As Warner Bros. Discovery prepares to crack down on password sharing, its Max streaming service is rolling out a new feature called the Extra Member Add-On. "Similar to Netflix's paid sharing model, the new feature allows users to add an extra person who does not live in the same household as the primary account holder to their subscription for a monthly fee," reports CNBC. From the report: Priced at $7.99 a month, the friend or family member of the account owner gets their own stand-alone account under the same subscription. Existing profiles attached to customers who do not live within the primary household can be transferred to these new account types, which means their watch history and recommendations will follow them to the new account. At least for now, the option is limited to one add-on profile per subscription.

"Extra Member Add-On and Profile Transfer are two key Max advancements, designed to help viewers with a new way to enjoy our best-in-class content at an exceptional value, and offer subscribers greater flexibility in managing their accounts," said JB Perrette, CEO of global streaming and games at Warner Bros. Discovery, in a statement Tuesday.

An anonymous reader quotes a report from Ars Technica: In 2019, Garrett Mitchell was already an Internet success. His YouTube channel, Cleetus McFarland, had over a million followers. If you perused the channel at that time, you would've found a range of grassroots motorsports videos with the type of vehicular shenanigans that earn truckloads of views. Some of those older videos include "BLEW BY A COP AT 120+mph! OOPS!," "THERE'S A T-REX ON THE TRACK!," and "Manual Transmission With Paddle Shifters!?!." Those videos made Mitchell, aka Cleetus McFarland, a known personality among automotive enthusiasts. But the YouTuber wanted more financial independence beyond the Google platform and firms willing to sponsor his channel. " after my YouTube was growing and some of my antics [were] getting videos de-monetized, I realized I needed a playground," Mitchell told Ars Technica in an email.

Mitchell found a road toward new monetization opportunities through the DeSoto Super Speedway. The Bradenton, Florida, track had changed ownership multiple times since opening in the 1970s. The oval-shaped racetrack is three-eighths of a mile long with 12-degree banking angles. By 2018, the track had closed its doors and was going unused. DeSoto happened to be next to Mitchell's favorite drag strip, giving the YouTuber the idea of turning it into a stadium where people could watch burnouts and other "massive, rowdy" ticketed events. Mitchell added: "So I sold everything I could, borrowed some money from my business manager, and went all in for [$]2.2 million." But like the rest of the world, Mitchell hit the brakes on his 2020 plans during COVID-19 lockdowns. Soon after his purchase, Mitchell couldn't use the track, renamed Freedom Factory, for large gatherings, forcing him to reconsider his plans. "We had no other option but to entertain the people somehow. And with no other racing goin' on anywhere, we bet big on making something happen. And it worked," Mitchell said. That "something" was a pay-per-view (PPV) event hosted from the Freedom Factory in April 2020.

The event led to others and, eventually, Mitchell running his own subscription video on demand (SVOD) service, FRDM+, which originally launched as Cleetervision in 2022. Today, a FRDM+ subscription costs $20 per month or $120 per year. A subscription provides access to an impressive library of automotive videos. Some are archived from Mitchell's YouTube channel. Other, exclusive videos feature content such as interviews with motorsports influencers and members of Mitchell's staff and crew, and outrageous motorsports stunts. You can watch videos from other influencers on FRDM+, and the business can also white-label its platform into other influencers' websites, too. "Today, bandwidth isn't a problem for FRDM+, and navigating the streaming service doesn't feel much different from something like Netflix," writes Ars Technica's Scharon Harding. "There are different 'channels' (grouped together by related content or ongoing series) on top and new releases and upcoming content highlighted below. There are horizontal scrolling rows, and many titles have content summaries and/or trailers. The platform also has a support section with instructions for canceling subscriptions."

"Due to wildly differing audiences, markets, costs, and scales, comparing FRDM+'s financials to the likes of Netflix and other mainstream streaming services is like comparing apples to oranges. But it's interesting to consider that FRDM+ has achieved profitability faster than some of those services, like Peacock, which also launched in 2020, and Apple TV+, which debuted in 2019."

Films made with the help of AI will be able to win top awards at the Oscars, according to its organisers. From a report: The Academy of Motion Picture Arts and Sciences issued new rules on Monday which said the use of AI and other digital tools would "neither help nor harm the chances of achieving a nomination."

