Nielsen on Thursday announced that it had moved a step closer toward cracking one of the great questions of the modern entertainment world: How big, exactly, is streaming? From a report: Nielsen, the 98-year-old research firm that for decades has had an effective monopoly on measuring TV ratings in the United States, has a new metric that it says allows it to make an apples-to-apples comparison, on a percentage basis, of how many people are streaming shows and films on their TVs versus how many are watching traditional cable and broadcast channels. For the time being, Nielsen reports, people are spending more time watching TV the old-fashioned way -- but streaming is gaining fast.

On Thursday, the firm reported that 64 percent of the time American viewers used their television sets in May 2021 was spent watching network and cable TV, while they watched streaming services about 26 percent of the time. Another 9 percent of the time, they were using their TV screens for things like video games or watching programs or films they had saved on DVR. The streaming share is increasing rapidly. It stood at about 20 percent last year, Nielsen said; in 2019, it was about 14 percent. A Nielsen spokesman said that the firm anticipates the streaming share could go up to about 33 percent by the end of the year. Netflix and YouTube are the streaming leaders, the research firm said, with each capturing 6 percent of total TV time. They are trailed by Hulu (3 percent), Amazon (2 percent) and Disney+ (1 percent). Nielsen calls its new metric The Gauge. It comes in addition to its previous method of measuring how many people are watching streaming platforms, which relies on audio-recognition software included in Nielsen devices that are now in 38,000 households across the country. Both metrics measure only what is viewed on television screens and do not count what is watched on phones or laptops.

An anonymous reader shares a report: Google CEO Sundar Pichai last month previewed an artificial intelligence model that he said would enable people to have open-ended conversations with technology. But current and former employees who have worked with the language model say enabling coherent, free-flowing and accurate dialogue between humans and technology remains a tall order. As a result, Google is taking a more incremental step in conversational AI by preparing to teach foreign languages through Google Search [Editor's note: the link may be paywalled; alternative source], according to people involved in the work. The project, referred to internally as Tivoli, grew out of its Google Research unit and is likely to be rolled out later this year. It will initially work over text, and the exact look and feel of the instruction couldn't be learned.

Googlers are also discussing ways to eventually add the functionality to its voice assistant and YouTube product lines. In YouTube, for example, it could generate language quizzes where viewers record themselves after watching a video and the AI provides an assessment of how they performed. A Google spokesperson did not have a comment. Teaching foreign languages allows Google to move more fluid, conversational AI beyond silly exchanges to a practical-use but low-stakes case, the people said. Using the wrong tense or phrase would be unlikely to cause serious harm to users. AI researchers have for decades worked to foster dialogue between computers and humans that feels real, picks up the nuance of how people communicate and simplifies tasks. Such aspirational technology has been featured in movies like "Her" in which a man communicates with -- and falls in love with -- a virtual assistant.

Netflix is branching into toys, games and clothing based on its popular shows, looking to mine popular characters for added revenue much like Walt Disney. From a report: The streaming service is launching Netflix.shop, a retail arm that will sell curated products from its catalog of shows and movies. As part of the launch, Netflix is introducing a collection of anime-inspired products, according to a statement Thursday. Products from other programs are in the works, too. The move into merchandising is a logical extension for Netflix. Other major studios generate billions of dollars in revenue from toys, collectibles and other goods based on popular characters and shows. [...] The shop will open in the U.S. before expanding to other countries, Netflix said.

Last week, Apple TV users reported issues with HBO Max refusing to rewind, fast-forward, or pause content. According to The A.V. Club, the issue is still ongoing. From the report: Strangely enough, HBO Max's customer service Twitter account acknowledged the issue on June 4. They wrote to a Twitter user, "We're aware of this issue with our app on Apple TV and our team is working to find a solution as quickly as possible. Thank you for your patience while we sort this out." HBO says "fixes coming," according to The Verge. Yesterday, the site's editor-in-chief tweeted about the issue to HBO Max's executive vice president and general manager Andy Forssell, who tweeted, "First priority is to deliver for users in addressing the issues, but in parallel we will also dive deep into that question." As of now, though, the company is still charging users for an app that won't let you rewind, say, that scene from Dumb & Dumber where Harry has diarrhea. This leads us to ask, where's the money going?

