Guess what's finally entering America's public domain today? Appropriately enough, it's Marcel Proust's 1927 novel Remembrance of Things Past.

Also entering the public domain today are thousands of other books, plus the music and lyrics of hundreds of songs, and even several silent movies.

Fritz Lang's sci-fi classic Metropolis enters the public domain today — and so does the Laurel & Hardy comedy Battle of the Century (which culminates with one of Hollywod's first pie fights), according to Duke University's Center for the Study of the Public Domain: This is actually the second time that Metropolis has gone into the US public domain. The first was in 1955, when its initial 28-year term expired and the rights holders did not renew the copyright. Then in 1996 a new law restored the copyrights in qualifying foreign works. Metropolis, along with thousands of other works, was pulled out of the public domain, and now reenters it after the expiration of the 95-year term, with the once missing scenes available for anyone to reuse.
They also note that some material is in the public domain from the beginning, including government works like the images from the James Webb telescope.

But for other works, today is a big and important day, writes the Associated Press: Alongside the short-story collection "The Case-Book of Sherlock Holmes," books such as Virginia Woolf's "To The Lighthouse," Ernest Hemingway's "Men Without Women," William Faulkner's "Mosquitoes" and Agatha Christie's "The Big Four" — an Hercule Poirot mystery — will become public domain as the calendar turns to 2023. Once a work enters the public domain it can legally be shared, performed, reused, repurposed or sampled without permission or cost.

The works from 1927 were originally supposed to be copyrighted for 75 years, but the 1998 Copyright Term Extension Act delayed opening them up for an additional 20 years. While many prominent works on the list used those extra two decades to earn their copyright holders good money, a Duke University expert says the copyright protections also applied to "all of the works whose commercial viability had long subsided."

"For the vast majority — probably 99% — of works from 1927, no copyright holder financially benefited from continued copyright. Yet they remained off limits, for no good reason," Jennifer Jenkins, director of Duke's Center for the Study of the Public Domain, wrote in a blog post heralding "Public Domain Day 2023." That long U.S. copyright period meant many works that would now become available have long since been lost, because they were not profitable to maintain by the legal owners, but couldn't be used by others. On the Duke list are such "lost" films like Victor Fleming's "The Way of All Flesh" and Tod Browning's "London After Midnight...."
Also entering the public domain today:


- Willa Cather's Death Comes for the Archbishop
- A. A. Milne's Now We Are Six (illustrations by E. H. Shepard)
- Franklin W. Dixon's The Tower Treasure — the first Hardy Boys book
- Herman Hesse's Steppenwolf (German version)
- The song "My Blue Heaven"
- Songs by Duke Ellington and Louis Armstrong
- Alfred Hitchcock's early silent movie The Lodger


The UK-based newspaper the Observer adds: For those readers who do not reside in the US, there is perhaps another reason for celebrating today, because copyright terms are longer in the US than they are in other parts of the world, including the EU and the UK. And therein lies a story about intellectual property laws and the power of political lobbying in a so-called liberal democracy.... The term was gradually lengthened in small increments by Congress until 1976, when it was extended by 19 years to 75 years and then in 1998 by the Sonny Bono Act. So, as the legal scholar Lawrence Lessig puts it, "in the 20 years after the Sonny Bono Act, while 1 million patents will pass into the public domain, zero copyrights will pass into the public domain by virtue of the expiration of a copyright term"....

[T]he end result is that American citizens have had to wait two decades to be free to adapt and reuse works to which we Europeans have had easy access....

The issue highlighted by Public Domain Day is not that intellectual property is evil but that aspects of it — especially copyright — have been monopolised and weaponised by corporate interests and that legislators have been supine in the face of their lobbying. Authors and inventors need protection against being ripped off. It's obviously important that clever people are rewarded for their creativity and the patent system does that quite well. But if a patent only lasts for 20 years, why on earth should copyright last for life plus 70 years for a novel?