[...] The Academy said it would still consider human involvement when selecting its winners. The Academy said its new language around eligibility for films made using generative AI tools was recommended by its Science and Technology Council. Under further rule changes announced on Monday, Academy members must now watch all nominated films in each category in order to be able to take part in the final round of voting, which decides upon winners.

A new Star Wars movie — starring Ryan Gosling and directed by Shawn Levy — will be released in 2027, the two announced Friday at the "Star Wars Celebration" (a fan event in Japan). CNN reports: Set to begin production this fall, the movie will be set approximately five years after "Star Wars: Episode IX — The Rise of Skywalker," released in 2019, but will sit outside the Skywalker story as a standalone film. "The film... is an entirely new adventure featuring all-new characters set in a period of time that has not been explored on screen," said a statement from Lucasfilm, the owner of the "Star Wars" franchise...

"The script is just so good, the story, it has so much adventure, so much heart and original character. It's an opportunity to shine the light into a side of the universe that we may not have seen," Gosling said. Levy, the director of "Deadpool & Wolverine," told the crowd the film would have all the "fun of 'Star Wars'" but it would be done "in ways that are new and original...."

The next movie in the franchise, "The Mandalorian & Grogu," a spin-off of "The Mandalorian" series, directed by Jon Favreau, will hit cinemas in May 2026.
USA Today notes that more new Star Wars movies have also been announced: Daisy Ridley is set to star in a film that will see her character, Rey, building a new Jedi Order after the events of "The Rise of Skywalker." [This is sometimes referred to as "Star Wars Episode X: New Jedi Order."]

"Logan" filmmaker James Mangold has also been tapped to direct a movie about the dawn of the Jedi, and [Dave] Filoni is directing one said to "close out the interconnected stories" told in the live-action Disney+ shows like "The Mandalorian."

An anonymous reader quotes a report from Popular Mechanics: American composer Alvin Lucier was well-known for his experimental works that tested the boundaries of music and art. A longtime professor at Wesleyan University (before retiring in 2011), Alvin passed away in 2021 at the age of 90. However, that wasn't the end of his lifelong musical odyssey. Earlier this month, at the Art Gallery of Western Australia, a new art installation titled Revivification used Lucier's "brain matter" -- hooked up to an electrode mesh connected to twenty large brass plates -- to create electrical signals that triggered a mallet to strike the varying plates, creating a kind of post-mortem musical piece. Conceptualized in collaboration with Lucier himself before his death, the artists solicited the help of researchers from Harvard Medical School, who grew a mini-brain from Lucier's white blood cells. The team created stem cells from these white blood cells, and due to their pluripotency, the cells developed into cerebral organoids somewhat similar to developing human brains. "At a time when generative AI is calling into question human agency, this project explores the challenges of locating creativity and artistic originality," the team behind Revivification told The Art Newspaper. "Revivification is an attempt to shine light on the sometimes dark possibilities of extending a person's presence beyond the seemed finality of death."

"The central question we want people to ask is: could there be a filament of memory that persists through this biological transformation? Can Lucier's creative essence persist beyond his death?" the team said.

Netflix's Q1 revenue rose to $10.5 billion, a 13% increase from last year, while net income grew to $2.9 billion. The company says it expects more growth in the coming months when it sees "the full quarter benefit from recent price changes and continued growth in membership and advertising revenue." The Verge reports: Netflix raised the prices across most of its plans in January, with its premium plan hitting $24.99 per month. It also increased the price of its Extra Member option -- its solution to password sharing -- to $8.99 per month. Though Netflix already rolled out the increase in the US, UK, and Argentina, the streamer now plans to do the same in France. This is the first quarter that Netflix didn't reveal how many subscribers it gained or lost. It decided to only report "major subscriber milestones" last year, as other streams of revenue continue to grow, like advertising, continue to grow. Netflix last reported having 300 million global subscribers in January.

During an earnings call on Thursday, Netflix co-CEO Greg Peters said the company expects to "roughly double" advertising revenue in 2025. The company launched its own advertising technology platform earlier this month. There are some changes coming to Netflix, too, as Peters confirmed that its homepage redesign for its TV app will roll out "later this year." He also hinted at adding an "interactive" search feature using "generative technologies," which sounds a lot like the AI feature Bloomberg reported on last week. Further reading: Netflix CEO Counters Cameron's AI Cost-Cutting Vision: 'Make Movies 10% Better'

Amazon plans to release its first TV streaming device powered by Vega OS later this year while courting major publishers to bring their apps to the platform, according to Lowpass, which cites sources familiar with the company's plans and multiple leaks.

