Two LAPD officers who were fired from their jobs in 2017 for playing Pokemon Go while on duty have had their appeal for reinstatement denied by a California judge. From a report: The officers' squad car video camera showed the two officers, Louis Lozano and Eric Mitchell, ignored a request for backup to play the game, according to court documents. The pair were stationed near a robbery in progress, and after the responding officers put out a call for backup, Lozano and Mitchell seemingly ignored the call and left the area. When asked later why they hadn't responded to the call, the two officers said they were in a loud area and couldn't hear their radio. Lozano and Mitchell's supervisor was skeptical of their explanation and checked the in-car recording system (commonly known as a dashcam), which revealed the two had heard the call and chose to go elsewhere as they didn't want to help. The supervisor reported the incident, which opened a formal investigation. According to court filings, an extensive review of the in-car video system revealed that shortly after leaving the scene of the robbery, the two officers could be heard discussing Pokemon Go, including a Snorlax that had appeared and the best route to intercept and catch it.

Last night, Netflix's "The Power of the Dog" became the streamer's first-ever movie to take home a Golden Globe for best motion picture (drama). The movie also won for best director (Jane Campion) and best supporting actor (Kodi Smit-McPhee). As TechCrunch points out, "NBC announced in May 2021 it wouldn't broadcast the awards show this year after an investigation by The L.A. Times revealed the lack of diversity within the Hollywood Foreign Press Association (HFPA), the organization that hosts the annual event, as well as evidence of some members receiving gifts that amounted to bribes. [...] Instead, the event's winners were live-tweeted in an often bizarre fashion." From the report: In addition to being an overall quieter year as the HFPA tries to reform its organization following the controversies, the winning networks also aren't touting their victories as they would normally, despite some seeing some notable firsts and upsets. In prior years, HBO would be happily promoting its sweep over rivals. The network led the night with six wins, including four for HBO and two for HBO Max. Several of these were for its TV series "Succession," which won for best TV drama, TV drama actor (Jeremy Strong) and supporting actress (Sarah Snook.) HBO Max's comedy "Hacks" also notably beat out Emmy winner "Ted Lasso" (Apple TV+) as best comedy, and saw its lead, Jean Smart, win for best actress in a comedy. And Kate Winslet won best TV actress in a limited series for HBO's "Mare of Easttown."

Meanwhile, though Netflix led the year by nominations -- including for best dramatic film "The Power of the Dog" and drama series "Squid Game" -- it had said it wouldn't participate in the event until the HFPA institutes changes. That decision means it's also now not bragging about a couple of notable firsts that resulted from last night's awards. [...] In addition, Netflix's runaway hit TV series "Squid Game" received three nominations this year, leading to the first-ever win for South Korea, as South Korean actor O Yeong-su won for his role in the series, beating out "Succession's" Kieran Culkin (HBO) and "The Morning Show's" Billy Crudup (Apple TV+). Netflix also won for "tick, tick... BOOM!" when Andrew Garfield took the trophy for best actor in a motion picture (musical or comedy), though the tweet had forgotten to credit the project by name.

Apple TV+ took home one win last night, as "Ted Lasso's" Jason Sudeikis won best actor in a TV series (comedy). Hulu also got one Globe, as "Dopesick's" Michael Keaton won best actor in a TV limited series or motion picture made for television, while Amazon Prime Video's "The Underground Railroad" won the category. Amazon Prime Video's "Being the Ricardos" was highlighted with Nicole Kidman's win as best actress in a motion picture. In another milestone, the first trans actress to win a Golden Globe, FX's "Pose" star Michaela Jae Rodriguez, took home the trophy for best actress in a drama. 20th Century Studio/Disney's "West Side Story" won best picture (musical or comedy) and its stars, Rachel Zegler and Ariana DeBose, won best actress and supporting actress, respectively. Disney's "Encanto," which streamed on Disney+ just a month after hitting theaters, won best animated picture. Warner Bros.' "Dune" got the trophy for best score (Hans Zimmer), and Will Smith was named best actor in a motion picture (drama) for "King Richard." The best non-English language picture award went to the Japanese film "Drive My Car." You can view the full list of winners here.

