Google has announced the Pixel Tablet after teasing it during last year's Google I/O conference. The Verge reports: The Pixel Tablet is designed from the ground up to be good at what people typically use tablets for: watching video or playing games in the comfort of their own home. It is not, however, making any statements about the future of computing. The looks of the Pixel Tablet are relatively generic. It has an 11-inch, 16:10, 2560 x 1600 pixel LCD display, even bezels all around, and a matte back. It comes in three colors: white, dark green, and light pink, with the dark green model featuring a black bezel. Though it looks like plastic from a distance, the Pixel Tablet has an aluminum frame with a nanotexture coating, not unlike what Google did with the Pixel 5 smartphone.

Bundled in the box with the Pixel Tablet is a magnetic speaker dock. This serves multiple purposes and is meant to prevent the dreaded "dead tablet in a drawer" syndrome: it's a place to store the Pixel Tablet when it's not in use; it charges the battery; and it has a louder, fuller speaker better suited for communal listening than the speakers that are built into the tablet. If you're playing music or watching a video on the tablet when you put it on the dock, it will seamlessly transfer the audio to the dock's speaker. Pull the tablet off the dock while something is playing, and it will instantly switch to the tablet's speakers.

When mounted on the speaker dock, the Pixel Tablet looks an awful lot like the Nest Hub Max, a $250 smart display that Google released back in 2019. But make no mistake, the Pixel Tablet is an Android tablet and not a smart display -- it runs completely different software and has different capabilities compared to the Nest Hub. That said, when the tablet is docked on the speaker, it can show a slideshow of images from your Google Photos albums just like the Nest Hub. It also has a quick access button to the Google Home app so you can control smart home devices, and it can accept voice commands from a distance for hands-free Google Assistant queries. The lock screen won't show any personal information like notifications -- for that, you'll have to unlock the tablet to access the accounts that are set up on it. The $499 slab is available for preorder starting today, and will begin shipping on June 20th.

A Delaware judge has dismissed a shareholder lawsuit against financial technology company Block over its 2021 acquisition of majority ownership in Tidal, the music streaming service partly owned by rapper Jay-Z. From a report: A pension fund shareholder alleged that Block founder and CEO Jack Dorsey and the company's board of directors breached their fiduciary duties in agreeing to pay roughly $300 million to take control of Tidal as it was failing financially and the target of an ongoing criminal investigation. Chancellor Kathaleen St. Judge McCormick ruled Tuesday that the pension fund had failed to demand that Block's board pursue legal action itself before filing a derivative lawsuit on behalf of the company. Under Delaware law, shareholders must make such a demand or demonstrate that doing so would be futile because a majority of directors were self-interested, lacked independence or faced a substantial likelihood of liability.

McCormick noted that the demand requirement is a manifestation of Delaware's business judgment rule, under which courts defer to the decision-making of corporate directors unless there is an indication they acted in bad faith. That deference remains even if a corporate decision turns out to be unwise. "It seemed, by all accounts, a terrible business decision," the judge said of Block's acquisition of Tidal. "Under Delaware law, however, a board comprised of a majority of disinterested and independent directors is free to make a terrible business decision without any meaningful threat of liability, so long as the directors approve the action in good faith."

Spotify has removed tens of thousands of songs from artificial intelligence music start-up Boomy, ramping up policing of its platform amid complaints of fraud and clutter across streaming services. From a report: In recent months the music industry has been confronting the rise of AI-generated songs and, more broadly, the growing number of tracks inundating streaming platforms daily. Spotify, the largest audio streaming business, recently took down about 7 per cent of the tracks that had been uploaded by Boomy, the equivalent of "tens of thousands" of songs, according to a person familiar with the matter. Recording giant Universal Music had flagged to all the main streaming platforms that it saw suspicious streaming activity on Boomy tracks, according to another person close to the situation.

The Boomy songs were removed because of suspected "artificial streaming" -- online bots posing as human listeners to inflate the audience numbers for certain songs. AI has made this type of activity easier because it allows someone to instantly generate many music tracks, which can then be uploaded online and streamed. Boomy, which was launched two years ago, allows users to choose various styles or descriptors, such as "rap beats" or "rainy nights," to create a machine-generated track. Users can then release the music to streaming services, where they will generate royalty payments. California-based Boomy says its users have created more than 14mn songs.

