Apple has released an official Apple TV app for Android phones and tablets that's now available in the Google Play Store. You can download it here. 9to5Google reports: The newest Apple app on Android has a bottom bar with Apple TV+, MLS (Major League Soccer), Downloads for offline viewing, and Search. [...] The video player takes after Apple TV on other platforms, with a portrait mode available. There are convenient shortcuts to activate picture-in-picture, which works inside the app (while browsing) and system-wide, and mute to bring up the system volume bar. Playback is smooth and more stable than other streaming services.

At launch, the Apple TV app lacks Casting support and there do not appear to be new episode notifications. If you're already signed into Apple Music, you have to log in again to Apple TV. Another notable aspect is support for Google Play Billing instead of requiring out-of-app sign-up on another device. This applies to both the Google TV app (and Apple Music) today.

In August 1990, two hikers in Scotland captured photographs of a mysterious diamond-shaped aircraft accompanied by a Harrier jet, but the images and story were suppressed by the Ministry of Defence (MoD) for decades. Was it a prank, a hoax, an optical illusion or something else entirely? The Guardian's Daniel Lavelle reports on "what really happened in Calvine." Here's an excerpt: On a misty evening in August 1990, two men hiking on the moors surrounding Calvine, a pretty hamlet in Perth and Kinross, claimed to have seen a giant diamond-shaped aircraft flying above them. It apparently had no clear means of propulsion and left no smoke plume; it was silent and static, as if frozen in time. Terrified, they hit the ground and scrambled for cover behind a tree. Then a Harrier fighter jet roared into view, circling the diamond as if sizing it up for a scuffle. One of the men snapped a series of photographs just before the bizarre craft shot away vertically and disappeared.

Craig Lindsay was a press officer at the RAF base in Pitreavie Castle in Dunfermline, 50 miles away, when the Daily Record got in touch a few days later. The hikers, who worked as chefs at Fisher's Hotel in Pitlochry, had sent six photos of the diamond to the newspaper and told their story. The Record's picture editor, Andy Allen, sent Lindsay the best of the bunch. Lindsay had never seen such a clear photograph of a supposed UFO, so he forwarded the picture to the Ministry of Defence (MoD), which told him to ask the Record to send the other five photographs and their negatives. The MoD also instructed him to phone the hikers, which he did. One of them told Lindsay the whole story: the diamond, the jet, how it levitated eerily with no sound and accelerated with no obvious propellant. The MoD told Lindsay to leave the case with them. He pushed the diamond to the back of his mind.

That autumn, Lindsay attended a routine meeting in London. On his lunch break, he went for a wander around the MoD's offices and saw something familiar. "There, on the wall in front of me, was a great big poster-size print of the best of them [the photographs]. So, I spoke to the guys that were there and I asked them what their other photographs were like." The ministry's staff placed the other photographs on a windowsill. The snaps showed the Harrier jet moving from the right side of the frame to the left, while the diamond didn't move an inch. He quizzed some of the specialists who had investigated the photos. They told him there was no evidence of a hoax, but they didn't know what the diamond was. "I gradually forgot all about the thing," says Lindsay. "Nothing had appeared from the first inquiry ... I assumed that everything had just been forgotten." The Record didn't run the story, the hikers never spoke publicly about the photos and the images weren't seen by the public for 32 years. "It is the 35th anniversary of what has been described as the best UFO photo ever taken. Now is the time to come forward and tell us what really happened," says Prof David Clarke, a lecturer at Sheffield Hallam University who worked as a reporter in the 1990s.

Chinese animated film Ne Zha 2 has broken multiple box office records, becoming China's highest-grossing film of all time and the first non-Hollywood movie to surpass $1 billion in a single market. From a report: Helmed by Yang Yu, known as Jiaozi, the film hit the big screen during the lucrative Chinese New Year frame on Jan. 29, surpassing 2017's "Wolf Warrior 2" to become China's most-watched film. Meanwhile, its total revenue (including presales) hit 8 billion yuan (about 1.12 billion U.S. dollars) by Sunday. In just eight days and five hours after its release, "Ne Zha 2" became China's highest-grossing film of all time on Thursday, exceeding the 5.77 billion yuan record set by "The Battle at Lake Changjin." A day later, it overtook "Star Wars: The Force Awakens" to become the highest-grossing film ever in a single market, reaching over 6.79 billion yuan (including presales) in China on Friday.

