As expected, Apple has added the seventh-generation iPod nano to its list of Vintage and Obsolete products, officially designating the last iPod in the iconic nano lineup as "vintage." MacRumors reports: The vintage products list features devices that have not been updated for more than five years and less than seven years. After products pass the seven year mark, they are considered obsolete. Apple debuted a refreshed version of the seventh-generation iPod nano in mid-2015, and that was the final iPod nano that came out. Now that the device is five years old, it is being added to the vintage list.

Apple launched the first iPod nano in September 2005, and over the course of the nano's lifetime, it got several redesigns. The first iPod nano model was similar in design to a standard iPod but with a slimmer, easier to pocket shape. Fast forward seven years to October 2020 and the seventh-generation iPod nano, which ended up being the final model that was introduced. It had an iPod touch-style multi-touch display and a Home button, but the nano and touch product lines were ultimately so similar that Apple did away with the iPod nano. [...] Devices on Apple's vintage list are able to receive hardware service from Apple and Apple service providers, but it is subject to the availability of repair components and where required by law. Obsolete products have no hardware service available with no exceptions.

According to the Subway Ireland website, the chain's six-inch and footlong subs are available on six different kinds of bread, including nine-grain multi-seed, Italian white bread, Italian herbs and cheese, nine-grain wheat, hearty Italian, and honey oat. And, according to the country's Supreme Court, all six varieties are too sugary to legally be called "bread" at all. From a report: The court case itself is a slightly confusing one unless you're well versed in Irish tax policies, but it started when a Subway franchise owner challenged the tax authorities' decision not to issue a refund for value-added tax (VAT) on some takeout foods. Galway-based Bookfinders LTD said that it shouldn't have to pay VAT on hot coffee and tea, or on the hot sandwiches that weren't eaten inside the restaurant.

Its argument was that since the sandwiches contain bread, they should be considered a "staple food" and shouldn't be taxed. But the five Supreme Court judges countered by suggesting that those sandwiches aren't served on "bread" at all, at least not under the "statutory definition of bread." According to the Irish Independent, the judges ruled that Subway's bread is not a staple food because its sugar content is 10 percent of the weight of the flour in the dough; the Value-Added Tax Act 1972 stipulates that sugar, fat, and "bread improver" cannot add up to more than 2 percent of the weight of the flour. (Those limits are in place to prevent things like pastries and other sweet baked goods from being labeled as "staple foods" and exempt from being taxed.)

An anonymous reader shares a report: For the better part of the last decade, Google's Chromecast dongles were the company's primary homegrown solution for streaming video to your TV. But with the recent explosion in streaming services, even the most sophisticated Chromecast wasn't really cutting it anymore, which is something the new Chromecast with Google TV is hoping to change in a big way, but bringing an actual streaming device OS to a Chromecast dongle. The big change for this new $50 Chromecast is that it's not your typical Chromecast at all. Sure, it still plugs in via HDMI and you can still use it to stream videos and content to your TV from your phone. However, instead of being based around the very basic Chromecast interface, this new Chromecast runs on Android TV platform which Google has improved with an enhanced UI and a few new features, which is where the Google TV part of Chromecast with Google TV comes in.

And when you factor in the Chromecast with Google TV's new dedicated remote these upgrades could completely change how you watch and interact with content. Starting with the hardware, the Chromecast with Google TV consists of two parts: there's the dongle that plugs into your TV and Google's included remote. For the Chromecast with Google TV, Google is going with a simple ovular puck that comes in three different colors (Snow, Sunrise, and Sky) and features an attached HDMI cable that plugs into your TV along with a USB-C port and bundled cable that you'll need to plug in for power. The Chromecast with Google TV comes with support for 4K video at 60 fps with HDR via Dolby Vision, which ticks all the major boxes when it comes to streaming video quality.

The Verge's Tom Warren spent the past week with an Xbox Series X, playing a variety of games on the preview unit, testing load times, performance, and some of the new Series X features. Here's an excerpt from each section of his report: Load Times: The most significant and obvious improvement with existing games on the Xbox Series X is the massive changes to load times. I noticed load times drop in pretty much every single game I've tested over the past week. Games like Sea of Thieves, Warframe, and Destiny 2 have their load times cut by up to a minute or more on the Series X. In Destiny 2, for example, I can now load into a planet in the game in around 30 seconds, compared to over a minute later on an Xbox One X and nearly two minutes in total on a standard Xbox One. These improved load times are identical to my custom-built PC that includes a fast NVMe SSD, and they genuinely transform how you play the game -- you can get more quests and tasks done instead of sitting and looking at a planet loading. [...] None of these games have been fully optimized for the Xbox Series X either. This is simply Microsoft's backward compatibility support in action. I switched back to my Xbox One X regularly throughout the week, and it was painful to witness these old load times that added a minute or more to games.