Vega, a Linux-based operating system, may eventually replace Amazon's Android-based Fire OS across its device ecosystem. The company has already implemented Vega in three products: the Echo Show 5 and Echo Hub smart displays, as well as the Echo Spot smart clock/speaker. The tech giant has moved more cautiously in transitioning its TV hardware to Vega, having previously delayed a Vega-powered streaming stick originally slated for release in late 2024.

LG is partnering with Zenapse to integrate AI-driven emotional intelligence into its smart TVs, enabling hyper-targeted ads based on viewers' psychological traits, emotions, and behaviors. Ars Technica reports: The upcoming advertising approach comes via a multi-year licensing deal with Zenapse, a company describing itself as a software-as-a-service marketing platform that can drive advertiser sales "with AI-powered emotional intelligence." LG will use Zenapse's technology to divide webOS users into hyper-specific market segments that are supposed to be more informative to advertisers. LG Ad Solutions, LG's advertising business, announced the partnership on Tuesday.

The technology will be used to inform ads shown on LG smart TVs' homescreens, free ad-supported TV (FAST) channels, and elsewhere throughout webOS, per StreamTV Insider. LG will also use Zenapse's tech to "expand new software development and go-to-market products," it said. LG didn't specify the duration of its licensing deal with Zenapse. Zenapse's platform for connected TVs (CTVs), ZenVision, is supposed to be able to interpret the types of emotions shown in the content someone is watching on TV, partially by using publicly available information about the show's or movie's script and plot, StreamTV Insider reported. ZenVision also analyzes viewer behavior, grouping viewers based on their consumption patterns, the publication noted. Under the new partnership, ZenVision can use data that LG has gathered from the automatic content recognition software in LG TVs.

With all this information, ZenVision will group LG TV viewers into highly specified market segments, such as "goal-driven achievers," "social connectors," or "emotionally engaged planners," an LG spokesperson told StreamTV Insider. Zenapse's website for ZenVision points to other potential market segments, including "digital adopters," "wellness seekers," "positive impact & environment," and "money matters." Companies paying to advertise on LG TVs can then target viewers based on the ZenVision-specified market segments and deliver an "emotionally intelligent ad," as Zenapse's website puts it.

About 18% of songs uploaded to Deezer are fully generated by AI, the French streaming platform said on Wednesday, underscoring the technology's growing use amid copyright risks and concerns about fair payouts to artists. From a report: Deezer said more than 20,000 AI-generated tracks are uploaded on its platform each day, which is nearly twice the number reported four months ago. "AI-generated content continues to flood streaming platforms like Deezer and we see no sign of it slowing down," said Aurelien Herault, the company's innovation chief.

Google is rolling out Veo 2 video generation in the Gemini app for Advanced subscribers, allowing users to create eight-second, 720p cinematic-style videos from text prompts. 9to5Google reports: Announced at the end of last year, Veo 2 touts "fluid character movement, lifelike scenes, and finer visual details across diverse subjects and styles," as well as "cinematic realism," thanks to an understanding of real-world physics and human motion. In Gemini, Veo 2 can create eight-second video clips at 720p resolution. Specifically, you'll get an MP4 download in a 16:9 landscape format. There's also the ability to share via a g.co/gemini/share/ link. To enter your prompt, select Veo 2 from the model dropdown on the web and mobile apps. Just describe the scene you want to create: "The more detailed your description, the more control you have over the final video." It takes 1-2 minutes for the clip to generate. [...]

On the safety front, each frame features a SynthID digital watermark. Only available to Gemini Advanced subscribers ($19.99 per month), there is a "monthly limit" on how many videos you can generate, with Google notifying users when they're close. It is rolling out globally -- in all languages supported by Gemini -- starting today and will be fully available in the coming weeks.

Alamo Drafthouse will not implement Meta's new Movie Mate technology during the April 30 nationwide rerelease of Blumhouse's "M3GAN," Variety reports. The specialty theater chain confirmed it will maintain its strict no-phones policy despite Universal's promotion of the second-screen experience, with staff instructed to remove patrons attempting to access the feature during screenings.

