As spotted by Kotaku, Sony has decided to discontinue credit card and PayPal payment options for both the PS3 and the PS Vita on October 27th, 2021, making it frustratingly difficult to use these stores. From the report: To actually buy video games on your video game device, you will need to go to a secondary location and purchase a physical gift card, which you can then use to purchase video games. Alternatively you can use the awkward wallet system to add funds via Sony's website, or by adding funds on your PS4 or PS5, and then spending them on the PS3 or Vita. Either way, this is extremely silly. Sony's complete lack of interest in games preservation, and for keeping games accessible to the people who bought the systems they run on, is deeply infuriating. The games industry has a short memory, made shorter by a constant focus on developing tech, and even shorter again by publishers with no interest in keeping their systems running. I've written before about the importance of libraries in game preservation, and I will take Sony's fuckery as an opportunity to get on my soapbox again. [...]

According to fluent Korean speaker Youngmi Mayer, Squid Game features "botched" subtitles that have changed the show's meaning for English-speaking viewers.

For those unaware of Squid Game, it's a Korean-language drama about an alternative world where people in debt compete in deadly games. The plot sees a group of people tempted into a survival game where they have the chance to walk away with 45.6 billion Korean won ($38 million) if they win a series of six games. According to a BBC article, it's currently on track to become Netflix's biggest original series. From the report: "The dialogue was so well written and zero of it was preserved [in the subtitles]," Youngmi said in a Twitter post. In a TikTok video that's had almost nine million views, Youngmi gave several examples of mistranslation. In one scene a character tries to convince people to play the game with her, and the closed-caption subtitles read: "I'm not a genius, but I still got it worked out." But what the character actually says, Youngmi explains, is: "I am very smart, I just never got a chance to study." That translation puts more emphasis on the wealth disparity in society -- which is also a theme in the Oscar-winning 2019 Korean film, Parasite. "Almost everything she says is being botched translation-wise... the writers, all they want you to know about her is that," Youngmi said. "[It] seems so small, but it's the entire character's purpose of being in the show." Youngmi later clarifies that her initial comments were about the automatically generated closed-caption subtitles rather than the English language subtitles, which are "substantially better." But she added: "The misses in the metaphors -- and what the writers were trying to actually say -- are still pretty present."

Back in 2014 Babylon 5 creator J. Michael Straczynski answered questions from Slashdot's readers.

And now this week, long-time Slashdot reader Jaegs writes: According to many sources and the Babylon 5 creator/writer/director/producer himself, J. Michael Straczynski (JMS), the CW — partly owned by the original Babylon 5 producer and rights holder, WarnerMedia — will be rebooting the popular franchise. JMS will be writing and executive producing the series.

Per JMS:

"[W]e will not be retelling the same story in the same way... There would be no fun and no surprises. Better to go the way of Westworld or Battlestar Galactica where you take the original elements that are evergreens and put them in a blender with a ton of new, challenging ideas, to create something fresh yet familiar. To those asking why not just do a continuation, for a network series like this, it can't be done because over half our cast are still stubbornly on the other side of the Rim.

The last part refers to the recent passing of Mira Furlan (Delenn), as well as the untimely deaths of other primary cast members after the conclusion of the original run of the series: Richard Biggs (Dr. Franklin), Michael O'Hare (Jeffrey Sinclair), Jerry Doyle (Michael Garibaldi), Stephen Furst (Vir Cotto), Jeff Conway (Zack Allan), and Andreas Katsulas (G'Kar).
Straczynski points out on Twitter that "The original Babylon 5 was ridiculously innovative: the first to use CGI to create ships and characters, and among the very first to shoot widescreen with a vigorous 5.1 mix." But his tweets also seem excited about the questions that this new reboot will answer. "if I were creating Babylon 5 today, for the first time, knowing what I now know as a writer, what would it look like? How would it use all the storytelling tools and technological resources available in 2021 that were not on hand then?

