The web-based Apple Music experience that launched in beta last September is now available at music.apple.com. MacRumors reports: The previous beta.music.apple.com address automatically forwards to the newly launched version. Once you're signed into the web version of Apple Music with your Apple ID that has an associated Apple Music subscription, you'll have access to all of your library and playlist content, as well as the same personal mixes and recommendations you'll see in the Music apps for iOS, Mac, and Android. Apple Music content plays right in the web browser, providing access for an array of devices and platforms that don't have native Music app support, include Windows 10, Linux, and Chrome OS.

An anonymous reader quotes a report from Bloomberg: Apple is developing over-ear wireless headphones with parts that can be swapped in and out, seeking to augment its AirPods business with a high-end audio product. The Cupertino, California-based tech giant is working on at least two variations, including a premium version with leather-like fabrics and a fitness-focused model that uses lighter, breathable materials with small perforations. Prototypes of the headphones have a retro look with oval-shaped ear cups that swivel and a headband connected by thin, metal arms. The arms stem from the top of the ear cups rather than the sides.

The ear pads and headband padding attach to the frame of the headphones magnetically so they can be replaced by the user. That approach is similar to some headphones from Master & Dynamic and Bowers & Wilkins, though those models only have magnetic ear pads. Apple's more modular design will allow users to customize their headphones like they do with the Apple Watch. The design may also mean the same set of headphones would be convertible from comfort to fitness use and back again. Apple plans to use similar wireless-pairing and noise-cancellation tech in its upcoming headphones to what is already in the AirPods Pro. The company aims to unveil the product later this year, however complications during final development or from the Covid-19 pandemic could affect the timing and features again.

Ticketmaster has quietly changed its refund policy to no longer cover postponed or rescheduled shows. Now, the Live Nation company's refund policy simply says: "Refunds are available if your event is canceled." From a report: It's hardly a secret that the coronavirus (COVID-19) crisis has brought the live-event industry to a screeching halt. Responding both to government mandates and health concerns, promoters have canceled (or delayed) sporting events, concerts, and essentially all other audience-based entertainment functions. And predictably, a substantial number of would-be attendees are looking to receive refunds for the tickets they bought prior to the pandemic. In responding to this unprecedented cluster of repayment requests, Ticketmaster has quietly changed its refund policy to cover only canceled events -- not the many functions that promoters have indefinitely "postponed" or rescheduled to a date/time that some ticketholders cannot make.

An anonymous reader quotes a report from Technology Networks: According to a popular view, creativity is a product of the brain's right hemisphere -- innovative people are considered "right-brain thinkers" while "left-brain thinkers" are thought to be analytical and logical. Neuroscientists who are skeptical of this idea have argued that there is not enough evidence to support this idea and an ability as complex as human creativity must draw on vast swaths of both hemispheres. A new brain-imaging study out of Drexel University's Creativity Research Lab sheds light on this controversy by studying the brain activity of jazz guitarists during improvisation. The study, which was recently published in the journal NeuroImage, showed that creativity is, in fact, driven primarily by the right hemisphere in musicians who are comparatively inexperienced at improvisation. However, musicians who are highly experienced at improvisation rely primarily on their left hemisphere. This suggests that creativity is a "right-brain ability" when a person deals with an unfamiliar situation but that creativity draws on well-learned, left-hemisphere routines when a person is experienced at the task. "[W]hen a person is an expert, his or her performing is produced primarily by relatively unconscious, automatic processes that are difficult for a person to consciously alter, but easy to disrupt in the attempt, as when self-consciousness causes a person to 'choke' or falter," the report says. "In contrast, novices' performances tend to be under deliberate, conscious control. Thus, they are better able to make adjustments according to instructions given by a teacher or coach."

"Recordings of brain activity could reveal the point at which a performer is ready to release some conscious control and rely on unconscious, well-learned routines. Releasing conscious control prematurely may cause the performer to lock-in bad habits or nonoptimal technique."