Apple is bringing Final Cut Pro and Logic Pro to the iPad. Both apps will be available for $4.99 per month or $49 per year on iPad starting on May 23rd. For comparison, buying Logic Pro on a Mac costs $199.99, and buying Final Cut Pro normally costs $299.99. From a report: The video and music editing apps will come with enhancements specifically for iPads. Final Cut Pro, for example, will come with a new jog wheel that's supposed to make the editing process "easier than ever," allowing you to navigate the magnetic timeline, move clips, and perform edits using just your finger and multi-touch gestures. There's also a new feature called Live Drawing that lets you use your Apple Pencil to draw and write directly on top of video content. If you have an iPad Pro with an M2 chip, you can use the Apple Pencil's hover feature to skim and preview footage without even touching the screen.

The Today show's food reporter delivers a strange report on a viral AI-generated ad "for an imaginary pizza place called 'Pepperoni Hug Spot'."

Everything looks slightly ... off. Generated by AI, the audience is reminded constantly through the uncanny valley that the people aren't real — and neither is the pizza. "Cheese, pepperoni, vegetable, and more secret things," says the voiceover, which is also artificially generated... "Knock, knock, who's there? Pizza magic," the AI narrator says after a delivery driver (whose steering column is on the left side of his car) is shown delivering a pizza.

"Eat Pepperoni Hug Spot pizza. Your tummy say 'Thank you.' Your mouth say, 'Mmm,'" the ad continues while showing a trio of women eating pizza in the oddest possible fashion, complete with bizarre cheese pulls and facial contortions out of a food-based nightmare. "Pepperoni Hug Spot: Like family, but with more cheese..."

Using AI technologies Runway Gen2, Chat GPT4, Eleven Labs, Midjourney and Soundraw AI, the creator was able to produce the background music, voiceover, graphics, video and even generate the script for the ad. "I used Adobe After Effects to combine all the elements, adding title cards, transitions, and graphics," he adds... Seeing it spread, he whipped up a website that fit the uncanny vibe of the commercial and even created merch including hats and T-shirts.

"I figured I should capitalize on my 15 minutes of internet fame, right?" he jokes.
Twitter CEO Elon Musk "simply responded with an exploding head emoji."

And Pizza Hut's official Twitter account posted their reaction: "My heebies have been jeebied."

UPDATE: Saturday Pizza Hut Canada "transformed" one of its restaurants into the restaurant from the commercial, emblazoning the logo for Pepperoni Hug Spot onto its boxes, employee t-shirts, and the sign outside. There's two videos on the official Instagram feed for Pizza Hut Canada (which for the occasion changed its tagline to "Like family, but with more cheese.")

One video closes by promising the pizza does, indeed, contain "secret things."

Canadian singer-songwriter Grimes went viral late last month when she invited her fans to create music using her voice, stating that should would split 50% of royalties for any successful AI-generated song. Now, the artist has unveiled an AI voice software, called Elf.Tech, to make it even easier for users to deepfake her voice for their own AI songs. Pitchfork reports: Artists can commercially release the results in exchange for half of any master-recording royalties. Grimes announced a pair of new songs, "Music for Machines" and "I Wanna Be Software," in tandem with the launch, though their release date has not been set. In a Twitter thread about the software, Grimes asked users to "be tasteful" but said she would only block extreme uses, such as an AI Grimes "Nazi anthem" ("unless it's somehow in jest a la The Producers I guess"). "Baby murder songs" are also off the menu.

Through Elf.Tech, Grimes has also shared a demo of her collaborative remake of Richie Hawtin's Plastikman track "Passage (Out)." Find it in the "Bounces" folder on the website. You can also access stems to train your own Grimes AI. The project is powered by the generative AI Triniti.

An anonymous reader quotes a report from ZDNet: When you think of digital entertainment, your mind might turn first to online video-streaming services, such as Sling TV or YouTube TV, and video-on-demand services, including Netflix or Acorn TV. However, consultant Deloitte's 17th annual "Digital Media Trends" survey suggests traditional television shows and movies are no longer the only forms of entertainment. Younger generations, often called Gen Zs and Millennials, are increasingly turning to user-generated content (UGC) -- which relies on unpaid contributors rather than traditional media professionals -- and video games to find personal fulfillment, value, and meaning. These younger users are creating a vibrant, immersive, and social tapestry of experiences with UGC, video games, music, and social media all playing significant roles. And that move towards UGC and gaming could have big implications for everyone.