"How can it be used to reflect the world in which we live, and the questions we are asking and confronting every day? Fans regularly point out how prescient the show was and is of our current world; it would be fun to take a shot at looking further down the road..."

Netflix's co-CEO revealed a list Monday showing its top shows and movies of all-time, reports NBC News. The list revealed that the 19th-century drama Bridgerton "was its most watched TV series ever, with 82 million subscribers tuning in for at least two minutes in its first 28 days on the service..." French series "Lupin: Part 1" and season one of "The Witcher," a fantasy series starring Henry Cavill, tied for second on the list, with 76 million accounts.

Among movies, the action film Extraction earned the No. 1 spot. The film about a captured CIA agent was watched by 99 million accounts in the first 28 days, Netflix said. Bird Box, a post-apocalyptic horror film, and the action-comedy Spenser Confidential were the second- and third-most popular films, according to the company.

All the films and series on the list were Netflix originals.
Using a different metric — which shows attracted the most hours of actual viewing time — Bridgerton still came in #1 for TV shows, followed by "Money Heist: Part 4" and "Stranger Things Season 3."

And the top three movies (based on hours of viewing) were Bird Box, Extraction, and Martin Scorsese's The Irishman.

In a statement released Thursday, Scarlett Johansson said she has resolved her legal dispute with Disney. "I am happy to have resolved our differences with Disney," said Johansson. "I'm incredibly proud of the work we've done together over the years and have greatly enjoyed my creative relationship with the team. I look forward to continuing our collaboration in years to come." The movie star filed the lawsuit against Disney in late July, alleging her contract was breached when the media giant released "Black Widow" on its Disney+ streaming service at the same time as its theatrical debut, thus negatively impacting her salary that was based in large part on the box-office performance of the film. Deadline reports: Unlike in their vitriolic filings and their shaming PR statements over the past few, Marvel-owner Disney had nothing but love today for the actor who brought Natasha Romanoff to life for them in nearly 10 separate films. I'm very pleased that we have been able to come to a mutual agreement with Scarlett Johansson regarding Black Widow, said Alan Bergman, Chairman, Disney Studios Content. "We appreciate her contributions to the Marvel Cinematic Universe and look forward to working together on a number of upcoming projects, including Disney's Tower of Terror."

As is almost always the case in cases like this, neither side gave any indication of how much money was involved in the settlement. However, when all is said and done, the deal will run to more than $40 million, sources tell me. Accordingly, the funds will not be paid by Disney in a single lump sum, if you pick up the creative accounting I'm putting down.

Ahmed Elgammal, Professor and Director of the Art & AI Lab at Rutgers University, writes via The Conversation: When Ludwig von Beethoven died in 1827, he was three years removed from the completion of his Ninth Symphony, a work heralded by many as his magnum opus. He had started work on his Tenth Symphony but, due to deteriorating health, wasn't able to make much headway: All he left behind were some musical sketches. Ever since then, Beethoven fans and musicologists have puzzled and lamented over what could have been. His notes teased at some magnificent reward, albeit one that seemed forever out of reach. Now, thanks to the work of a team of music historians, musicologists, composers and computer scientists, Beethoven's vision will come to life. I presided over the artificial intelligence side of the project, leading a group of scientists at the creative AI startup Playform AI that taught a machine both Beethoven's entire body of work and his creative process. A full recording of Beethoven's 10th Symphony is set to be released on Oct. 9, 2021, the same day as the world premiere performance scheduled to take place in Bonn, Germany -- the culmination of a two-year-plus effort.
[...]
The AI side of the project -- my side -- found itself grappling with a range of challenging tasks. First, and most fundamentally, we needed to figure out how to take a short phrase, or even just a motif, and use it to develop a longer, more complicated musical structure, just as Beethoven would have done. For example, the machine had to learn how Beethoven constructed the Fifth Symphony out of a basic four-note motif. Four notes famously serve as the basis for Beethoven's Fifth Symphony. Next, because the continuation of a phrase also needs to follow a certain musical form, whether it's a scherzo, trio or fugue, the AI needed to learn Beethoven's process for developing these forms. The to-do list grew: We had to teach the AI how to take a melodic line and harmonize it. The AI needed to learn how to bridge two sections of music together. And we realized the AI had to be able to compose a coda, which is a segment that brings a section of a piece of music to its conclusion. Finally, once we had a full composition, the AI was going to have to figure out how to orchestrate it, which involves assigning different instruments for different parts. And it had to pull off these tasks in the way Beethoven might do so.