A Nintendo Switch video game has been pulled off China's grey market e-commerce platforms, Reuters' checks show, after Hong Kong activist Joshua Wong used the game to protest against Beijing's rule of the Chinese territory. From a report: The game, "Animal Crossing: New Horizons," is a colorful social simulator in which players can decorate their own island and invite others to visit. It became an instant hit after its launch last month and has been used by many players to interact and simulate real-life scenarios while they are stuck at home because of measures to curb the coronavirus outbreak. Joshua Wong, a Hong Kong democracy activist, took his protests to the game last week and on Twitter posted a screenshot of his island decorated with a banner saying: "Free Hong Kong, revolution now." China has stringent rules on content from everything from video games to movies and music, censoring anything it believes violates core socialist values. Gaming companies must also seek licences for the games they want to publish.

An anonymous reader shares a story: Ahead of last November's launch of the Apple TV+ video streaming service, Apple seemed to be doing nearly everything it could to widen the base of early viewers -- it gave away a free year of service with any newly purchased iPhone, iPad, Mac, iPod, or Apple TV, then added free access to student Apple Music subscriptions, collectively guaranteeing itself millions of (unpaid) users. But that apparently wasn't enough: Starting today, the company will offer free access to seven complete TV+ series to almost any person with an Apple ID.

Apple's video strategy has continued to stand in stark contrast to Disney's, though both companies launched paid streaming services last year. Disney+ offers a mere seven-day free trial before charging $6.99 per month or $69.99 per year for access to a large catalog of new original and historic Disney, Pixar, Marvel, Star Wars, and National Geographic content, plus The Simpsons. This week, Disney+ surpassed 50 million subscribers across only a dozen countries, and it has recently rewarded quarantined fans by providing early access to its latest animated films, including Frozen II and Onward.

Samsung is killing its Smart View app for Android and iOS, which serves as a remote control for its older smart TVs. From a report: The company has updated the application's descriptions to announce that it will no longer be supported starting on October 5th. Android Police first spotted the changes and noted that, in addition to its capability as a remote control, Smart View can also beam music and media to the company's TVs. It's unclear how Samsung defines "older" -- hence which all models will be impacted.

Mike Masnick, reporting at TechDirt: Five years ago, we wrote about another such crazy demand -- a PRO (Performance Rights Organizations (PROs), sometimes known as "Collection Societies," that have a long history of demanding licensing for just about every damn thing) in Sweden demanding that rental car companies pay a performance license because their cars had radios, and since "the public" could rent their cards and listen to the radio, that constituted "a communication to the public" that required a separate license. The case has bounced around the courts, and finally up to the Court of Justice for the EU which has now, finally, ruled that merely renting cars does not constitute "communication to the public."

Nikon USA is offering 10 classes from the its online school for free during the month of April. Engadget reports: The courses range in length from 15 minutes to well over an hour, and all are taught by pro photographers and often Nikon ambassadors. Each class runs between $15 and $50, so Nikon is offering $250 worth of photography training for free. The courses run a wide gamut from landscape photography, macro photography, fundamentals by Reed Hoffman and even "The Art of Making Music Videos" with Chris Hershman. Several others are camera-specific, like a Z50 video course from Kitty Peters and a hands-on course with Nikon's SB-5000 speedlight. You do have to give Nikon your name and address, but the value of the courses is easily worth that -- to check them out, go here.

Yesterday, Apple said it would stop taking a cut of some sales for "qualifying" streaming video services on iPhones and other Apple devices, including Amazon's Prime Video. Reuters reports: To make purchases inside apps on its App Store, Apple requires the use of its own payment systems and takes a commission of between 15% and 30% before passing on the rest to the third-party app developer. Many of Apple's rivals in streaming music and video, such as Netflix and Spotify, avoid paying those commissions by asking users to sign up with a credit card outside the App Store. That leaves those rivals' apps serving as log-in screens for existing customers.

