"Okay, we're doing this," begins a new announcement at The Verge: Today we're launching a Verge subscription that lets you get rid of a bunch of ads, gets you unlimited access to our top-notch reporting and analysis across the site and our killer premium newsletters, and generally lets you support independent tech journalism in a world of sponsored influencer content. It'll cost $7 / month or $50 / year — and for a limited time, if you sign up for the annual plan, we'll send you an absolutely stunning print edition of our CONTENT GOBLINS series, with very fun new photography and design... A surprising number of you have asked us to launch something like this, and we're happy to deliver. If you don't want to pay, rest assured that big chunks of The Verge will remain free — we're thinking about subscriptions a lot differently than everyone else...

If you're a Verge reader, you know we've been covering massive, fundamental changes to how the internet works for years now. Most major social media platforms are openly hostile to links, huge changes to search have led to the death of small websites, and everything is covered in a layer of AI slop and weird scams. The algorithmic media ecosystem is now openly hostile to the kind of rigorous, independent journalism we want to do.

A few years ago, we decided the only real way to survive all this was to stand apart and bet on our own website so that we could remain independent of these platforms and their algorithms. We didn't want to write stories to chase Google Search trends or because we thought they'd do well on social media. And we definitely didn't want to compromise our famously strict ethics policy to accept brand endorsement deals from the companies we cover, which almost all of our competitors in the creator economy are forced to do in order to run sustainable businesses...

[W]e intend to keep making this thing together for a long, long time. So many of you like The Verge that we've actually gotten a shocking number of notes from people asking how they can pay to support our work. It's no secret that lots of great websites and publications have gone under over the past few years as the open web falls apart, and it's clear that directly supporting the creators you love is a big part of how everyone gets to stay working on the modern internet. At the same time, we didn't want to simply paywall the entire site — it's a tragedy that traditional journalism is retreating behind paywalls while nonsense spreads across platforms for free.
The print premium for subscribers is described as a "beautiful / deranged print product" that's drawn from a series of articles "about what Google had done to the web, capped off by a feature about search engine optimization titled 'The People Who Ruined the Internet.'" But it ships with a satirical cover that instead proclaims it as "The Verge Guide to Search Engine Optimization". A tongue-in-check announcement explains: [A] year has passed, and we've had a change of heart. Maybe search engine optimization is actually a good thing. Maybe appeasing the search algorithm is not only a sustainable strategy for building a loyal audience, but also a strategic way to plan and produce content. What are journalists, if not content creators? Anyway, SEO community, consider this our apology. And what better way to say "our bad, your industry is not a cesspool of AI slop but a brilliant vision of what a useful internet could look like" than collecting all the things we've learned in one handy print magazine? Which is why I'm proud to introduce The Verge Guide to Search Engine Optimization: All the Tips, Tricks, Hints, Schemes, and Techniques for Promoting High-Quality Content!
Whoops — slip off the cover and the real title appears: "CONTENT GOBLINS" (written in green slime). Again, it's "an anthology of stories about 'content' and the people who 'make' it." In very Verge fashion, we are meeting the moment where the internet has been overrun by AI garbage by publishing a beautifully designed, limited edition print product. (Also, the last time we printed a magazine, it won a very prestigious design award.) Content Goblins collects some of our best stories over the past couple years, capturing the cynical push for the world's great art and journalism to be reduced into units that can be packaged, distributed, and consumed on the internet. Consider Content Goblins as our resistance to that movement. With terrific new art and photography, we're making the case that great reporting is vital and enduring — and worth paying for.

This gorgeous, grotesque magazine can be yours if you commit to an annual subscription to The Verge — while supplies last.

The Guardian reports: People working in the music sector will lose almost a quarter of their income to artificial intelligence within the next four years, according to the first global economic study examining the impact of the emerging technology on human creativity. Those working in the audiovisual sector will also see their income shrink by more than 20% as the market for generative AI grows from €3bn (A$4.9bn) annually to a predicted €64bn by 2028.

The findings were released in Paris on Wednesday by the International Confederation of Societies of Authors and Composers (CISAC), representing more than 5 million creators worldwide. The report concluded that while the AI boom will substantially enrich giant tech companies, creators' rights and income streams will be drastically reduced unless policymakers step in...

