TV for lower-cost online options like Netflix Inc. and slimmer TV options from Hulu and YouTube.

DirecTV is raising rates on all English-language video packages by $3 to $8 a month while hiking fees for regional sports networks by $1 to $1.90 in most markets. Dish said it's increasing prices for English-language video packages by $3 to $5 a month. Altice USA, the fourth-largest cable operator, recently raised rates by 3 percent on Optimum subscribers. Comcast, the largest U.S. cable company, is raising its fee for regional sports networks by $1.50 on average and its fee for broadcast channels by $2 a month, according to Cusick. Charter Communications Inc., the second-largest U.S. cable provider, recently boosted its monthly fee for a set-top box by about 50 cents and its broadcast channel fee by about $1. Charter operates as Spectrum in Dallas-Fort Worth.

Several reports indict that at least some of Sony's recent Android TVs are actively blocking Kodi, the open-source, cross-platform streaming and media player that allows you to access and play local, network, and remote content. Android Police reports: The official Kodi project Twitter account pointed out Sony's deficiency a couple of days ago, but reports on the Kodi forums of issues installing and running the app from the Play Store go even further back to last year. A handful of affected enthusiasts believe they have discovered the cause of the problem: Sony seems to be blocking the package ID for the app from being installed/run. Supporting this theory is the fact that recompiling the app from scratch with a different ID allows it to work.

Albums sold on vinyl and cassette both saw a growth in sales according to BuzzAngle Music's End-Year Report profiling U.S. music industry consumption for 2018. From a report: Vinyl sales grew by just shy of 12% from 8.6 to 9.7 million sales, while cassette sales grew by almost 19% from 99,400 to 118,200 copies sold in the US, The Verge reported. Sixty-six percent of those vinyl sales were of albums that are more than three years old and feature classic bands like The Beatles, Fleetwood Mac, and Pink Floyd, reported BuzzAngle. Cassettes saw popularity in newer releases. CDs on the other hand have declined by 18.5% in popularity leading to a total decline in physical album sales of over 15%, reported The Verge. Meanwhile, audio streaming saw an increase of 41.8%, the largest of all music consumption.

If the late 2018 deal that brought Apple Music to Amazon Echo speakers wasn't surprising enough, Samsung today announced a similar partnership with Apple for 2018 and 2019 Samsung Smart TVs: support for iTunes movies, iTunes TV shows, and AirPlay 2 will be coming in spring 2019. From a report: The deal is all but unprecedented for Apple, which has historically restricted playback of iTunes videos solely to its own devices, including Apple TVs, iPods, iPhones, iPads, and Macs, with no support for competing media players such as Roku, or various smart TV platforms. That said, PCs running iTunes have been able to play iTunes videos, and the company has allowed third-parties to license both AirPlay and AirPlay 2 for years. According to Samsung, a firmware update to 2018 Smart TVs will add a new iTunes Movies and TV Shows app in more than 100 countries. AirPlay 2 will become available on Samsung Smart TVs in 190 countries around the world. There are lots of unanswered questions about this iTunes deal. The Verge: Is Apple going to allow Samsung's smart TV tracking to snoop on iTunes viewers? Smart TVs are notorious for tracking what people watch, but Apple's entire brand is privacy. What usage data will Samsung see from the iTunes app?

Samsung smart TVs run Tizen, Samsung's wacky custom operating system. Is Apple building a Tizen iTunes app? Is there a Tizen team inside Apple? Or is Samsung building this app? Who will be in charge of updating it and fixing bugs? Smart TV apps are not known for being updated well or very often.

Last year LG Display unveiled a rollable OLED TV prototype, which is reportedly becoming a real retail product in 2019. This year they're at it again with a giant 8K OLED set that doubles as a speaker and a weird flower sculpture made entirely of the flexible OLED panels. From a report: As TV's get thinner, it's getting harder and harder to produce audio that isn't thin. Enter LG Display's 88-inch Crystal Sound OLED set. It has a 3..2.2 sound system embedded directly into the display. The sounds emanate from the panel itself. And, thanks to Dolby Atmos support, LG Display says that viewers will be able to hear dynamic sound come from their top, bottom, left and right. Sony introduced similar technology on its A8F OLED TV, but that was a 4K set.

Growing smartphone and internet penetration across many African countries saw global streaming companies make a deeper play for audiences here this year. From a report: Netflix signaled its interest in Africa by hiring a content producer for the region and took on the MultiChoice, the continental satellite TV giant owned by Naspers, Africa's most valuable company. The Los Gatos, California company spooked MultiChoice with everything from trolling online ads to billboards placed conspicuously close to their Johannesburg headquarters. MultiChoice has clearly taken notice and has called for Netflix to be regulated. No African regulator has shown the appetite to rein Netflix in, though. Indeed, Netflix has bolstered its library of African content with a first original movie from Nigeria's Nollywood movie industry and committed to producing its first original African series.

[...] Altogether, there's clearly a growing market as content consumption habits evolve among Africa's youth -- a majority of the continent's population. For example, Nigerians are already consuming more video on mobile devices than on television. Platforms like Tv2Go, which launched in South Africa in November, are experimenting with free mobile platforms, but may find that increasingly discerning streaming audiences need binge-worthy content to attract them.