Game Performance: Not only do games load faster, but in many cases they also feel a lot smoother. Destiny 2 is a great example of a game that was held back by the weaker CPU and slow HDD in the Xbox One X. It's a title that hit native 4K previously, but the 6 teraflops of GPU performance in the One X was bottlenecked by a laptop-like CPU and an old spinning hard disk. This meant the game was stuck on 30fps. While Bungie has committed to enhancing Destiny 2 for the Xbox Series X and PS5 with 60fps support, it already feels faster without the patch. I would regularly notice frame rate drops in Destiny 2 on the Xbox One X when things got a little hectic on screen during a public event or in a raid with mobs of enemies coming at you. I haven't seen a single stutter running Destiny 2 on the Xbox Series X. This console has also improved other parts of Destiny 2 that were slow on the Xbox One. Loading into the character menu sometimes takes a few seconds on the Xbox One X, but on the Series X it feels like I'm playing on my PC as it's near instant. These are minor improvements, but they're the small things that add up and make a game more enjoyable to play.

Quick Resume: The Xbox One had a fast resume feature to let you swap between games, but it felt like it never really worked properly or games didn't support it. It couldn't be more different on the Xbox Series X. Quick Resume utilizes the SSD inside the Series X to let you swap between multiple games freely. It takes around five seconds to resume games where you left off, and I was able to switch between five games easily. I even rebooted the Xbox Series X for an update and all of the games still quickly resumed. Most games I tested worked flawlessly with Quick Resume, but some aren't supported. Titles like Sea of Thieves, that feature a big multiplayer arena, don't work with the new feature. It makes sense, though, since these games can't quickly resume a live and evolving environment that changes every second. "What I will say is that the Xbox Series X felt like I was playing on a familiar Xbox that's a lot faster and more capable," writes Warren in closing. "The experience of switching back to an Xbox One was genuinely dispiriting."

"The true next generation of games is still a mystery, but what I've seen from backward-compatible games over the past week is encouraging. I'm hoping that game developers will have a lot fewer bottlenecks with both the Xbox Series X and PS5, enabling them to deliver some game improvements we're only used to seeing over on the PC side."

"Every musician knows that when the performers can hear one another, the performance is always better than otherwise," writes Slashdot reader nightcats. "This principle applies in nature as well, and has been anecdotally witnessed amid the quiet imposed by COVID-19 on cities around the world. In San Francisco, behavioral ecologist Liz Derryberry has been able to deliver a dramatic scientific demonstration of the changes to the songs of the white-crowned sparrow amid the quiet of 2020." National Geographic reports: With most San Franciscans staying at home due to the coronavirus pandemic, she decided to seize an unprecedented opportunity to study how this small, scrappy songbird responded when human noises disappeared. By recording the species' calls among the abandoned streets of the Bay Area in the following months, Derryberry and colleagues have revealed that the shutdown dramatically improved the birds' calls, both in quality and efficiency. The research, published today in Science, is among the first to scientifically evaluate the effects of the pandemic on urban wildlife. It also adds to a burgeoning field of research into how the barrage of human-made noise has disrupted nature, from ships drowning out whale songs to automobile traffic jamming bat sonar.

Mike Morhaime, the cofounder of Blizzard Entertainment, has launched a new game company called Dreamhaven, and it has established two new game studios: Moonshot and Secret Door. VentureBeat reports: The Irvine, California-based company is a pretty good clue that Morhaime and his wife Amy Morhaime weren't quite done with games when they left Activision Blizzard in 2018. Mike will be the CEO of Dreamhaven, while Amy will head operations. They have hired a number of (mostly former Blizzard) industry veterans to help run their studios, which will work on separate games. That's an ambitious startup, as working on two games at once is a handful. But it's not without precedent, as Harold Ryan's Probably Monsters startup in Seattle also has two studios working on two games at once. What makes the Morhaimes' company unique so far is that they're funding it themselves. [...] So far, the company has 27 employees across all three entities, and it's hiring more staff. The artwork on the company's homepage combines aspects of both fantasy and science fiction, but the company isn't yet saying what games it is working on, nor is it talking about genres. But it is working on a familiar model, as it closely resembles the way Morhaime ran things at Blizzard, with an emphasis on quality, iteration, and giving creative staff enough time. The parent company's role is to provide guidance and funding, as well as central services that each studio will need, such as communications and human resources. But each studio will make its own decisions about how to make the best games, Morhaime said. The founders have equity in the parent company.