So long, "total addressable market." Farewell, "flywheel effect." Silicon Valley has a new buzzword. As the cost of signing up new customers rises, "lifetime value" is set to become must-use jargon for technology executives, investors and analysts in 2023. Reuters reports: Companies like Uber, DoorDash and Spotify want shareholders to know they can squeeze more revenue out of users than it costs to recruit them. As with previously popular jargon, though, the idea can quickly get garbled. The concept of lifetime value is not new, but a common definition remains elusive. The venture capitalist Bill Gurley defines it as "the net present value of the profit stream of a customer." Hollywood uses it to estimate the cumulative income from streaming movie titles, after deducting the cost of making the film.

It's catching on in the tech world. Uber boss Dara Khosrowshahi and his team invoked (PDF) the term seven times during the ride-hailing firm's investor day. At a similar event in June executives from music streaming service Spotify mentioned (PDF) it 14 times, with another 47 references to the abbreviation LTV. Earnings transcripts for 4,800 U.S.-listed companies analyzed by Bedrock AI show executives and analysts mentioned "lifetime value" over 500 times between October and mid-December, up from just 47 times in three months to March 2019.

The problem is that everyone seems to have a different definition of lifetime value. Food delivery firm DoorDash looks at it as a metric to measure "customer retention, order frequency, and gross profit per order" over a fixed payback period. Uber and its Southeast Asian peer Grab treat it as the ability to bring in one customer and then cross-sell different services at a lower cost. The $49 billion e-commerce firm Shopify defines lifetime value as the total amount of money a customer is expected to spend with the business over the course of an "average business relationship." But lifetime value isn't a silver bullet, as Gurley noted a decade ago. As capital becomes more scarce, generating free cash flow remains the most important target. As with previous buzzwords, investors may find that references to lifetime value do more to confound than clarify.

Like a visit from an old friend, it's Donald Knuth's annual Christmas tree lecture for 2022. "Because of the pandemic, it's been three years since Knuth has been able to honor this tradition," notes The New Stack: 2022 marks the 60th anniversary of that fateful day in 1962 when a 24-year-old Donald Knuth started writing " The Art of Computer Programming." Now approaching his 85th birthday, Knuth has become almost a legend in the world of computer programming — and he's still writing additional volumes for his massive analysis of algorithms. But every year, right around Christmas time, there's another tradition. Knuth gives a special lecture "pitched at non-specialists" for a small audience at Stanford University (where Knuth is a professor emeritus) and a larger audience online...

Hunched over a notepad (which was projected onto a screen behind him), Knuth began the 26th annual Christmas lecture by pointing out that the evening's topic had been hiding in plain sight for two decades. For the first 20 years, they'd called them the "Christmas tree" lectures, since "trees are one of the most important things to a computer scientist. And every year I learned at least two new cool things about trees..."

About five years ago they'd changed the name to just "Christmas lectures" — but the problem wasn't that trees stopped being interesting. "I still learn cool things about trees every year. But they're getting harder and harder to explain to a general audience!"

So this year's triumphant "homecoming" lecture would indeed include trees — specifically a phenomenon Knuth describes as "twintrees," along with Baxter permutations, and Floorplans. Knuth noted they're all topics touched on in the latest volume of The Art of Computer Programming, before jokingly reminding the audience that his book makes an excellent Christmas present.
By the end of the lecture, Knuth had written algorithms for all three mathematical concepts — then connected all three algorithms with Linux pipes to show what happens when you convert one kind of sequence into the other and then into the other.

"I get back, of course, the one I started with!"

®Yahoo co-founder Jerry Yang (through his AME Cloud Ventures) contributed to $6 million in seed funding in November for startup Caden, which plans to pay users to share their personal data -- including what they buy or watch on mobile apps.

The Wall Street Journal reports: The startup, Caden Inc., operates an app by the same name that helps users download their data from apps and servicesâ"whether thatâ(TM)s Amazon.com Inc. or Airbnb Inc. â"into a personal âoevault.â Users who consent to share that data for advertising purposes can earn a cut of the revenue that the app generates from it. They also can access personal analytics based on that data....

