Amazon announced last year that it intends to shut down its dedicated cloud music locker. Now, the company has elaborated on its thinking. From a report: In an email to Amazon Music users, the company says uploaded songs will be removed from a user's library on April 30th, 2018. You can however keep any music in the cloud by proactively going to your Music Settings and clicking the "Keep my songs" button. Back in December, Amazon stopped letting users upload new tracks to Music Storage, which holds up to 250 songs for free. The company said at the time that by January 2019, users wouldn't be able to download or stream tracks they've uploaded to Music Storage, so it sounds like you'll still have many months between April and next January to get your music downloaded and onto a different storage platform or hard drive.

An anonymous reader quotes a report from Road to VR: This video showcases a new redirected walking implementation project that creates an "unlimited" virtual corridor in a space just 5 x 7 meters in size. Redirected walking (RDW) is a technique which aims to maximize the physical space of a virtual reality play space by tricking your senses. Or, "strongly modifying spatial perception" so that your mind believes, for example, that you're body is traveling in a straight line where in reality, it's traversing a carefully calculated curved course to keep that play space small. At SIGGRAPH last week, a project developed in part by Unity Product Evangelist and Education Lead Yohei Yanase at the University of Tokyo was present, featuring a new "Visuo-Haptic" VR experience which claims to create the illusion via an infinite virtual corridor within an actual physical play space of just 5 x 7 meters in size.

"It works by strongly modifying spatial perception, all while avoiding the typical "reorientation" manipulation methods that most often cause VR motion sickness," states a press release, "And it's designed to let multiple people experience it simultaneously, without risk of bumping into each other. Modern techniques like this could represent the next phase in VR navigation, merging virtual with physical environments to extend the comfort of VR sessions and extensibility of virtual environments."

Google Home speakers can now play music and other audio on the Bluetooth speakers you might have around the house. "We brought this feature to life after hearing how much you wanted to amp up the sound with your Google Home Mini," the company said in a blog announcement. "Now any of your Google Home devices can connect to other Bluetooth speakers so you can control your entertainment experience simply using the sound of your voice." The Verge reports: You can also add your existing Bluetooth speakers to Google Home groups for multi-room audio, which is where this might prove handy for Home Max users. You can pair a Bluetooth speaker with Google Home in the device settings section of the Home app. Just set it as your default speaker. Your Home device will still listen for your commands, but will route all audio through the connected Bluetooth speaker. This doesn't magically give those paired speakers Google Assistant's smarts, though. "You'll still need to talk to your Google Home device -- not the connected Bluetooth speakers -- for queries like asking questions, getting weather updates, and using smart home commands."

dryriver writes: There are occasions where multiple big tech manufacturers all announce the exact same innovation at the same time -- e.g. 4K UHD TVs. Everybody in broadcasting and audiovisual content creation knew that 4K/8K UHD and high dynamic range (HDR) were coming years in advance, and that all the big TV and screen manufacturers were preparing 4K UHD HDR product lines because FHD was beginning to bore consumers. It came as no surprise when everybody had a 4K UHD product announcement and demo ready at the same time. Something very unusual happened this year at GDC 2018 however. Multiple graphics and GPU companies, like Microsoft, Nvidia, and AMD, as well as other game developers and game engine makers, all announced that real-time ray tracing is coming to their mass-market products, and by extension, to computer games, VR content and other realtime 3D applications.

Why is this odd? Because for many years any mention of 30+ FPS real-time ray tracing was thought to be utterly impossible with today's hardware technology. It was deemed far too computationally intensive for today's GPU technology and far too expensive for anything mass market. Gamers weren't screaming for the technology. Technologists didn't think it was doable at this point in time. Raster 3D graphics -- what we have in DirectX, OpenGL and game consoles today -- was very, very profitable and could easily have evolved further the way it has for another 7 to 8 years. And suddenly there it was: everybody announced at the same time that real-time ray tracing is not only technically possible, but also coming to your home gaming PC much sooner than anybody thought. Working tech demos were shown. What happened? How did real-time ray tracing, which only a few 3D graphics nerds and researchers in the field talked about until recently, suddenly become so technically possible, economically feasible, and so guaranteed-to-be-profitable that everybody announced this year that they are doing it?