Boomy is a new AI startup that helps users create their own songs using artificial intelligence software that does most of the heavy lifting. The BBC reports: You choose from a number of genres, click on "create song", and the AI will compose one for you in less than 30 seconds. It swiftly picks the track's key, chords and melody. And from there you can then finesse your song. You can do things such as add or strip-out instruments, change the tempo, adjust the volumes, add echoes, make everything sound brighter or softer, and lay down some vocals.

California-based, Boomy, was launched at the end of 2018, and claims its users around the world have now created almost five million songs. The Boomy website and app even allows people to submit their tracks to be listed on Spotify and other music streaming sites, and to earn money every time they get played. While Boomy owns the copyright to each recording, and receives the funds in the first instance, the company says it passes on 80% of the streaming royalties to the person who created the song. [CEO Alex Mitchell] adds that more than 10,000 of its users have published over 100,000 songs in total on various streaming services.

Long-time Slashdot reader destinyland writes: Yes, it's true. 83-year-old Tommy Chong and and 75-year-old Cheech Marin have reunited to create NFTs — a whole series of 'em — "bringing to life new characters and storylines," according to an official announcement, "while simultaneously celebrating Cheech & Chong's 50-plus year career of commercial and cultural success."

The NFT series will be called "Homies in Dreamland."

"As many know, I am deeply involved in the art community," Cheech says in the announcement. "As an early believer, I am glad we are introducing an NFT project now, ushering in a new era of branding for the duo and the art community."

And Tommy Chong calls NFTs "a new way for people to express themselves and reach out to others.

"Art is connecting with others and reaching the deeper parts of self. This can bring people from the NFT world into the world of Cheech and Chong, and together in the world of NFTs."
Last month Cheech and Chong even announced an official Discord channel for their NFT series — where they're also hosting movie and trivia nights. But "the holders of the NFT art collectible will gain access to a variety of utility, including future airdrops and special access/utility tokens randomly inserted throughout the collection."

The NFT series will release sometime this month, according to the announcement, with artwork by Jermaine Rogers, known for his poster art for musical acts including David Bowie, Childish Gambino, Tool, Foo Fighters, Radiohead, and Run The Jewels...

Amazon Prime Video's adaptation of the Fallout franchise of video games is entering production this year, and its two lead writers have been named, according to reports in Deadline and Variety. Ars Technica reports: It was previously known that Jonathan Nolan and Lisa Joy (who worked together on HBO's Westworld) would be executive producers, and Variety and Deadline both report that Nolan will direct the first episode of the show. But Nolan and Joy will not be the primary creative leads on the series. Rather, Geneva Robertson-Dworet and Graham Wagner have been attached as showrunners. Robertson-Dworet wrote the screenplays for the superhero movie Captain Marvel and the 2018 Tomb Raider film adaptation. She is also writing a future Star Trek film planned for release in 2023. Wagner is best known as one of the main writers on the sketch comedy series Portlandia and for work on modern sitcoms like The Office, Silicon Valley, and Baskets. Robertson-Dworet brings the science fiction and action/adventure credentials, and Wagner brings the comedy, covering two foundations of the Fallout franchise's narrative style.

For those unfamiliar, Fallout is a long-running video game franchise set in a post-apocalyptic alternate future where a cold war between China and the United States turns hot, leaving the world in a brutal nuclear winter with mutated creatures and violent bandits. Despite the grim setting, the series is known for its sense of humor as much as its darkness, with pop culture references, a 1950s aesthetic, heavy influences from pulp science fiction, and biting satire of American capitalism. The series originated as a slow-paced, top-down role-playing game on the PC in the 1990s, but the intellectual property was later bought by game publisher Bethesda Softworks.

Amazon is touting a major milestone for Fire TV, claiming it has sold more than 150 million of the streaming devices worldwide. And it announced deals with Ford Motor Co and Stellantis to bring Fire TV to the automakers' in-car entertainment systems. From a report: For comparison, Roku reported 56.4 million active streaming accounts across its family of devices as of the end of the third quarter of 2021 -- although that's a different metric than total devices sold. At the end of 2020, Amazon last reported having more than 50 million active Fire TV accounts. Amazon touted momentum for its connected-TV push, calling out the introduction last fall of the first Amazon-built TVs -- the Amazon Omni and 4-Series -- and a new, more powerful version of the Fire TV Stick 4K Max. According to the ecommerce giant, Fire TV Stick ranked as the top selling product on Amazon on Black Friday among all Amazon products, and customers purchased a record number of Fire TV smart TVs on Amazon.com the week of Black Friday, including models from Insignia, Toshiba, and Pioneer and the Amazon Fire TV Omni and 4-Series.