Moonshot's leaders are Jason Chayes, Dustin Browder, and Ben Thompson. Chayes was previously an executive producer at Blizzard Entertainment, where he worked on the Hearthstone team. He also worked at Electronic Arts and Disney. Browder's 25-year career includes roles as the game director for StarCraft II, Heroes of the Storm, Command & Conquer, and The Lord of the Rings. Thompson's credits include creative director for Hearthstone and art director for the World of Warcraft trading card game, with additional credits on Dungeons & Dragons and Magic: The Gathering. Moonshot is also home to a team of seasoned developers who've worked on some of gaming's most popular franchises.

Dreamhaven's second game studio, Secret Door, has a leadership team of Chris Sigaty, Alan Dabiri, and Eric Dodds. Sigaty's roles have included executive producer on Hearthstone, StarCraft II, and Heroes of the Storm, as well as lead producer on the original Warcraft III. Dodds was the original game director of Hearthstone and veteran game designer on World of Warcraft and StarCraft. Dabiri has filled both technical director and game director roles and has worked on Warcraft III, StarCraft II, and Heroes of the Storm. Sigaty was at Blizzard for almost 24 years, working closely with Chayes on games like StarCraft II: Wings of Liberty. He left Blizzard at the end of 2019 and to devote some time to family. He also talked with Morhaime and Chayes.

seoras shares a report from the BBC: The mystery of why an entire village lost its broadband every morning at 7am was solved when engineers discovered an old television was to blame. An unnamed householder in Aberhosan, Powys, was unaware the old set would emit a signal which would interfere with the entire village's broadband. After 18 months engineers began an investigation after a cable replacement program failed to fix the issue. The embarrassed householder promised not to use the television again. The village now has a stable broadband signal. The engineers used a spectrum analyzer to help pinpoint the "electrical noise" that was causing the problem.

"At 7am, like clockwork, it happened," said engineer Michael Jones. "It turned out that at 7am every morning the occupant would switch on their old TV which would, in turn, knock out broadband for the entire village."

According to The Wall Street Journal, the mobile streaming service Quibi is exploring strategic options including a possible sale. "It is also considering raising more money or going public through a merger with a specially formed company that could help it fund deals," adds CNET. From the report: It declined to comment directly on the report, but Quibi said in a statement that it "has successfully launched a new business and pioneered a new form of storytelling and state-of-the-art platform." It added that CEO Meg Whitman and founder Jeffrey Katzenberg "are committed to continuing to build the business in the way that gives the greatest experience for customers, greatest value for shareholders and greatest opportunity for employees."

According to new research from eMarketer, the cable, satellite and telecom TV industry is on track to lose the most subscribers ever. This year, over 6 million U.S. households will cut the cord with pay TV, bringing the total number of cord-cutter households to 31.2 million. TechCrunch reports: The firm says that by 2024, the number will grow even further, reaching 46.6 million total cord-cutter households, or more than a third of all U.S. households that no longer have pay TV. Despite these significant declines, there are still more households that have a pay TV subscription than those that do not. Today, there are 77.6 million U.S. households that have cable, satellite or telecom TV packages. But that number has declined 7.5% year-over-year â" its biggest-ever drop. The figure is also down from pay TV's peak in 2014, the analysts said.

The pay TV losses, as you may expect, are due to the growing adoption of streaming services. But if anything, the pandemic has pushed forward the cord-cutting movement's momentum as the health crisis contributed to a down economy and the loss of live sports during the first part of the year. These trends may have also encouraged more consumers to cut the cord than would have otherwise. "Consumers are choosing to cut the cord because of high prices, especially compared with streaming alternatives," said eMarketer forecasting analyst at Insider Intelligence Eric Haggstrom. "The loss of live sports in H1 2020 contributed to further declines. While sports have returned, people will not return to their old cable or satellite plans," he added.