In November 2019, the team met in person again -- this time, in Bonn, at the Beethoven House Museum, where the composer was born and raised. This meeting was the litmus test for determining whether AI could complete this project. We printed musical scores that had been developed by AI and built off the sketches from Beethoven's 10th. A pianist performed in a small concert hall in the museum before a group of journalists, music scholars and Beethoven experts. We challenged the audience to determine where Beethoven's phrases ended and where the AI extrapolation began. They couldn't. The success of these tests told us we were on the right track. But these were just a couple of minutes of music. There was still much more work to do. At every point, Beethoven's genius loomed, challenging us to do better. As the project evolved, the AI did as well. Over the ensuing 18 months, we constructed and orchestrated two entire movements of more than 20 minutes apiece.

An anonymous reader quotes a report from War Is Boring: An OPSEC violation has once again made a case for why using TikTok should be a punishable offense in the military, this time after someone revealed some US stealth technology testing going on and posted it to the Chinese government-affiliated platform. The stealthy object -possibly a component of a new drone or plane- was filmed on a tractor-trailer platform at Helendale Radar Cross Section Facility. After making their debut on a social media platform tied to America's top adversary, images of the object quickly made their way to the internet, gracing everything from 4chan to Reddit. It is unknown what project the object is tied to, though speculation has ranged from a new Boeing product to even the famed "TicTac" UFO sighted by Naval Aviators in recent years. Steve Trimble of Aviation Week wrote in a tweet: "I showed this to Gen Mark Kelly, Air Combat Command chief. His immediate reply was that he had no idea what it was. And then he took my laptop and stared at it for about 20 seconds. His expression was (WARNING: my impression) somewhere between confused and impressed."

Stack Overflow's copy-paste keyboard, an April Fools' Day prank that ribbed lazy programmers, is now actually for sale. CNET reports: It's been a joke in programming circles for years: Instead of writing your code from scratch, just head over to the Stack Overflow forums and copy the way another programmer already solved your problem. The meme is such a fixture that Stack Overflow turned it into an April Fools' Day prank this year, saying it would limit free access to its site unless people bought The Key, a device with buttons for opening Stack Overflow, copying and pasting. Enough people said they'd actually buy one that Stack Overflow, with help from keyboard aficionado Cassidy Williams and custom keyboard maker Drop, designed one for real and began selling it for $29. A portion of the keyboard sales' proceeds will go to Digitalundivided, a nonprofit set up to help Black and Latinx women succeed as technology entrepreneurs. Further reading: How Often Do People Actually Copy and Paste From Stack Overflow?

Newsweek reports: Chris Pratt is in a celebratory mood, following the announcement that he's set to voice lead character Mario in an animated movie adaptation of the enduring video game Super Mario Bros. The Guardians of the Galaxy star joins a star-studded cast in the movie, which includes Charlie Day as his brother Luigi, Anya Taylor-Joy [from The Queen's Gambit] as Princess Peach, Keegan-Michael Key [co-creator of Key & Peele] as Toad, and Jack Black as villainous turtle Bowser... Also included in the cast are Seth Rogen as Donkey Kong and Fred Armisen [from SNL and Portlandia], who will take on the role of his grandfather, Cranky Kong....