Caden, which has been testing with a limited group of users, plans to begin a public beta test of 10,000 users early next year.... One option in the public beta test will anonymize and pool the data before sharing it with outside parties in exchange for $5 to $20 a month, according to Caden founder and Chief Executive John Roa. The amount of compensation will be determined by a âoedata scoreâ reflecting factors such as whether consumers answer demographic survey questions and which apps and servicesâ(TM) data consumers are sharing. Consumers will eventually be given the option to share more specific information for more tailored advertising. A marketer could then form audience segments and tailor their ad targeting and messaging to those groups. For instance, a user could consent to sharing his ride-share history so advertisers could create segments of people who ride a certain amount. That would eventually pay consumers up to $50 a month, Caden said.

A third option would let advertisers take a direct action based on the data that Caden understands about a specific user. If a consumer were part of a department storeâ(TM)s loyalty program, for example, the store might reward her for sharing her individual Amazon shopping history and use it to provide more personalized offers.ÂThat could generate thousands of dollars a year for participating users, the company said.

 Caden also hopes that the data it can aggregate will be compelling for consumers. Users could search for restaurants theyâ(TM)ve eaten at in a certain city, for instance, or how much they spent in certain categories across different apps, executives said. âoeItâ(TM)s like Spotify Wrapped for your whole life,â said Amarachi Miller, Cadenâ(TM)s head of product, referring to the streaming music serviceâ(TM)s year-end distillation of each userâ(TM)s listening....

Caden said it will initially sell only anonymized and aggregated data that doesnâ(TM)t tie back to individuals. As it starts to let brands do more personal promotions for users, it said it will let users see which brands and partners itâ(TM)s working with, and will let users control which brands can access their information.
The digital ad industry has been seeking new marketing-guiding data, the article points out, especially since Apple began require apps to ask for permission before tracking users.

Thanks to Slashdot reader guest reader for sharing the article.

For the last thirteen years the Free Software Foundation has published its Ethical Tech Giving Guide. But what's interesting is this year's guide also tags companies and products with negative recommendations to "stay away from." Stay away from: iPhones
It's not just Siri that's creepy: all Apple devices contain software that's hostile to users. Although they claim to be concerned about user privacy, they don't hesitate to put their users under surveillance.

Apple prevents you from installing third-party free software on your own phone, and they use this control to censor apps that compete with or subvert Apple's profits.

Apple has a history of exploiting their absolute control over their users to silence political activists and help governments spy on millions of users.


Stay away from: M1 MacBook and MacBook Pro
macOS is proprietary software that restricts its users' freedoms.

In November 2020, macOS was caught alerting Apple each time a user opens an app. Even though Apple is making changes to the service, it just goes to show how bad they try to be until there is an outcry.

Comes crawling with spyware that rats you out to advertisers.


Stay away from: Amazon
Amazon is one of the most notorious DRM offenders. They use this Orwellian control over their devices and services to spy on users and keep them trapped in their walled garden.

Be aware that Amazon isn't the peddler of ebook DRM. Disturbingly, it's enthusiastically supported by most of the big publishing houses.

Read more about the dangers of DRM through our Defective by Design campaign.


Stay away from: Spotify, Apple Music, and all other major streaming services
In addition to streaming music encumbered by DRM, people who want to use Spotify are required to install additional proprietary software. Even Spotify's client for GNU/Linux relies on proprietary software.

Apple Music is no better, and places heavy restrictions on the music streamed through the platform.


Stay away from: Netflix
Netflix is continuing its disturbing trend of making onerous DRM the norm for streaming media. That's why they were a target for last year's International Day Against DRM (IDAD).

They're also leveraging their place in the Motion Picture Association of America (MPAA) to advocate for tighter restrictions on users, and drove the effort to embed DRM into the fabric of the Web.

"In your gift giving this year, put freedom first," their guide begins.

And for a freedom-respecting last-minute gift idea, they suggest giving the gift of a FSF membership (which comes with a code and a printable page "so that you can present your gift as a physical object, if you like.") The membership is valid for one year, and includes the many benefits that come with an FSF associate membership, including a USB member card, email forwarding, access to our Jitsi Meet videoconferencing server and member forum, discounts in the FSF shop and on ThinkPenguin hardware, and more.