A follow-up to the animated sensation "Ne Zha," which grossed 5 billion yuan and topped the country's box office charts in 2019, the sequel has captivated audiences with its breathtaking visuals, rich storytelling and deep cultural resonance. The record-breaking run makes "Ne Zha 2" not just a box office titan but a cultural phenomenon, further underscoring China's ability to produce homegrown blockbusters that strike a chord with domestic audiences. You can watch the international trailer on YouTube.

If there was any doubt before, this seals it: YouTube is in the TV business. According to Neal Mohan, YouTube's CEO, TV screens have officially overtaken mobile as the "primary device for YouTube viewing in the U.S." In other words, more people are watching YouTube on TV sets than any other device, at least here in the U.S. From a report: It is, as Mohan writes in his annual letter from the CEO, an indication that "YouTube is the new television."

"But the 'new' television doesn't look like the 'old' television," Mohan writes. "It's interactive and includes things like Shorts (yes, people watch them on TVs), podcasts, and live streams, right alongside the sports, sitcoms and talk shows people already love."

Connecticut's highest-ranking state legislator has proposed a bill requiring movie theaters to disclose both preview and feature film start times, setting up a clash with theater operators who say the measure threatens their advertising revenue.

Senate President Pro Tempore Martin Looney's proposal aims to prevent moviegoers from sitting through up to 30 minutes of advertisements and trailers before features begin. The Democrat cited complaints from constituents about lengthy pre-show delays. Theater owners are pushing back, local outlet RegisterCitizen reports, with Avon Theatre's executive director Peter Gistelinck warning the measure could undermine their financial stability.

To celebrate 2025's newest arrivals in the public domain, the Internet Archive held a special in-person event at their San Francisco headquarters, as well as a virtual celebration online. (It opens with an absolutely gorgeous rendition of "Happy Days are Hear Again" played on a musical saw.)

And somewhere in the festivities they announced the winners of this year's annual "Public Domain Day Film Remix Contest." These remarkable films not only reimagined and transformed public domain works but also demonstrated the boundless potential of remixing creative works to create something new... Explore all 140+ submissions at the 2025 Public Domain Day Film Remix Contest collection at the Internet Archive...

"The jury was deeply impressed by Queline Meadows's inspired mix of movies, images, music and text woven into a subtle and emotionally affecting video expressing a strong sense of nostalgia and the irretrievable passage of time," said film archivist Rick Prelinger... Filmmaker Samantha Close expresses both the breadth of 1929's production and the eternal bounty of the public domain, using images from 1929's films and public domain images from elsewhere and elsewhen.
One honorable mention entry was described as "an audacious and yes, dopey exploration of the essential greatness of Internet Archive and the dread near-infinity of copyright."

A passenger on the French rail network SNCF has revealed that he received a $155 fine for using his phone on loud speaker within a train station. From a report: The passenger, named only as David, told French TV channel BFM that he was on the phone to his sister while waiting at Nantes station when the SNCF staff member told him to switch his phone's loud speaker off, or risk being fined. When he argued, he was served with the $155 fine, which has been increased to $207 because he did not pay it immediately. Further reading: Flying Was Already the Worst. Then America Stopped Using Headphones.

Warner Bros. Discovery has quietly begun releasing dozens of its older films for free on YouTube, marking an unexpected shift in how the major studio handles its back catalog. Over the past month, the company has uploaded more than 30 full-length movies across five YouTube channels, without digital rights management or regional restrictions.

The collection includes both critically acclaimed films like "Waiting for Guffman" and "Michael Collins," as well as commercial disappointments like the 2002 Eddie Murphy film "The Adventures of Pluto Nash." Some releases have significant historical value, such as "Oh, God!" - a 1977 George Burns comedy that earned $51 million at release (equivalent to $265 million in 2024). This move represents a departure from traditional studio practices of protecting content through strict digital rights management and paid streaming services. Warner Bros. owns multiple distribution channels, including the Max streaming service and Turner Classic Movies, which makes the decision to release these films freely on YouTube particularly notable.