The study concluded that under current regulatory frameworks in most countries, creators stand to lose on two fronts. Unauthorised use of their works by generative AI models will eat into remuneration earned through copyright, while at the same time work opportunities will shrink as AI-generated outputs become more competitive against human-made works. The report predicted that by 2028, exponential growth in generative AI music would account for about 20% of traditional music streaming platforms' revenues, and about 60% of music libraries' revenues.
The report warned of revenue "derived directly from the unlicensed reproduction of creators' works, representing a transfer of economic value from creators to AI companies," according to the article.

On a hopeful note, it adds that the CISAC's president also applauded Australia and New Zealand for their thoughtful response to the issue. "By setting a gold standard in AI policy, one that protects creators' rights while fostering responsible and innovative technological development, Australia and New Zealand can ensure that AI serves as a tool to enhance human creativity rather than replace it."

Thanks to Slashdodt reader Bruce66423 for sharing the news.

"$15.8 million every 60 seconds. That's how much US consumers spent in two hours on Monday night," reports CNN, "capping off a five-day spending spree that smashed previous records." U.S. consumers spent a total of $13.3 billion on Cyber Monday, up 7.3% from the previous year, according to Adobe Analytics... Consumers spent a record $41.1 billion across the five days beginning Thanksgiving Day, according to Adobe. "While Cyber Monday remained the season's and year's biggest online shopping day, year-over-year growth was stronger on both Thanksgiving and Black Friday," Vivek Pandya, lead analyst at Adobe Digital Insights, said in a statement... The company's data projects that holiday spending from November 1 to December 31 will surpass $240 billion, up 8.4% from the previous year.

The record sales on Cyber Monday were boosted by US consumers shopping on their mobile devices, which accounted for $7.6 billion in spending. This year, 57% of online sales came through a mobile device, compared to 33% in 2019, as shopping on mobile phones has surged in popularity... Buy now, pay later" programs also contributed nearly $1 billion in spending on Cyber Monday, a record high. About 75% of these types of transactions occurred through a mobile device.

Cyber Monday shopping wasn't just confined to the US, either. Global sales reached $49.7 billion, up 3% from the previous year, according to data from Salesforce.
The top-selling items included consumer electronics like the PlayStation 5, Xbox Series X and Nintendo Switch OLED, the article points out (adding that "About 78% of all consumer smartphones and 87% of consoles were imported from China in 2023, according to a report from the Consumer Technology Association.")

More interesting statistics from CNN:

• "Discounts on apparel peaked at just over 23% off, while TVs and computers peaked at almost 22% off, according to Adobe. And the discounts might last: Adobe projects discounts of up to 18% off computers through the end of the year... "

• "For US retail sites, the share of revenue from affiliates and partners like social media influencers was 20.3% on Cyber Monday, up almost 7% from the previous year. "

• "Additionally, companies employed AI chatbots to assist consumers, like Amazon's Rufus. Traffic to retail sites from chatbots increased by nearly 2,000% on Cyber Monday, according to Adobe."

The long-running Advent of Code site just entered its 10th year, with 162,809 people completing both of its Day One puzzles (which involve a hunt for the missing historian of the North Pole). But its not the only site offering Christmas-themed programming puzzles:

• Hundreds of SQL lovers are trying the daily challenges from the "Advent of SQL" site.

• You can sign up for daily emails with webdev challenges from the Advent of JavaScript and Advent of CSS sites.

• The "Advent of No-Code" site challenges you to build something new every day using no-code tools like AI-powered dev environments or the social coding site Val Town.

• TryHackMe.com is publishing "beginner-friendly, daily gamified cyber security challenges" in an event they're calling the "Advent of Cyber."

• And Norway's biggest chess club (founded by world champion Magnus Carlsen) has even launched a site with daily chess puzzles called — what else? — Advent of Chess. (It promises at the end of the event someone will win a chessboard signed by Magnus Carlsen).

Walmart said Tuesday it had completed its $2.3 billion all-cash acquisition of TV maker Vizio, a move by the retailing giant to expand its advertising business. From a report: The closing of the deal follows the expiration of the waiting period under federal regulations. Walmart announced the deal to buy Vizio in February 2024. Walmart said the acquisition of Vizio will let it "bring to market new and differentiated ways for advertisers to meaningfully connect with customers at scale and boost product discovery" through Walmart Connect, the company's U.S. retail media business.