On Monday, the Federal Trade Commission charged the executives of the long-defunct MoviePass app over allegations that they fraudulently blocked customers from using the service as advertised while failing to protect their data privacy. The FTC also announced that it had reached a settlement with MoviePass and its executives as a result of the investigation. The Verge reports: Under the proposed settlement, MoviePass, its parent company Helios and Matheson Analytics, its CEO Mitch Lowe, and chairman Ted Farnsworth are forbidden from falsely representing their business and data security practices to customers. Any businesses controlled by these entities are also required to roll out comprehensive information security programs to protect consumers. "MoviePass and its executives went to great lengths to deny consumers access to the service they paid for while also failing to secure their personal information," Daniel Kaufman, FTC acting director of the Bureau of Consumer Protection said in a statement Monday. "The FTC will continue working to protect consumers from deception and to ensure that businesses deliver on their promises."

The FTC's complaint accuses the company of deceptively marketing its "one movie per day" service to subscribers and barring customers from using the service as advertised. It also alleges that the company falsely invalidated customer passwords over "suspicious activity or potential fraud" in order to ban frequent moviegoers from the service. The FTC also says that MoviePass initiated a ticket verification program as a means of discouraging people from using the service. As part of the settlement, MoviePass' operators must put comprehensive data security programs into place in any future ventures after saving MoviePass customer data in plain text, the FTC said.

"It is now written in the annals of legal history that Disney's Star Wars sequels, specifically The Last Jedi and The Rise of Skywalker, are mediocre," writes MovieWeb: This, according to Ninth Circuit Court Judge Kenneth K. Lee, who recently referred to the movies as such in a recent legal ruling... Judge Lee recently handed down a ruling in regards to a class action lawsuit against ConAgra Foods Inc. The case had to do with whether or not the company was responsible for placing a "100% Natural" label on bottles of Wesson Oil. ConAgra Foods no longer owns Wesson Oil.... And, as the judge found in his ruling, the company simply doesn't have the power to make that sort of call anymore....

This is where things get interesting. At this point in the ruling, Judge Lee decided to make a comparison, and that's where Star Wars comes in. It would seem the judge is a fan and he decided to liken the situation to Disney producing a trilogy of sequels after Lucasfilm was sold to them by George Lucas in 2012. And, in his professional, legal opinion, those movies were not up to snuff. "That is like George Lucas promising no more mediocre and schlocky Star Wars sequels shortly after selling the franchise to Disney. Such a promise would be illusory."

That wasn't the end of it either. In a footnote at the end of that page in the document, Judge Lee added some clarification saying, "As evident by Disney's production of The Last Jedi and The Rise of Skywalker."

AMC announced today that it was creating AMC Investor Connect, "an innovative, proactive communication initiative that will put AMC in direct communication with its extraordinary base of enthusiastic and passionate individual shareholders to keep them up to date about important company information and to provide them with special offers." In other words, the company is embracing the meme stonk investors that have sent AMC shares to new highs. The Verge reports: This represents "a groundbreaking new approach" to communicating with retail investors, the company says. It's a shame they didn't put a bunch of rocket emojis in the announcement -- after all, there's no need to be coy. We all know exactly who AMC is speaking to, and if they sign up today, they're getting free popcorn. This is also, essentially, the opposite of what GameStop did, which was say absolutely nothing. You got the sense that maybe the exec team was nervous that anything they said might potentially be securities fraud. AMC, though, they've elected to really embrace the whole meme thing. I'm hoping there are more announcements where they get meme-ier. Like, retail investors get a free Lego rocket in the fourth quarter or something.

Who wants to be an astronaut? If the answer is you, there's a reality TV show, appropriately titled "Who Wants to Be an Astronaut?", that you ought to apply for. From a report: The Discovery Channel is seeking to cast about 10 would-be astronauts to compete during the series' eight-episode run next year for a seat on a real-life trip to the International Space Station, followed by live coverage of the launch of the winner on a SpaceX rocket. "We'd like a diverse group of people that each have their own story, why they want to go to space, why they're worthy of going to space, what their back story is," said Jay Peterson, president of Boat Rocker Studios, Unscripted, one of the companies producing the show for Discovery. That person will not be the only amateur astronaut destined for the space station next year. So many tourism and entertainment efforts are preparing trips there that it could begin to look more like a soundstage for television shows and a hotel for the wealthy than an orbiting research laboratory.