All 2021 and 2022 LG smart TVs will be equipped with a health education and telehealth app from the senior-focused health platform Independa, the company announced today. The platform will allow users to set up and have telehealth appointments through their TV. From a report: While telehealth visits via apps on smartphones and computers have become normal for many patients during the pandemic, using a TV-sized screen to see a doctor can be helpful for people with eyesight issues, says Kian Saneii, Independa's founder and CEO. It also makes it easier for doctors to ask people to stand up or show more of their body during the visit. "You can't hold your phone out far enough to show the right thing," he says. "Versus on the TV, you can walk around, you can bend your arm -- the actual engagement becomes more effective." Users have to set up separate accounts with the on-demand doctor and dentist services on the Independa platform, and they're prompted to do so through a QR code. Some people might be able to have their visit covered by insurance, but right now, most patients will pay a flat fee -- $75 for a dentist's call and around $55 for a doctor, Saneii says. That could be a barrier to some users. On-demand telehealth programs also often don't connect back to patients' medical records, which could make it difficult to pass information from those visits back to their regular doctors. Further reading: Samsung is Putting NFTs in Its Smart TVs.

Sony is setting some pretty grand expectations with its 2022 TV lineup -- led by the introduction of the world's first consumer QD-OLED TV. From a report: The company's current and well-regarded OLED sets use panels from LG Display that are tuned with Sony's own processing. But the new flagship Bravia XR A95K TV will include a QD-OLED (quantum dot organic light emitting diode) panel manufactured by none other than Samsung Display. It'll come in 65-inch and 55-inch sizes, with both coming in at 4K resolution. It was rumored that Samsung Electronics might announce a QD-OLED 4K TV at CES 2022, but that hasn't panned out so far. So it's Sony that gets the prime spotlight instead. Samsung Display has been developing QD-OLED for a number of years, and the display technology could become something of a middle step between standard OLED and the MicroLED displays that only Samsung is selling right now -- for ungodly sums of money. QD-OLED is designed to combine the best traits of OLED (perfect blacks, infinite contrast, etc.) with benefits of quantum dot LED TVs like improved brightness and more vivid color reproduction at higher brightness levels. It's not a major new approach like Micro LED, but more of a progression from where things have stood for a few years.

David Bowie's estate has sold his entire songwriting catalog to Warner Music, including classics like "Space Oddity," "Let's Dance" and "Heroes," in the latest blockbuster deal for music rights. The New York Times reports: Warner's music publishing division, Warner Chappell, announced the agreement on Monday, saying that it encompassed Bowie's entire corpus as a songwriter, from the material on his 1967 debut album, "David Bowie," to his final album, "Blackstar," released just before Bowie's death in 2016 at age 69. The deal, for more than 400 songs, also includes soundtrack music; the material for Bowie's short-lived band Tin Machine from the late 1980s and early '90s; and other works. The price of the transaction was not disclosed, but is estimated at about $250 million. "These are not only extraordinary songs, but milestones that have changed the course of modern music forever," Guy Moot, the chief executive of Warner Chappell, said in a statement. David Bowie, the so-called "most wired rock star on the planet," has been featured in a number of Slashdot stories over the years.

In 2002, Bowie talked about his new album, distribution deal with Sony, and how he's "fully confident that copyright, for instance, will no longer exist in 10 years, and authorship and intellectual property is in for such a bashing."

In the late 90s, Bowie advocated for MP3s, telling The Guardian that they "could change the entire idea of what music is -- and that isn't so bad." Years later, he seemed to agree that concert ticket prices needed to increase to offset the rise in P2P file sharing and illegal downloads.

The new version of Samsung's Eco Remote features "RF harvesting capabilities that let the remote preserve its charge by 'collecting routers' radio waves and converting them to energy,'" reports The Verge. It can also be charged with solar energy. From the report: Aside from the new RF harvesting option, the Eco Remote can be charged from both outdoor and indoor light or (for the fastest results) over USB-C. Samsung says it's introducing a white model of the remote this year, which the company says is meant to better complement its "lifestyle" TVs like The Frame, Serif, and Sero. As with the original remote, the intention here is to ditch AAA batteries. Samsung has previously estimated that switching to solar-powered remotes could avoid 99 million discarded batteries over the course of seven years. It has also explored other ways of self-charging the internal battery such as "harnessing the kinetic energy that's created when the remote is shaken" and "using the vibrational energy that's created when the microphone picks up sounds." But this time around it settled on adding RF harvesting as another way to keep the clicker functioning whenever you need it.