Walmart and Vizio will continue to operate separately "for the foreseeable future," according to the announcement. William Wang will continue to lead Vizio as CEO, reporting to Seth Dallaire, executive VP and chief growth officer of Walmart U.S. Vizio, founded in 2002, is a leading vendor of value-priced HDTVs. Its device ecosystem and its smart TV operating system, SmartCast, provide free, ad-supported access to streaming content.

U.S. movie theaters are struggling to attract casual moviegoers, who once made up a significant portion of box office revenues, as shorter theatrical runs and changing consumer habits reshape the industry. The domestic box office, which regularly exceeded $10 billion in annual ticket sales before COVID-19, is expected to reach only $8.5 billion this year.

Films now average 32 days in theaters compared to 80 days pre-pandemic, limiting opportunities for audiences to discover movies spontaneously. Midtier films generating $50-100 million at the box office have become scarcer, particularly in genres like drama and romantic comedy. Theater chains are responding with enhanced experiences and loyalty programs to draw audiences back.

"It's fair to say there is a missing billion dollars that, if we had the right movies, people would be going to see them," said Bruce Nash, founder of movie business site the Numbers, told LA Times. Frequent moviegoers comprise only 12-15% of box office revenue, according to Patrick Corcoran of theater consulting firm Fithian Group.

Crypto entrepreneur Justin Sun consumed Maurizio Cattelan's "Comedian" artwork -- a banana taped to a wall -- during an event in Hong Kong on Friday, declaring "the real value is the concept itself." Sun, founder of cryptocurrency platform Tron, purchased the piece for $6.2 million at Sotheby's last week, significantly above its $1-1.5 million estimate.

The acquisition included only a certificate of authenticity and assembly instructions, not the physical banana or tape. The Chinese-born entrepreneur, who faces SEC charges over fraud and securities violations, made the payment in cryptocurrency.

Nvidia has introduced Fugatto, an AI music editor that can generate never-head-of audio combinations, including instruments mimicking animal sounds.

The tool processes both text and audio inputs to create music, sound effects, and modified speech. The system can isolate vocals, swap instruments, and alter voice characteristics.

Longtime Slashdot reader theodp writes: Past corporate-sponsored Hour of Code tutorials for the nation's schoolchildren have blurred the lines between coding lessons and product infomercials. So too is the case again with this year's newly-announced Hour of Code 2024 flagship tutorials, which include Microsoft Minecraft, Amazon Music, and Transformers One movie-themed intros to coding. The press release announcing the tutorials from tech-backed nonprofit Code.org, which organizes the Hour of Code and counts Microsoft and Amazon as $30+ million donors, boasts of its "decade of partnership with [Microsoft] Minecraft this year, reaching more than 300 million sessions of Minecraft Hour of Code since 2015!"

Interestingly, The Transformers (Paramount Pictures, which released Transformers One in the U.S., is a $25,000+ Code.org donor) is cited as one of the OG's of children's Saturday morning cartoon advertising (aka 30-minute commercials) that prompted the Children's Television Act (CTA) of 1990, an act of Congress that ordered the FCC to put in place regulations to protect children from advertising. Throughout the 1980s, Action for Children's Television (ACT) criticized children's television programs that "blur(red) the distinction between program content and commercial speech."

An anonymous reader shares a report: Plex is beginning to test its "newly reimagined Plex experience," which will be available first on mobile and is coming to TV platforms "very soon." Plex says the new experience has been in development for almost two years and is "designed to bring everything you love into one seamless interface." But don't worry -- while the new version of the app is currently missing some features, Plex says it will be "closing those gaps" and will keep the current app available during the preview, which will hopefully prevent a Sonos-like debacle.

A big change for the new app is redesigned navigation that more clearly delineates between media you might have on your Plex server and the company's streaming and on-demand offerings. The bottom bar has dedicated tabs for your media libraries, live TV, and on-demand movies and shows. The Watchlist, which lets you make a list of things you want to watch, has a spot at the top of the app. And artwork is shown more prominently.

