Nintendo's Reggie Fils-Aime warned that the NES Classic and SNES Classic will sell in the Americas through the holidays, but will be "gone" once they sell out. Engadget reports: If you want to walk down memory lane after that, you'll have to take advantage of the games that come with Switch Online. You might also want to tamp down your hopes for a Nintendo 64 Classic. Fils-Aime added that the existing systems are the "extent of our classic program." That wouldn't be completely surprising given that the N64 was considerably more complex than its predecessor. The executive likewise ruled out additional games for the mini NES and SNES models.

DarkRookie2 shares a report from Ars Technica: Discord has announced that it will start taking a reduced, 10-percent cut from game revenues generated on its online store starting next year, one-upping the Epic Games Store and its recently announced 12-percent cut on the Epic Games Store. The move comes alongside a coming expansion of the Discord Games Store, which launched earlier this year with a tightly curated selection of games that now includes roughly 100 titles. The coming "self-serve publishing platform" will allow developers "no matter what size, from AAA to single-person teams" to access the Discord Store and the new 90-percent revenue share. "We talked to a lot of developers, and many of them feel that current stores are not earning their 30% of the usual 70/30 revenue share," Discord writes in the announcement. "Because of this, we now see developers creating their own stores and launchers to distribute their games instead of focusing on what's really important --making great games and cultivating amazing communities."

"Turns out, it does not cost 30% to distribute games in 2018," the announcement continues. "After doing some research, we discovered that we can build amazing developer tools, run them, and give developers the majority of the revenue share."

Some YouTube channels are publishing full-length episodes of TV shows, rights of which they obviously do not own, and on top of this, they are trying to crowdfund their piracy efforts by asking viewers to donate some cash. From a report: YouTube creators asking for money is nothing new, be it through the site's built-in membership features or third-party services such as Patreon. But trying to profit off someone else's intellectual property isn't the same as asking for support on an original video they've created. The person who runs the Kitchen Nightmares Hotel Hell and Hell's Kitchen channel did not respond to multiple requests for comment from Engadget, but their Patreon page (named YoIUploadShows) isn't coy.

"Hey! It's not as easy as you might think to make my content, I have to look for the best quality episodes I can find, download them, convert them, edit them, render them and upload them," YoIUploadShows' Patreon page reads. "This can sometimes take at least a few hours. Especially because the downloads are usually slow and the rendering itself can take a couple hours, because I started making all my uploads in HD instead of 480p to give them a little extra clarity." It's not easy, folks, so for that he or she "would really appreciate the extra support if you have any money to spare :)"

Imax is making its exit from virtual reality (VR) official: The company notified shareholders with a SEC filing this week that it will close down its remaining three VR centers, and write off "certain VR content investments." From a report: A company spokesperson confirmed the planned closures and shared the following statement with Variety: "With the launch of the IMAX VR centre pilot program our intention was to test a variety of different concepts and locations to determine which approaches work well. After a trial period with VR centres in multiplexes, we have decided to conclude the IMAX VR centre pilot program and close the remaining three locations in Q1 2019."

The company previously closed four of its seven VR centers, including most recently its sole European outpost in Manchester. Imax launched Imax VR in early 2017 with a flagship location adjacent to the Grove mall in Los Angeles. At the time, the expansion into VR was billed as an experiment, and a way for Imax to determine whether VR could be the next big thing for the company. [...] Imax also set up a $50 million VR content fund, and got CAA, China Media Capital, and the Raine Group to co-produce VR experiences. Further reading: The virtual reality dream is dying.

A "hi-tech robot" shown on Russian state television turns out to be a man in a suit. While airing footage of a technology forum aimed at kids, a Russian state TV reporter proclaimed that Boris the robot "has already learned to dance and he's not that bad." Gizmodo reports: This "robot" actually retails for 250,000 rubles (about $3,770), as first reported by the Guardian, and is made by a company called Show Robots. "Boris" features glowing eyes, and plastic parts -- and shockingly human-like movements. Probably because he needs a human inside to operate properly. This faux-robot (fauxbot?) mystery was actually first unraveled when some eagled-eyed Russian viewers on the internet noticed that a suspiciously human-like neck was showing in the video. The report notes that "there's no indication" that there was intent to deceive anyone. Instead, it "appears to be a case of a TV presenter getting confused with what he believed to be 'modern robots.'" You can watch the broadcast on Russia-24's YouTube channel.

dryriver writes: As anyone who buys professional computer monitors knows, the dynamic range of the display device you are looking at can be expressed quite usefully in terms of percentage sRGB coverage and percentage AdobeRGB coverage. The higher the percentage for each, the better and wider the dynamic range of the screen panel you are getting. People who work with professional video and photographs typically aim for a display that has 100 percent sRGB coverage and at least 70 to 80 percent AdobeRGB coverage. Laptop review site Notebookcheck for example uses professional optical testing equipment to check whether the advertised sRGB and AdobeRGB percentages and brightness in nits for any laptop display panel hold up in real life.