In an emailed statement, Apple said that for "qualifying premium video entertainment apps such as Prime Video, Altice One, and Canal+, customers have the option to buy or rent movies and TV shows using the payment method tied to their existing video subscription." Apple also said the services will function better with Apple devices and apps, for example by letting users ask its voice assistant, Siri, to find shows on the third-party services. Last March, Spotify filed a complaint with EU antitrust regulators against Apple, saying the iPhone maker unfairly limits rivals to its own Apple Music streaming service. Spotify also raised the issue with the U.S. Justice Department and the House Judiciary Committee, "both of which have antitrust probes pending regarding Apple," notes Reuters.

Everything is so dark, but the internet -- for all its bad and broken parts -- is helping to keep us together in a way that has never happened before, writes Joshua Topolsky in an essay on Input Mag. Two excerpts from the essay: What the hell would we do right now without the internet? How would so many of us work, stay connected, stay informed, stay entertained? For all of its failings and flops, all of its breeches and blunders, the internet has become the digital town square that we always believed it could and should be. At a time when politicians and many corporations have exhibited the worst instincts, we're seeing some of the best of what humanity has to offer -- and we're seeing it because the internet exists.

I was 12 the first time I logged onto whatever was called the internet then. There were no websites to speak of, not really. No ecommerce, no banner ads, no data tracking, no spyware. iPhones hadn't been invented yet; we called apps "programs"; and I had an EGA monitor on my PC (a whole 16 colors of range). But the first time I telnetted into a chatroom about raves, made new friends in Australia, or downloaded files to load into a music tracker, I felt the same elation that I feel now. This force, propelled by people, connected by copper and light, letting us make new connections. Connections we need now more than ever. We're here together, for how long we don't know. But we're not alone. Not anymore.

According to The Information, the YouTube app will soon be home to a new "Shorts" format that will counter TikTok. 9to5Google reports: Shorts will be brief videos available in a new feed. On the creation front, these videos can use YouTube's existing catalog of licensed music as a background soundtrack. YouTube reportedly plans to launch Shorts by the end of this year. Today's article describes the YouTube Shorts effort as the "most serious effort yet by a Silicon Valley tech company to combat the rise of TikTok." It speculates that YouTube will be able to leverage its existing stable of creators to generate the new type of content.

By making Shorts available inside the YouTube apps, Google is guaranteeing a built-in audience. This is similar to how YouTube rolled out a Stories format to compete with Snapchat and Instagram. Used by channels to make shorter update-like content, it lives alongside full videos in the Subscriptions tab. Unlike videos, these Stories are limited to a certain subscriber count, with that possibly applying to the initial launch of Shorts.

In a sign of the times, doctors are effectively waging a two-pronged fight against coronavirus: one part takes place in overcrowded hospitals and the other takes place on noisy social media platforms as they work to combat what the World Health Organization has declared an infodemic with accurate, authoritative voices. From a report: All of that means doctors, some of whom were once reluctant to embrace social media, are wading deeper into platforms that are rife with fake news, unproven medical advice and mass panic. "Social media is the disease and the cure. It is responsible for the dissemination of misinformation as much as it needs to be a tool for repairing that," said Rick Pescatore, an emergency room physician and public health expert in the Philadelphia area, who is active on Twitter and Facebook and has treated Covid-19 patients. "It's incumbent upon physicians, who want to get real information out there, to meet these patients where they are -- and that's social media."

Perhaps nowhere is this shift more striking than on TikTok, a short-form video platform beloved by teens that is best known for lip syncing, dance routines and comedy skits. In one TikTok video viewed more than 416,000 times, a registered nurse named Miki Rai does a choreographed dance involving a lot of hand motions as facts about Covid-19 flash on the screen, such as how long the virus stays on different surfaces. In another TikTok video, set to soothing elevator music, Dr. Rose Marie Leslie demonstrates proper handwashing: Wet hands. Lather up. Start washing for 20 seconds. Scrub under your nails and between fingers. Rinse. Leslie, a resident physician specializing in family medicine at the University of Minnesota Medical School, created a TikTok account about a year ago, with the aim of reaching a younger demographic with health education information. Soon after coronavirus cases started emerging, she began creating TikToks about the issue. Now, she works to debunk myths about the virus for her more than 500,000 followers.

