An anonymous reader shares a report: Apple could kill off iTunes in the near future, a new report suggests. It cites an email that Apple reportedly wrote to people in the music industry recently, announcing the "end of iTunes LPs." The iTunes LP format was first introduced in 2009 and let publishers add interactive artwork, along with assorted iTunes Extras, with their content. The LP format never achieved great popularity. However, the fact that Apple plans to ditch iTunes LPs in 2018 potentially hints at the possibility that Apple may stop selling iTunes music downloads in the near future. The Apple email announcing the change was reportedly sent two weeks ago from an address at "The iTunes Store" and signed by "The Apple Music Team." But its existence has only been highlighted now through a report by the U.K. newspaper The Metro. "Apple will no longer accept new submissions of iTunes LPs after March 2018," the letter notes. "Existing LPs will be deprecated from the store during the remainder of 2018. Customers who have previously purchased an album containing an iTunes LP will still be able to download the additional content using iTunes Match." The news about the possible winding down of iTunes would come as no surprise to many users. Not only has iTunes been outdated for years in terms of its interface and functionality, but Apple clearly aims to move to a streaming model of music selling. Further reading: 'Apple Stole My Music. No, Seriously'; Apple Says It Doesn't Know Why iTunes Users Are Losing Their Music Files; iTunes Turns 13 Today -- Continues To Be 'Awful'.

Uber booked more than half of the seats available for the London premiere of "Brilliant Jerks," a satirical play inspired by the car-ride startup's numerous scandals, and featuring a character similar to former CEO Travis Kalanick. From a report: The company purchased 50 of 90 available seats for the show's opening night at London's Vault theater, as originally reported by the Financial Times. The Financial Times reports that the play was inspired in part by the now-infamous blog post by Susan J. Fowler on Uber's toxic and sexist work culture, setting off a chain of events that ultimately led Kalanick to resign as chief executive of the company he cofounded. According to the Vault's website, "Brilliant Jerks tells the story of three people -- a driver, a coder, and a CEO -- working for one tech monolith, but living worlds apart."

MoviePass CEO Mitch Lowe told an audience at a Hollywood event last Friday that the app tracks moviegoers' locations before and after each show they watch. "We get an enormous amount of information," Lowe said. "We watch how you drive from home to the movies. We watch where you go afterwards." His talk at the Entertainment Finance Forum was entitled "Data is the New Oil: How will MoviePass Monetize It?" TechCrunch reports: It's no secret that MoviePass is planning on making hay out of the data collected through its service. But what I imagined, and what I think most people imagined, was that it would be interesting next-generation data about ticket sales, movie browsing, A/B testing on promotions in the app and so on. I didn't imagine that the app would be tracking your location before you even left your home, and then follow you while you drive back or head out for a drink afterwards. Did you? It sure isn't in the company's privacy policy, which in relation to location tracking discloses only a "single request" when selecting a theater, which will "only be used as a means to develop, improve, and personalize the service." Which part of development requires them to track you before and after you see the movie? A MoviePass representative said in a statement to TechCrunch: "We are exploring utilizing location-based marketing as a way to help enhance the overall experience by creating more opportunities for our subscribers to enjoy all the various elements of a good movie night. We will not be selling the data that we gather. Rather, we will use it to better inform how to market potential customer benefits including discounts on transportation, coupons for nearby restaurants, and other similar opportunities."

People who access Spotify using hacked apps that remove some of the restrictions placed on free accounts are receiving warning emails from the company. Noting that "abnormal activity" has been observed from the user's software, Spotify warns that future breaches could result in suspension or even termination of a user's account. TorrentFreak reports: "We detected abnormal activity on the app you are using so we have disabled it. Don't worry -- your Spotify account is safe," the email from Spotify reads. "To access your Spotify account, simply uninstall any unauthorized or modified version of Spotify and download and install the Spotify app from the official Google Play Store. If you need more help, please see our support article on Reinstalling Spotify." While the email signs off with a note thanking the recipient for being a Spotify user, there is also a warning. "If we detect repeated use of unauthorized apps in violation of our terms, we reserve all rights, including suspending or terminating your account," Spotify writes.