The Trade Desk, one of the largest publicly traded advertising technology companies in the world, is building a connected television operating system. Axios reports: Existing OS providers, like Roku, Amazon's Fire TV and Google's Android TV, have a conflict of interest because they own content, [CEO and founder Jeff Green] said. Green believes that conflict of interest has muddled the advertising ecosystem for everyone. "We're looking at a concentration around a handful of players that lack objectivity," Green said. "We think we're in a unique position to make the ecosystem better." [...]

Ventura, a nod to the company's headquarters in Ventura, California, will be rolled out to the market in the second half of 2025, Green said. The company has been working to build the system quietly for three years. While some OS developers, such as Google, Amazon and Roku, have also developed their own hardware devices to service their operating systems, Green said The Trade Desk has "no intention of getting into the hardware business." Rather, it will partner with other hardware companies, such as smart TV manufacturers, as well as various television distributors, such as airlines, hotel chains, and gaming companies, to bring its OS to their devices.

Green believes hardware companies will be excited about the opportunity to partner because, in a competitive streaming environment, more hardware companies will need to build advertising businesses to scale. [...] Because The Trade Desk's goal is ultimately to improve a murky marketplace, Green said he isn't looking to make money from the OS directly. Ventura will be successful if it drives more pricing transparency and stronger measurement for the CTV advertising ecosystem writ large, he said. "Ultimately, the measure of success will be, do we have an ad auction that is so transparent that we can predict outcomes?" The Trade Desk will benefit financially from a more transparent ecosystem because it lacks a conflict of interest, Green said.

An anonymous reader quotes a report from Ars Technica: Who up missing Musi?" a Reddit user posted in a community shocked by the free music streaming app's sudden removal from Apple's App Store in September. Apple kicked Musi out of the App Store after receiving several copyright complaints. Musi works by streaming music from YouTube -- seemingly avoiding paying to license songs -- and YouTube was unsurprisingly chief among those urging Apple to stop allowing the alleged infringement.

Musi was previously only available through the App Store. Once Musi was removed from the App Store, anyone who downloaded Musi could continue using the app uninterrupted. But if the app was ever off-loaded during an update or if the user got a new phone, there would be no way to regain access to their Musi app or their playlists. Some Musi fans only learned that Apple booted Musi after they updated their phones, and the app got offloaded with no option to re-download. Panicked, these users turned to the Musi subreddit for answers, where Musi's support staff has consistently responded with reassurances that Musi is working to bring the app back to the App Store. For many Musi users learning from others' mistakes, the Reddit discussions leave them with no choice but to refuse to update their phones or risk losing their favorite app. The app may remain unavailable for several months as the litigation unfolds. "After Apple gave in to the pressure, Musi sued (PDF) in October, hoping to quickly secure an injunction that would force Apple to reinstate Musi in the App Store until the copyright allegations were decided," reports Ars. "But a hearing on that motion isn't scheduled until January, making it appear unlikely that Musi will be available again to download until sometime next year."

Further reading: Google, Apple Drive 'Black Box' IP Policing with App Store Rules

Comcast plans to spin off several of its cable TV networks into a standalone company as it shifts focus to streaming and other profitable ventures like Peacock, theme parks, and broadband services. The Associated Press reports: Those one-time stars for Comcast's NBCUniversal cable television networks include USA, Oxygen, E!, SYFY and Golf Channel, as well as CNBC and MSNBC. Movie ticketing platform Fandango and the Rotten Tomatoes movie rating site would also become part of the new company. Peacock will remain with Comcast, as will Bravo, which provides significant content for the Peacock streaming service.

Comcast telegraphed the potential shift last month as it released quarterly earnings before confirming Wednesday that it will spin off assets that generated about $7 billion in revenue over he past 12 months ending September 30. That's about 5.5% of Comcast's total revenue during that period, according to the company. But there is a shrinking pool of cable subscribers as millions cut the cord and rely increasingly on streaming platforms for entertainment.

Mark Lazarus, current chairman of NBCUniversal Media Group, will serve as the new entity's chief executive officer. Anand Kini, the current chief financial officer of NBCUniversal, will take on the same title with the new company as well as the chief operating officer role. [...] Comcast expects the new company to have the financial flexibility to be "a potential partner and acquirer of other complementary media businesses." The spin-off is targeted for completion in about a year, the entertainment giant said, pending financing and approval from its board and government regulators. "Like millions of US consumers, Comcast finally cut the cord by divesting itself of most of its cable TV channels," said Paul Verna, principal analyst at market research company eMarketer. "The benefits are clear to Comcast. It's dropping money-losing assets from a technology and media empire that will retain its lucrative (internet service provider) business, theme parks, broadcast networks, and Peacock streaming service."