If you are in the United States, your gift would also be fully tax-deductible in the USA.

An Android banking malware named 'Godfather' has been targeting users in 16 countries, attempting to steal account credentials for over 400 online banking sites and cryptocurrency exchanges. From a report: The malware generates login screens overlaid on top of the banking and crypto exchange apps' login forms when victims attempt to log in to the site, tricking the user into entering their credentials on well-crafted HTML phishing pages.

The Godfather trojan was discovered by Group-IB analysts, who believe it is the successor of Anubis, a once widely-used banking trojan that gradually fell out of use due to its inability to bypass newer Android defenses. ThreatFabric first discovered Godfather in March 2021, but it has undergone massive code upgrades and improvements since then. Also, Cyble published a report yesterday highlighting a rise in the activity of Godfather, pushing an app that mimics a popular music tool in Turkey, downloaded 10 million times via Google Play.

An anonymous reader quotes a report from Ars Technica: When Kelly Conlon joined her daughter's Girl Scout troop for a fun outing to see the Rockettes perform their Christmas Spectacular show at Radio City Music Hall in New York, she had no idea she would end up booted from the show once she entered the building. Security stopped Conlon, NBC New York reported, because she is a New Jersey lawyer. It seems that Madison Square Garden Entertainment has begun using facial recognition technology to identify any visitor to any of its venues -- including Radio City Music Hall -- who is involved with any law firm that is actively involved in litigation against MSG Entertainment.

Conlon has never practiced law in New York nor personally been involved in litigation against MSG Entertainment. Instead, she is guilty by association, as an associate for Davis, Saperstein and Solomon, which has spent years tangled up in litigation against a restaurant that NBC reported is "now under the umbrella of MSG Entertainment." According to Conlon, she became aware of this supposed conflict of interest when security guards approached her in the Radio City Music Hall lobby just as she passed through the metal detector. Over the speakers, Conlon heard a warning about a woman in a gray scarf, then security confirmed the warning was about her, telling her, "Our recognition picked you up."

Despite Conlon assuring security that "I'm not an attorney that works on any cases against MSG," she was escorted out. Ars could not immediately reach MSG for comment, but in a statement, MSG said the same thing would've happened to any attorney involved in her firm, claiming that her firm had been "notified twice" of MSG's policy. "MSG instituted a straightforward policy that precludes attorneys pursuing active litigation against the Company from attending events at our venues until that litigation has been resolved," the statement provided to NBC said. "While we understand this policy is disappointing to some, we cannot ignore the fact that litigation creates an inherently adverse environment."

A new feature in Firefox version 108 that may please musicians is the improved support for the Web MIDI API. "The MIDI standard is very close to a remarkable 40 years old, and Web MIDI does just what the name implies: it allows web apps to send and receive MIDI signals to and from musical instruments," reports The Register. "In principle this will allow sequencer apps to be implemented in Javascript." From the report: Amusingly, the last time The Reg mentioned Web MIDI, it was because Apple was taking it off Safari users, allegedly because of security concerns. Firefox 108 addresses that with a new security mechanism for preventing, and optionally permitting, apps inside browser tabs to access hardware resources -- in this instance, your MIDI ports. No, this does not mean that you can listen to CANYON.MID directly within Firefox. .MID files are not the same as General MIDI. But if you are nostalgic for that for some reason, help is at hand. A full list of features and changes can be found here.

Tesla has launched Steam integration inside its Model S and Model X electric cars with thousands of games now playable. Electrek reports: Today, Tesla launched Steam Beta for Model S and Model X as part of its "holiday update." We reported all the details of Tesla's holiday update earlier today for most Tesla vehicles, but the Steam integration is only for the refreshed Model S and Model X produced over the last two years. That's because Tesla's two flagship vehicles are equipped with a more powerful entertainment computer designed for video games.