Deloitte's survey found that about a third (32%) of consumers view online experiences as meaningful substitutes for in-person interactions, with that proportion increasing to 50% among Gen Zs and Millennials. Almost half (48%) of these younger generations engage more with others on social media than in the physical world, and 40% of them socialize more in video games than offline. Of course, it's not only younger people who view online experiences as meaningful substitutes for in-person interactions. [...] Yet those born after 1981, the usual dividing line between Generation X and Millennials, are much more inclined to live their lives online.

In an effort to appeal to indie authors, Spotify's Findaway audiobook seller "will no longer take a 20 percent cut of royalties for titles sold on its DIY Voices platform -- so long as the sales are made on Spotify," reports The Verge. From the report: In a company blog post published on Monday, Findaway said that it would "pass on cost-saving efficiencies" from its integration with the streaming service. While it's free for authors to upload their audiobooks onto Findaway's Voices platform, the company normally uses an 80/20 pricing structure -- where Findaway takes a 20 percent fee on all royalties earned. But that fee comes after sales platforms take their own 50 percent cut on the list price. So under the old revenue split, an author who sold a $10 audiobook would have to give $5 to Spotify and $1 to Findaway. But moving forward, that same author will no longer have to pay the $1 distribution fee to Findaway when a sale is made through Spotify.

The margins on audiobooks are exceptionally high, much to the chagrin of the authors. For example, Audible takes 75 percent of retail sales (though it'll only take 60 percent with an exclusivity contract). Many authors share royalties with their narrators and have to pay production fees -- meaning they get an even smaller share of royalties. The move by Spotify and Findaway is likely a bid to draw more indie authors from Audible, which is currently its biggest competitor. But Spotify's audiobooks business -- which it launched last fall -- still has a long way to go. Unlike music or podcasts, most audiobooks on Spotify must be purchased individually, and sales are restricted to its web version. Even CEO Daniel Ek admitted that the current process of buying an audiobook through Spotify is "pretty horrible." "We at Spotify are just at the beginning of our journey supporting independent authors -- we have many plans for how to help authors expand their reach, maximize revenue, and ultimately build a strong audiobooks business," said Audiobook's communications chief, Laura Pezzini.

"Earth's magnetic environment is filled with a symphony of sound that we cannot hear," NASA wrote this month. When solar winds approach earth, "it causes the magnetic field lines and plasma around Earth to vibrate like the plucked strings of a harp, producing ultralow-frequency waves... a cacophonous operetta portraying the dramatic relationship between Earth and the Sun."

So NASA is now announcing "a new NASA-funded citizen science project called HARP — or Heliophysics Audified: Resonances in Plasmas " that has "turned those once-unheard waves into audible whistles, crunches, and whooshes..." Or, as the Washington Post puts it, "NASA wants your help listening in on the universe."

From NASA's news release: In 2007, NASA launched five satellites to fly through Earth's magnetic "harp" — its magnetosphere — as part of the THEMIS mission (Time History of Events and Macroscale Interactions during Substorms). Since then, THEMIS has been gathering a bounty of information about plasma waves across Earth's magnetosphere. "THEMIS can sample the whole harp," said Michael Hartinger, a heliophysicist at the Space Science Institute in Colorado. "And it's been out there a long time, so it has collected a lot of data."

The frequencies of the waves THEMIS measures are too low for our ears to hear, however. So the HARP team sped them up to convert them to sound waves. By using an interactive tool developed by the team, you can listen to these waves and pick out interesting features you hear in the sounds... Preliminary investigations with HARP have already started revealing unexpected features, such as what the team calls a "reverse harp" — frequencies changing in the opposite way than what scientists anticipated...

"Data sonification provides human beings with an opportunity to appreciate the naturally occurring music of the cosmos," said Robert Alexander, a HARP team member from Auralab Technologies in Michigan. "We're hearing sounds that are literally out of this world, and for me that's the next best thing to floating in a spacesuit."