The producers said that the actors were selected for their ability to capture the spirit of each of their characters, per Variety.
Kotaku adds that future-voice-of-Mario Chris Pratt "isn't exactly instilling confidence right now." "It's ah me, ah Mario," he said in an Instagram video posted last night in the exact same voice I would use if I were pretending to be Chris Pratt pretending to be Mario. "That's not the voice, you'll have to wait to hear the voice, but we've been working hard at it and I'm really excited to announce that I'm the voice of that video game that I dreamed of playing as a kid."

For decades, Mario has been voiced in the games by Charles Martinet who is also not Italian but is an theatrically trained and experienced voice actor who specializes in accents and dialects. He will be involved in the new movie in some way, but at this point just as another avenue for Nintendo to troll longtime fans, it seems.

Paul Ratner writes via Interesting Engineering: Theoretical inventions known as the "UFO patents" have been inflaming worldwide curiosity. A product of the American engineer Dr. Salvatore Cezar Pais, the patents were filed during his work for the U.S. Navy and are so ambitious in their scope and imagination that they continue to draw interest despite any clear evidence that they are feasible. The patents include designs for a futuristic hybrid vehicle with a radical propulsion system that would work equally well in the air, underwater, and in space, as well as a compact fusion reactor, a gravitational wave generator, and even a "spacetime modification weapon." The technology involved could impact reality itself, claims its inventor, whose maverick audacity rivals that of Nikola Tesla.

How real are these ideas? While you can read the patents for yourself, it's evident that the tech necessary to actually create the devices described is beyond our current capabilities. Yet research into many of these fields has gone on for years, which may explain why the Navy expressed an interest. Another likely influence is the fact that the Chinese government seems to be working to develop similar technology. The fantastical inventions devised by Dr. Pais largely build upon an idea that he calls "The Pais Effect." In his patent write-ups and in an interview with The Drive, he described it as "the generation of extremely high electromagnetic energy fluxes (and hence high local energy densities) generated by controlled motion of electrically charged matter (from solid to plasma states) subjected to accelerated vibration and/or accelerated spin, via rapid acceleration transients." This effect amounts to the ability to spin electromagnetic fields to contain a fusion reaction. The electromagnetic energy fields would be so powerful that they could "engineer the fabric of our reality at the most fundamental level," writes Pais. In practical terms, this invention could lead to a veritable revolution in propulsion, quantum communications, and create an abundance of cheaply-produced energy. Certainly, an extraordinary claim that requires extraordinary evidence, as posits the Sagan standard.

Despite the well-founded unease at Dr. Pais's inventions, the Navy took them seriously enough to run experiments for three years and even found some of them "operable," although the extent of that alleged operability is under debate. In the patent documents, two Navy officials seemed to assert the operability of the inventions. Furthermore, in correspondence with The Drive's "War Zone," Timothy Boulay of NAWCAD, stated that Pais's High Energy Electromagnetic Field Generator was, in fact, tested from 2016 until 2019, at a cost of $508,000. The team working on the project consisted of at least 10 technicians and engineers and put in some 1,600 hours of work. But upon the conclusion of the testing, the Pais Effect "could not be proven," shared Boulay. What happened subsequently with the tested device and further investigations is not known at this point. There are indications in documents obtained by The Drive's WarZone through the Freedom of Information Act that the inventions could be moved to another research department in the Navy or the Air Force, or possibly even to NASA or DARPA, but whether that really happened is not clear. "One of the most attention-grabbing designs by Dr. Pais is the 2018 patent for a cone-shaped craft of unprecedented range and speed," writes Ratner. "Another futuristic patent with far-reaching ramifications is Pais' Plasma Compression Fusion Device. [...] Notes from researchers who worked on vetting Pais' ideas indicate that a possible outcome of the plasma fusion device and the high energy levels it may generate is the 'Spacetime Modification Weapon' (SMW). Research documents refer to it as 'a weapon that can make the Hydrogen bomb seem more like a firecracker, in comparison.'"