Apple is planning to push into the high-end audio market with the launch of noise-cancelling, over-ear headphones. The cans are expected to launch at the end of this year and will rival headsets from market leaders like Bose and even the company's own Beats by Dre brand. Bloomberg reports: Work on the Apple headset has been on-and-off over the past year. The company encountered similar problems with the HomePod during its development, including multiple redesigns, according to the people. It's possible Apple will redesign the headphones again before launch, or scrap the project altogether, they warned, asking not to be identified discussing private development work.

On Sunday, 'Blade Runner 2049' won the Oscar for the movie with the best visual effects. BBC spoke to Richard Hoover, the visual effects supervisor at Framestore which was one of the companies responsible for the movie's special effects.

Further reading: How 'Blade Runner 2049' VFX Supervisor John Nelson Brought Rachael & Pic's Holograms To Life (Deadline); Behind the breathtaking visual effects of 'Blade Runner 2049' (Digital Trends); How Blade Runner 2049's VFX team made K's hologram girlfriend (Wired).

On Wednesday, Spotify filed for a direct listing in the U.S., sidestepping the traditional IPO process, and now we're starting to see some of the true financial guts of the company -- and some of the significant risks it faces from challenging services from Apple and Google. From a report: Apple, for example, charges apps a percentage of revenue for subscriptions processed through the App Store. Apple Music, meanwhile, will always deliver Apple 100 percent of the subscription revenue that it receives from subscribers (sans record fees and all that kind of stuff, of course). Apple, too, has a direct integration with its iOS devices and also a huge amount of brand recognition, even though Spotify is a massive service. Spotify says it has 159 million monthly active users and 71 million premium subscribers, while Apple has 36 million paying subscribers as of February 2018. Spotify said, "In addition, Apple and Google also own application store platforms and are charging in-application purchase fees, which are not being levied on their own applications, thus creating a competitive advantage for themselves against us. As the market for on-demand music on the internet and mobile and connected devices increases, new competitors, business models, and solutions are likely to emerge."

An anonymous reader writes: Late last year several filmmaker groups asked the US Copyright Office to lift some of the current DMCA circumvention restrictions, so they can rip and use clips from Blu-rays and other videos without repercussions. In the US, people risk bypassing DMCA's anti-circumvention when they rip a DVD or Blu-ray disc. (There are some exemptions, such as educational and other types of fair use, but the line between legal and illegal is not always clear, some argue.) Not everyone agrees with this assessment though. A group of "joint creators and copyright owners" which includes Hollywood's MPAA, the RIAA, and ESA don't think this is a good idea and point out that filmmakers have plenty of other options. The MPAA and the other groups point out that the exemption could be used by filmmakers to avoid paying licensing fees, which can be quite expensive.

HBO has released the first trailer of its film adaptation of Ray Bradbury's best-selling 1953 dystopian tale, Fahrenheit 451, which depicts a time period where history is outlawed and "firemen" burn books. The Hollywood Reporter reports: In the Ramin Bahrani-directed film, Michael B. Jordan stars as Guy Montag, a fireman who comes to question his role in enforcing the state's censorship laws, and in so doing finds himself at odds with his "mentor," Beatty (Michael Shannon). "By the time you guys grow up, there won't be one book left," Jordan is shown telling a group of students. Throughout the trailer, a reel of destruction is shown as Beatty's voiceover warns that "a little knowledge is a dangerous thing." "We are not born equal, so we must be made equal by the fire," Beatty explains. Jordan will also serve as the film's executive producer. Sofia Boutella, Martin Donovan, Laura Harrier, Keir Dullea, Jane Moffat and Grace Lynn Kung also star.

The Verge: Back in 1999, Keanu Reeves was famous for playing Neo in The Matrix, and not for looking sad on a bench. Nokia was also the "world's leading mobile phone supplier" back then, and it used this popularity to feature its Nokia 8110 "banana phone" in The Matrix film. At the time everyone who considered themselves cool (definitely me) wanted a Nokia phone just like Neo's, but most of us had to settle for the Nokia 7110 with its spring-loaded slider. Now HMD, makers of Nokia-branded phones, is bringing the Nokia 8110 back to life as a retro classic . Just like the Nokia 3310 that was a surprise hit at Mobile World Congress last year, the 8110 plays on the same level of nostalgia. The slightly curved handset has a slider that lets you answer and end calls, and HMD is creating traditional black and banana yellow versions. The Nokia 8110 runs on the Smart Feature OS, so this is a basic featurephone and you're not going to get access to the Android apps found on other Nokia Android smartphones. The Nokia 8110 will be available in May for just 79 euros ($97).