Netflix has been banned from competing in the Cannes Film Festival, according to a report from The Hollywood Reporter. "Theirry Fremaux, the head of Cannes, told THR last week the ban is because Netflix refuses to release its films in theaters, choosing instead to debut them on its streaming service and, in some rare cases, do day-and-date releases so the film can be seen both online and off," reports The Verge. From the report: In the case of Bong Joon-ho's Okja and Noah Baumbach's The Meyerowitz Stories -- films that were entered into last year's Cannes to widespread protest from French filmmakers -- Netflix was unable to secure last-minute permits for one-week theatrical releases due to French media regulations. "Last year, when we selected these two films, I thought I could convince Netflix to release them in cinemas. I was presumptuous, they refused," Fremaux told THR. "The Netflix people loved the red carpet and would like to be present with other films. But they understand that the intransigence of their own model is now the opposite of ours." Starting with this year's Cannes, which takes place in May, films screened in competition will need to have a French theatrical release. Netflix is still allowed to show films at Cannes, Fremaux added, but its films will not be eligible for the prestigious Palme d'Or.

hackingbear writes from a report: Amazon is reportedly likely to earmark $1 billion for a television series (Warning: source paywalled, alternative source) based on the ultra-popular Chinese science fiction trilogy The Three Body Problem. The American video subscription service will likely acquire the rights to the Yugo-winning, extremely popular trilogy of novels written by Liu Cixin and produce three seasons of episodes. The rights to the trilogy are currently owned by Lin Qi, the chairman of Youzu Interactive, a Chinese developer and publisher that typically focuses on online and mobile games.

An anonymous reader shares an update on Artur Sargsyan, who owned the music-pirating site Sharebeast as well as Newjams and Albumjams. TorrentFreak reports: Thursday a U.S. District Judge sentenced the 30-year-old to five years in prison, three years of supervised release, and more than $642,000 in restitution and forfeiture... The RIAA claimed that ShareBeast was the largest illegal file-sharing site operating in the United States... "Millions of users accessed songs from ShareBeast each month without one penny of compensation going to countless artists, songwriters, labels and others who created the music," RIAA Chairman & CEO Cary Sherman commented at the time...

If Sargsyan had responded to takedown notices more positively, it's possible that things may have progressed in a different direction. The RIAA sent the site more than 100 copyright-infringement emails over a three-year period but to no effect. This led the music industry group to get out its calculator and inform the Deparmtment of Justice that the total monetary loss to its member companies was "a conservative" $6.3 billion "gut-punch" to music creators who were paid nothing by the service... "His reproduction of copyrighted musical works were made available only to generate undeserved profits for himself," said U.S. Attorney Byung J. "BJay" Pak. "The incredible work done by our law enforcement partners and prosecutors in light of the complexity of Sargsyan's operation demonstrates that we will employ all of our resources to stop this kind of theft."
David J. LaValley, Special Agent in Charge of FBI Atlanta, said "His sentence sends a message that no matter how complex the operation, the FBI, its federal partners and law enforcement partners around the globe will go to every length to protect the property of hard working artists and the companies that produce their art."

Today if you visit ShareBeast.com or AlbumJams.com, they display an "FBI anti-piracy warning" image notifying visitors the domain has been seized, adding "Willful copyright infringement is a federal crime that carries penalties for first time offenders of up to five years in federal prison, a $250,000 fine, forfeiture and restitution." The image is surrounded by a red border with the word "seized" written over and over again.