Satellite radio giant SiriusXM announced today it's made its 300-plus channel streaming service available for free in North America starting today through May 15.

People staying at home due to the coronavirus pandemic appear to be listening to more radio rather than music apps, figures suggest. The BBC reports: Global, which owns Capital FM and talk station LBC, said online radio listening had risen by 15%. The BBC said streaming of its radio stations had risen 18% since last week. Meanwhile, data from two US analytics companies suggested use of music-streaming apps such as Spotify had dipped by about 8%.

According to trusted music industry monitor BuzzAngle, US music streaming between 13-19 March fell by 8.8% compared with the previous week. Rolling Stone magazine, which uses a different data provider, Alpha Data, said streams were down 7.8%. But not all services are equally affected. Classical music site Primephonic said streaming had gone up by about 20% since isolation measures had been introduced in Europe. "There are likely to be multiple causes," said BBC News music reporter Mark Savage. "Fewer people are commuting to work or going to the gym and shops that use Spotify for their in-store music are closing their doors. People who stream music in the office also seem to be turning off and watching Netflix instead and there's a big rise in radio listening - suggesting we're seeking companionship alongside our music."

The ongoing coronavirus crisis has thrown the release schedule of cultural products into chaos, as now is an exceptionally bad time to drop anything that isn't a government check for lost wages. Jeremy Gordon, writing for The Outline: Our cultural producers -- movie studios, publishing houses, television networks, and so forth -- must decide whether to go ahead with previously made plans, or wait until all of this is over. The new Fast and Furious movie, for example, has been pushed back from its May 2020 release date to April 2021, in hopes that mass gatherings will be back on the table by then (maybe!) and we'll all be in a better mood to watch some big cars go boom. But as more people are driven inside for the time being, it's also true that everyone is looking for something to do at home. As a result, unconventional solutions have emerged: Last week, Universal Pictures announced it'll make several of its current film releases available to stream on-demand at home, as movie theaters around the world are being closed. Beginning Friday, movies like The Invisible Man, Emma, and The Hunt will be rentable for $19.99 apiece, with Trolls: World Tour set for a similar release.

Emma and The Invisible Man were finished products already in theaters, so Universal just had to skip the typical waiting period between when a movie is released, and when it's available for purchase. But there are so many more finished products waiting to be released in the coming weeks, which publishers may now consider delaying until a time when everyone can go back outside. While they may be reticent to promote anything in the current climate, I would submit an opposite suggestion: Release that shit. While everyone is sitting at home stewing in anxiety, people have never been more desperate for distraction. We have all become a captive audience with the free time to give that show or game a try.

An anonymous reader shares some free streaming media options: There's over 10,000 public domain audiobooks at LibriVox.org, created by volunteers reading public domain works. (If you've got time, why not record yourself reading your own favorite public domain poem or novel?) And there's also a lot of free audiobooks (and ebooks) available through Hoopla, a free "digital media" service that's partnering with many public libraries across North America. They're not just offering books; there's also movies, music, TV shows, and even comic books.

As always, Amazon's audiobook service Audible offers a free one-month trial. But they've now also announced a new free service for "as long as the schools are closed... Kids everywhere can instantly stream an incredible collection of stories..."
You can also stream over 6,500 full-length movies over at archive.org, including Night of the Living Dead and The Internet's Own Boy: The Story of Aaron Swartz.

They've even got a collection of classic cartoons, like Tom and Jerry, Betty Boop, the Pink Panther, and lots of Popeye (including one where Popeye runs for president against Bluto.)

And an archive.org blog post explains that that's just the beginning: If gaming is more your speed, then check out the MS-DOS Games in our Software Library. This collection includes dozens of classic favorites such as Pac-Man, Sim City, The Oregon Trail, Doom, Prince of Persia, Donkey Kong, and Tetris, as well as many more lesser-known titles such as Aliens Ate My Baby Sitter! and Freddy Pharkas, Frontier Pharmacist. Enjoy simulations of popular board and card games such as Monopoly [press F1 to begin], Stratego, Hearts, or Mah Jong, as well as flight simulators, sports games, and this treat for Monty Python fans.
They also have recordings of old-time radio shows -- as well as an archive of live music. ("Our most popular collection by far is The Grateful Dead, but you could also explore Smashing Pumpkins, Robert Randolph (and the Family Band), Disco Biscuits, Death Cab for Cutie, John Mayer, or Grace Potter and the Nocturnals...")