An anonymous reader quotes a report from Ars Technica: A federal judge in California has rejected Disney's effort to stop Redbox from reselling download codes of popular Disney titles like Frozen, Beauty and the Beast, and the latest Star Wars movies. Judge Dean Pregerson's Tuesday ruling invoked the little-used doctrine of copyright misuse, which holds that a copyright holder loses the right to enforce a copyright if the copyright is being abused. Pregerson faulted Disney for tying digital download codes to physical ownership of discs, a practice that he argued ran afoul of copyright's first sale doctrine, which guarantees customers the right to resell used DVDs.

If the ruling were upheld on appeal, it would have sweeping implications. It could potentially force Hollywood studios to stop bundling digital download codes with physical DVDs and force video game companies to rethink their own practices. But James Grimmelmann, a copyright scholar at Cornell Law School, is skeptical that the ruling will survive an inevitable appeal from Disney. "I don't see this one sticking," Grimmelmann told Ars. Copyright misuse has such sweeping legal implications that an appeals court will be reluctant to apply it to a common movie industry practice.

Director Steven Soderbergh said this week he so enjoyed making his psychological thriller "Unsane" on an iPhone, he would find it hard to go back to conventional filmmaking. From a report: "Unsane", which premieres at the Berlin film festival, was shot over just two weeks - way shorter than the months a movie usually takes. It tells the story of Sawyer Valentini, who moves to a new city to escape her stalker David but finds herself admitted to a mental health institution where he works.

An anonymous reader quotes a report from Ars Technica: In a White House meeting held with lawmakers on the theme of school safety, President Donald Trump offered both a direct and vague call to action against violence in media by calling out video games and movies. "We have to do something about what [kids are] seeing and how they're seeing it," Trump said during the meeting. "And also video games. I'm hearing more and more people say the level of violence on video games is shaping more and more people's thoughts." Trump followed this statement by referencing "movies [that] come out that are so violent with the killing and everything else." He made a suggestion for keeping children from watching violent films: "Maybe they have to put a rating system for that." The MPAA's ratings board began adding specific disclaimers about sexual, drug, and violent content in all rated films in the year 2000, which can be found in small text in every MPAA rating box.

Disney has lost a bid to stop movie rental company Redbox from reselling download codes for its films. From a report: Redbox bought Disney movies on DVD to offer for rental in its kiosks. The DVDs were often bundled with a code to download a copy of the film. Disney requested an injunction to stop the practice, saying that Redbox had no business arrangement with it. A California federal judge accused Disney of "copyright misuse." Redbox rents and sells movies via tens of thousands of automated kiosks that dispense DVD and Blu-ray discs.

leathered writes: Jeff Bezos today announced that Amazon Studios has picked up the rights to adapt the late Iain M. Bank's acclaimed Culture novels to the small screen, beginning with the first in the series, Consider Phlebas. This comes after nearly three decades of attempts to bring Banks' utopian, post-scarcity society to film or television. A huge fan of the Culture series is Elon Musk, whose SpaceX drone ships are named after Culture space vessels. Here's how Amazon describes Consider Phlebas: "a kinetic, action-packed adventure on a huge canvas. The book draws upon the extraordinary world and mythology Banks created in the Culture, in which a highly advanced and progressive society ends up at war with the Idirans, a deeply religious, warlike race intent on dominating the entire galaxy. The story centers on Horza, a rogue agent tasked by the Idirans with the impossible mission of recovering a missing Culture 'Mind,' an artificial intelligence many thousands of times smarter than any human -- something that could hold the key to wiping out the Culture altogether. What unfolds, with Banks' trademark irreverent humor, ultimately asks the poignant question of how we can use technology to preserve our humanity, not surrender it."

Kyle Orland reports via Ars Technica: A group of video game preservationists wants the legal right to replicate "abandoned" servers in order to re-enable defunct online multiplayer gameplay for study. The game industry says those efforts would hurt their business, allow the theft of their copyrighted content, and essentially let researchers "blur the line between preservation and play." Both sides are arguing their case to the U.S. Copyright Office right now, submitting lengthy comments on the subject as part of the Copyright Register's triennial review of exemptions to the Digital Millennium Copyright Act (DMCA). Analyzing the arguments on both sides shows how passionate both industry and academia are about the issue, and how mistrust and misunderstanding seem to have infected the debate.