Earlier this month, Spotify revealed that it had begun cracking down on people using hacked versions of apps. These apps allowed users with free accounts to suppress advertising and take advantage of paid features. Now, Spotify has disclosed just how many people have been taking advantage of this hack: around 2 million users. Engadget reports: That's not an insignificant number, and it's understandable why Spotify is cracking down on them. As the company explains in an amended F1 filing with the SEC this week, these users forced the company to adjust its metrics and key performance indicators. The disclosure notes, "Unauthorized access to our Service may cause us to misstate key performance indicators, which once discovered, corrected, and disclosed, could undermine investor confidence in the integrity of our key performance indicators and could cause our stock price to drop significantly." As a result, Spotify has adjusted its monthly active users from 159 million at the end of 2017 to 157 million.

Artem Tashkinov writes: Some time ago, Ars Technica ran a monumental article on beaming of consciousness in Star Trek and its implications, and more importantly, whether it's plausible to achieve that without killing a person in the process.

It seems possible in the Star Trek universe. However, currently physicists find the idea absurd and unreal because there's no way you can transport matter and its quantum state without first destroying it and then recreating it perfectly, due to Heisenberg's Uncertainty Principle. The biggest conundrum of all is the fact that pretty much everyone understands that consciousness is a physical state of the brain, which features continuity as its primary principle; yet it surely seems like copying the said state produces a new person altogether, which brings up the problem of consciousness becoming local to one's skull and inseparable from gray matter. This idea sounds a bit unscientific because it introduces the notion that there's something about our brain which cannot be described in terms of physics, almost like soul.

This also brings another very difficult question: how do we know if we are the same person when we wake up in the morning or after we were put under during general anesthesia? What are your thoughts on the topic?

In a move to lure new subscribers, MoviePass has dropped the price of its monthly subscription service from about $10 per month to just under $7. From a report: The company said for $6.95 per month, new subscribers will get one movie ticket per day, a minor catch being that users must pay for a year up-front. There is also a one-time $6.55 processing fee. It's the umpteenth time that MoviePass has changed its price since launching six years ago at $40 per month (before raising it to $50), most significantly eight months ago when it was cut to just $9.95. The change had the desired effect, as subscribers swelled from 20,000 then to nearly 3 million today. Still, MoviePass is not without its critics, as some theater chains -- most notably AMC -- have criticized the service for allegedly cheapening the moviegoing experience. Also, industry executives worry that MoviePass cannot survive (it pays mostly full price for the movie tickets its subscribers use) and wonder if users that are left in the lurch when it folds will ever want to pay $9 (the average price in the U.S.) per ticket again.

Digital downloads had a short run as the top-selling format in the music industry. It took until 2011, a decade after the original iPod came out, for their sales surpass those of CDs and vinyl records, and they were overtaken by music streaming services just a few years later. Now, digital downloads are once again being outsold by CDs and vinyl, according to the Recording Industry Association of America. From a report: The RIAA released its 2017 year-end revenue report on Thursday, showing that revenue from digital downloads plummeted 25 percent to $1.3 billion over the previous year. Revenue from physical products, by contrast, fell just 4 percent to $1.5 billion. Overall, the music industry grew for a second year straight. And with $8.7 billion in total revenue, it's healthier than it has been since 2008, according to the report. Nearly all of the growth was the result of the continued surge in paid music subscription services like Spotify and Apple Music. Those services grew by more than 50 percent to $5.7 billion last year and accounted for nearly two-thirds of the industry's revenue. Physical media accounted for 17 percent, while digital downloads made up just 15 percent.

An anonymous user writes: A broad and detailed report from piracy tracking outfit MUSO shows that visits to pirate sites went up last year. The company recorded more than 300 billion visits in 2017, which suggests that "piracy is more popular than ever." TV remained the most popular category and most pirates prefer streaming over torrents or direct downloading.