Pais also has a patent for an electromagnetic field generator, which could create "an impenetrable defensive shield to sea and land as well as space-based military and civilian assets." Another device conceived by Pais that could deflect asteroids is the high-frequency gravitational wave generator.

spaceman375 shares a report from the BBC: Screenwriter Russell T Davies is to take charge again of Doctor Who, the sci-fi show he helped revive in 2005. Davies, who was the fantasy drama's showrunner until 2009, will take over when Chris Chibnall departs next year. "I'm beyond excited to be back on my favourite show," said Davies, who resumes his role as the show prepares to mark its 60th anniversary in 2023. One of his first responsibilities will be to decide who takes over the Tardis following Jodie Whittaker's exit. The actress is set to hang up her Sonic Screwdriver after one more six-part series and three 2022 specials.

Davies revived Doctor Who in its current incarnation with Christopher Eccleston as the Doctor and remained for David Tennant's time as the Doctor. Steven Moffatt took over when Matt Smith took on the role, staying to supervise Peter Capaldi's stint as TV's indefatigable Time Lord. The success of Doctor Who's relaunch led Davies to create two spin-off shows, Torchwood and The Sarah Jane Adventures.

Comcast appears to be planning to offer TVs running its own software across at least two territories, according to recent reports from Protocol and The Financial Times. It comes a little more than a week after Amazon announced that it too will be getting into the TV set business. The Verge reports: In the US, the TVs will reportedly be branded as XClass TVs. Originally manufactured by Hisense, the 43 and 50-inch sets will run Comcast's X1 operating system, which is already found on its set-top boxes and Xfinity Flex streaming box. An Xfinity landing site confirms the "XClass TV" branding, while an FAQ spotted by Protocol says they'll aggregate "your favorite apps, live channels, and On Demand movies and shows together in one place."

Meanwhile in the UK, Comcast subsidiary Sky is reportedly planning to launch smart TVs of its own. The FT's report doesn't mention what operating system these TVs are likely to run. Sky already operates its Sky Q platform in the country, which currently runs on set-top boxes and shows satellite broadcasts alongside video streamed from services like Netflix and Disney Plus. As Protocol notes, the initiatives appear to be Comcast's attempt to insulate itself as customers turn away from traditional cable and satellite plans in favor of streaming services. By offering a platform that competes with the likes of Roku, Comcast would be able to maintain its direct relationship with customers. It could then aggregate content from other streaming providers alongside its own Peacock and Xumo streaming services. Controlling the viewing platform also gives Comcast and its subsidiaries the ability to negotiate with streaming providers to offer them better prominence on its platforms, the FT notes.

Netflix said on Monday it is launching a free mobile plan in Kenya as the global streaming giant looks to tap the East African nation that is home to over 20 million internet users. From a report: The free plan, which will be rolled out to all users in Kenya in the coming weeks, won't require them to provide any payment information during the sign-up, the company said. The new plan is available to any user aged 18 or above with an Android phone, the company said. It will also not include ads. The company told Reuters that it is making about one quarter of its movies and television shows catalog available to users in the free plan in the East African nation.

The 31st annual Ig Nobel Prizes were awarded at a special ceremony on September 9th, announced the magazine responsible for the event, the Annals of Improbable Research.

But this week they made another announcement. "YouTube's notorious takedown algorithms are blocking the video of the 2021 Ig Nobel Prize ceremony." We have so far been unable to find a human at YouTube who can fix that. We recommend that you watch the identical recording on Vimeo.

Here's what triggered this: The ceremony includes bits of a recording (of tenor John McCormack singing "Funiculi, Funicula") made in the year 1914.