An anonymous reader quotes a report from Forbes: According to reports, more than 500,000 Activision accounts may have been hacked with login data being compromised. The eSports site Dexerto has reported that a data breach occurred on Sunday, September 20. The credentials to access these accounts are, Dexerto said, being leaked publicly, and account details changed to prevent easy recovery by the rightful owners. Activision accounts are mostly used by players of the hugely popular Call of Duty franchise.

"This is a substantial breach," Martin Jartelius, CSO at Outpost24, said, "in parts, the clean-up will be a large undertaking for Activision, we can only hope backups allow restoring original contact data, resetting access and managing the users who still cannot regain access which should be a smaller group." Changing your password, if you still have access to your account, is vital, as is changing passwords at any other site or service where you use the same password. This should be to something long and strong, the use of a password manager will help you here. Developing...

CNN reports: A planned reality show will seek to give the winner of its on-air competition "the greatest prize ever given out on Earth" — a 10-day stay on the International Space Station...

The production company's press release said that the team is "now looking for global brand and primary distribution partners." Space Hero is planning to open the application process for the show in the first half of 2021 before broadcasting begins in 2022, a spokesperson said via email Friday... Space Hero, which is headed by a former News Corp executive named Marty Pompadur, said it is working with Texas-based startup Axiom Space to coordinate the trip into orbit.

Axiom was co-founded and led by Michael Suffredini, who led NASA's International Space Station Program from 2005 to 2015. The company plans to serve as a go-between for NASA, launch providers such as SpaceX and Boeing, and any private-sector individuals interested in booking rides to space for tourism, entertainment or other business purposes. Axiom has also said it can provide all the training necessary to prepare individuals for a trip to the ISS...

Private citizens have visited the space station before: A company called Space Adventures previously organized eight trips to the International Space Station for ultra-wealthy travelers between 2001 and 2009 using Russian Soyuz spacecraft. Allowing tourists and other private citizens to make use of the space station — via SpaceX's or Boeing's new spacecraft — is part of NASA's goal of commercializing outer space.
CNN notes that Axiom is also handling the training and coordination for that Tom Cruise movie that's going to be filmed in space.

DC Universe, which started out as a streaming service for original DC superhero content, will in January become DC Universe Infinite, a supersized subscription service for DC Comics. CNET reports: The service launches on Jan. 21 for $7.99 per month, or $74.99 for a year-long subscription. DC says that subscribers will be able to read 24,000 comic book titles at launch, along with digital-first titles and access to exclusive fan events. Recently released titles featuring Batman, Superman, Wonder Woman and other DC mainstays will make their way onto the platform in digital format six months after the physical copies arrive in stores. Those who subscribe during the initial preorder run will receive a $10 voucher to the DC Shop on Feb. 1 -- and make that $25 if you lock in a year-long subscription.

The move comes as DC nestles in with HBO, with original DC programming making a home on the HBO Max streaming service. A third season of the Harley Quinn animated series starring Kaley Cuoco was just announced for the platform earlier today, with all seasons of the show now sitting as an HBO exclusive. [...] To that end, DC is extending its offer for DC Universe subscribers to add HBO Max membership for $4.99 per month. Fans can jump on that deal through the end of October.

NBCUniversal plans to black out more than 11 channels on Roku's streaming platform Saturday morning, escalating a standoff with the company over its refusal to carry a new video app, Peacock. From a report: NBC's Peacock and AT&T's HBO Max have been unable to secure spots on Roku and Amazon.com's Fire TV since launching their streaming services earlier this year. Roku is demanding, among other things, a cut of the advertising inventory on those apps to sell on its own. Comcast's NBC and WarnerMedia, the AT&T division that runs HBO Max, are rejecting that push because they want to make money from ads on their streaming services. In a statement Friday, NBC said Roku's "unreasonable demands ultimately hurt both their consumers and their consumer equipment partners to whom they've promised access to all apps in the marketplace." Roku used similar wording in a statement. "Comcast is removingâthe channels in order to try to force Roku to distribute its new Peacock service on unreasonable terms,," a spokesperson said.