To start exploring these sounds, visit the HARP website.
"Think listening to years' worth of wave patterns is a job for artificial intelligence? Think again," writes the Washington Post. In a news release, HARP team member Martin Archer of Imperial College London says humans are often better at listening than machines. "The human sense of hearing is an amazing tool," Archer says. "We're essentially trained from birth to recognize patterns and pick out different sound sources. We can innately do some pretty crazy analysis that outperforms even some of our most advanced computer algorithms."

schwit1 shares a report from Rolling Stone: It was a busy day for the live music industry in Washington [on Wednesday] as senators introduced multiple pieces of legislation aimed at improving transparency and competition in ticketing. One of the most common complaints among music fans in a long list of gripes about the modern ticketing industry is the hidden fees that get tacked on at the very end of a purchase, adding a deceptive extra costs customers won't even see until they've already selected their seats based on a different price. The Transparency in Charges for Key Events Ticketing, or TICKET Act, could end that annoyance. Introduced on Tuesday by U.S. Commerce Committee Chair Maria Cantwell (D-Wash) and committee ranking member Ted Cruz (R-Texas), the bill, if passed, would require ticket sellers for concerts and sporting events to disclose the total price of a ticket including fees right away. Fees themselves can be a significant addition for concert tickets, usually adding a 20 to 30-percent extra charge on tickets but sometimes well exceeding that. Joe Biden pushed for a reform on "junk fees" earlier this year.

While passing the new legislation wouldn't stop the actual fees themselves, it would certainly be a step forward in making the business more transparent for consumers. While the bill would pass all-in prices on a federal level, some states like New York already enacted the policy. "Right now, one company is leveraging its power to lock venues into exclusive contracts that last up to ten years, ensuring there is no room for potential competitors to get their foot in the door," Klobuchar said, seemingly referencing Ticketmaster but not mentioning it by name. "Without competition to incentivize better services and fair prices, we all suffer the consequences. The Unlock Ticketing Markets Act would help consumers, artists, and independent venue operators alike by making sure primary ticketing companies face pressure to innovate and improve."

Canadian singer-songwriter Grimes has invited her fans to create music using her voice, stating that she would split 50% of royalties for any successful AI-generated song using her voice. On Sunday night she tweeted: "I'll split 50% royalties on any successful AI generated song that uses my voice. Same deal as I would with any artist i collab with. Feel free to use my voice without penalty. I have no label and no legal bindings."

She also said she welcomes the open sourcing of art and an end to copyright. "Im just curious what even happens and interested in being a Guinea pig." From a report: Grimes has long embraced AI as a techno artist. In 2020, her first album to top the Billboard dance charts was Miss Anthropocene, named for the effects of technology on Earth's ecology and climate in the post-Industrial Revolution era. It was also in 2020 that she teamed up with the algorithmic mood music startup Endel to create an AI-generated lullaby for her first child with SpaceX founder Elon Musk who they named X AE A-12 with the Elven spelling of AI, according to Grimes.

"Everyday I thank the overlords of Ableton for cleaning up my tracks, but I do worry though that AI will outpace us and make musicians obsolete. It's inevitable," she warned at Web Summit 2020. With millions of followers across YouTube, Instagram and Twitter and hits like Oblivion, Kill V. Maim and Go, her call for AI collaboration could be a game changer.

"Thousands of stunned guests were on hand Saturday night to watch a Disneyland malfunction for the ages," writes SFGate — when a 45-foot-tall animatronic dragon burst into flames, and continued burning for several minutes in front of the stunned crowd.

SFGate reports: The fire occurred during the 10:30 p.m. performance of Fantasmic, a show staged on the Rivers of America. The elaborate show uses ships, barges, projections on the water and fire effects to tell the story of Mickey Mouse's dreams and nightmares. Near the end of the show, the dragon form of Maleficent from "Sleeping Beauty," emerges from the island.

The big finale went awry Saturday, and flames engulfed the entire dragon. Video taken by shocked spectators shows the fire beginning on the dragon's face and rapidly spreading down its body as chunks of flaming debris fall to the ground. Smoke and heavy flames billow from the prop as firefighters begin hosing down the dragon. The remainder of the show was canceled, and guests were escorted out of the immediate area...

The dragon, one of the most memorable parts of Disneyland's beloved nighttime spectacular, has jokingly been referred to as Murphy, a reference to Murphy's law. Over the decades, it's been part of countless malfunctions and mishaps, although none quite so destructive as this. Though it is supposed to breathe fire, there are times when the effect doesn't work at all.
"Disneyland employees armed with garden hoses and fire extinguishers were no match for the inferno," reports the Orange County Register. "The dragon's head erupted into a fireball and a flamethrower effect from the dragon's mouth shot directly toward the stage, according to MiceChat."