According to a new report from Bloomberg, Apple plans to license some of its Apple TV+ content to competing services in an effort to save money and spread its reach. From the report: Apple has hired an executive to license its original productions to other companies, a strategy designed to increase sales from its film business and improve the visibility of its content. [...] Apple is focused on licensing its movies to other companies, such as foreign TV networks and stores, where viewers can rent or buy them, according to a person familiar with the plans. The company isn't planning to license its original TV shows to third parties. (At least not yet.)"

Chief Executive Officer Tim Cook and services boss Eddy Cue have pushed the team overseeing Apple TV+ to lower costs, improve the financial performance of the service and deliver more hits. The company has spent billions of dollars on original films and TV shows and has received strong reviews and praise from critics. Yet few of its titles have attracted a large audience and its streaming service doesn't make money. Apple has already started selling TV+ via Amazon in a bid to increase the audience for the service. Licensing to third parties will generate additional revenue and introduce Apple movies to people who don't yet pay for TV+. Since Apple TV+ launched in 2019, Apple has spent over $20 billion to build a library of original content. Yet, the streaming service only garnered 0.3 percent of U.S. screen viewing time in June 2024, according to Nielsen. "Apple TV+ generates less viewing in one month than Netflix does in one day," wrote Bloomberg's Lucas Shaw in July.

Ars Technica notes that Apple is estimated to have 25 million subscribers, making it "one of the smallest mainstream streaming services."

Bose has acquired the high-end audio brand McIntosh, a move the company says will "significantly" expand its product lineup and open "new opportunities in the automotive sector." The Verge reports: McIntosh has already designed a sound system for some Jeep models, but Bose's audio setups are found within a wider range of cars from automakers like Chevy, Honda, Nissan, Cadillac, and many others. It doesn't look like Bose or McIntosh will make any changes to their existing products. Bose says it will continue to launch its headphones, speakers, soundbars, and in-car audio, while McIntosh and Sonus faber will keep developing premium audio products, including amplifiers, loudspeakers, and turntables. "Over the last six decades we've delivered the best premium audio experiences possible; now, with McIntosh Group in our portfolio, we can unlock even more ways to bring music to life in the home, on-the-go and in the car," Bose CEO Lila Snyder said in a press release. "We look forward to honoring the heritage of these brands, investing in their future and pushing the boundaries of audio innovation to bring customers experiences they've never heard before."

A new six-episode Dune series premiers tonight on HBO and Max — a prequel to the Denis Villeneuve-directed Dune movies set 10,000 years before the birth f Paul Atreides. The Hollywood Reporter writes that it "draws on source material from the 2012 novel Sisterhood of Dune by Brian Herbert and Kevin J. Anderson, and Frank Herbert's 1965 novel Dune, the origin of the Dune universe." Cord-cutters can stream Dune: Prophecy online without cable on Max, with subscriptions starting at $9.99 per month through both Prime Video and the Max website directly. Amazon offers a seven-day free trial to the Max channel. Those who want to watch Dune: Prophecy online without a traditional cable service can also get Max as an add-on to existing streaming services, including Hulu and DirecTV Stream.
The San Francisco Chronicle describes the series as "">all palace intrigues, agonizing deaths and magical mind games." Taking a further cue from the network's top-rated Game of Thrones, this show indulges more sex and nudity than the Dune movies allow. It could be argued that elements like this introduce a liveliness often missing from the portentous big-screen behemoths, marking an improvement. Another fun touch here: Many characters are constantly baked.

Set a millennium before Frank Herbert's novels and the films' events, and a century after humans overthrew their "thinking machine" overlords, the psychoactive "Spice" from the desert planet Arrakis is already the most valued substance in the universe. It's not only vital for spaceship navigation and to expand the mental powers of sorceressy sisterhoods like the Bene Gesserit, it's the club drug of choice for younger members of the galaxy-ruling Great Houses. As ever with "Dune" business, control of the Spice trade fuels much of the conflict and character motivations.