With the unveiling of the new Model S and Model X, Tesla announced the new gaming computer: "Up to 10 teraflops of processing power enables in-car gaming on-par with today's newest consoles via Tesla Arcade. Wireless controller compatibility allows gaming from any seat." A known chip leaker, Patrick Schur, posted a diagram of Tesla's new gaming computer powered by the AMD Navi 23 GPU. The system is integrated and connects directly to two touchscreens inside the Model S and Model X to play games, watch entertainment, and perform other functions. Musk also revealed that the new computer has more storage space to be able to handle more games on the platform at the same time, which is going to be useful to handle your Steam library. The holiday update also brings support for Apple Music, an update to Dog Mode, improvements to Tesla's "Light Show" feature, and a bunch of smaller features/updates.

A Japanese billionaire picked his crewmates for the first-ever artist-centered mission. Space.com reports: Yusaku Maezawa, who made his fortune as an online fashion retailer, announced the eight people who would be flying with him on the dearMoon mission, which aims to use a SpaceX Starship to fly around the moon as soon as next year. "I hope each and every one will recognize the responsibility that comes with leaving the Earth, travelling to the moon and back," Maezawa says in the video in Japanese, with a translation provided in-video.

Riding along with Maezawa will be:
- Steve Aoki, D.J., producer and electronic dance music artist with several Billboard-charting studio albums;
- Tim Dodd, YouTube creator of the "Everyday Astronaut" channel (Dodd has interviewed SpaceX founder Elon Musk multiple times on camera);
- Yemi A.D., artist and choreographer known for his work with JAD Dance Company and with Ye (formerly Kanye West);
- Karim Iliya, photographer whose publications include National Geographic Magazine;
- Rhiannon Adam, a photographer who has been supported by the BBC/Royal Geographical Society and won multiple awards, according to their website;
- Brendan Hall, filmmaker on projects such as the two-hour documentary "Blood Sugar Rising" about diabetes in the United States, according to the Internet Movie Database;
- Dev Joshi, an "Indian television actor known for portraying the role of Baal Veer in Sony Sab's Baal Veer and Baalveer Returns," according to the Internet Movie Database;
- T.O.P., a South Korean rapper known as the lead for the boy band Big Bang;
- Two backup members: dancer Miyu, and snowboarder Kaitlyn Farrington.

Each member of the dearMoon crew was briefly quoted in a video from the dearMoon YouTube channel, and the announcement was confirmed on Dodd's and Maezawa's Twitter feeds.

An anonymous reader quotes a report from Ars Technica, written by Kevin Purdy: Available tomorrow on Steam and itch.io, the new version of Dwarf Fortress updates the legendary (and legendarily arcane) colony-building roguelike with new pixel-art graphics, music, some (default) keyboard shortcuts, and a beginners' tutorial. The commercial release aims to do two things: make the game somewhat more accessible and provide Tarn and Zach Adams, the brothers who maintained the game as a free download for 20 years, some financial security. I know it has succeeded at its first job, and I suspect it will hit the second mark, too. I approached the game as a head-first review expedition into likely frustrating territory. Now I find myself distracted from writing about it because I keep thinking about my goblin defense and whether the fisherdwarf might be better assigned to gem crafting. "For me, the commercial release of Dwarf Fortress succeeded at transforming the game from a grim, time-killing in-joke for diehards into a viable, if not graceful, challenge," writes Purdy. "I will start again, I will keep the badgers and floods at bay, and next time, I might have the privilege of failing to a magma monster, an outbreak of disease, or even a miscarriage of dwarf justice."

Further reading:
The Brilliance of Dwarf Fortress (Slashdot, 2011)
Dwarf Fortress Gets Biggest Update In Years (Slashdot, 2014)

Apple on Tuesday announced Apple Music Sing, a karaoke experience that will be built right into the Apple Music app. The Verge reports: With Apple Music Sing, you'll be able to follow along with Apple Music's real-time lyrics and adjust the volume of the vocals so that you can better hear your singing voice. There are a few features designed to make it easier to sing with others, too. Background vocals can appear independently of main vocals, according to Apple, and there will be a duet view as well if you want to sing along with a friend. Apple will have more than 50 "dedicated companion playlists" featuring karaoke-ready songs that you can pick from. Apple Music Sing is launching "later this month" for Apple Music subscribers.