And then there's this: Relive the 80's and 90's (and learn how to style your scarf) with the Ephemeral VHS collection, or roam the cosmos with the NASA Image of the Day gallery. Learn about the history of advertising with this collection of retro TV ads or enjoy some psychedelic screensavers. No matter how long you're stuck indoors, the Internet Archive will have something new to offer you — so happy hunting!
Share your reactions -- and your own finds and suggestions -- in the comments! And in these days of social distancing, what are the best free entertain sites that you've found?

U.K. based road safety charity IAM RoadSmart has released a study showing how in-vehicle infotainment systems can substantially impair driver's reaction times even more than alcohol and cannabis. AppleInsider reports: The test involved two experimental trials focusing on Android Auto and Apple CarPlay. Twenty Android and twenty Apple users would be subjected to the same simulated test route. Each driver drove three times: A control drive, where they did not interact with the system, a voice-enabled drive where they used the voice system only, and a touch-enabled drive, where they used the touch screen of the system only. As part of the test, users would be required to follow another car, navigate an erratic motorway, and perform a figure-eight loop. During these tests, users would be told to perform a task, such as accessing music on Spotify, input data into a navigation app, or read texts and take phone calls. Additionally, participants would be asked to flash their headlights whenever a red bar appeared on the screen, which measured their reaction time to external events.

Regardless of the infotainment system, all users showed significantly slowed reaction time. Undistracted drivers typically showed a one-second reaction time. Those who used the voice-controlled Apple CarPlay saw a 36% increase in their reaction time, which rose to 57% when they used the touch interface. Android Auto users faired only slightly better -- a 30% increase in reaction time when using voice control, and 53% when using touch controls. For comparison, those who drive under the influence at the drink-drive limit showed a 12% increase in reaction time, and those who used cannabis saw a 21% increase. Those who used Android Auto saw a 1.73-foot (0.53-meter) deviation on their lane positioning when performing navigation tasks with Android Auto. Those who used Apple CarPlay saw a deviation of 1.64 feet (0.50 meters.)

The isolation caused by the spread of coronavirus means people are sitting inside all day streaming music, right? Actually, maybe not. At least for the most popular songs, people in some highly affected countries are streaming far fewer songs during the pandemic than before. From a report: In Italy, one of the countries hardest hit by coronavirus, the top 200 most streamed songs on Spotify within the country averaged 18.3 million total streams per day in February 2019. Since Italy's prime minister announced a national quarantine on March 9th, the total streams for the 200 most popular songs have not topped 14.4 million. There was a 23% drop in top 200 streams on Tuesday March 17th compared to Tuesday, March 3rd.

[...] The trend is similar in the US. On March 17th, total Spotify streams of top 200 songs fell to 77 million streams. This was the lowest number of top-200 streams in the US for any Tuesday in 2020, and about 14 million streams fewer than just a week before. Total top-200 streams are also down in the UK, France, and Spain as well.

An anonymous reader quotes a report from Ars Technica: So-called "acoustic metamaterials" are specifically designed to control and manipulate sound waves, usually for the purpose of dampening or transmitting sound. But such an acoustic device can only perform the function for which it was created, such as dampening outgoing sound in a submarine, for example. That same device could not be repurposed to communicate with another passing vessel should the situation aboard the submarine require it; a different acoustic device must be used, one developed expressly for that purpose. Now a team of scientists from the University of Southern California have developed an acoustic metamaterial that can switch between different uses by applying carefully tailored magnetic fields, according to a new paper in the journal Research. The structure of these new metamaterials was inspired by the unusual structure of shark skin. They can be used to mimic the function of switches, logic gates, or diodes, raising the possibility of a sound "computer."