An anonymous reader quotes a report from The Daily Beast: Untold riches are promised on Mystery Brand, a website that sells prize-filled "mystery boxes." If you buy one of the digital boxes, some of which cost hundreds of dollars, you might only get a fidget spinner -- or you might get a luxury sports car. For just $100, users can win a box filled with rare Supreme streetwear. For only $12.99, they can win a Lamborghini, or even a $250 million mega-mansion billed as "the most expensive Los Angeles realty." Or at least that's what some top YouTubers have been telling their young fans about the gambling site -- with the video stars apparently seeing that as a gamble worth taking, especially after a dip in YouTube advertising rates.

Over the past week, hugely popular YouTube stars like Jake Paul and Bryan "Ricegum" Le have encouraged their fans to spend money on Mystery Brand, a previously little-known site that appears to be based in Poland. In their videos, Paul and Le show themselves betting hundreds of dollars on the site for a chance to open a digital "box." At first, they win only low-value prizes like fidget spinners or Converse sneakers. By the end of the video, though, they have won thousands of dollars worth of tech and clothing, like rare pairs of sneakers or Apple AirPods. If they like the prize, the YouTube stars have it shipped to their house. The gambling site doesn't list the owner or location where it's based, although the site's terms of service say it's "subject to the laws and jurisdiction of Poland." To make matters worse, users of the site might not even receive the items they believed they have won. "During using the services of the website You may encounter circumstances in which Your won items will not be received," the terms of service reads.

Also, while the ToS say that underage users are ineligible to receive prizes, many of the YouTubers promoting the site have audiences who are underage. "[Jake Paul], for example, has acknowledged that the bulk of his fanbase is between 8 and 15 years old," reports The Daily Beast.

Early last year, Netflix allowed some iOS users in more than two dozen markets to bypass the iTunes payment method as part of an experiment. The streaming company is now incorporating the change globally, curbing a $256 million revenue stream for Apple. "According to new data compiled by Sensor Tower, Netflix grossed $853 million in 2018 on the iOS App Store," reports TechCrunch. "Based on that figure, Apple's take would have been around $256 million, the firm said." The new policy change allows Netflix to avoid paying the 15% levy that Apple charges on in-app subscriptions. From a report: "We no longer support iTunes as a method of payment for new members," a Netflix spokesperson told VentureBeat. Existing members, however, can continue to use iTunes as a method of payment, the spokesperson added.

The company did not share exactly when it rolled out the change globally, but a support representative VentureBeat spoke with pegged the timeframe as late last month. Additionally, the support rep added that customers who are rejoining Netflix using an iOS device, after having canceled payment for at least one month, also won't be able to use iTunes billing. The move, which will allow Netflix to keep all proceeds from its new paying iPhone and iPad customers, underscores the tension between developers and the marquee distributors of mobile apps -- Apple and Google.

New report from Midia Research firm looks at music fans' behavior in the third quarter of 2018. From the report: YouTube is the dominant music streaming platform, with 55% of consumers regularly watching music videos on YouTube, compared to a combined 37% for all free audio streaming services. YouTube usage skews young, peaking at nearly three quarters of consumers under 25. Although YouTube leads audio streaming in all markets -- even Spotify's native Sweden -- there are some strong regional variations. For example, emerging streaming markets Brazil and Mexico see much higher YouTube penetration, peaking at close to double the level of even traditional music radio in Mexico.

Indeed, radio is feeling the YouTube pinch as much as audio streaming. 68% of those under 45 watch YouTube music videos compared to 41% that listen to music radio. The difference increases with younger audiences and the more emerging the market. For example, in Mexico YouTube music penetration is 84% for 20-24 year olds, compared to 37% for music radio. Streaming may be the future of radio, but right now that streaming future is YouTube.

In 2018, Best Buy decided to stop selling CDs, with the change partly brought on by record labels' increasing reluctance to even issue them. Both choices are symptoms as well as causes of a seemingly inevitable trend: Buying music is now going out of style nearly as fast as streaming music is rising. From a report: In 2018, album sales fell 18.2 percent from the previous year and song sales fell 28.8 percent, according to U.S. year-end report figures from data company BuzzAngle, which tracks music consumption. Meanwhile, total on-demand music streams, including both audio and video, shot up 35.4 percent. Audio on-demand streams set a new record high in 2018 of 534.6 billion streams, which is up 42 percent from 2017's 376.9 billion streams.

It's tricky to compare the specific unit numbers of sales to streams --since such a comparison would be pitting continuous playback of a certain piece of music against a one-time purchase of it -- but certain other milestones in the consumption market can help highlight just how much streaming is replacing physical sales and downloads in America. For instance: Even though total song downloads are still in the hundreds of millions, they're coming down in scale at the top. In 2018, there was not a single song that broke 1 million sales -- compared to 14 songs that reached that figure in 2017, 36 in 2016 and 60 in 2015. At the 2 million sales mark, two songs took that trophy in 2017, while five claimed it in 2016 and 16 songs made it in 2015, throwing the modest figures of this year's sales into even sharper relief.