After a year in which most people were stuck indoors, it should come as little surprise that streaming platforms skyrocketed in popularity over the past 12 months. For the first time ever, subscriptions to streaming services surpassed one billion, reaching 1.1 billion globally. From a report: At the same time, box office receipts plummeted because movie theaters across the world were closed for a significant part of 2020. Global ticket sales tapped out at $12 billion, with North America accounting for $2.2 billion of that haul. Though the circumstances aren't comparable, worldwide box office receipts totaled $42.5 billion in 2019, with $11.4 billion coming from domestic theaters. Still, it marks a 72% year-over-year decline. These statistics come from the Motion Pictures Association's annual theme report, which is conducted by the entertainment industry trade group and intends to analyze how film, television and streaming content performs yearly.

The 2020 study covers a year that was overshadowed by the coronavirus pandemic, making some of the data understandably skewed and difficult to compare box office totals between countries. In Asian countries, particularly in China, the box office has already returned to pre-pandemic levels. That hasn't been the case in the U.S. and Canada, where new movies are few and far between and audiences are returning to theaters at a glacial pace. Outside of North America, the top three box office markets were China ($3 billion), Japan ($1.3 billion), and France ($500 million). Combined, the global theatrical business and home and mobile entertainment market totaled $80.8 billion in revenues in 2020, shrinking by 18% from the $98.3 billion amassed last year. The success of digital home entertainment, which grew 23% to $68.8 billion, helped offset the depleted theatrical box office numbers. In the U.S., subscriptions reached 308.6 million, representing a 32% increase from 2019.

A Brooklyn-based film director is simultaneously mocking and attempting to profit off the cryptocurrency craze for non-fungible tokens (NFTs) by selling a year's worth of fart audio clips recorded in quarantine. The New York Post reports: "If people are selling digital art and GIFs, why not sell farts?" Alex Ramirez-Mallis, 36, told The Post of his dank addition to the blockchain-based NFT market. His NFT, "One Calendar Year of Recorded Farts," began incubating in March 2020 when, at the beginning of the global coronavirus lockdown, Ramirez-Mallis and four of his friends began sharing recordings of their farts to a group chat on WhatsApp.

On the one-year anniversary of the US's COVID-19 quarantine this month -- by which point Ramirez-Mallis said he could darn near identify members of the group by their farts alone -- Ramirez-Mallis and his fellow farters compiled the recordings into a 52-minute "Master Collection" audio file. Now, the top bid for the file is currently $183. Individual fart recordings are also available for 0.05 Ethereum, or about $85 a pop. The gassy group has so far sold one, to an anonymous buyer.

Intel has hired Apple's former "I'm a Mac" actor Justin Long to create new ads praising PCs. From a report: Long starts each commercial with "Hello I'm a... Justin," with the typical white background you'd find on Apple's Mac vs. PC ads from the 2000s. Naturally, the ads focus on Mac vs. PC again, with Long mocking Apple's Touch Bar, lack of M1 multiple monitor support, and the "gray and grayer" color choices for a MacBook. One even goes all-in on Apple's lack of touchscreens in Macs or 2-in-1 support by mocking the fact you have to buy a tablet, keyboard, stylus, and even a dongle to match what's available on rival Intel-based laptops. Another ad also points out that "no one really games on a Mac." Intel has put out more ads where they point out that Mac doesn't have the gaming ecosystem that Windows laptops enjoy.

Microsoft has once again reiterated that VR support for Xbox was not a focus for the company, following reports earlier today that hinted it was working on a VR headset compatible with the Xbox Series X/S. The Verge reports: The rumor first surfaced after IGN Italy reported that some Italian Xbox users received messages, which translated to "[a]n update for the VR headset is available" and "[u]pdate VR headset," when connecting the recently released Xbox Wireless Headset to their Xbox Series X or Series S consoles. A Microsoft representative told The Verge that "the copy in this error message is inaccurate due to a localization bug," while again reiterating that "VR for console is not a focus for us at this time."

Microsoft has yet to explore the VR space for its Xbox consoles. In 2018, the company pulled back on plans to support virtual reality headsets for Xbox in 2018, explaining that it wanted to focus "primarily on experiences you would play on your TV." In late 2019, Xbox boss Phil Spencer tweeted out that although he played "some great VR games" such as Half-Life: Alyx, console VR was not Xbox's focus ahead of the Xbox Series X / S release.

An anonymous reader shares a report: Apple has discontinued its original HomePod after four years. It says that it will continue to produce and focus on the HomePod mini, introduced last year. The larger HomePod offered a beefier sound space but the mini has been very well received and clearly accomplishes many of the duties that the larger version was tasked with. The sound is super solid (especially for the size) and it offers access to Siri, Apple's assistant feature.