At the Creative Arts Emmys on Wednesday night, The Mandalorian not only scored its first Emmy but also won the first Emmy for Disney+. Deadline reports: As a brand new streamer, this year marks the first year of eligibility for Disney+. The Mandalorian has racked up a staggering 15 Emmy nominations with 8 of those trophies being handed out tonight. Outstanding Special Visual Effects is the first win for the sci-fi series that stars Pedro Pascal as the titular masked hero and introduced the world to Baby Yoda -- which won everyone's hearts. This win will likely be the first of many tonight and at Sunday's ceremony. The Mandalorian is also up for Outstanding Drama Series as well as Outstanding Character Voice-Over Performance for Taika Waitti's role as droid IG-11 and Outstanding Guest Actor In A Drama Series for Giancarlo Esposito's performance as Moff Gideon.

Amazon Music now offers podcasts. The company issued an update today that brings more than 70,000 shows to the platform, including some major titles, like Serial and Pod Save America, as well as new exclusive deals like a show with DJ Khaled called The First One, where he'll interview artists about their breakthrough hits and the stories behind them. Disgraceland, a popular show from iHeartMedia, will also become exclusive to the platform starting in February 2021. From a report: Podcasts can be listened to through the updated Amazon Music app, on the web, or on Amazon Echo devices. Echo devices will search Amazon Music by default and will remember where listeners left off, regardless of what platform they use to listen. The Wall Street Journal reports that Amazon will be selling ads for its shows, although it's unclear if that means DJ Khaled and other hosts will be reading ads and if paid subscribers will hear these ads, similarly to Spotify.

An anonymous reader quotes a report from the BBC: At 94 years old and with over 60 years of wildlife documentary-making under his belt, Sir David Attenborough is well-placed to share his thoughts about the future of our planet. And on Sunday, in the new BBC documentary Extinction: The Facts, the legendary presenter had a warning for all humans about the creatures we share the Earth with. "Over the course of my life, I've encountered some of the world's most remarkable species of animals," Attenborough says at the start of the hour-long film. "Only now do I realize just how lucky I've been. Many of these wonders seem set to disappear forever. We're facing a crisis, and one that has consequences for us all. It threatens our ability to feed ourselves, to control our climate -- it even puts us at greater risk of pandemic diseases such as COVID-19."

With the help of a number of academics and experts, Attenborough goes on to explain that extinction is now happening much faster than it used to -- with 570 plant species and 700 animal species disappearing since the year 1500. "Studies suggest that extinction is now happening a hundred times faster than the natural evolutionary rate," Attenborough says. "And it's accelerating." A follow-up to Attenborough's 2019 explainer documentary, Climate Change: The Facts, Extinction: The Facts delves into some of the main causes of extinction and disastrous biodiversity loss today, including habitat destruction (either caused by land use or human-induced climate change or both), unsustainable agricultural and fishing practices, and poaching. The documentary examines a number of species across the world that are at risk, from the two remaining northern white rhinos in Kenya's Ol Pejeta Conservancy to the 25 percent of assessed plant species currently at risk of disappearing forever. Although the documentary is a heavy and often bleak watch, it does end with a message of hope. "One thing we do know, is that if nature is given the chance, it can bounce back," concludes Attenborough.

Space.com reports: Laika, a stray dog scooped off the streets of Moscow, launched on the Soviet Union's Sputnik 2 mission in November 1957, just a month after Sputnik 1's liftoff opened the space age. The 11-lb. (5 kilograms) mixed-breed quickly died of overheating and circled Earth as a corpse until April 1958, when Sputnik 2 fell back into the atmosphere and burned up.

Laika was sacrificed to aid humanity's march into the cosmos, her pioneering mission and those of her successors designed to help show that our species could survive jaunts into the final frontier. A new documentary called "Space Dogs" asks us to examine that sacrifice and what it says about us. [Trailer here] "This film is about the relationship of another species to us humans. A species that has been used in space history in two ways: both as an experimental object and as a symbol of courage and heroism," directors Elsa Kremser and Levin Peter said in a statement.

"The dogs had to fulfill mankind's dream by conquering the cosmos for them," the duo added...

Kremser and Peter dug up stunning, never-before-seen footage of Laika and other Soviet space dogs. Some of these archival snippets show the pups being prepped for their landmark launches, their poor little bodies bristling with implanted tubes and wires. Other footage depicts post-landing processing of the shorn and wobbly strays fortunate enough to survive their orbital ordeals. Getting ahold of this priceless historic material was no easy task...