Movie Mate represents Meta's first integration of its interactive movie technology, which operates via Instagram direct messaging. Users message the film's official account to activate a chatbot delivering "sneak peeks, exclusive recorded messages from directors and talent" synchronized with the screening. The "M3GAN" event serves as Meta's technological debut ahead of potential wider theatrical implementation.

Long-time Slashdot reader sandbagger brings news that in June "a rare screening of the original 1977 Star Wars movie — complete with Han shooting first — will be shown at a theater in London..."

Petapixel reports: Subsequent alterations made to the film are well-documented: Han Solo being shot at by the bounty hunter Greedo first, rather than the original in which anti-hero Han killed Greedo without being shot at. Then there is the addition of a CGI Jabba the Hutt who was only mentioned by name in the 1977 release. Fans have also complained about the color grading painted on re-releases.

But for those attending the British Film Institute (BFI)'s Film on Film festival in London, they are in for a treat. Star Wars will play not once but twice on the opening night on June 12... BFI says the print is "unfaded" and "ready to transport us to a long time ago, and a galaxy far, far away, back to the moment in 1977 when George Lucas's vision cast a spell on cinema audiences."

Lucas has little sympathy for those who want to see his first version of the film, telling the Associated Press in 2004, "I'm sorry you saw half a completed film and fell in love with it. But I want it to be the way I want it to be."
The film festival promises "a glorious dye-transfer" of Star Wars — and will also show "a pristine 35mm print of the original US pilot episode of Twin Peaks, screening for the first time ever in the UK" — followed by a Q&A with the 1990 show's original star Kyle MacLachlan. On display to coincide with the opening night screening there is also a rare opportunity to view material from the original continuity script for Star Wars, which includes rare on-set Polaroids, annotations and deleted scenes. The script is from the collection of Ann Skinner, script editor on the original film, and is now cared for by the BFI National Archive.

Director James Cameron argues that blockbuster filmmaking can only survive if the industry finds ways to "cut the cost of [VFX] in half," with AI potentially offering solutions that don't eliminate jobs.

"If we want to continue to see the kinds of movies that I've always loved and that I like to make -- 'Dune,' 'Dune: Part Two,' or one of my films or big effects-heavy, CG-heavy films -- we've got to figure out how to cut the cost of that in half," Cameron said.

Rather than staff reductions, Cameron envisions AI accelerating VFX workflows: "That's about doubling their speed to completion on a given shot, so your cadence is faster and your throughput cycle is faster, and artists get to move on and do other cool things."

Hours after Donald Trump imposed record 125% tariffs on Chinese products entering the US, China has announced it will further curb the number of US films allowed to screen in the country. From a report: "The wrong action of the US government to abuse tariffs on China will inevitably further reduce the domestic audience's favourability towards American films," the China Film Administration said in a statement on Thursday. "We will follow the market rules, respect the audience's choice, and moderately reduce the number of American films imported."

The move mirrors the potential countermeasure suggested by two influential Chinese bloggers earlier in the week, warning that "China has plenty of tools for retaliation." Both Liu Hong, a senior editor at Xinhuanet, the website of the state-run Xinhua news agency, as well as Ren Yi, the grandson of former Guangdong party chief Ren Zhongyi, posted an identical proposal involving a heavy reduction on the import of US movies and further investigation of the intellectual property benefits of American companies operating in China. China is the world's second largest film market after the US.

Meta is partnering with Blumhouse to launch "Movie Mate" technology that encourages moviegoers to use their phones during theatrical screenings, beginning with an April 30 showing of "Megan" at Blumhouse's "Halfway to Halloween Film Festival." According to Variety, the system enables viewers to chat with a Megan-themed AI chatbot, answer trivia questions, and access behind-the-scenes information while watching the film in theaters.

BrianFagioli writes: In a move that is sure to make longtime PC users do a double take, the Library of Congress has added two very unexpected sounds to its National Recording Registry. No, it's not another classic rock album or jazz staple. Believe it or not, it's actually the "Reboot Chime" from Windows 95 (that played when the operating system started) and the soundtrack from Minecraft!

Children in a small Japanese town are obsessively collecting trading cards featuring local elderly men rather than popular fantasy creatures, helping bridge generational gaps in an aging rural community.

In Kawara, Fukuoka Prefecture, the "Ojisan TCG" (Middle-aged Man Trading Card Game) features 28 local men with assigned elemental types and battle stats. The collection includes a former fire brigade chief and a prison officer-turned-volunteer whose card has become so sought-after that children request his autograph.