Elon Musk is getting in on the NFT gold rush by selling a new electronic music track he's apparently produced as an NFT. The Verge reports: Yes, you've heard that right -- it's a song about non-fungible tokens, which Musk appears to have minted (or plans to mint) on the blockchain. Musk did not include a link to the NFT, so it's not clear if it's already live or if Musk plans to initiate the sale at a later date. It's also not clear on which platform Musk intends to sell the NFT.

We also don't know if the song has a name, but we have some clues. The looping video attached to the song Musk posted to Twitter on Monday displays the words "Vanity Trophy" orbiting around a golden orb affixed to the top of a literal trophy reading "HODL," short for the phase "hold on for dear life." [...] At various points in the short video, the words along the trophy shift from "computers" to "never sell" while a female vocalist sings lyrics over top like "NFT for your vanity" and "computers never sleep." Did I mention that the trophy also has little gold dogs, or "doges" if you will, rotating around it, too? The techno song drop is appropriate considering Musk named himself the "technoking" of Tesla in a filing with the U.S. Securities and Exchange Commission on Monday. Meanwhile, chief financial officer Zach Kirkhorn's new position is "Master of Coin."

Both Elon and Zach "will also maintain their respective positions as Chief Executive Officer and Chief Financial Officer," the filing concludes.

ComicBook.com reports: Back in 2019, Avengers: Endgame hit theatres and after a couple of months, it ended up knocking Avatar out of the highest-grossing film spot. The James Cameron movie was number one for an entire decade before the Marvel film came along, but thanks to a recent re-release in China, Avatar is back on top...

When the news broke yesterday, many people took to social media to point out that the "real" winner was actually Zoe Saldana, who plays Gamora in the Marvel Cinematic Universe and Neytiri in Avatar. No matter which movie ultimately wins the box office wars, Saldana can't lose... Saldana is expected to return for both Guardians of the Galaxy Vol. 3 and Avatar 2.
Deadline reports the directors of Marvel's Avengers: Endgame, Joe and Anthony Russo, "have graciously saluted James Cameron's film Avatar for edging past them in the all-time worldwide box office totals," by tweeting a custom piece of artwork merging the Avatar and Avengers logos. James Cameron himself shared the tweet he'd received from Marvel Studios congratulating "ALL of Na'vi Nation for reclaiming the box office crown" (which also included a memorable line from Avengers: Endgame).

Deadline says it's part of a long-standing Hollywood tradition: A practice of taking out ads to pat each other on the back began in 1977 when Steven Spielberg congratulated buddy George Lucas after Star Wars overtook Jaws at the domestic box office. It carried on from there including when Lucas later gave a shout-out to Cameron as Titanic unseated Star Wars in 1998.

In 2015, Disney/Marvel and The Avengers paid tribute to Universal's Jurassic World and its record-smashing opening weekend. Later that year, Uni returned the hat tip as Disney/Lucasfilm's The Force Awakens rode past the dinosaurs, moving to social media for the first time. Then in 2019, Cameron saluted Endgame for overtaking Titanic and in July that year Cameron again said bravo when Endgame crossed Avatar.

On Friday, NPD Group analyst Mat Piscatella tweeted that the PS5 is currently the fastest selling hardware platform" in U.S. history, in terms of total dollar sales. CNET reports: Piscatella didn't share an exact dollar amount for the PS5 but noted that consumer spending across video game hardware, software and accessories has already totaled $9.3 billion this year. Sony didn't include specific sales figures in its earnings report last month, but the company did indicate it shipped 4.5 million PS5 consoles in 2020 alone. Chief Financial Officer Hiroki Totoki said at a February news conference that Sony is aiming to sell upward of 14.8 million units in the coming fiscal year, which begins this month.

The PS5 did fall to second place for the month of February, according to NPD. It was superseded only by the Nintendo Switch, which may have seen a sales boost on the heels of Super Mario 3D World -- Bowser's Fury, the latest Switch title, released last month.

Netflix is testing a new feature that could signal the start of an effort to crack down on password sharing. Hollywood Reporter reports: Spotted by GammaWire, some viewers attempting to use somebody else's account are now being stopped by a screen that says, "If you don't live with the owner of this account, you need your own account to keep watching." Netflix confirmed the new feature, which is getting a limited rollout at this time. "This test is designed to help ensure that people using Netflix accounts are authorized to do so," a Netflix spokesperson said.

In order to continue watching, the viewer is given the option of either verifying their identity (with a texted or emailed code to the account's owner), or opting to "verify later," which gives the viewer an unspecified additional amount of time to continue watching and later confirm they are a valid account user. A source familiar with the tests said the extent of the rollout varies from country to country, but noted that one reason for the feature is a desire to help protect subscribers from security concerns that can arise from unauthorized use of their account.