YouTube's takedown algorithm claims that the following corporations all own the copyright to that audio recording that was MADE IN THE YEAR 1914: "SME, INgrooves (on behalf of Emerald); Wise Music Group, BMG Rights Management (US), LLC, UMPG Publishing, PEDL, Kobalt Music Publishing, Warner Chappell, Sony ATV Publishing, and 1 Music Rights Societies"

In August, AMC Entertainment CEO Adam Aron said the company will start accepting bitcoin as payment for movie tickets and concessions at all of its U.S. theaters. Now, Aron says he expects the company to also accept Ethereum, Litecoin, and Bitcoin Cash. In a tweet, Aron said: "Cryptocurrency enthusiasts: you likely know @AMCTheatres has announced we will accept Bitcoin for online ticket and concession payments by year-end 2021. I can confirm today that when we do so, we also expect that we similarly will accept Ethereum, Litecoin and Bitcoin Cash."

Locast has been ordered to shut down its online TV service forever in a permanent injunction issued yesterday by a federal judge. From a report: The order came two weeks after the judge gave major broadcast networks a big victory in their copyright case against Locast, a nonprofit organization that provided online access to broadcast TV stations. Locast will have to win on appeal in order to stream broadcast channels again. Locast already suspended operations after the September 1 ruling that said it does not qualify for a copyright-law exemption available to nonprofits, so the permanent injunction doesn't change the status quo. US District Judge Louis Stanton cited a December 2019 agreement between Locast and the networks that limited the scope of the litigation and said a permanent injunction should be entered if the court determines that Locast does not qualify for the copyright-law exemption.

The deal did not prohibit Locast "from applying for a stay of the permanent injunction pending appeal, nor to bar the broadcasters from opposing any such stay," the agreement said. ABC, CBS, Fox, and NBC motioned for a permanent injunction after the September 1 ruling. The judge's order yesterday said the defendants "are permanently restrained and enjoined from operating Locast" but that "entry of an injunction will provide opportunity for appeal contemplated by the agreement." Further reading: Locast, a Free App Streaming Network TV, Would Love To Get Sued (January 2019).

Comcast is gearing up to launch its own smart TVs: The company has struck a partnership with Chinese TV manufacturer Hisense to sell two smart TV models under the XClass TV brand, Protocol reported Tuesday. From the report: A number of clues left online suggests that a launch is imminent. XClass TVs run a version of Comcast's X1 operating system, which also powers the company's set-top boxes as well as its Xfinity Flex streaming box. However, unlike those devices, XClass TVs will be available to anyone, regardless of whether they subscribe to the company's cable services. The Wall Street Journal reported earlier this summer that Comcast had struck a partnership with Walmart to sell its smart TVs; Protocol was first to report about Comcast's plans to enter the smart TV platform business a year ago. While under development for some time, Comcast's smart TV efforts have picked up steam in recent months: The company registered a trademark for "X Class TV" in February. The official XClasstv.com website remains inaccessible, but the company inadvertently left a temporary staging site accessible to the public that reveals many details about the initiative.

"XClass TV is a smart TV that brings all your favorite apps, live channels, and On Demand movies and shows together in one place," that site explains in a FAQ. " XClass TV ... gives you thousands of free movies, shows, music, and more. And to find what you love faster, XClass TV comes with a voice remote that lets you control your TV and search across apps with just your voice." Among the tidbits leaked through this staging site: Hisense is making two 4K TV models, with screen sizes of 43 and 50 inches, respectively, for Comcast.

Moviegoers know that the Matrix trilogy's finale "heavily hinted that our hero will be back at some point in the distant future," writes the Guardian.. "Now he is..."

But does the first three-minute trailer for the soon-to-be-released sequel The Matrix Resurrections suggest Keanu Reeves' "Neo" character has been wiped from existence? In his place is a beardy, incredibly well-aged fiftysomething who looks a bit like John Wick, or possibly that brooding weirdo from The Gift. He meets Carrie-Anne Moss's Trinity in a coffee shop, but fails to recognise her despite all their adventures down the digital rabbit hole. Later he's seen training in what appears to be a dojo with Yahya Abdul-Mateen II's unnamed character, who appears to be fulfilling the Morpheus role of martial arts mentor and guide to the Matrix. Is Abdul-Mateen playing a younger version of the human resistance leader, and if so couldn't they just have digitally de-aged him, given the entire movie probably takes place inside Adobe After Effects anyway?