Disney+ lost 700,000 subscribers in the last quarter of 2024, largely due to price hikes and expiring promotions. Despite the decline, Disney's overall streaming business remained profitable, boosted by strong box office results from Moana 2 and Hulu's 1.6 million added subscribers. IndieWire reports: Not counting Disney+ Hotstar, the cheap Disney+ service in India, Disney+ now has 124.6 million subs. ESPN+ also lost 700,000 subs in the period. Hulu was the streaming highlight, adding 1.6 million subscribers; it now has 53.6 million. All told, the company's streaming business was profitable for its third-straight quarter. So it wasn't all bad -- or unexpected. "Our results this quarter demonstrate Disney's creative and financial strength as we advanced the strategic initiatives set in motion over the past two years," said Disney CEO Bob Iger. "In fiscal Q1 we saw outstanding box office performance from our studios, which had the top three movies of 2024; we further improved the profitability of our Entertainment DTC streaming businesses; we took an important step to advance ESPN's digital strategy by adding an ESPN tile on Disney+; and our Experiences segment demonstrated its enduring appeal as we continue investing strategically across the globe. Overall, this quarter proved to be a strong start to the fiscal year, and we remain confident in our strategy for continued growth."

The UK is considering making households who only use streaming services such as Netflix and Disney pay the BBC license fee, as part of plans to modernize the way it funds the public-service broadcaster. Bloomberg: Extending the fee to streaming applications is on a menu of options being discussed by Prime Minister Keir Starmer's office, the Treasury and the Department for Culture, Media and Sport, according to people familiar with the matter who asked not to be named discussing internal government deliberations. Alternatives under discussion include allowing the British Broadcasting Corp. to use advertising, imposing a specific tax on streaming services, and asking those who listen to BBC radio to pay a fee.

The government is the early stages of examining how to overhaul the funding of Britain's public broadcaster when its current 11-year charter ends on Dec. 31, 2027. Ministers are looking to either retain and alter the current television license fee model or scrap it and instead fund the BBC through alternative models such as taxation or subscription. That's because viewing habits have changed as users gravitate toward on-demand services. [...] The license fee dates back to 1946, when consumers watched programs at the time of broadcast. It currently costs households who watch live TV or use BBC iPlayer $210.6 a year, an amount that usually rises annually with inflation. Even if they don't watch BBC programs, households are required to hold a TV license to view or stream programs live on sites including YouTube and Amazon Prime Video. However it's not needed by those who only watch on-demand, non-BBC content.

Netflix plans to expand its cloud gaming offerings to include couch co-op and party games, according to co-CEO Greg Peters. The company will also continue developing narrative games based on its IP, despite recent leadership changes and the closure of its AAA game studio. The Verge reports: In the blog post, Netflix notes that it's a "limited" beta test, so it seems like this won't be available to too many people to start. (Netflix used that same "limited" language with the initial launch in Canada and the UK.) Like with the original test, the only two games available to stream are Oxenfree from Netflix's own Night School Studio and another game titled Molehew's Mining Adventure.

If you have access to the service, you'll need to download Netflix's special controller app for your iPhone or Android device to play the game on your TV. (Netflix says the streamed games work on "select devices," including Amazon Fire TV devices, Chromecast with Google TV, Roku devices and TVs, and more.) On the web, you'll be able to play games with a mouse and keyboard.

Chinese venture capital and private equity firm HongShan, formerly part of Sequoia, said on Friday it has struck a deal to acquire a majority stake in Marshall in a deal valuing the audio equipment maker at $1.15 billion.

Streaming platform Plex has introduced public reviews and user profiles, expanding social features launched last October. Users can now comment on others' reviews and make their profiles, watchlists and viewing history searchable, with customizable privacy settings ranging from public to private. Plex Pass subscribers are additionally also gaining access to HEVC encoding for improved visual quality.

Netflix will raise prices on most U.S. and Canadian subscription tiers after adding a record 19 million subscribers in the fourth quarter of 2024, bringing its global total to 302 million users.

The standard plan without ads will increase to $17.99 from $15.49, while its premium tier rises $2 to $24.99. The ad-supported tier will cost $7.99, up $1. The streaming service's quarterly revenue topped $10 billion for the first time, jumping 16%, while operating income rose 52% to $2.3 billion. The company credited recent successes including the Mike Tyson-Jake Paul boxing match and "Squid Game" season two for the subscriber surge.