Russia's state media watchdog will require Netflix to offer state television channels to its Russian customers after it added the U.S.-based streaming service to its register of "audio-visual services" this week. From a report: Roskomnadzor's register, which was created in late 2020, applies to online streaming services with over 100,000 daily users and requires them to comply with Russian law and register a Russian company. Registered services are also required to provide streams of 20 major Russian federal television channels. From March 2022, Netflix will be obliged to offer broadcasts from flagship state-owned Channel One, entertainment-focused NTV and the Russian Orthodox Church's in-house channel Spas, which means "Saved," to its users within Russia. The laws that Netflix must now obey include controversial provisions banning the promotion of "extremism" -- a restriction which has been used against supporters of the anti-Kremlin opposition.

The top eight US media groups plan to spend at least $115bn on new movies and television shows next year in pursuit of a video streaming business that loses money for most of them. From a report: The huge investment outlays come amid concerns that it will be harder to attract new customers in 2022 after the pandemic-fuelled growth in 2020 and 2021. Yet the alternative is to be left out of the streaming land rush. "There is no turning back," said media analyst Michael Nathanson of MoffettNathanson. "The only way to compete is spending more and more money on premium content." The Financial Times calculated the planned expenditures based on company disclosures and analyst reports. One entertainment executive called them "mind-boggling." Most of the companies -- a list that includes Walt Disney, Comcast, WarnerMedia and Amazon -- are set to rack up losses on their streaming units. Including sports rights, the aggregate spending estimate rises to about $140bn. Disney's investment in streaming content is likely to grow 35-40 per cent in 2022, according to estimates by Morgan Stanley. The company's spending on all new movies and TV shows is expected to reach $23bn, though the number rises to $33bn including sports rights -- up 32 per cent from its total content spending in 2021 and 65 per cent from 2020.

The Metropolitan Police Department (MPD) has lost two floppy disks containing personal information on 38 people, the department announced on Dec. 27. From a report: The MPD said the floppy disks contained personal data on 38 people who had applied for public housing in Tokyo's Meguro Ward. The ward office had provided the personal information to the MPD to check if the applicants were affiliated with organized crime groups. Police said no leaks or misuse of the information have been confirmed at this point. According to the MPD's third organized crime control division, the names, dates of birth, and sex of 38 men in their 20s to 80s who had applied for Meguro Ward-run housing were recorded on the floppy disks. None of them were apparently affiliated with gangs. The police division and Meguro Ward signed an agreement in 2012 to check whether public housing applicants were affiliated with crime syndicates. Police received the floppy disks from the ward in December 2019 and February 2021 to conduct background checks, and kept them in the division's locked storage. The loss of the disks emerged after a Meguro Ward employee made a new inquiry to the police division on Dec. 7 and police went back to the disks to return them. Police say the disks may have been discarded accidentally.

LG is having a busy CES 2022 and the show hasn't even started. The company already revealed two bizarre OLED concepts and a pair of odd TVs, but today it made its most significant announcement yet by debuting OLED EX, the next generation of its OLED display technology. From a report: OLED EX (the EX stands for Evolution and eXperience, unfortunately) promises to boost maximum brightness, enhance picture quality, and allow for smaller display bezels. The underlying technology -- millions of individual self-lit pixels -- hasn't changed, but the use of an isotope called deuterium combined with algorithmic image processing can increase brightness by up to 30% over conventional OLED displays, LG claims. As boring as that may sound, the science behind it is actually pretty fascinating. LG found a way to extract deuterium, a rather scarce isotope (there is one deuterium atom in 6,000 hydrogen atoms) that's twice as heavy as hydrogen from water, then applied it to its TV's OLED elements. LG says stabilized deuterium compounds let the display emit brighter light while improving efficiency over time. Moving to the second change, LG is using a "personalized" machine learning algorithm that predicts the usage of each light-emitting diode (on up to 8K TVs) based on your viewing habits, then "precisely controls the display's energy input to more accurately express the details and colors of the video content being played."