Many who work in the business of space believe that is a good thing, even if trips to orbit will remain out of reach of all but the wealthiest passengers in the near term. "This is a real inflection point, I think, with human spaceflight," Phil McAlister, NASA's director of commercial spaceflight development, said during a news conference this month announcing that the agency had signed an agreement with Axiom Space, a Houston-based company, to fly the first mission of private astronauts to the space station. "I'm very bullish on the tourism market and the tourism activity," Mr. McAlister said. "I think more people that are going to fly, they're going to want to do more things in space." Although the International Space Station may stay up in orbit at least until 2028, in the future it will not be only space station. Russian space authorities last month declared their intention to leave the I.S.S. in the coming years and build a station of their own. A Chinese orbital outpost is expected to come online in the next year or two.

James Bond has a new home: Amazon and MGM announced a definitive merger agreement under which Amazon will acquire MGM for $8.45 billion. From a report: MGM, founded in 1924, complements Amazon Studios, which has primarily focused on producing TV programming, the companies said. Amazon will help "preserve MGM's heritage and catalog of films," and provide customers with greater access to these existing works, the companies said. For Amazon, snapping up MGM -- which has more than 4,000 movies and 17,000 TV shows in its catalog -- is a way to supercharge its Prime Video service with a slew of well-known entertainment properties. In addition, Amazon is anticipating being able to tap into Metro-Goldwyn-Mayer properties like the Pink Panther, Rocky, and, yes, the 007 franchises for new originals.

"The real financial value behind this deal is the treasure trove of [intellectual property] in the deep catalog that we plan to reimagine and develop together with MGM's talented team," Mike Hopkins, senior VP of Prime Video and Amazon Studios, said in announcing the deal. "It's very exciting and provides so many opportunities for high-quality storytelling." Hopkins noted that MGM productions collectively have won more than 180 Oscars and 100 Emmys. The studio has roughly 800 employees globally.

"The official Python software package repository, PyPI, is getting flooded with spam packages..." Bleeping Computer reported Thursday.

"Each of these packages is posted by a unique pseudonymous maintainer account, making it challenging for PyPI to remove the packages and spam accounts all at once..." PyPI is being flooded with spam packages named after popular movies in a style commonly associated with torrent or "warez" sites that provide pirated downloads: watch-(movie-name)-2021-full-online-movie-free-hd-... Although some of these packages are a few weeks old, BleepingComputer observed that spammers are continuing to add newer packages to PyPI... The web page for these bogus packages contain spam keywords and links to movie streaming sites, albeit of questionable legitimacy and legality...

February of this year, PyPI had been flooded with bogus "Discord", "Google", and "Roblox" keygens in a massive spam attack, as reported by ZDNet. At the time, Ewa Jodlowska, Executive Director of the Python Software Foundation had told ZDNet that the PyPI admins were working on addressing the spam attack, however, by the nature of pypi.org, anyone could publish to the repository, and such occurrences were common.

Other than containing spam keywords and links to quasi-video streaming sites, these packages contain files with functional code and author information lifted from legitimate PyPI packages... As previously reported by BleepingComputer, malicious actors have combined code from legitimate packages with otherwise bogus or malicious packages to mask their footsteps, and make the detection of these packages a tad more challenging...

In recent months, the attacks on open-source ecosystems like npm, RubyGems, and PyPI have escalated. Threat actors have been caught flooding software repositories with malware, malicious dependency confusion copycats, or simply vigilante packages to spread their message. As such, securing these repositories has turned into a whack-a-mole race between threat actors and repository maintainers.

Amazon is weeks into negotiations on a deal to acquire MGM for about $9 billion, industry sources tell Variety. From the report: Chatter that Amazon (and other tech giants) have been sniffing around MGM has circulated for some time. But sources indicated that Amazon's interest in acquiring the studio has taken on a new tenor beyond the usual rumor mill. The deal is said to be being orchestrated by Mike Hopkins, senior VP of Amazon Studios and Prime Video, directly with MGM board chairman Kevin Ulrich, whose Anchorage Capital is a major MGM shareholder. MGM had already effectively nailed up a "for sale" sign: Variety confirmed in December that the company was looking for a buyer.