IMDb founder Col Needham is stepping down as CEO after 35 years, transitioning to executive chair. He will be succeeded by Nikki Santoro, who has served as the chief operating officer since 2021. TechCrunch reports: Santoro's appointment is significant, as she is the first woman to become the CEO and only the second person to hold the position. Needham founded IMDb in 1990 at the age of 23, steering the company into a powerhouse within the entertainment industry. After 35 years, he'll transition to a new role as executive chair.

According to Needham, Santoro's ascension is well deserved. [...] Santoro has been with the company since 2016, leading the company in expanding its database and improving its IMDbPro membership. She previously held leadership positions at Amazon, Microsoft, and The Weather Channel. "Nikki's strategic vision, deep understanding of our customers and products, and commitment to innovation have already delivered impressive business results during her tenure as COO," said Needham in a statement. "Her track record of driving growth and enhancing our products and services makes her the ideal person to guide IMDb into a new era."

The Los Angeles Times calls it "a guns-blazingly funny documentary about two out-of-work British actors who spent a chunk of their COVID-19 lockdown staging Shakespeare's masterpiece on the mean streets of Grand Theft Auto V."

Grand Theft Hamlet won SXSW's Jury Award for best documentary, and has now opened in U.S. theatres this weekend (and begun streaming on Mubi), after opening in the U.K. and Ireland. But nearly the entire film is set in Grand Theft Auto's crime-infested version of Los Angeles, the Times reports, "where even the good guys have weapons and a nihilistic streak — the vengeful Prince of Denmark fits right in." Yet when Sam Crane, a.k.a. @Hamlet_thedane, launches into one of the Bard's monologues, he's often murdered by a fellow player within minutes. Everyone's a critic.

Crane co-directed the movie with his wife, Pinny Grylls, a first-time gamer who functions as the film's camera of sorts. What her character sees, where she chooses to stand and look, makes up much of the film, although the editing team does phenomenal work splicing in other characters' points of view. (We're never outside of the game until the last 30 seconds; only then do we see anyone's real face....) The Bard's story is only half the point. Really, this is a classic let's-put-on-a-pixilated-show tale about the need to create beauty in the world — even this violent world — especially when stage productions in England have shuttered, forcing Crane, a husband and father, and Mark Oosterveen, single and lonely, to kill time speeding around the digital desert...

To our surprise (and theirs), the play's tussles with depression and anguish and inertia become increasingly resonant as the production and the pandemic limps toward their conclusions. When Crane and Oosterveen's "Grand Theft Auto" avatars hop into a van with an anonymous gamer and ask this online stranger for his thoughts on Hamlet's suicidal soliloquy, the man, a real-life delivery driver stuck at home with a broken leg, admits, "I don't think I'm in the right place to be replying to this right now...."
In 2014 Hamlet was also staged in Guild Wars 2, the article points out. "This is, however, the first attempt I'm aware of that attempts to do the whole thing live in one go, no matter if one of the virtual actors falls to their doom from a blimp.

"As Grylls says, 'You can't stop production just because somebody dies.'"

David Lynch, a four-time Oscar-nominated filmmaker known for the 1984 sci-fi epic Dune and the Showtime drama Twin Peaks, has died. "In January 2025, Lynch evacuated his Los Angeles home due to the Southern California wildfires," writes longtime Slashdot reader Z00L00K. "According to Deadline, these events preceded a terminal decline in his health, and on January 16, 2025, Lynch's family announced that he had died at the age of 78." Deadline reports: Lynch had been diagnosed with emphysema. Sources told Deadline that he was forced to relocate from his house due to the Sunset Fire and then took a turn for the worse. In an interview with Sight & Sound magazine last year, Lynch revealed that due to Covid fears and his emphysema diagnosis, he could no longer could leave the house, which meant if he directed again, it would be remote. He then followed up the interview with a post on social that he "will never retire" despite his physical challenges.

An anonymous reader quotes a report from 404 Media: Mikey Shulman, the CEO and founder of the AI music generator company Suno AI, thinks people don't enjoy making music. "We didn't just want to build a company that makes the current crop of creators 10 percent faster or makes it 10 percent easier to make music. If you want to impact the way a billion people experience music you have to build something for a billion people," Shulman said on the 20VC podcast. "And so that is first and foremost giving everybody the joys of creating music and this is a huge departure from how it is now. It's not really enjoyable to make music now [...] It takes a lot of time, it takes a lot of practice, you need to get really good at an instrument or really good at a piece of production software. I think the majority of people don't enjoy the majority of the time they spend making music."