Of which there are just enough to keep things interesting without becoming confusing... While the show can't match the outsize visual scope of Denis Villeneuve's films, it does pleasingly approximate those vast alien landscapes, Brutalist edifices and high-ceilinged chambers on a TV budget. For those who find Villeneuve's formal gigantism oppressive, the series' more human scale might be another welcome change of pace... There may not be an original thought in this "Dune" product's Spice-soaked head, but it is one professionally put-together piece of this sort of entertainment.
"Tasked with making more material with less money and time, Prophecy cannot hope to equal Villeneuve's aesthetic accomplishments," writes Variety. "But at its best, the show does justice to the intricate politics and ethical debates that form a cornerstone of Frank Herbert's fictional universe... The primary Dune plot finds many echoes throughout Prophecy..."

On the other hand, Vulture argues the six-episode series is "stuck in prequel quicksand," even calling it "an act of cowardice and abdication of creativity" (while also noting moments where it "feels like it's stretching itself to be something other than what we expect..."

"Here's how Apple's next major product will work," writes Bloomberg's Mark Gurman: The company has been developing a smart home command center that will rival products like the Amazon Echo Hub and Google Nest Hub... The product will run many of Apple's core apps, like Safari, Notes and Calendar, but the interface will be centered on a customizable home screen with iOS-like widgets and smart home controls... The device looks like a low-end iPad and will include a built-in battery, speakers and a FaceTime camera oriented for a horizontal landscape view. The square device, which includes a roughly 6-inch screen, has sensors that let it change the interface depending on how far a user is from the screen. It will also have attachments for walls, plus a base with additional speakers so it can be placed on a table, nightstand or desk.

Apple envisions customers using the device as an intercom, with people FaceTiming each other from different rooms. They'll also be able to pull up home security footage, control their lights, and videoconference with family while cooking in the kitchen. And it will control music throughout the home on HomePod speakers. The device will work with hundreds of HomeKit-compatible items, a lineup that includes third-party switches, lights, fans and other accessories. But the company doesn't plan to roll out a dedicated app store for the product. Given the lack of success with app marketplaces for the Vision Pro, Apple Watch and Apple TV, that's not too surprising.
Looking ahead, the article concludes "The success of this device is still far from assured. Apple's recent track record pushing into new categories has been spotty, and its previous home products haven't been major hits."

But Gurman shares the most interesting part on X.com: If the product does catch on, it will help set the stage for more home devices. Apple is working on a high-end AI companion with a [$1,000] robotic arm and large display that could serve as a follow-up. The company could also put more resources into developing mobile robots, privacy-focused home cameras and speakers. It may even revisit the idea of making an Apple-branded TV set, something it's evaluating. But if the first device fails, Apple may have to rethink its smart home ambitions once again.
Gurman also writes that Apple is also working on a new AirTag with more range and improved privacy features (including "making it more difficult for someone to remove the speaker.")

During a public joint hearing today titled "Unidentified Anomalous Phenomena: Exposing the Truth," four experts testified that the U.S. is running secret UAP programs, including crash retrieval and reverse-engineering programs for advanced nonhuman technology. Although the Pentagon maintains there's no evidence of alien spacecraft, witnesses like Luis Elizondo and Michael Gold argue that UAPs represent an intelligence enigma and call for open, stigma-free study to address potential security concerns and unknown scientific possibilities. NPR reports: Tim Gallaudet, retired rear admiral, U.S. Navy; CEO of Ocean STL Consulting, LLC
"Confirmation that UAPs are interacting with humanity came for me in January 2015," Gallaudet said in his written testimony (PDF). He describes being part of a pre-deployment naval exercise off the U.S. East Coast that culminated in the famous "Go Fast" video, in which a Navy F/A-18 jet's sensors recorded "an unidentified object exhibiting flight and structural characteristics unlike anything in our arsenal." He was among a group of commanders involved in the exercise who received an email containing the video, which was sent by the operations officer of Fleet Forces Command, Gallaudet said. "The very next day, the email disappeared from my account and those of the other recipients without explanation," he said.