This being the case, why do quote-unquote "High Dynamic Range" capable TVs -- which seem to be mostly 10 bits per channel to begin with -- not have an sRGB or AdobeRGB rating quoted anywhere in their technical specs? Why don't professional TV reviewers use optical testing equipment that's readily available to measure the real world dynamic range of HDR or non-HDR TVs objectively, in hard numbers? Why do they simply say "the blacks on this TV were deep and pleasing, and the lighter tones were..." when this can be expressed better and more objectively in measured numbers or percentages? Do they think consumers are too unsophisticated to understand a simple number like "this OLED TV achieves a fairly average 66 percent AdobeRGB coverage?"

An anonymous reader quotes a report from the BBC: A panel of censors set up to vet mobile video games in China has signaled it will be hard to please. State media reports that of the first 20 titles it assessed, nine were refused permission to go on sale. The Xinhua news agency added that developers of the other 11 had been told they had to make adjustments to remove "controversial content." The authorities have voiced concerns about the violent nature of some titles as well as worries about the activity being addictive.

It was announced in August that a new body -- the State Administration of Press and Publications -- had taken over responsibility for approving games and that it would limit the number of online titles available. And although it has not been specified, some experts are assuming that the new panel will operate under its auspices. Xinhua said it is comprised of gaming experts, government-employed researchers, and representatives from the media and video games industry. But it provided no other information about who they were or the titles they had already examined. UPDATE: The list of games being examined by the ethics panel has been revealed by users on NGA, a Chinese gaming forum. A number of games, such as League of Legends, Overwatch, Diablo, and World of Warcraft, will need "corrective action," while others will be "banned/withdrawn" entirely. Some of the most popular prohibited titles include Fortnite and PlayerUnknown's Battlegrounds (PUBG).

Netflix CEO Reed Hastings loves to identify sleep as the biggest competition of its service. "Sometimes employees at Netflix think, 'Oh my god, we're competing with FX, HBO, or Amazon, but think about it. If you didn't watch Netflix last night: What did you do? There's such a broad range of things that you did to relax and unwind, hang out, and connect -- and we compete with all of that," he once said. "You get a show or a movie you're really dying to watch, and you end up staying up late at night, so we actually compete with sleep," he added. Turns out, Hastings does not need to look that far for competition.

From a report: Despite Netflix and Amazon investing billions of dollars in producing original content, they are struggling to make inroads in emerging markets. YouTube, on the other hand, is growing rapidly, becoming a daily habit for even new internet users. In India, for instance, YouTube reaches 245 million unique users each month, or 85 percent of all internet users in the country, the company told VentureBeat. About 60 percent of all YouTube traffic in India comes from outside of its six major cities. [Globally, YouTube has 1.9 billion monthly active users.]

As consumption on YouTube grows, creators are also finding loyal audiences. In India alone, YouTube now has more than 600 channels with more than 1 million subscribers, up from 20 channels in 2016. Record label T-Series, which is fighting with PewDiePie for the title of most-subscribed YouTube channel, took 10 years to get to its first 10 million subscribers. In the last two years, it has grown to 60 million subscribers. Globally, YouTube says the number of channels with more than 1 million subscribers has grown by 75 percent this year.

Globally, YouTube told VentureBeat that 75 percent of the platform's watch time occurs on a mobile device. The average watch time for a mobile user is 60 minutes per day. Or in other words, this is the time a user could have spent watching Netflix. According to eMarketer's estimates, an average user would spend about 86 minutes per day watching digital videos on streaming services this year.

With providers like Netflix, Hulu and Amazon, and more creative risks, network leaders are placing bets on how audience experience will evolve [Editor's note: the link may be paywalled]. From a report: "What might we see coming down the road?" says Beau Willimon, creator of The First, Hulu's sci-fi drama starring Sean Penn and Natascha McElhone. "Perhaps like [the characters] in my new show, we're all wearing augmented reality glasses, and we're experiencing television shows in a more intimate way -- a way that feels much more experiential than simply watching it on a rectangle."