The release candidate for Winamp version 5.9.1 builds on the groundwork laid by August's 5.9 update to fix some bugs and add new features to the reanimated music player. "Most of these are straightforward updates or improvements to existing features, but because it's 2022, one of the only new features is support for music NFTs," reports Ars Technica. From the report: "Winamp's latest version lets music fans link their Metamask wallet via Brave, Chrome, or Firefox to Winamp. It then connects their favorite music NFTs to their tried-and-true player," the company said in a press release provided to Ars. "Winamp supports audio and video files distributed under both the ERC-721 and ERC-1155 standards, and is launching this new feature for Ethereum and Polygon/Matic protocols." To directly display websites needed to download these NFT playlists, according to the release notes, would require an updated rendering engine for Winamp's in-app browser, which is currently based on Internet Explorer 10.

There's still plenty here for legacy Winamp fans to like, and it's nice to see that all the modernization work done in the 5.9 update is paying off in the form of faster updates. Among many other fixes, the new release includes a "memory footprint reduction," a bandwidth increase for streamed music, an update to OpenSSL 3.0.5, and a few other updates for the underlying codecs and other software that Winamp uses to do its thing. As for the NFT support, Winamp developer Eddy Richman (who goes by the handle "DJ Egg" on the Winamp forums) wrote that people who don't want it can remove it, either during the install process or after Winamp is installed.

An anonymous reader quotes a report from TorrentFreak: The Blender Institute develops Blender, a free and open source 3D graphics tool used to create animated films. Sintel and Big Buck Bunny are among Blender's most recognizable titles and due to Creative Commons licensing (CC BY), they are widely shared, used, remixed and reshared. According to original Blender creator Ton Roosendaal, "Open licenses are essential for sharing our films and their source material." Right now, a company is claiming that Blender's free content is actually their content and as a result, must be immediately removed from the internet. We're talking about content that was created with Blender's explicit blessing but even after multiple appeals, not even YouTube will see reason.

Bruno Fernandez-Ruiz is the co-founder and CTO at AI-focused driver safety company, Nexar. On Sunday he informed TorrentFreak that he's also an independent film composer and producer, working with music production libraries, and distributing to the main music platforms. TorrentFreak contacted Bruno after noticing a post he made on a music production forum. He wrote that after uploading a video containing a clip from the Blender movie Caminandes 3 -- Llamigos, YouTube notified him that a rightsholder had filed a copyright complaint, his video had been taken down, and a copyright strike had been issued to his account. The complaint, sent by Uzbekistan-based media/news company ZO'R TV, was not the result of automatic matching under Content ID. It was filed as a formal DMCA notice, meaning that someone probably reviewed the details before sending the complaint. The notice claimed that Bruno had infringed ZO'R TV's copyrights by reproducing content (6:21 to 8:26) from this YouTube video published in 2018.

Since the content in question is obviously from Blender's film Caminandes 3, ZO'R TV was in no position to issue a DMCA notice. On that basis, Bruno followed the recognized procedure by sending a DMCA counternotice to YouTube. It didn't go well. After filing his counternotice with YouTube, Bruno was informed that since he'd provided insufficient information, YouTube could not process it. However, YouTube did inform Bruno of the risks of filing a counternotice, including that his name could be sent to the claimant, ZO'R TV in this case. Determined to have his video restored, Bruno accepted the risks and sent another counternotice to YouTube. This time there was no indication that the counternotice was deficient. YouTube thanked him for filing it -- but still declined to process it. YouTube's email advised Bruno that counternotices should only be filed in case of a mistake or misidentification. Consulting with a lawyer first might be helpful, YouTube added. After three attempts to restore the video and have the copyright strike removed, YouTube responded once again. The message contained yet more disappointment for Bruno. "Based on the information that you have provided, it appears that you do not have the necessary rights to post the content on YouTube. Therefore, we regretfully cannot honor your request," it advised. This signaled the end of the debate as far as YouTube was concerned and by rejecting Bruno's right to send a counternotice, the platform denied him an opportunity to have the video restored, stand up for Blender's rights, and get the strike removed. After notifying Blender of the situation, Blender developed Ton Roosendaal replied, saying the company has "no staff here available to go after situations like this" but suggested they could "escalate it to the Creative Commons organization."