Rotten Tomatoes is continuing on its quest to grow into something substantially bigger than its Tomatometer movie and TV rating scores. From a report: The website -- owned by NBCUniversal's Fandango -- expands its entertainment footprint with the launch of The Rotten Tomatoes Channel, a new over-the-top streaming service that will initially debut on on The Roku Channel. The OTT service will then come to NBCU's Peacock platform and Comcast-owned Xumo, with other distribution deals in the works including with internet pay-TV providers, according to Fandango. The first 24-hour linear video channel from Rotten Tomatoes will loop about 100 hours of premium programming around the clock on the channel, culled from RT's stable or original shows.

With the launch of The Rotten Tomatoes Channel, Fandango wants to expand its audience reach and provide new entry-points into the entire Fandango ecosystem (i.e., to push movie tickets and digital sales or rentals). Some of the shows on The Rotten Tomatoes Channel will include "Countdown," a show discussing the best upcoming movies and shows according to the Tomatometer and panelists; "The Vault," a nostalgic look back at star interviews, red carpet chats, games and more from the Rotten Tomatoes archives; "Trailers Reloaded," recapping the biggest movies and shows with an extensive collection of trailers; and "Rotten Tomatoes Essentials," a look back at movies, shows, stars and directors that defined genres and eras.

Which country will shoot the first movie in outer space? Russia is now "in a race with the United States to claim the achievement," reports NBC News.

36-year-old actress Yulia Peresild and 37-year-old director Klim Shepenko will complete Russia's cosmonaut-training program, ultimately taking two of the three seats aboard the October launch of Russia's Soyuz mission to the International Space Station: The Russian space agency, Roscosmos, announced Thursday that it had selected its crew to headline the film, which will be called "Challenge..."

Very little is known about the plot, which in many ways seems secondary to the spectacle. When Russia announced the project last year, Konstantin Ernst, the head of Russia's Channel One — which is working with Roscosmos on the film — said that it would not be a science fiction film, but a realistic depiction of near-term space travel. "It's a movie about how a person in no way connected with space exploration, due to various reasons and personal debt, ends up a month later in orbit," Ernst said in a September 2020 interview. "That's all I can tell you...."

The decision to fill the October Soyuz flight with a movie crew comes at an uncertain time for Russia's space program... In October, NASA paid for its final flight aboard Soyuz... Russia is now left to look for other means to help subsidize launch costs. One of those obvious sources — beyond funding from the state television network Channel One — is space tourism. Another Soyuz will launch in December, and rather than fill those seats with Russian cosmonauts, Moscow announced Thursday that two Japanese space tourists will take the ride.

A few days ago, Disney added a new anti-piracy patent to its arsenal: a blockchain-based distribution system that aims to make it harder for pirates to intercept films being distributed to movie theaters. TorrentFreak reports: The patent in question, titled "Blockchain configuration for secure content delivery," focuses on the distribution of content to movie theaters. This is a vulnerable process where pirates with the right connections can make copies during or after delivery. There are already several security mechanisms in place to prevent leaks from happening. Theaters have to adhere to strict rules, for example, and movies are all watermarked. Nevertheless, Disney believes that this isn't sufficient to stop pirates. "[S]uch security mechanisms are often reactive rather than preventative. For example, watermarking configurations insert a watermark into content to track piracy after the piracy has already occurred. As a result, current configurations do not adequately prevent piracy," the company explains.

Disney argues that by implementing a secure blockchain-based system, the distribution process can be more tightly controlled. Among other things, it will make it impossible for a movie to be played before it arrives at the intended location. "In contrast with previous configurations, the blockchain configuration verifies that the content is received at the intended destination prior to allowing playback of the content at that destination," the patent reads.

The system can also be configured with other anti-piracy features. For example, it can track the number of times a movie is played to prevent bad actors from showing it more often than they should. "Further, the blockchain configuration has an automated auditing mechanism that tracks playback of the content at the destination to ensure that the quantity of playbacks is accurately recorded. Therefore, piracy by the intended recipient, in the form of a greater quantity of actual playbacks than reported playbacks, is prevented.' While Disney regularly refers to movie theaters and projectors, it specifically states that the patent also applies to other 'playback environments.' For example, when Disney content is sent to other streaming providers, which will need the proper credentials to play the content. There are several possible practical implementations but whether Disney has concrete plans to use these in the real world is unknown.