A decentralized autonomous organization (DAO) wants to buy the defunct movie rental business Blockbuster and create a decentralized film streaming service out of it -- "with plans for movie financing and production down the road," reports The Block. From the report: The new DAO's name is, aptly, BlockbusterDAO. [...] To achieve its goals, BlockbusterDAO intends to raise $5 million to purchase Blockbuster from Dish Network, an American television provider that bought the movie rental company in 2011. BlockbusterDAO aims to raise the cash by selling BlockbusterDAO NFTs for 0.13 ETH (about $530 USD).

"One reported offer 'low-balled' $1.8 million for the brand, but it seems that the price tag is going to be higher to beat out any counter-offers," wrote the DAO's creator on Twitter. DAOs gained prominence in 2021 as a way for groups to democratically make decisions and achieve a common goal. They often use NFTs, governance tokens or other forms of cryptocurrency to vote on these decisions and raise funds for the DAO.

When The Matrix Resurrections premiered in San Francisco, the city's mayor "celebrated the appearance of her fair city in the film and cheered the film's economic contributions to the region," reports SFGate. "But there's a problem of aesthetics at play here... It is undeniably a dystopian hellscape where police rule the city and technology looms over all..." In the first section of the movie, the metaphor of the Matrix mirrors that of the tech industry depicted in the film. Tech is stereotypical here — lots of T-shirt-wearing men playing ping-pong and talking about how to design the next great video game. The most annoying character in the film, Jude (Andrew Caldwell), is a proxy for all annoying tech bros...
Meanwhile Politico writes that the original 1999 film The Matrix actually "changed politics, almost entirely by mistake," and calls the new Matrix Resurections "a sophisticated self-critique of the culture that swallowed it." In the past two decades, the idea of a "red pill" has taken on a life of its own in American culture, most prominently at first in an infamous misogynist subreddit, and then more broadly as a symbol of any kind of political awakening, almost always on the right. The idea has proliferated wildly throughout politics, and especially the darkest ideological corners of the internet, in which to be "red-pilled" means to realize that American society has been hopelessly debased by liberals, requiring a total rethink of its premises... Hugo Weaving, who memorably portrayed the original films' villain, lamented in a 2020 interview how people "will take something that they think is cool and they will repurpose it to fit themselves when the original intention or meaning of that thing was quite the opposite...." [T]he Wachowskis have been largely silent about the "meaning" of their creation — a movie franchise that not only became a ubiquitous cultural phenomenon, but predicted the cultural tenor of politics in the digital age with an eerie, oracular accuracy. We know they got it right, but what did they think about it?

Wednesday saw the release of "The Matrix Resurrections," a long-delayed sequel from one of the original writer/directors (Lana directed; Lilly sat it out) — and also an answer to that question. As a movie, it's everything its predecessors was, an impressive feat of visual-effects artistry, action choreography and original sci-fi worldbuilding. But even more, it's a two hour and 27-minute-long piece of cultural criticism. The film interrogates, to a jarringly specific degree, not just its own iconography, but how American culture has evolved around and bastardized it over the past two decades. "The Matrix Resurrections" is both wildly successful popcorn entertainment and a window into a long-misunderstood creative mind. But in refitting its entire premise to the social media age, it illustrates just how much the contours of American society have changed in the intervening decades....

The original "Matrix" was deeply of its time. Reeves' Neo a was a quintessential late 1990s corporate drone, captive to the professional ennui also depicted in films of the era like "Fight Club" and "Office Space." Its modern incarnation is a cry of protest against something else: society's willingness to trade individual agency for the neurological reward pellets of the Online. Visual metaphors abound, with Reeves disoriented by a procession of mirrors that serve as gateways to another world, another possible truth. "Your brain is hooked on this shit the Matrix has been feeding you for years," one character tells him. "They don't know you like I do.

"I know exactly what you need...."
The movie is streaming now on HBOMax for subscribers in their $15 ad-free tier — but, like, Dune, only during its 31-day theatrical run.

Peter Jackson's seven-hour documentary "Get Back" (now streaming on Disney+) edits footage from the Beatles' ambitious recording sessions for their 1970 album Let It Be. But long-time Slashdot reader MattSparkes writes that the whole documentary "would have been impossible without custom-made artificial intelligence, say sound engineers." Sixty hours of footage were recorded but most of the audio was captured by a single microphone that picked up the musicians' instruments in a noisy jumble rather than a carefully crafted mix. It also recorded background noise and chatter, which made much of the footage unusable.