The newspaper has a picture of the charred mechanical skeleton that was still lying on the ground Sunday on Tom Sawyer Island — and a 146-second video of the blaze. (Apparently realizing they're witnessing an unplanned fire, one spectator can be heard telling another one wryly, "Happy birthday, Danny.")

"Some spectators thought it was part of the show," reports the New York Times. One visitor told the newspaper, "My sister and I were talking about how it was impressive. I was like, 'Man, they can set that head on fire and it just stays perfectly intact?' So we were kind of amazed at Disney at first..."

When interviewed by the Associated Press, Ryan Laux, a frequent Disneyland visitor, "said Mickey vanished from the stage as soon as the dragon's head became engulfed in flames."

Then a voice over a loudspeaker announced the show wouldn't continue "due to unforeseen circumstances..." (as heard in the video). "We apologize for any inconvenience this may cause — and hope you enjoy the rest of your evening here at Disneyland. Once again, this performance cannot continue due to unforeseen circumstances. Thank you." At that moment the head burst into more flames, some members of the audience gasped in unison — and the announcement continued playing in Spanish. ("No podemos continuar con este presentacion...") Then cheery banjo music began playing.

At least six workers were eventually treated for smoke inhalation from the burning dragon prop, reports the New York Times.

In a statement Disney said they were now "temporarily suspending fire effects" in "select" shows in their parks around the world — "out of an abundance of caution."

9to5Linux reports: KDE-focused and Arch Linux-inspired independent distribution KaOS Linux celebrates today 10 years of existence with a new stable ISO release that brings some of the latest GNU/Linux technologies and a preview of the upcoming KDE Plasma 6 desktop environment.

Yes, you're reading it right, KaOS is one of the very first GNU/Linux distributions to offer you a live ISO image with a pre-release version of the KDE Plasma 6 desktop, which, of course, is compiled against the latest Qt 6 open-source application framework...

Since this is a special ISO release, the devs also added an option to play music during the installation process.
"KaOS uses the Systemd-provided Systemd-boot for UEFI installs," according to the release notes.

Amazon has introduced a new feature to Prime Video called Dialogue Boost. It's intended to isolate dialogue and make it louder relative to other sounds in streaming videos on the service. Ars Technica reports: Amazon describes how it works in a blog post: "Dialogue Boost analyzes the original audio in a movie or series and intelligently identifies points where dialogue may be hard to hear above background music and effects. Then, speech patterns are isolated and audio is enhanced to make the dialogue clearer. This AI-based approach delivers a targeted enhancement to portions of spoken dialogue, instead of a general amplification at the center channel in a home theater system."

Not all content will be eligible for the dialogue boost feature, though -- at least not yet. Amazon says it "has initially launched on select Amazon Originals worldwide" like The Marvelous Mrs. Maisel and The Big Sick. While this is partly an accessibility feature for people who are hard of hearing, Amazon is also responding to a widespread complaint among viewers. A 2022 survey found that 50 percent of 1,260 American viewers "watch content with subtitles most of the time," many of them citing "muddled audio" and saying that it's more difficult to understand dialogue in movies and TV shows than it used to be. [...] The company hasn't announced when the feature will expand to more content. But we wouldn't be surprised to see rapid expansion -- not just from Amazon, but from other streamers offering similar features, too.

Apple's long-rumored VR / AR headset might run adapted versions of iPad apps, according to a new report from Bloomberg. The mixed reality device's new interface will also apparently let users access "millions" of already-available apps on the App Store. And the headset's apps might not be the only thing that might remind you of the iPad; the Home Screen and Control Center will apparently look like the iPad's as well, Bloomberg says. The Verge reports: Here are some of the apps you can expect, according to Bloomberg:

- Apple is working on "optimized" versions of apps like Safari and many of the core apps you might already be familiar with from an iPhone, including "Apple's services for calendars, contacts, files, home control, mail, maps, messaging, notes, photos and reminders, as well as its music, news, stocks and weather apps."
- There will be headset versions of FaceTime and Apple TV with features that "will look similar to their iPad counterparts."
- Apple is apparently testing a camera app, which could let you take pictures using its many rumored cameras.
- You'll be able to read books in VR with Apple Books and meditate with an app.
- A headset-compatible version of its new Freeform app could let you collaborate with others in mixed reality.
- Freeform won't be the only productivity app: the headset will also apparently support Pages, Numbers, Keynote, iMovie, and GarageBand.
- Apple wants to make watching sports a "richer experience," which could utilize technology it acquired when it bought NextVR.
- Gaming will "be a central piece of the device's appeal." (That feels like a smart decision.)