[...] Television, as most people have known it for most of their lives, is no more. "At some point you'll get to a place where thinking about television from a linear standpoint will be like dial-up internet," says Hulu CEO Randy Freer. "It's a great time for content; not a great time for cable networks. I think what will happen is: Cable networks that have been able to create brands for themselves will have an opportunity to expand and figure out how they present to consumers."

Cable networks with a clear identity have a critical advantage in a subscription-based world, while networks with less-defined name recognition -- those that have been just another channel in the cable lineup -- will likely find it hard to entice the growing ranks of broadband-only consumers to buy an a la carte monthly subscription service. HBO is moving into the new era. "In the domestic market of the United States, where there is a surfeit of content more than ever, I personally think that brands matter more than ever," says HBO chairman and CEO Richard Plepler.

Marvel's last Avengers movie ended with a cliff-hanger -- leading hundreds of millions of fans to watch the trailer for the franchise's next film, Variety reports: The "Avengers: Endgame" trailer was viewed 289 million times in its first 24 hours, after it was released around 5 a.m. PT Friday, according to Marvel Studios. That blasted past the previous record of 230 million views, set a little over a year ago by the studio's "Avengers: Infinity War." Behind that was Disney's "The Lion King" teaser, which racked up 224.6 million views.... The trailer also set a record for Twitter conversation for a movie trailer in the first 24 hours -- with 549,000 mentions -- soaring past previous record holder "Avengers: Infinity War" (389,000) and "Black Panther" (349,000).
Mashable also reports on some clever tie-in marketing for another Marvel-related film: Typing "AvengersEndgame.com" into your address bar will take you to the official Fox Movies web portal for Once Upon a Deadpool, the family-friendly Deadpool 2 re-cut that uses the same "reading stories to a sick kid in bed" framing device as The Princess Bride (right down to Fred Savage!).

There's still some question as to whether or not this is an intentional marketing ploy, however. It's definitely something you could see coming out of the Deadpool playbook.

An anonymous reader shares a report: At 9:46 last night, Tom tweeted an 87-second video in which he and his go-to director Christopher McQuarrie explained the concept of video interpolation and why it is the death of all good things. Video interpolation, they explained, is a digital video effect used to improve the quality of high-definition sport. "The unfortunate effect is that it makes most movies look like they were shot on high-speed video rather than film," said Cruise. "This is sometimes referred to as the 'soap-opera effect'." They explained that most HD televisions come with video interpolation switched on by default, they explained how to switch it off, and then they both nodded with total sincerity.

Now, it's worth noting that Tom Cruise is by no means the first film-maker to rail against motion smoothing. Back when he was still the Guardians of the Galaxy director, James Gunn tweeted that he, Edgar Wright, Rian Johnson and Matt Reeves were also peeved about the default nature of video interpolation, to which Reed Morano replied that she started a petition to fix the issue a number of years ago, to little avail.

Why did it fail? Possibly because none of these people are Tom Cruise. Because Tom Cruise has made a career of total commitment. Take him to a premiere and he'll spend hours on the red carpet, shaking every single hand until everyone's happy. Put him in a movie with helicopters in it and he'll teach himself to fly a helicopter to the level of a veteran stunt coordinator. Break his ankle on the side of a building, and he'll stagger out of frame on his ruined legs rather than blow a shot.

An anonymous reader shares a report: Sitting in front of a Converus EyeDetect station, it's impossible not to think of Blade Runner. In the 1982 sci-fi classic, Harrison Ford's rumpled detective identifies artificial humans using a steam-punk Voight-Kampff device that watches their eyes while they answer surreal questions. EyeDetect's questions are less philosophical, and the penalty for failure is less fatal (Ford's character would whip out a gun and shoot). But the basic idea is the same: By capturing imperceptible changes in a participant's eyes -- measuring things like pupil dilation and reaction time -- the device aims to sort deceptive humanoids from genuine ones.

It claims to be, in short, a next-generation lie detector. Polygraph tests are a $2 billion industry in the US and, despite their inaccuracy, are widely used to screen candidates for government jobs. Released in 2014 by Converus, a Mark Cuban-funded startup, EyeDetect is pitched by its makers as a faster, cheaper, and more accurate alternative to the notoriously unreliable polygraph. By many measures, EyeDetect appears to be the future of lie detection -- and it's already being used by local and federal agencies to screen job applicants.