The team scoured academic papers on using AI to separate audio sources but realised that none of the previous research would work for a music documentary. They consulted with Paris Smaragdis at the University of Chicago and started to create a neural network called MAL (machine assisted learning) and a set of training data that was higher quality than datasets used in academic experiments.
The Washington Post describes it as "a sort of sonic forensics," adding that the name MAL was a deliberate homage to the HAL computer in 2001: a Space Odyssey — and to the Beatles' beloved road manager and principal assistant, Mal Evans. Using MAL, Jackson and his colleagues were able to painstakingly and precisely isolate each and every audio track — be it musical instrumentation, singing or studio chatter — from the original mono recordings made for most of "Let It Be." "What we've managed to do is split it all apart in a way that is utterly clean and sounds much better," Jackson said.
Other interesting observations from the Post:

• "Get Back" tapped nearly 120 hours of previously unheard audio recordings. Jackson and his team started work in 2017.

• Jackson's team also "carefully restored, upgraded and enlarged the grainy original 16-millimeter" footage from the 1969 documentary Let It Be "so that it now pops with vibrant color."

• Jackson's documentary "was originally set to open in theaters last year as a two-and-a-half hour feature film, but was pushed back by the pandemic. With more time unexpectedly on his hands, Jackson transformed his feature film into the six-hour epic...."

• Jackson would also like to release an expanded director's cut sometime in the future, "but there are no current plans to do so."

• "At one point, Jackson's favorite version of his Get Back film clocked in at 18 hours..."

SFGate visits a San Francisco elementary school where there's absolutely no trace of warehouse that used to be there where Tim Burton kicked a hole in the wall during the arduous two-year filming of "The Nightmare Before Christmas".

At least one animator remembers Burton at the time was directing Batman Returns, and only stopped by every month or so to check on the film's progress and "actually got to witness, proof positive, how the crew suffered to create his vision...."

Slashdot reader destinyland shares SFGate's report: Disney initially had reservations about the film, releasing it under the Touchstone banner with a PG rating that was uncommon for an animated feature at the time. Nonetheless, "The Nightmare Before Christmas" became a sleeper hit — Disneyland's Haunted Mansion is annually remodeled with a seasonal overlay inspired by the film, and it clocks in at #7 on Rotten Tomatoes' list of the best Christmas movies of all time. It was immortalized in a Blink-182 song, and Roger Ebert went as far as to compare the originality of the worlds captured in "The Nightmare Before Christmas" to the planets in the "Star Wars" franchise....

[A] team of 120 animators, puppet fabricators, camera operators, and more moved into San Francisco Studios — later renamed Skellington Productions — in July of 1991, with production expected to begin later that October. The 35,000-square-foot warehouse on 375 7th Street was outfitted with 19 soundstages where 227 puppets — many of them duplicates of the main characters — were painstakingly assembled and animated. Passersby in SoMa likely had no idea the studio existed, and if they did, they were completely unaware of what was going on inside.

Unlike studios such as Pixar and Dreamworks, where each animator is usually seated at a computer in a cubicle, these soundstages were massive and sectioned off with thick black curtains, said animator Justin Kohn, who lived in a Sausalito apartment next to Smitty's Bar during filming and still resides in Marin. "It was like visiting this crazy museum," he said. "You'd part the curtain, and it was like visiting a whole new world with clouds and stars everywhere." Set pieces were built no larger than two feet tall and wide so an animator could easily reach inside and move the puppets around. Each character had to be posed 24 times for every second of animated footage, while many of the scenes required 20-30 lighting instruments on top of that to create lifelike visual effects. "It was the most sophisticated stop motion ever done in the world up until that point," said Kohn...

All the while, they wondered if the hours of tedious work would pay off. When the film was completed, most of the sets and puppets were thrown away, with animators taking home some of them as keepsakes — Kohn still has a Jack Skellington puppet and the sleigh displayed in an office.

"Do you need a last-minute gift these upcoming holidays," asks the Free Software Foundation, "one that will keep on giving for the rest of the year?