Today, Sonos is introducing Sonos Pro, a new service targeted at businesses -- restaurants, bars, and retail stores -- that makes it easy to play music across numerous locations without breaking any licensing rules. Sonos Pro works with all S2-compatible hardware including the Ikea Symfonisk line and, if you're into retrofitting existing speakers, the Amp and Port. The Verge reports: Pro customers will gain access to a web portal that lets them remotely control what's playing in each of their locations (divided into different zones) and perform troubleshooting from afar. If you're a normal consumer and want to reset your Sonos system at home, you've got to unplug the products, but Pro customers will be able to do it with software. They'll also have the ability to schedule particular genres for different times of the day to lock in the right atmosphere for their business. Want to keep the volume low in the mornings when you've got less foot traffic and automatically raise it during peak hours? Sonos Pro can do that.

The monthly Sonos Pro subscription, priced at $35 per business location, will include "Sonos Backgrounds." This is a commercially licensed music service featuring a range of royalty-free music from independent artists that's all legally compliant for streaming at business establishments. If you're wondering why that's necessary, businesses technically aren't allowed to just start playing Spotify, Apple Music, or other mainstream music apps over their speakers. Spotify says so right here. Those services are only licensed for personal use; playing them in a public setting counts as a live performance, and that's a no-no unless you've paid for the necessary licenses from ASCAP, BMI, and other organizations. That can get extremely complicated in and of itself.

The service will provide deep, granular control over the entire system in a commercial space. You can set maximum volume limits for each speaker or enable / disable features like AirPlay, line-in playback, and more. If you want to give your staff access to Spotify after hours, that's doable with an "allow direct control" setting. Speaking of which, business owners can grant their employees access to Sonos Pro and set different permission tiers for each person. And again, this can all be done remotely. Try adjusting settings (or even switching your Wi-Fi network) for Sonos devices on a regular account, and it can get messy fast. If you're away from the devices, forget about it.

An anonymous reader quotes a report from the U.S. Department of Justice: Two criminal complaints filed by the U.S. Attorney's Office for the Eastern District of New York were unsealed today in federal court in Brooklyn charging 44 defendants with various crimes related to efforts by the national police of the People's Republic of China (PRC) -- the Ministry of Public Security (MPS) -- to harass Chinese nationals residing in the New York metropolitan area and elsewhere in the United States. The defendants, including 40 MPS officers and two officials in the Cyberspace Administration of China (CAC), allegedly perpetrated transnational repression schemes targeting U.S. residents whose political views and actions are disfavored by the PRC government, such as advocating for democracy in the PRC. In the two schemes, the defendants created and used fake social media accounts to harass and intimidate PRC dissidents residing abroad and sought to suppress the dissidents' free speech on the platform of a U.S. telecommunications company (Company-1). The defendants charged in these schemes are believed to reside in the PRC or elsewhere in Asia and remain at large.

The two-count complaint charges 34 MPS officers with conspiracy to transmit interstate threats and conspiracy to commit interstate harassment. All the defendants are believed to reside in the PRC, and they remain at large. As alleged, the officers worked with Beijing's MPS bureau and are or were assigned to an elite task force called the "912 Special Project Working Group" (the Group). The purpose of the Group is to target Chinese dissidents located throughout the world, including in the United States. [...] The complaint alleges how members of the Group created thousands of fake online personas on social media sites, including Twitter, to target Chinese dissidents through online harassment and threats. These online personas also disseminated official PRC government propaganda and narratives to counter the pro-democracy speech of the Chinese dissidents. As alleged, for example, Group members created and maintained the fake social media accounts through temporary email addresses, posted official PRC government content, and interacted with other online users to avoid the appearance that the Group accounts were "flooding" a given social media platform. The Group tracks the performances of members in fulfilling their online responsibilities and rewards Group members who successfully operate multiple online personas without detection by the social media companies who host the platforms or by other users of the platforms.