The teaser poses further questions. Why is Neo taking blue pills as medication? Does this signal the new Neo's willingness to succumb to the virtual world that keeps him blissfully ignorant of the horrifying reality? And if so, what's been going on — didn't the pesky machines promise to free all humans from the Matrix...?

The great thing about Matrix movies is that all usual rules of film-making continuity can be easily placed to one side. Reality can be shifted and reconfigured at every opportunity in the interest of entertainment. This is like the bit in Doctor Who where one Time Lord's face morphs into the next. For all we know, Reeves could be playing the Mad Hatter and Moss a giant pot plant who just appears to be a human being...

There could be a genuinely fascinating reason why Neo and Trinity are back and ready to kick machine ass once again. We won't know for sure until just before Christmas, when the movie hits cinemas.
ABC News notes the new film "also stars returning Matrix co-star Jada Pinkett Smith, features series newcomers Jessica Henwick from Iron Fist, Christina Ricci, Mindhunters star Jonathan Groff, and Priyanka Chopra Jonas." Though as IndieWire points out, there's no sign (yet) of the original Morpheus, Laurence Fishburne.

Amazon is officially in the TV set business. From a report: After years of selling Fire TV devices that plug into third-party HDTVs and teaming with TV makers for Fire TV-based products, the ecommerce giant is rolling out the first-ever Amazon-built TVs: the Amazon Fire TV Omni Series ($410 and up), which provides hands-free Alexa voice navigation, and the value-priced 4-Series smart TV line ($370 and up). They're set to ship in October.

In addition, Amazon is baking in new features to the overall Fire TV platform, including bringing TikTok content to the platform in the U.S. and Canada; letting users access Netflix's shuffle-mode feature via Alexa; and being able to ask Alexa for movie or TV show recommendations. The company also is bowing the new Fire TV Stick 4K Max ($55), which it says is more powerful than the prior-generation model and is Amazon's first streaming media player to launch with Energy Star certification and Wi-Fi 6 support.

While the pandemic supercharged streaming, a few people decided to swim against the current and go back to the familiar format of VHS. It isn't the easiest of hobbies. From a report: VCR players haven't been in production within the last five years, and using the player on a current smart TV requires an expensive customized setup of several devices. Looking for a recent film on VHS format? It's likely you'll only find films from the 1980s and 90s, direct-to-VHS specials and home videos. That hasn't stopped die-hards. A small community of VHS fanatics has sprung up around the country, trading tapes and tips on how to watch. Much of it is organized around small boxes where people can drop off or pick up tapes. The "Free Blockbuster" boxes started in Los Angeles and spread. There are VHS tape trading events and auctions.

In the late 1990s, Hollywood studios began selling films on DVDs and VHS rentals lost their grip on home viewings. Blu-ray took over in the early 2000s. By 2010 Blockbuster filed for bankruptcy protection. To try to re-create a bit of the video-store experience, Brian Morrison started Free Blockbuster in 2019. The group turns former newspaper boxes into free little libraries of movies. VHS die-hards hope the effort encourages the exchange of home entertainment with strangers in their neighborhood. A film fan who worked at various video stores throughout his teenage years, Mr. Morrison, 37, stocked his first Free Blockbuster box in Los Angeles with old VHS tapes, hoping to create community around film watching.

Though DVDs and videogames showed up later in some boxes, he says VHS tapes were the more interesting draw for Free Blockbuster users. Mr. Morrison connects tape fanatics in different places, who maintain their own boxes. VHS tapes "aren't just DVDs' older cousins," Mr. Morrison says, "they're an art form in many ways." The 69 Free Blockbuster boxes, now located across the U.S. and in Canada and Australia, are maintained by a network of fans. Mr. Morrison said he received a request from Blockbuster, which is owned by Dish Network, last year that he change the name of his organization. He said he asked if the company would consider licensing out the name but hasn't heard back.