"Free your own digital life and the ones of those you love by opting to give them a gift that will raise their social consciousness, create more lasting cheer, and defend #UserFreedom: Gift a Free Software Foundation (FSF) associate membership!" After donating, you'll receive a code and a printable page so that you can present your gift as a physical object, if you like. The membership is valid for one year, and includes the many benefits that come with an FSF associate membership, including a USB member card [16GB and pre-loaded with the fully free GNU/Linux distribution Trisquel Live], email forwarding, access to our Jitsi Meet videoconferencing server and member forum, discounts in the FSF shop and on ThinkPenguin hardware, and many more.

Looking for more gifts? You can also check out the latest FSF Giving Guide, or have a look at the great list of potential gifts our operations assistant Davis Remmel made for this very purpose!
"If you're unsure what to get that special someone, or just want to treat yourself," Remmel writes, "consider our Emacs de Luxe Bundle: it has manuals, tutorials, references, mugs, shirts, and just like Emacs it includes the kitchen sink stickers.

"For privacy lovers (or those who have ever uttered the word, "cryptography"), we have a NeuG USB True Random Number Generator (RNG). Your cryptographic keys will be stronger than an ox, without any need to trust your CPU's definition of "random." I recommend this RNG in conjunction with our anti-surveillance webcam stickers, which don't leave residue and can also cover microphone holes."

While 1999 movie influenced everything from videogames to action movies to the metaverse, latest installment shows some restraint. From a report: The jaw-dropping visual effects in "The Matrix" transformed the quest to prove what is possible on screen. The franchise returns this week to find out if there is anything more that can be done. For the 1999 original, filmmakers invented a way to make Keanu Reeves's hero, Neo, defy physics while dodging bullets on screen. The effect blew enough minds to get a nickname -- "bullet time" -- plus changed the look of action movies, and influenced mediums from animation to videogames. For the new sequel, "The Matrix Resurrections," filmmakers deployed much-higher-caliber technologies, including three-dimensional imagery made using artificial intelligence. But after 22 years of digital evolution, high-end movie effects are approaching a plateau near perfection. "We went from pulling off what seemed to be impossible, to a sort of inability to create surprise" in the movie industry, says John Gaeta, who helped craft the bullet-time effect. He was a visual-effects designer on the first three "Matrix" films; now he is making things for the metaverse.

This year the movies presented us with a car slingshotting from cliff to cliff ("F9"); Ryan Reynolds running amok inside a videogame ("Free Guy"); and giant monsters crushing the Hong Kong skyline ("Godzilla vs. Kong"). Any viewers who paused to ask themselves -- "How did they do that?" -- likely came up with the same answer: "Computers." Human characters that are totally computer-generated and believable are still on the frontier, "but I'm not sure if there is anything else that can't be done given enough money or time," says Ian Failes, editor of befores and afters, a magazine covering visual-effects artistry. Despite any numbness among viewers to digital spectacles, Hollywood's demand for them has only increased. Visual-effects houses have raced to compete in a global production boom and fuel the streaming wars with flashy content. Some directors are reacting to the VFX arms race by practicing more restraint. Denis Villeneuve's "Dune" depicts settings such as the desert planet Arrakis with a naturalistic look. Instead of zooming viewers into a fleet of attacking space ships, the director presented the nighttime ambush in silhouette at a distance, conveying a somber sense of scale. "He was just showing the reality of the world," says Namit Malhotra, chief executive of DNEG, a visual-effects company that worked on "Dune" and "The Matrix Resurrections." He adds: "When you're spending that kind of money, it's hard for filmmakers to control the desire for more, a little more oomph."

In the new "Matrix" release, director and co-writer Lana Wachowski plays with expectations that the sequel must level up. Spoiler alert: In the movie, Mr. Reeves's character is reintroduced as a videogame designer whose big hit was called, yes, "The Matrix." The events in the film franchise supposedly happened within the world of his videogame -- including that signature action sequence in which Neo bends time and space. As a group of videogame developers brainstorm ideas for a sequel to "The Matrix," one declares, "We need a new bullet time!" The original bullet time was "a borderline hack," as Mr. Gaeta recalls it, that started with 120 still cameras firing off film photographs of Mr. Reeves dangling on wires. Those images were stitched together with software to simulate a swooping camera move in slow motion. The successor to that technique is known as volumetric capture. A camera array captures people or spaces from every angle, and then A.I. meshes this video into 3-D footage that can be viewed and manipulated from any perspective.