An anonymous reader shares a report: Following YouTube's announcement last month that it intends to spend "hundreds of millions" on original content for Red, it's just unveiled plans for a YouTube-made movie that'll also be released in theaters. And unlike its previous effort, 2016's widely-regarded flop Lazer Team, this project has a serious name attached to it: Susan Sarandon. The film, Vulture Club, is already in post-production. It stars Oscar-winning Susan Sarandon as an emergency room nurse whose son has been kidnapped by terrorists, and after being abandoned by the government, finds help in the unlikeliest of places. The thriller also stars Edie Falco of The Sopranos and Matt Bomer of Magic Mike, and is directed by Iranian-American Maryam Keshavarz, of Circumstance fame. Despite being slated for theatrical release, details on YouTube's plans to actually get the movie into theaters are scarce.

YouTube will increase the number of ads that some users see between music videos, part of a strategy to convince more of its billion-plus viewers to pay for a forthcoming subscription music service from the Google-owned video site. Bloomberg: People who treat YouTube like a music service, those passively listening for long periods of time, will encounter more ads, according to Lyor Cohen, the company's global head of music. "You're not going to be happy after you are jamming 'Stairway to Heaven' and you get an ad right after that," Cohen said in an interview at the South by Southwest music festival. Cohen is trying to prove that YouTube is committed to making people pay for music and silence the "noise" about his company's purported harm to the recording industry. The labels companies have long criticized YouTube for hosting videos that violate copyrights, and not paying artists and record companies enough.

LG has released an open-sourced version of webOS that's freely available to anyone that wants to download and poke around the code. From a report: The release of webOS Open Source Edition is meant to act as a catalyst to drive further adoption of webOS beyond LG televisions, smart refrigerators, and the occasional never-to-be-released smartwatch. So, devices like webOS tablets and set-top boxes as pictured in the LG-supplied image above. This is the second time an open-source version of webOS has been released, the first coming under the failed tenure of HP back in 2011. LG's cross-town rival Samsung develops and uses the open-sourced Tizen operating system on a variety of devices including smartwatches, televisions, Blu-ray players, and robotic vacuums.

HotHardware writes: NVIDIA has been dabbling in real-time ray tracing for over a decade. However, the company just introduced NVIDIA RTX, which is its latest effort to deliver real-time ray tracing to game developers and content creators for implementation in actual game engines. Historically, the computational horsepower to perform real-time ray tracing has been too great to be practical in actual games, but NVIDIA hopes to change that with its new Volta GPU architecture and the help of Microsoft's new DirectX Raytracing (DXR) API enhancements. Ray tracing is a method by which images are enhanced by tracing rays or paths of light as they bounce in and around an object (or objects) in a scene. Under optimum conditions, ray tracing delivers photorealistic imagery with shadows that are correctly cast; water effects that show proper reflections and coloring; and scenes that are cast with realistic lighting effects. NVIDIA RTX is a combination of software (the company's Gameworks SDK, now with ray tracing support), and next generation GPU hardware. NVIDIA notes its Volta architecture has specific hardware support for real-time ray tracing, including offload via its Tensor core engines. To show what's possible with the technology, developers including Epic, 4A Games and Remedy Entertainment will be showcasing their own game engine demonstrations this week at the Game Developers Conference. NVIDIA expects the ramp to be slow at first, but believes eventually most game developers will adopt real-time ray tracing in the future.

A new copyright proposal in the EU would require code-sharing platforms like GitHub and SourceForge to monitor all content that users upload for potential copyright infringement. "The proposal is aimed at music and videos on streaming platforms, based on a theory of a 'value gap' between the profits those platforms make from uploaded works and what copyright holders of some uploaded works receive," reports The GitHub Blog. "However, the way it's written captures many other types of content, including code."