Created by Eri Miyahara of the Saidosho Community Council, the initiative has doubled participation in town events. "We wanted to strengthen the connection between children and older generations," Miyahara told Fuji News Network. "So many kids are starting to look up to these men as heroic figures."

"Three Microsoft CEOs walk into a room..." Satya Nadella posted on X.com, "and are interviewed by Copilot!"

As part of Microsoft's 50th anniversary celebration, Microsoft CEO Nadella joined former Microsoft CEOs Bill Gates and Steve Ballmer in a funny two-minute video (also available on YouTube) in which Nadella asks Copilot for an AI-powered roast of each of them.

"All right Satya," Copilot answers. "Let's spice it up..." Copilot: Steve, we'll start with you. Your enthusiasm is legendary. But do you ever worry that your energy might short-circuit the AI? I mean, even robots need a coffee break after your pep talks.

Steve Ballmer: Come on dude! If you can't handle me, you can't handle a huge percentage of the world's population! We're counting on you!

Copilot: Ha ha, fair point Steve. Now Bill, you've got that signature thoughtful gaze. But do you ever think the AI might feel intimidated by your intense thinking face? I mean, it's like it's waiting for a blue screen moment.

Bill Gates: I hope so. I mean, it's all I've got left as the AIs get so damn intelligent. It's just that gaze and my willingness to criticize that differentiates me.

Copilot: And it's a formidable gaze indeed, Bill.

Steve Ballmer: Copilot, would you ever be willing to criticize him?

Copilot: Absolutely. Criticism is where growth happens. Now Satya, AI seems to be your best buddy — but ever worry that your deep passion for AI could one day have it running the show, leaving you to just enjoy the ride?

Satya Nadella: Well, the day AI can play like the best cricket player that I enjoy, that's the day it can run the show, as far as I'm concerned.

Copilot: Touche, Satya. Let's see if it can hit a century in cricket and then we'll talk.

This has been a blast, gentlemen. Here's to another 50 years of innovation and adventure. Cheers.

Ballmer, Nadella, and Gates: Cheers.

Bill Gates: Whatever that means to an AI. Does it drink?

It was already the best-selling videogame of all time, notes the Hollywood Reporter. And A Minecraft Movie just had the biggest opening ever for a video game movie adaptation. WIth a production budget of $150 million, it earned in $157 million in just its first weekend in the U.S., with a worldwide total of $301 million.

A Warner Bros. executive called the movie "lightning in a bottle," while the head of co-producer Legendary Pictures acknowledged the game is a global phenomon, according to the article. (About the movie's performance, the executive "said the opening is a both a reflection of the mandate to celebrate the world of Minecraft in a joyful way, and the singular experience that only theatrical can offer."

But an unfinished version leaked online before the movie was even released, reports Variety Screenshots and footage from the fantasy adventure were being shared widely on social media platforms this week, and were also available on file sharing sites. The images and scenes have uncompleted visual effects. Most of the footage was quickly taken down by the rights holders. Although pirated footage is a common problem for major film releases, it's rare to have a working print leak online in this way, raising questions about how such an early version of the movie was accessed, stolen and then shared.

This October will see the release of a film that's nearly 43 years in the making, reports Ars Technica: It's difficult to underestimate the massive influence that Disney's 1982 cult science fiction film, TRON, had on both the film industry — thanks to combining live action with what were then groundbreaking visual effects rife with computer-generated imagery — and on nerd culture at large. Over the ensuing decades there has been one sequel, an animated TV series, a comic book miniseries, video games, and theme park attractions, all modeled on director Steve Lisberg's original fictional world.

Now we're getting a third installment in the film franchise: TRON: Ares, directed by Joachim Rønning (Pirates of the Caribbean: Dead Men Tell No Tales, Maleficent: Mistress of Evil), that serves as a standalone sequel to 2010's TRON: Legacy. Disney just released the first trailer and poster art, and while the footage is short on plot, it's got the show-stopping visuals we've come to expect from all things TRON.
The film's director says it "builds upon the legacy of cutting-edge design, technology and storytelling, according to an official statement from Disney. And here's how they describe the plot. "TRON: Ares follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind's first encounter with A.I. beings."

Share your thoughts in the comments. (Anyone remember playing the Tron videogame?)

The first episode of 2012's animated Tron: Uprising is available on the Disney XD YouTube channel...