After being purchased by Fandango in 2016, Flixster Video is officially shutting down. The site has been sending users regular emails over the past several months about the shutdown, reports Android Police. Now, the site is no longer operational, and only points people to its mobile app, which can still be used for getting movie reviews and tickets. The Verge reports: Flixster first announced it was closing in 2016, after being acquired by Fandango along with subsidiary Rotten Tomatoes. That year, Fandango also bought video streaming service M-Go, later rebranding it under FandangoNow. Flixster Video, which let people access their UltraViolet movie collection, was not a part of that deal. The shutdown began with the service telling customers it would no longer be able to redeem digital codes on the site for video playback. Over the past few months, emails have been sent out encouraging people to migrate their Flixster accounts to Vudu and Movies Anywhere in order to make sure nothing was lost. The company says it's not too late for users to do so.

An anonymous reader quotes a report from Business Insider: If you thought Netflix's movie selection had been lacking lately, you're right. The streaming service's amount of movies has dipped by over 2,000 titles since 2010, while its number of TV shows has nearly tripled. Third-party Netflix search engine Flixable compiled data that shows a dramatic shift in Netflix's priorities in recent years. In 2010, Netflix had 530 TV shows compared to 6,755 movies. Now, in 2018, the amount of TV shows has nearly tripled to 1,569, and the amount of movies offered has decreased to 4,010. It's no secret that Netflix has focused more on TV shows and less on movies in recent years, but now we have a visual representation of just how significant that focus has become.

Every tech company wants to produce a smart speaker these days. Earlier this month, Apple finally launched the HomePod, a smart speaker that uses Siri to answer basic questions and play music via Apple Music. In December, Google released their premium Google Home Max speaker that uses the Google Assistant and Google's wealth of knowledge to play music, answer questions, set reminders, and so on. It may be the most advanced smart speaker on the market as it has the hardware capable of playing high fidelity audio, and a digital assistant that can perform over one million actions. There is, however, no denying the appeal of the Amazon Echo, which is powered by the Alexa digital assistant. Since it first made its debut in late 2014, it has had more time to develop its skill set. Amazon says Alexa controls "tens of millions of devices," including Windows 10 PCs.

A new report from The Guardian, citing the industry site MusicAlly, says that Spotify is working on a line of "category defining" hardware products "akin to Pebble Watch, Amazon Echo, and Snap Spectacles." The streaming music company has posted an ad for a senior product manager to "define the product requirements for internet connected hardware [and] the software that powers it." With Spotify looking to launch a smart speaker in the not-too-distant-future, the decision to purchase a smart speaker has become all the more difficult. Do you own a smart speaker? If so, which device do you own and why? Do you see a clear winner, or can they all satisfy your basic needs?

Corey Hutchinson, writing for ScreenRant: The MCU may be the biggest thing in Hollywood these days, but there's no denying that its overuse of CGI is becoming more and more noticeable. Don't get us wrong; for the most part, the MCU's CGI has been great, even spectacular at times. Even at its worst, it's nowhere near the bottom of the pile in terms of poor special effects in superhero movies. And no single MCU entry has come anywhere close to the awfulness that is Justice League. But when a superhero franchise is pulling in this much money and getting consistently glowing reviews, the bar has to be set high, and several of the MCU's latest offerings just aren't clearing it. It's worth noting that the MCU's CGI shortcomings are a relatively recent thing. There's very little to complain about when it comes to the special effects behind their Phase One movies. They all hold up surprising well, in fact, and the same goes for the vast majority of Marvel's Phase Two films. There's a few dicey moments in Avengers: Age of Ultron, but it wasn't really until Captain America: Civil War kicked off Phase Three that any negative attention was paid to the MCU's effects work.

Take a moment to rewatch the second Black Panther clip that was released to the public a few weeks ago. Specifically, hone in on the 45 second mark, where you see Nakia shooting two guys, the second of which is very obviously computer-generated. Why the hell would they even bother to CGI that, you ask?