Upload filters, also known as "censorship machines," are some of the most controversial elements of the copyright proposal, raising a number of concerns including: -Privacy: Upload filters are a form of surveillance, effectively a "general monitoring obligation" prohibited by EU law
-Free speech: Requiring platforms to monitor content contradicts intermediary liability protections in EU law and creates incentives to remove content
-Ineffectiveness: Content detection tools are flawed (generate false positives, don't fit all kinds of content) and overly burdensome, especially for small and medium-sized businesses that might not be able to afford them or the resulting litigation Upload filters are especially concerning for software developers given that: -Software developers create copyrightable works -- their code -- and those who choose an open source license want to allow that code to be shared
-False positives (and negatives) are especially likely for software code because code often has many contributors and layers, often with different licensing for different components
-Requiring code-hosting platforms to scan and automatically remove content could drastically impact software developers when their dependencies are removed due to false positives The EU Parliament continues to introduce new proposals for Article 13 but these issues remain. MEP Julia Reda explains further in a recent proposal from Parliament.

alaskana98 writes: CNN and other media outlets are reporting that the "To The Stars Academy of Arts and Science" group has released the third in a series of videos purportedly showing an encounter between Navy F/A-18 Super Hornet pilots and an object moving at seemingly impossible speeds off the East Coast of the United States. The video was captured by the Raytheon: Advanced Targeting Forward-Looking Infrared (ATFLIR) pod and includes audio of the pilots excitedly observing this object from far above as it zooms over the ocean surface. The ATFLIR system has trouble getting a lock on the object at first but then gets a lock on it eventually demonstrating that whatever this this was it wasn't a figment of the pilots imaginations. If the video is authentic there are indeed some strange things flying in our skies. The video can be viewed here.

The black market for Spotify playlists is booming. It's cheaper than you might expect to hack the system -- and if it's done right, it more than pays for itself, the Daily Dot reports. From the article: It's impossible to overstate the value of Spotify playlists. The company dominates the streaming music market, with 159 million active users and 71 million paid subscribers -- nearly double Apple Music's subscription base, according to a recent report in the Wall Street Journal. More importantly, Spotify has made playlists its defining feature. [...] The rising value of Spotify playlists has spurred a new form of payola -- the decades-old illegal practice of paying for a song to be broadcast on the radio -- with massive amounts of money changing hands behind the scenes. An August 2015 expose by Billboard quoted an unnamed major-label executive who claimed playlist adds were being sold for "$2,000 for a playlist with tens of thousands of fans to $10,000 for the more well-followed playlists." Spotify responded by updating its terms of service to explicitly prohibit "selling a user account or playlist, or otherwise accepting any compensation, financial or otherwise, to influence the name of an account or playlist or the content included on an account or playlist." But the practice of paying for placement, as with other forms of payola before it, hasn't died out. It's just been remixed.

In a matter of minutes and for a mere $2, you can pay to have your song considered by one of the 1,500 curators working on SpotLister, one of several new services that sells access to prominent Spotify users. The site was founded by two 21-year-old college students -- Danny Garcia, a guitar player at New York University, and a close friend who requested anonymity due to unrelated privacy concerns. They started a "private-for-hire" PR company in 2016 that offered "pitching services" to generate buzz on SoundCloud and, later, Spotify. The two would take on anywhere from 15 to 20 clients a month, each paying anywhere from $1,000-$5,000 to secure prominent placement on playlists.

The cable industry is slowly realizing that more advertisements and higher prices aren't the solution to cord cutting. Karl Bode writes via DSLReports: AT&T and Dish have explored offering cheaper, more flexible streaming alternatives (DirecTV Now and Sling TV, respectively), both understanding that getting out ahead of the cord cutting trend is the right play, even if the net result is making less money from traditional television. And on the broadcasting front, several companies this month made it clear they'll be reducing the ad loads on their programming, since charging users a subscription fee and socking them with endless ads is becoming a dated concept in the cord cutting era. Fox, for example, told the Wall Street Journal this week that the company would be reducing TV ad time in its content to two minutes an hour by 2020. Comcast NBC Universal says it's also following suit, having cut advertising time in its own shows by 10%, and reduced the overall number of advertising during commercial breaks by 20%. Given there's 83 million households still subscribing to traditional cable TV, many cable executives are under the false impression they can keep doubling down on bad ideas without the check coming due. But the data indicates this head in the sand approach simply isn't sustainable. Pay TV providers saw a reduction of more than 500,000 traditional pay TV customers during the fourth quarter, a decline of 3.4% total pay TV customers from the year before. That 3.4% decline was up from the 2% rate during in the fourth quarter of 2016 and a 1% rate of decline one year before that.