"After all, it's their mission," he added.

An anonymous reader shares a report: The European Union hosted a 24-hour party in its $407,000 metaverse, but only a handful of people turned up, according to journalist Vince Chadwick, one of the attendees. Last week's event was billed as a "beach party" offering "music and fun" to launch the EU's "Global Gateway" strategy. When the costly virtual-reality world was first shown in October, EU staff were already raising concerns, per Devex.

"Depressing and embarrasing" and "digital garbage" were among the department's first responses to the underwhelming $407,000 venue. The EU told the news site that its metaverse aimed to increase awareness among 18-35 year olds "primarily on TikTok and Instagram" who aren't politically engaged. But as it moved from promotional video to virtual reality, it seems the message didn't reach too many people. Chadwick tweeted about his experience at the party, saying that there were just five other people in attendance. He described "bemused chats" with the other partygoers, as they couldn't figure out where it was supposed to be.

A torrent site user accused of downloading and uploading at least 120TB of movies, TV shows, eBooks, music and software, has avoided an immediate prison term. The 28-year-old was arrested as part of a police operation against DanishBytes. A member of the same site was sentenced earlier this month after he uploaded Netflix content obtained using hacked credentials. TorrentFreak reports: Early November 2021, Denmark's Public Prosecutor for Special Economic and International Crime (SOIK) announced that six people had been arrested following criminal referrals by Rights Alliance. All were members and/or operators of ShareUniversity and DanishBytes. Prosecution of site operators is not uncommon but when it's deemed in the public interest, pirate site users can also face charges. Every case is unique so criteria differ, especially across national borders, but when evidence shows large volumes of infringement, successful prosecutions become more likely. That was the case when a former DanishBytes user was sentenced last week. According to Danish anti-piracy group Rights Alliance, the 28-year-old man was a regular site member and wasn't involved in running the site. That being said, evidence showed that for the period January 2021 to November 2021, he downloaded and/or uploaded no less than 3,000 copyrighted works, including movies, TV shows, music, books, audiobooks and comics.

Information released by the National Unit for Special Crimes (NSK), a Danish police unit focused on cybercrime, organized crime, and related financial crime, reveals that the user's traffic statistics interested prosecutors. "During the period, the man downloaded no less than 100 TB and uploaded no less than 20 TB of copyrighted material," NSK says. BitTorrent trackers operating a ratio model usually insist on a better ratio of downloads to uploads but DanishBytes' situation was out of the ordinary.

The site launched in January 2021 in the wake of other sites being shut down, so had to get going from a standing start with no users. Even when arrests were being made, the site still had a relatively small userbase, which can limit opportunities to upload more. That may have been a blessing in disguise. Faced with the evidence, the man decided to plead guilty and was sentenced last week at the Court in Vibourg. In common with similar prosecutions recently, he received a suspended conditional sentence of 60 days' probation, 80 hours of community service, and confiscation of his computer equipment. The case against the DanishBytes user began with a Rights Alliance investigation and a referral to the police. As part of his sentence, the man must pay the anti-piracy group DKK 5,000 (US$600) in compensation but Rights Alliance director Maria Fredenslund is focused on the deterrent effect of another successful prosecution.

An anonymous reader quotes a report from TechCrunch: Dropbox has announced plans to bring end-to-end encryption to its business users, and it's doing so through acquiring "key assets" from Germany-based cloud security company Boxcryptor. Terms of the deal were not disclosed. Dropbox is well-known for its cloud-based file back-up and sharing services, and while it does offer encryption for files moving between its servers and the destination, Dropbox itself has access to the keys and can technically view any content passing through. What Boxcryptor brings to the table is an extra layer of security via so-called "zero knowledge" encryption on the client side, giving the user full control over who is allowed to decrypt their data.