The investigation also uncovered official MPS taskings to Group members to compose articles and videos based on certain themes targeting, for example, the activities of Chinese dissidents located abroad or the policies of the U.S. government. As alleged, the defendants also attempted to recruit U.S. persons to act as unwitting agents of the PRC government by disseminating propaganda or narratives of the PRC government. On several occasions, the defendants used online personas to contact individuals assessed to be sympathetic and supportive of the PRC government's narratives and asked these individuals to disseminate Group content. In addition, Group members took repeated affirmative actions to have Chinese dissidents and their meetings removed from the platform of Company-1. For example, Group members disrupted a dissident's efforts to commemorate the Tiananmen Square Massacre through a videoconference by posting threats against the participants through the platform's chat function. In another Company-1 videoconference on the topic of countering communism organized by a PRC dissident, Group members flooded the videoconference and drowned out the meeting with loud music and vulgar screams and threats directed at the pro-democracy participants. "These cases demonstrate the lengths the PRC government will go to silence and harass U.S. persons who exercise their fundamental rights to speak out against PRC oppression, including by unlawfully exploiting a U.S.-based technology company," said Assistant Attorney General Matthew G. Olsen of the Justice Department's National Security Division. "These actions violate our laws and are an affront to our democratic values and basic human rights."

An anonymous reader shares a report: A month ago, Adobe announced Firefly, its entry into the generative AI game. Initially, Firefly's focus was on generating commercially safe images, but the company is now pushing its technology beyond still images. As the company announced today, it will soon bring Firefly to its Creative Cloud video and audio applications. To be clear, you won't (yet) be able to use Firefly to create custom videos yet. Instead, the emphasis here is on making it easier for anyone to edit videos, color grade using just a few words, add music and sound effects and create title cards with animated fonts, graphics and logos. However, Firefly also promises to automatically turn scripts into storyboards and pre-visualizations -- and it will recommend b-roll to liven up videos. Maybe the highlight of these promised new features is being able to color grade a video by simply describing what a video should look like with just a few words (think "golden hour" or "brighten face"). Other new AI-based features include the ability to generate custom sounds and music. Firefly will also help editors create subtitles, logos and title cards by having them describe what they want them to look like.

The world's largest music company, Universal Music Group, is asking major streaming services like Spotify and Apple Music to block artificial intelligence companies from using its music to "train" their technology, according to a recent report in Financial Times. Variety reports: Confirming the report, a UMG spokesperson told the FT: "We have a moral and commercial responsibility to our artists to work to prevent the unauthorized use of their music and to stop platforms from ingesting content that violates the rights of artists and other creators. We expect our platform partners will want to prevent their services from being used in ways that harm artists." The process involves the AI companies uploading copyrighted music from the platforms into their technology and thus enabling the bots to digest the lyrics and music and then essentially create songs or melodies in those styles. [...]

UMG has been sending takedown requests to the streamers "left and right," FT quoted an unnamed source as saying. "We have become aware that certain AI systems might have been trained on copyrighted content without obtaining the required consents from, or paying compensation to, the rightsholders who own or produce the content," the company said in an email from last month, according to the report. "We will not hesitate to take steps to protect our rights and those of our artists." The website drayk.it delivered users a custom Drake song, although it has since been shut down.

Universal Music Group has told streaming platforms, including Spotify and Apple, to block artificial intelligence services from scraping melodies and lyrics from their copyrighted songs, according to emails viewed by the Financial Times. From the report: UMG, which controls about a third of the global music market, has become increasingly concerned about AI bots using their songs to train themselves to churn out music that sounds like popular artists. AI-generated songs have been popping up on streaming services and UMG has been sending takedown requests "left and right," said a person familiar with the matter. The company is asking streaming companies to cut off access to their music catalogue for developers using it to train AI technology. "We will not hesitate to take steps to protect our rights and those of our artists," UMG wrote to online platforms in March, in emails viewed by the FT. "This next generation of technology poses significant issues," said a person close to the situation. "Much of [generative AI] is trained on popular music. You could say: compose a song that has the lyrics to be like Taylor Swift, but the vocals to be in the style of Bruno Mars, but I want the theme to be more Harry Styles. The output you get is due to the fact the AI has been trained on those artists' intellectual property."