Earlier this week, news blog Engadget had a post in which the author outlined some of the apps that could help people keep track of TV shows, books, and music habits. A reader, who submitted the story, said the list was quite underwhelming. Curious to hear how Slashdot readers tackle these things.

Jonathan M. Gitlin reports via Ars Technica: The Hitchhiker's Guide to the Galaxy deserves a special place in the geek pantheon. It's the story of hapless BBC radio editor Arthur Dent, his best friend Ford Prefect, and the adventures that result when Prefect saves Dent when the Earth is unexpectedly destroyed to make way for a galactic bypass. Written by the late, great Douglas Adams, THGTTG first appeared as a radio series in the UK back in 1978. On Thursday -- exactly 40 years to the day from that first broadcast -- it made its return home with the start of Hexagonal Phase, a radio dramatization of the sixth and final book of an increasingly misnamed trilogy.

Although Adams died suddenly and unexpectedly in 2001, the universe he gave birth to lived on. Beginning in 2004, the original radio cast was reunited to dramatize the third, fourth, and fifth books. In 2005, a film adaptation was released, and then in 2009 came a final novel in the "trilogy," And Another Thing..., written by the novelist Eoin Colfer. It's this story that the BBC is now dramatizing, again using many of the original cast, along with newcomers like Jim Broadbent, Lenny Henry, and Stephen Hawking. Yes, that Stephen Hawking.

From a report: Jon Favreau is going from "Avengers" blockbusters to a galaxy far, far away. The director, actor, producer and writer will take on a Star Wars starring role by helming a series destined for Disney's new streaming video service. While Favreau is multi-talented, his focus will be on producing and writing the unnamed show. Favreau is a bonafide Star Wars fan who voiced a character in the animated "Star Wars: The Clone Wars" and also has appearance in the upcoming "Solo: A Star Wars Story."In a statement, Favreau said, "If you told me at 11 years old that I would be getting to tell stories in the Star Wars universe, I wouldn't have believed you. I can't wait to embark upon this exciting adventure."

Mike Murphy reports via Quartz of Samsung's new top-of-the-line televisions announced at an event in New York today: Samsung's new QLED line of 4K TVs features a technology the company is calling "Ambient Mode." Before you mount the TV, you'll snap a picture of the wall it's going to hang on -- it doesn't matter if it's brick, wood, patterned wallpaper, or just a white wall -- and then after it's up, you can set that picture as the TV's background. The result is something that looks like a floating black rectangle mounted on a wall. Samsung even includes a digital version of the shadow this black rectangle would cast on the wall, as if there really wasn't a large LED panel sitting in the middle of the thin metal strips. There are five QLED models, with minor tweaks between them, ranging in size from 49 inches, up to an absolutely massive 88 inches. The televisions have a built-in timer so that the ambient setting will turn off after a while, in order to spare your electricity bill. Viewing the televisions before Samsung's event, the ambient really did appear to blend them into the walls at first blush. One, against a fake brick wall, was indistinguishable from what was behind it until you really got close up to the screen. The distinction on another, attempting to mimic a painted off-white wall, was a little more obvious. But that's not really the point -- the mode is just intended to give the illusion of invisibility between watching TV, and when you want to show off your new television to a visitor. Pricing isn't available but you can expect them to range from a few thousands dollars all the way up to $20,000 for the largest, sharpest models. Samsung also announced that it's partnering with The Weather Channel, The New York Times, and others to overlay content on the ambient TVs. They will also be able to control any smart device that can control to Samsung's SmartThings system, like Amazon Echoes, Ring doorbells, and Philips Hue Lights. Bixby is baked into the remote to help you search for content and cater to commands.