Luis Elizondo, author and former Department of Defense official
Elizondo's written testimony (PDF) was brief and alleged that a secretive arms race is playing out on the global stage. "Let me be clear: UAP are real," he wrote. "Advanced technologies not made by our Government -- or any other government -- are monitoring sensitive military installations around the globe. Furthermore, the U.S. is in possession of UAP technologies, as are some of our adversaries." Elizondo is a former intelligence officer who later "managed a highly sensitive Special Access Program on behalf of the White House and the National Security Council," according to his official bio (PDF). "By 2012, [Elizondo] was the senior ranking person of the DOD's Advanced Aerospace Threat Identification Program, a secretive Pentagon unit that studied unidentified anomalous phenomena," his bio states, adding that he resigned in 2017.

Michael Gold, former NASA associate administrator of space policy and partnerships; member of NASA UAP Independent Study Team
Gold's written testimony (PDF) stressed the need for government agencies and academics to "overcome the pernicious stigma that continues to impede scientific dialogue and open discussions" about unexplained phenomena. "As the saying goes, the truth is out there," Gold said, "we just need to be bold enough and brave enough to face it."

Michael Shellenberger, founder of Public, a news outlet on the Substack platform
Shellenberger's testimony (PDF) ran to some 214 pages, including a lengthy timeline of UAP reports from 1947 to 2023. Shellenberger pressed the White House and Congress to act, calling for the adoption of UAP transparency legislation and cutting funds for any related programs that aren't disclosed to lawmakers. "UAP transparency is bi-partisan and critical to our national security," his written testimony stated. You can watch the proceeding here.

Longtime Slashdot reader thephydes writes: The hearing will go ahead on November 13 at 11:30 ET (16:30 GMT). Apparently, it will "further pull back the curtain on secret UAP research programs conducted by the U.S. government, and undisclosed findings they have yielded," according to a House statement. It's driven by two republicans, Nancy Mace (R-S.C.) and Glenn Grothman (R-Wis.), who say: "Americans deserve to understand what the government has learned about UAP sightings, and the nature of any potential threats these phenomena pose. We can only ensure that understanding by providing consistent, systemic transparency. We look forward to hearing from expert witnesses on ways to shed more light and bring greater accountability to this issue." "Expert witnesses in the hearing will include Luis Elizondo, a decorated former counterintelligence officer who has claimed for years that the U.S. government is hiding knowledge of UAP, including materials recovered from crashed flying saucers," reports Space.com. "The House hearing will also include Tim Gallaudet, a retired U.S. Navy Rear Admiral who observed unidentified submersible objects, arguing that 'these underwater anomalies jeopardize US maritime security.'"

"Other speakers at the hearing include journalist Michael Shellenberger, who has also claimed the U.S. government is hiding UFO crash retrieval programs, and former NASA Associate Administrator of Space Policy and Partnerships Michael Gold, who is a member of NASA's independent UAP study team."

If you have Spotify's soon-to-be-bricked Car Thing, there are a few ways you can give it a new lease on life. YouTuber Dammit Jeff has showcased modifications to Car Thing that makes the device useful as a desktop music controller, customizable shortcut tool, or a simple digital clock. Ars Technica's Kevin Purdy reports: Spotify had previously posted the code for its uboot and kernel to GitHub, under the very unassuming name "spsgsb" and with no announcement (as discovered by Josh Hendrickson). Jeff has one idea why the streaming giant might not have made much noise about it: "The truth is, this thing isn't really great at running anything." It has half a gigabyte of memory, 4GB of internal storage, and a "really crappy processor" (Amlogic S905D2 SoC) and is mostly good for controlling music.

How do you get in? The SoC has a built-in USB "burning mode," allowing for a connected computer, running the right toolkit, to open up root access and overwrite its firmware. Jeff has quite a few issues getting connected (check his video description for some guidance), but it's "drag and drop" once you're in. Jeff runs through a few of the most popular options for a repurposed Car Thing:

- DeskThing, which largely makes Spotify desk-friendly, but adds a tiny app store for weather (including Jeff's own WeatherWave), clocks, and alternate music controls
- GlanceThing, which keeps the music controls but also provides some Stream-Deck-like app-launching shortcuts for your main computer.
- Nocturne, currently invite-only, is a wholly redesigned Spotify interface that restores all its Spotify functionality.