Suno AI works like other popular generative AI tools, allowing users to generate music by writing text prompts describing the kind of music they want to hear. Also like many other generative AI tools, Suno was trained on heaps of copyrighted music it fed into its training dataset without consent, a practice Suno is currently being sued for by the recording industry. In the interview, Shulman says he's disappointed that the recording industry is suing his company because he believes Suno and other similar AI music generators will ultimately allow more people to make and enjoy music, which will only grow the audience and industry, benefiting everyone. That may end up being true, and could be compared to the history of electronic music, digital production tools, or any other technology that allowed more people to make more music.

"Nuclear you can trust," reads the web page promoting "The Egg, an at home nuclear reactor."

Yes, Enron.com is now announcing "a micro-nuclear reactor made to power your home." (A quick reminder from CNN in December. "A company that makes T-shirts bought the Enron trademark and appears to be trying to sell some merch on behalf of the guy behind the satirical conspiracy theory "Birds Aren't Real....")

Does that explain how we got a product reveal for "the world's first micro-nuclear reactor for residential suburban use"? (Made possible "by the Enron mining division, which has been sourcing the proprietary Enronium ore...") Enron's new 28-year-old CEO Connor Gaydos insists they're "making the world a better place, one egg at a time."

The Houston Chronicle delves into the details: Supposedly a micro-nuclear reactor capable of powering a home for up to 10 years, the Enron Egg would be a significant leap forward for both energy technology and humanity's understanding of nuclear physics — if, of course, such a thing were actually feasible. "With our current understanding of physics, this will never be possible," said Derek Haas, an associate professor and nuclear and radiation engineering researcher at the University of Texas at Austin. "We can make a nuclear reactor go critical at about the size of the egg that I saw on the pictures. But we can't capture that energy and turn it into useful electric heat, and shield the radiation that comes off of the reactor." [Haas adds later that nuclear reactors require federal licenses to operate, which take two to nine years to procure and "typically require several hundred pages of documentation to be allowed to build it, and then another thousand pages of safety documents to be allowed to turn it on."]

The outlandish claims Enron has made in the weeks since its brand revival have left many to speculate that the move is part of some large-scale joke similar to Birds Aren't Real — a gag conspiracy movement that Connor Gaydos, Enron's 28-year-old CEO, published a book on alongside co-author and movement founder Peter McIndoe. In an exclusive interview with the Houston Chronicle, Gaydos asked that people look past the limitations — be they in the form of regulations or physics — and embrace the impossible....

Several since-deleted blurbs — both on the company's website and on social media — have alluded to Enron potentially expanding into the world of cryptocurrency. Gaydos said he hasn't ruled it out, but the company currently does not have any plans in the works to debut an Enron-themed coin. "I think in a lot of ways, everything feels like a crypto scam now, but thankfully, we are a completely real company," Gaydos said.
When announcing the Egg, Gaydos stressed Enron was now revolutionizing not just the power industry, but also two others — the freedom industry, and the independence industry. And Gaydos reminded his audience that their home micro-nuclear was "safe for the whole family."

"Preorder now," adds the Egg's web page at Enron.com. "Sign up for our email newsletter and be the first to know when we launch..."

ESPN, Fox, and Warner Bros. Discovery announced today that it will not launch the Venu live sports streaming service. "After careful consideration, we have collectively agreed to discontinue the Venu Sports joint venture and not launch the streaming service," the companies said in a joint statement. "In an ever-changing marketplace, we determined that it was best to meet the evolving demands of sports fans by focusing on existing products and distribution channels. We are proud of the work that has been done on Venu to date and grateful to the Venu staff, whom we will support through this transition period." The Verge reports: ESPN, Fox, and Warner Bros. Discovery first announced Venu last year, and it was supposed to launch in the fall of 2024. The service would've given viewers access to a swath of live games from the NFL, NBA, NHL, NCAA, and more from several linear channels, including ESPN, ABC, Fox, Fox Sports 1, Fox Sports 2, TNT, and others.

But then Venu hit a legal roadblock: an antitrust lawsuit from the live TV streaming service Fubo, accusing the trio of engaging in "a years-long campaign to block Fubo's innovative sports-first streaming business" due to restrictive sports licensing agreements. Lawmakers also asked regulators to investigate Venu and its potential to become a monopoly in televised sports.