Rotten Tomatoes has unearthed a 1941 review of Orson Welles' classic that single-handedly took down its decades-long perfect critics' score. From The Hollywood Reporter: Citizen Kane's score across 116 reviews has been reduced to a mere 99 percent "Fresh." The ranking slip is due to a single negative review that was recently unearthed by Rotten Tomatoes as part of the site's Archival Project, which focuses on resurrecting critics and publications of the past and adding archived reviews to classic films. The project discovered a Citizen Kane review that ran in the Chicago Tribune in 1941 and is only available online as a scanned newspaper clipping. Last month, the review was quietly added to Kane's page.

The review's headline is incredibly on point, given the circumstances: "Citizen Kane Fails to Impress Critic as Greatest Ever Filmed." If that sounds like somebody went to the theater with rather high expectations, the review confirms as much. "You've heard a lot about this picture and I see by the ads that some experts think it 'the greatest movie ever made,'" reads the review. "I don't. It's interesting. It's different. In fact, it's bizarre enough to become a museum piece. But its sacrifice of simplicity to eccentricity robs it of distinction and general entertainment value." The review went on to pan the film's iconic use of shadow ("it gives me the creeps and I kept wishing they'd let a little sunshine in"), yet praised Welles in the title role ("a zealous and effective performer").

The critic apparently didn't put their real name on the piece, but, as Boing-Boing pointed out, used the common-at-the-time pseudonym Mae Tinee (say it aloud). But whoever wrote it managed to pen a bomb that took 80 years to effectively detonate and blow up Citizen Kane's perfect score. According to Rotten Tomatoes, the first Citizen Kane reviews were added to the site in 2000 and the film most likely had a consistent 100 percent score for the past two decades -- until Mr./Ms. Tinee's dismissive takedown was discovered.

The New York Times reports: Netflix still rules the streaming universe. As of the end of March, it had 207.6 million total paying subscribers, with about 67 million in the United States, the company noted in an earnings report on Tuesday. But its main competitors — Disney+, HBO Max, Paramount+ and AppleTV+, as well as the old-guard streamers Amazon Prime Video and Hulu — have cut into Netflix's share of viewers' attention... according to the data firm Parrot Analytics, which has developed a metric to rate not only the number of viewers for given shows, but their likelihood of attracting subscribers to a streaming service.

In its latest rankings, Parrot reported that Netflix's share of total demand — a measure of the popularity of its shows — was slightly above 50 percent for the first three months of the year, compared with 54 percent a year ago and 65 percent in the first quarter of 2019. In other words, competitors have started eating into Netflix's dominance.

That showed up in the numbers. For the first quarter of 2021, Netflix reported the addition of four million new customers, below the six million it had forecast. The company expects to add only one million new customers for this current quarter ending in June. Netflix shares plummeted about 10 percent in after-hours trading on Tuesday, after the earnings announcement...

Although competitors are gaining ground, Netflix is in its best financial shape of its history. It hit a milestone at the end of last year, when it said it would no longer look to borrow money to fund its content slate. Another way to look at it: Netflix finally became a truly profitable business after topping 200 million subscribers, each paying an average of $11 a month. In other words: Its competitors are still losing lots of money on streaming.

destinyland writes: Mystery Science Theater 3000 will be coming back — with a new home online. Though Netflix didn't pick them up for another season after 2019, "We still want to keep making new episodes," series creator Joel Hodgson explains in an online video on Kickstarter. (Also available through the URL MakeMoreMST3K.com.)

And with 12 days left to go, 18,969 online fans have already pledged $3,348,705, funding six new episodes...

But in addition the first $2 million funded the creation of the Gizmoplex, "our very own virtual online theatre," while the first stretch goal was also funded — the creation of MST3K apps for Android, iOS, and streaming services like AppleTV and Roku. "I'm tired of other people deciding if our show lives or dies," explains Crow T. Robot in the Kickstarter video. "I wanna do that." New host Jonah Heston adds, "If we want MST3K to keep going long-term, maybe networks aren't the most reliable option. Maybe it should be up to the fans to decide how long we keep going..."

Their next stretch goal of $4.4 million would fund three more episodes, but will also allow them to invite backers to the Gizmoplex for live monthly events, "for at least a year." And if they reach their goal of $5.5 million, they'll fund three more episodes — so an entire 12-episode season — as well as 12 short-subject films.