On December 1, 2013, Amazon announced its plans to deliver packages by drone in just "four or five years" on a 60 Minutes episode with then-host Charlie Rose. As The Associated Press reports, it's officially been five years and drone deliveries seem to be nowhere in sight. "Bezos made billions of dollars by transforming the retail sector," reports The Associated Press. "But overcoming the regulatory hurdles and safety issues posed by drones appears to be a challenge even for the world's wealthiest man." From the report: The day may not be far off when drones will carry medicine to people in rural or remote areas, but the marketing hype around instant delivery of consumer goods looks more and more like just that -- hype. Drones have a short battery life, and privacy concerns can be a hindrance, too. Amazon says it is still pushing ahead with plans to use drones for quick deliveries, though the company is staying away from fixed timelines. "We are committed to making our goal of delivering packages by drones in 30 minutes or less a reality," says Amazon spokeswoman Kristen Kish. The Seattle-based online retail giant says it has drone development centers in the United States, Austria, France, Israel and the United Kingdom.

An anonymous reader quotes a report from MacRumors: Streaming TV services offered by companies like Hulu and AT&T are testing the waters for a new type of advertising called "pause ads." The idea behind pause ads is that instead of facing forced commercial breaks at specified interludes, users would be more accepting of ads that play when they choose to pause a show for a bit while they do something else. Hulu says it plans to launch pause ads in 2019, but not much else was given in the way of details regarding which of its numerous streaming plans will include the new type of commercial. The plan likely to see pause ads is Hulu With Limited Commercials, which interjects a few ads throughout a show's runtime, similar to live TV, but again this hasn't been confirmed.

AT&T cited similar interest in pause ads, stating that it also plans to launch technology in 2019 that plays a video when a user pauses a TV show. For both companies, it's unclear exactly how long these ads will run for, and if you'll be able to immediately cancel them out by simply hitting the play button and resuming your TV show. According to Hulu vice president and head of advertising platforms Jeremy Helfand, pause ads will not be home to longform advertisements, but will instead focus on commercials where advertisers "have seconds" to deliver a message effectively. Over the next three years, Hulu expects "more than half" of its advertising revenue to come from these so-called non-disruptive experiences.

Nvidia is using artificial intelligence to draw new worlds without using traditional modeling techniques or graphics rendering engines. "This new technology uses an AI deep neural network to analyze existing videos and then apply the visual elements to new 3D environments," reports Tom's Hardware. From the report: Nvidia claims this new technology could provide a revolutionary step forward in creating 3D worlds because the AI models are trained from video to automatically render buildings, trees, vehicles, and objects into new 3D worlds, instead of requiring the normal painstaking process of modeling the scene elements. But the project is still a work in progress. As we can see from [this image], which was generated in real time on a Nvidia Titan V graphics card using its Tensor cores, the rendered scene isn't as crisp as we would expect in real life, and it isn't as clear as we would expect with a normal modeled scene in a 3D environment. However, the result is much more impressive when we see the real-time output in [this YouTube video]. The key here is speed: The AI generates these scenes in real time.

An anonymous reader quotes a report from Gizmodo: The telecom giant has announced the end of its prorated credits for some subscribers who cancel a service in the middle of a billing period. AT&T bills service for DirecTV, U-verse TV, AT&T Phone, AT&T Internet, and Fixed Wireless Internet in advance. It previously offered the option to receive a credit for any unused days in a month when a subscriber canceled before the next billing period, but it will now force many customers to ride out the month with nothing in return. The change goes into effect on January 14, 2019, in most states, so if you're considering a change, it's time to plan ahead. If you're even one day into your billing month, you'll presumably have to pay for the full period, according to the company's new policy. You get to keep the service you don't want for that period of time, but, of course, you're canceling because you don't want it. The change will not apply to customers in California, Illinois, New York and, in some instances, Michigan.

An anonymous reader shares a report: "We've launched our last satellite," John Donovan, CEO of AT&T Communications, said in a meeting with analysts on Nov. 29. The AT&T executive effectively declared the end of the satellite-TV era with that statement. AT&T owns DirecTV, the US's largest satellite company -- and second largest TV provider overall, behind Comcast. DirecTV will continue offering satellite-TV service -- it had nearly 20 million satellite video subscribers as of September, per company filings. But the company will focus on growing its online video business instead, Donovan said.