TV makers are leaving no stone -- or ad spot -- unturned. From a report: This afternoon, I was updating the streaming apps on my 2020 LG CX OLED TV, something I do from time to time, but today was different. Out of nowhere, I saw (and heard) an ad for Ace Hardware start playing in the lower-left corner. It autoplayed with sound without any action on my part. Now I'm fully aware that it's not unusual to see ads placed around a TV's home screen or main menu. LG, Samsung, Roku, Vizio, and others are all in on this game. We live in an era when smart TVs can automatically recognize what you're watching, and TV makers are building nice ad businesses for themselves with all of the data that gets funneled in.

But this felt pretty egregious even by today's standards. A random, full-on commercial just popping up in LG's app store? Is there no escape from this stuff? We're just going to cram ads into every corner of a TV's software, huh? Imagine if an autoplay ad started up while you were updating the apps on your smartphone.

Netflix is officially dropping a documentary about the last ever Blockbuster video store. Titled, The Last Blockbuster, the film gives a nostalgic glimpse of the video store, featuring bevy of interviews from previous employees, fans and business people. From a report: The documentary focuses on the last-ever remaining Blockbuster in the world in Bend, Oregon. A recent statement on the documentary's official Facebook page reads, "A lot of people know that Blockbuster had the chance to buy Netflix early on and they passed on the opportunity. In an ironic twist of fate, our movie The Last Blockbuster is coming to Netflix one week from today. We are beyond excited for people to get to see this tribute to era of home video on the world's largest streaming service. Just don't forget to rewind it when you're done watching it and bring it back by noon on Wednesday."

After almost 100 years and more than half a dozen real live, roaring lions, MGM is replacing its iconic mascot for a near-identical computer-generated duplicate. CNET reports: This change has been in the works for a while. MGM originally planned to debut its new CG mascot in the latest James Bond film, but when No Time to Die was delayed from 2019 to 2021 due to the coronavirus pandemic, so was Leo's first roar from the uncanny valley. Instead, MGM revealed the logo on YouTube Monday and in a sizzle reel shared with Adweek, which said MGM worked with Culver City, Calif.-based Baked Studios on the new look.

nickwinlund77 shares a report from NPR: Lou Ottens, who put music lovers around the world on a path toward playlists and mixtapes by leading the invention of the first cassette tape, has died at age 94, according to media reports in the Netherlands. Ottens was a talented and influential engineer at Philips, where he also helped develop consumer compact discs. Ottens died last Saturday, according to the Dutch news outlet NRC Handelsblad, which lists his age as 94. The cassette tape was Ottens' answer to the large reel-to-reel tapes that provided high-quality sound but were seen as too clunky and expensive. He took on the challenge of shrinking tape technology in the early 1960s, when he became the head of new product development in Hasselt, Belgium, for the Dutch-based Philips technology company.

"Lou wanted music to be portable and accessible," says documentary filmmaker Zack Taylor, who spent days with Ottens for his film Cassette: A Documentary Mixtape. Ottens' goal was to make something simple and affordable for anyone to use. As Taylor says, "He advocated for Philips to license this new format to other manufacturers for free, paving the way for cassettes to become a worldwide standard."

Disney+ continues to grow apace, topping 100 million subscribers worldwide, Disney CEO Bob Chapek said Tuesday during its annual shareholders meeting. That's up from the 94.9 million Disney reported last month. From a report: "The enormous success of Disney+ has inspired us to be even more ambitious, and to significantly increase our investment in the development of high-quality content," Chapek said. "In fact, we set a target of 100-plus new titles per year, and this includes Disney Animation, Disney Live Action, Marvel, Star Wars, and National Geographic. Our direct-to-consumer business is the Company's top priority, and our robust pipeline of content will continue to fuel its growth."

According to Bloomberg, Nintendo is planning to unveil a model of its Switch gaming console equipped with a bigger Samsung OLED display and support for 4K. It's expected to arrive before Christmas. From the report: Samsung Display Co. will start mass production of 7-inch, 720p-resolution OLED panels as early as June with an initial monthly target of just under a million units. The displays are slated for shipment to assemblers around July. The gaming community has speculated online about the introduction of an OLED or organic light-emitting diode screen, but Nintendo has stayed mum and President Shuntaro Furukawa said in February his company has no plans to announce a new Switch "anytime soon." Samsung's involvement is the strongest indication that Nintendo is serious about updating the console, and on a large scale.

Nintendo decided to go with rigid OLED panels for the new model, the people said, a cheaper but less flexible alternative to the type commonly used for high-end smartphones. The latest model will also come with 4K ultra-high definition graphics when paired with TVs, they said. That could intensify a longstanding complaint of developers, who have struggled with the difference in resolution between handheld and TV modes and now face a bigger gap between the two.