The ultimate hope is to host frequent live screenings, premieres, and community events in the Gizmoplex — while fans can even host their own MST3K watch parties whenever they want. And their Kickstarter page even suggests they might someday extend the Gizmoplex into virtual reality (accessible on computer and headsets).
I still remember how back in 2008 Joel Hodgson answered questions from Slashdot readers. "I've been a fan so long, I can't even remember when," posted CmdrTaco.

If possession is nine-tenths of the law, what happens when possession gets slippery? From a report: That's a question for a federal courtroom in Sacramento, California, where Apple is facing a putative class action over the way consumers can "buy" or "rent" movies, TV shows and other content in the iTunes Store. David Andino, the lead plaintiff in this case, argues the distinction is deceptive. He alleges Apple reserves the right to terminate access to what consumers have "purchased," and in fact, has done so on numerous occasions. This week, U.S. District Court Judge John Mendez made clear he isn't ready to buy into Apple's view of consumer expectations in the digital marketplace. "Apple contends that '[n]o reasonable consumer would believe' that purchased content would remain on the iTunes platform indefinitely," writes Mendez. "But in common usage, the term 'buy' means to acquire possession over something. It seems plausible, at least at the motion to dismiss stage, that reasonable consumers would expect their access couldn't be revoked." Apple tried other ways to slip away from claims of false advertising and unfair competition. For example, it tried the time-tested approach of challenging Andino's "injury" to knock his potential standing as a plaintiff.

Microsoft's Xbox Cloud Gaming service, previously known as xCloud, will begin rolling out in beta to iPhones, iPads and PCs this week. The service will be invite-only to start, Microsoft said in a blog post on Monday. From a report: Xbox Cloud Gaming was on track to launch for iPhones and iPads earlier, but Apple updated its App Store rules in September that impacted services like Xbox Gaming and Google Stadia. Apple's move forced the companies to use web browsers to redesign their services so that they could circumvent the App Store rules. Under the rules, Microsoft, Google and other companies with similar services would have had to offer each game as an individual download instead of offering a complete library the way Netflix does for movies.

Xbox Cloud Gaming is sort of like Netflix for games. People who subscribe to Microsoft's $14.99/month Xbox Game Pass Ultimate plan can access more than 100 titles. The cloud gaming aspect lets you stream the games without having to download them, provided you have a fast enough internet connection. The streaming option is already available for Android phones.

EW reports: Felix Silla's friend and former Buck Rogers in the 25th Century costar Gil Gerard reported on Twitter that Silla died Friday after a battle with pancreatic cancer.

Coming in at just under 4 feet tall and only 70 pounds, Silla was the perfect choice for the mumbling Cousin Itt on The Addams Family. For years, audiences didn't see his face, the character covered in a full-length hairpiece, sporting sunglasses and a bowler hat... Silla did not provide the distinct mumbling voice of Cousin Itt. That was added by sound engineer Tony Magro in production...

He first came to the United States in 1955 and began his career touring with the Ringling Bros. and Barnum & Bailey Circus for seven years. He worked as a trapeze artist, tumbler, and bareback horse rider. Eventually, he settled in Hollywood in 1962, where he became a stuntman. He went on to work in movies like A Ticklish Fair, TV shows like Bonanza, and appeared in the first pilot for Star Trek, "The Cage." His small stature often helped him find work, including as Cousin Itt, robot sidekick Twiki on the NBC series Buck Rogers in the 25th Century, and even as a hang-gliding Ewok in Star Wars: Return of the Jedi...

He also excelled as a stand in, double, and stuntman working on projects such as Planet of the Apes, Demon Seed, Indiana Jones and the Temple of Doom, The Towering Inferno, The Hindenburg, E.T. the Extra-Terrestrial, Poltergeist, The Golden Child, Howard the Duck, and Batman Returns.
In 2018 one Las Vegas blog spotted Silla with Gil Gerard, posting a picture of the two side by side -- just as they'd posed decades earlier on Buck Rogers in the 25th Century.

While for that show Mel Blanc had provided the voice for Twiki the robot, the blog notes that Silla himself supplied the voice of Mortimer Goth in the Sims 2 videogame.