"Space Dogs" is not chiefly about Laika and her fellow space explorers; the historical footage comprises less than one-third of the roughly 90-minute film. The bulk of the documentary is devoted to strays on the streets of modern Moscow, especially one young dog with floppy ears who roams the city with charismatic enthusiasm.
This week saw the "virtual cinema launch" of the documentary, with a real-world release into theatres next weekend.

Science fiction writer Cory Doctorow (also a former EFF staffer and activist) explains why he's crowdfunding his new audiobook online. Despite the large publishers for his print editions, "I can't get anyone to do my audiobooks. Amazon and its subsidiary Audible, which controls 90% of the audiobook sales, won't carry any of my audiobooks because I won't let them put any of their digital rights management on it.

"I don't want you locked in with their DRM as a condition of experiencing my work," he explains in a video on Kickstarter. "And so I have to do it myself."

He's promising to sell the completed book through all the usual platforms "except Audible," because "I want to send a message. If we get a lot of pre-orders for this, it's going to tell something to Amazon and Audible about how people prioritize the stories they love over the technology they hate, and why technological freedom matters to people.

"It's also going to help my publisher and other major publishers understand that there is an opportunity here to work with crowdfunding platforms in concert with the major publishers' platforms to sell a lot of books in ways that side-step the monopolists, and that connect artists and audiences directly."

it's the third book in a series which began with the dystopian thriller Little Brother (recommended by Neil Gaiman) and continued with a sequel named Homeland. ("You may have seen Edward Snowden grab it off his bedstand and put it in his go bag and go into permanent exile in Hong Kong in the documentary Citizen 4," Doctorow says in his fundraising video.) The newest book, Attack Surface, finds a "technologist from the other side" — a surveillance contractor — now reckoning with their conscience while being hunted with the very cyber-weapons they'd helped to build. "There are a lot of technologists who are reckoning with the moral consequences of their actions these days," Doctorow says, adding "that's part of what inspired me to write this...

"Anyone who's been paying attention knows that there's been a collision between our freedom and our technology brewing for a long time."

Just three days after launching the Kickstarter campaign, Doctorow had already raised over $120,000 over his original goal of $7,000 — with 26 days left to go. And he also promises that the top pledge premium is for real....

$10,000	You and Cory together come up with the premise for his next story in the "Little Brother" universe.
$75 or more	All three novels as both audiobooks and ebooks
$40 or more	All three novels as audiobooks
$35 or more	All three novels as ebooks
$25 or more	The audiobook and the ebook of Cory's new novel, Attack Surface
$15 or more	The audiobook for Attack Surface
$14 or more	The new book Attack Surface in ebook format as a .mobi/.epub file
$11 or more	The second book in the series, Homeland, in ebook format as a .mobi/.epub file
$10 or more	The first novel in the series in ebook format as a .mobi/.epub file
$1 or more	Cory will email you the complete text of "Little Brother," the first book in the series, cryptographically signed with his private key

Sales of vinyl records surpassed those of CDs in the U.S. for the first time since 1986, marking a key turning point for the format's nostalgia-fueled resurgence. From a report: People spent $232.1 million on limited-play and extended-play records in the first half of the year, according to the Recording Industry Association of America, eclipsing the $129.9 million they spent on compact discs. Vinyl was the most popular way people listened to music throughout the 1970s and the early 1980s, at which point it gave way to tape cassettes -- followed by CDs and digital formats. Each new format was more convenient than the last and suppressed interest in vinyl.

Dputiger writes: After nine months of work, I've published workflows, example videos, and screenshots showing how to restore Star Trek: Deep Space Nine from the rather potato quality of its DVDs to something you could plausibly call HD equivalent. These are the results. "With careful processing and good upscaling, it's possible to give Deep Space Nine a clarity that I think approaches that of what's typically referred to as 'HD' content, though it's still limited to the NTSC color gamut as opposed to later standards like Rec. 709," writes Joel Hruska via ExtremeTech. "At its worst -- allowing for some deviations from perfection -- it'll still look like the best damn DVD you've ever seen. At its best -- and I consider the shot of Sisko up there to be one of the best -- I'd argue that he, at least, comes across in HD levels of detail."

The article "is not a step-by-step tutorial on how to perform this process," Hruska writes, adding, "that will be its own project." There will, however, be enough information that anyone with a passing knowledge of AviSynth "should be able to recreate both approaches."