For many people, such as consumers storing family photos or music files, this level of privacy might not be a major priority. But for SMEs and enterprises, end-to-end encryption is a big deal as it ensures that no intermediary can access their confidential documents stored in the cloud -- it's encrypted before it even arrives. Moving forward, Dropbox said that it plans to bake Boxcryptor's features natively into Dropbox for business users. "In a blog post published today, Boxcryptor founders Andrea Pfundmeier and Robert Freudenreich say that their 'new mission' will be to embed Boxcryptor's technology into Dropbox," adds TechCrunch. "And after today, nobody will be able to create an account or buy any licenses from Boxcryptor -- it's effectively closing to new customers."

"But there are reasons why the news is being packaged the way it has. The company is continuing to support existing customers through the duration of their current contracts."

Dropbox has announced plans to bring end-to-end encryption to its business users, and it's doing so through acquiring "key assets" from Germany-based cloud security company Boxcryptor. Terms of the deal were not disclosed. From a report: Dropbox is well-known for its cloud-based file back-up and sharing services, and while it does offer encryption for files moving between its servers and the destination, Dropbox itself has access to the keys and can technically view any content passing through. What Boxcryptor brings to the table is an extra layer of security via so-called "zero knowledge" encryption on the client side, giving the user full control over who is allowed to decrypt their data.

For many people, such as consumers storing family photos or music files, this level of privacy might not be a major priority. But for SMEs and enterprises, end-to-end encryption is a big deal as it ensures that no intermediary can access their confidential documents stored in the cloud -- it's encrypted before it even arrives. Moving forward, Dropbox said that it plans to bake Boxcryptor's features natively into Dropbox for business users.

Some people turn on closed captions because they like how it helps them understand the plotlines of shows and movies, and multitask in front of the tube. Others turn them on because they can't hear what actors are saying. That doesn't always mean they are hard of hearing. From a report: Muddled audio is the top reason why more people are watching video with on-screen text, according to a May survey commissioned by language-teaching app Preply. As more video-production studios embrace advanced audio formats for at-home content, not every device can keep up. Plenty of viewers can't keep up, either.

"If you have people talking or shouting during the adventure scenes, the explode-y sounds are way higher than the dialogue," said Melanie Brooks, a 43-year-old professional musician in Boston. Catching some of the lines in her favorite fantasy and adventure TV series is hard without captions, she added. People tend to blame their flat-screen TVs for bad sound. The tube TVs of decades past had front-facing speakers that sent audio toward you, while new, super-thin models have speakers that are behind the screen or point downward, bouncing sound away from you. But your TV is just one of the culprits. The rest of the problem lies within virtually every other step of the audio process, from a studio's production choices to the device used to watch the content, said Richard Nevens, senior director of audio-hardware product management at Avid Technology, which specializes in audio- and video-editing tools.

Sound mixers combine all the sound in the video, including dialogue, music and background noises, into the audio we hear when we watch movies and shows. The professionals have advanced audio capabilities at their disposal, but they might not translate clearly on devices that aren't built to support state-of-the-art audio, Mr. Nevens said. For this reason, a movie designed to sound great in a giant theater might not sound the same on your smartphone -- or your TV.

Hackaday writes According to [Venn Stone], technical producer over at Linux GameCast, the Sony a5000 is still a solid option for those looking to shoot 1080p video despite being released back in 2014. But while the camera is lightweight and affordable, it does have some annoying quirks — namely an overlay on the HDMI output (as seen in the image above) that can't be turned off using the camera's normal configuration menu. But as it so happens, using some open source tools and the venerable telnet, you can actually log into the camera's operating system and fiddle with its settings directly.
A grassroots tool for unlocking Sony cameras apparently also unlocks developer options — including a telnet server on its WiFi interface. (There's a video of the whole procedure on Linux Gamecast Weekly's web site.)

Venn Stone (the podcast's technical producer/engineer) is apparently also a long-time Slashdot reader — and also describes himself on the podcast as "not a fan of articial software limitations."

And he calls this telnet-enabled tweak "the most hack-y thing I've done in recent memory" — even creating a playlist of 1990s hacker music to more fully enjoy the moment.