It has a new set-top box, where people can get the same TV service they'd get with satellite, through an internet-connected box they can install themselves. It expects that box to become a greater share of its new premium-TV service installations in the first half of 2019. It also sells cheaper, TV packages with fewer channels through its DirecTV Now and WatchTV streaming services, which work with many smart TVs and streaming media players like Roku and Amazon Fire TV devices. The practice of getting TV through satellite dishes propped up in backyards and perched on rooftops first took hold in the US in the last 1970s and early 1980s, after TV networks like HBO and Turner Broadcasting System started sending TV signals to cable providers via satellites. People in areas without cable or broadcast TV began putting up their own dishes to receive the TV signals, and that grew into a TV business of its own.

Would you pay $200,000 for a ride into space? I ask beause billionaire Richard Branson "really, really wants you to believe he's going to send people to space -- and soon," reports Gizmodo. "In a new interview with CNN, the Virgin Group founder now says he's "reasonably confident" his spaceflight company can beat out competitors like Blue Origin and SpaceX with crewed trips to space before Christmas."

An anonymous reader quotes CNN: "We have a brilliant group of astronauts who literally believe 100% in the project, and give it their everything," he said. The first few trips to space will be flown by test pilots without anyone else on board. Branson says he will be the first passenger. Eventually, paying tourists will also make the trip....

The design and flight control systems of SpaceShipTwo were overhauled following a 2014 test flight crash that killed a co-pilot. Branson has said the accident made him question whether to continue pursuing his riskiest business venture. But the company said it received an outpouring of support, including from customers who had reserved $200,000 to $250,000 tickets to one day ride in SpaceShipTwo. Hundreds of people are still lined up for a shot. The flight will offer tourists a few minutes of weightlessness and views of Earth's curved horizon....

Branson is known to set deadlines that aren't met. Virgin Galactic has been developing SpaceShipTwo since 2004, and Branson initially said commercial rides would begin in 2007. Eleven years later, the firm is still working on getting its 600 customers into space. "Space is difficult. Rocket science is rocket science," Branson said. "I obviously would love to prove our critics wrong, and I'm reasonably confident that before Christmas, we will do so."
"We'll see," writes Gizmodo.

An anonymous reader writes: Saturday the Perl Advent Calendar entered its 19th year by describing how the Wise Old Elf used a Calendar::List module from CPAN to update his Elven Perl Monger website with all the dates for 2019. ("It is a well known fact that all of Santa's Elves are enthusiastic Perl Developers in their free time, contributing regularly to many of the amazing Perl projects we've come to know and love...")

But meanwhile, the Perl 6 Advent Calendar was describing how Santa gets data into the North Pole's CRM by defining a grammar unit which can be parsed using a built-in method (to trim out children's signatures) -- only to be chastised by his IT elf for failing to document his solution using Perl 6's built in markup language.

And 24Ways.org is also presenting its 14th annual "advent calendar for web geeks," a nicely-formatted offering that promises "a daily dose of web design and development goodness to bring you all a little Christmas cheer."

Meanwhile, the Go language site Gopher Academy launched their 6th annual advent calendar, describing how to split data with content-defined chunking.

Jose Valim, creator of the Elixir programming language, has also announced the fourth annual "Advent of Code," an event created by Eric Wastl that features an ongoing story that presents "a series of small programming puzzles for a variety of skill sets and skill levels in any programming language you like." (The folks behind the Nim programming language are even organizing their own leaderboard at Nim-lang.org.)

And even QEMU, a free and open-source emulator performing hardware virtualization, is getting into the act with a QEMU advent calendar offering "an amazing QEMU disk image" each day through December 24th.
Feel free to leave a comment with your own reactions -- or with the URL for your own favorite online geek advent calendars...

AmiMoJo writes: Japanese broadcaster NHK is launching the world's first 8K TV channel with a special edition of 2001: A Space Odyssey. NHK asked Warner Bros. to scan the original negatives at 8K specially for the channel.

8K offers 16 times the resolution of standard HD, 120 frames per second progressive scan, and 24 channels of sound. NHK is hoping to broadcast the 2020 Tokyo Olympics on the channel.
17 other channels also began broadcasting 4K programming today, according to Japan Times, even though, as Engadget points out, "almost no one has an 8K display, and most of the people who do need a special receiver and antenna just to pick up the signal... Also, HDMI 2.1 hasn't been implemented in any of these displays yet, so just getting the signal from box to TV requires plugging in four HDMI cables."

NHK's channel will broadcast for 12 hours a day, reports the BBC, adding that Samsung already sells an 8K TV for $15,000, and that LG has announced one too, while Engadget reports that Sharp sells one for $6,600.