An anonymous reader shares a report: Apple could kill off iTunes in the near future, a new report suggests. It cites an email that Apple reportedly wrote to people in the music industry recently, announcing the "end of iTunes LPs." The iTunes LP format was first introduced in 2009 and let publishers add interactive artwork, along with assorted iTunes Extras, with their content. The LP format never achieved great popularity. However, the fact that Apple plans to ditch iTunes LPs in 2018 potentially hints at the possibility that Apple may stop selling iTunes music downloads in the near future. The Apple email announcing the change was reportedly sent two weeks ago from an address at "The iTunes Store" and signed by "The Apple Music Team." But its existence has only been highlighted now through a report by the U.K. newspaper The Metro. "Apple will no longer accept new submissions of iTunes LPs after March 2018," the letter notes. "Existing LPs will be deprecated from the store during the remainder of 2018. Customers who have previously purchased an album containing an iTunes LP will still be able to download the additional content using iTunes Match." The news about the possible winding down of iTunes would come as no surprise to many users. Not only has iTunes been outdated for years in terms of its interface and functionality, but Apple clearly aims to move to a streaming model of music selling. Further reading: 'Apple Stole My Music. No, Seriously'; Apple Says It Doesn't Know Why iTunes Users Are Losing Their Music Files; iTunes Turns 13 Today -- Continues To Be 'Awful'.

Uber booked more than half of the seats available for the London premiere of "Brilliant Jerks," a satirical play inspired by the car-ride startup's numerous scandals, and featuring a character similar to former CEO Travis Kalanick. From a report: The company purchased 50 of 90 available seats for the show's opening night at London's Vault theater, as originally reported by the Financial Times. The Financial Times reports that the play was inspired in part by the now-infamous blog post by Susan J. Fowler on Uber's toxic and sexist work culture, setting off a chain of events that ultimately led Kalanick to resign as chief executive of the company he cofounded. According to the Vault's website, "Brilliant Jerks tells the story of three people -- a driver, a coder, and a CEO -- working for one tech monolith, but living worlds apart."

MoviePass CEO Mitch Lowe told an audience at a Hollywood event last Friday that the app tracks moviegoers' locations before and after each show they watch. "We get an enormous amount of information," Lowe said. "We watch how you drive from home to the movies. We watch where you go afterwards." His talk at the Entertainment Finance Forum was entitled "Data is the New Oil: How will MoviePass Monetize It?" TechCrunch reports: It's no secret that MoviePass is planning on making hay out of the data collected through its service. But what I imagined, and what I think most people imagined, was that it would be interesting next-generation data about ticket sales, movie browsing, A/B testing on promotions in the app and so on. I didn't imagine that the app would be tracking your location before you even left your home, and then follow you while you drive back or head out for a drink afterwards. Did you? It sure isn't in the company's privacy policy, which in relation to location tracking discloses only a "single request" when selecting a theater, which will "only be used as a means to develop, improve, and personalize the service." Which part of development requires them to track you before and after you see the movie? A MoviePass representative said in a statement to TechCrunch: "We are exploring utilizing location-based marketing as a way to help enhance the overall experience by creating more opportunities for our subscribers to enjoy all the various elements of a good movie night. We will not be selling the data that we gather. Rather, we will use it to better inform how to market potential customer benefits including discounts on transportation, coupons for nearby restaurants, and other similar opportunities."

People who access Spotify using hacked apps that remove some of the restrictions placed on free accounts are receiving warning emails from the company. Noting that "abnormal activity" has been observed from the user's software, Spotify warns that future breaches could result in suspension or even termination of a user's account. TorrentFreak reports: "We detected abnormal activity on the app you are using so we have disabled it. Don't worry -- your Spotify account is safe," the email from Spotify reads. "To access your Spotify account, simply uninstall any unauthorized or modified version of Spotify and download and install the Spotify app from the official Google Play Store. If you need more help, please see our support article on Reinstalling Spotify." While the email signs off with a note thanking the recipient for being a Spotify user, there is also a warning. "If we detect repeated use of unauthorized apps in violation of our terms, we reserve all rights, including suspending or terminating your account," Spotify writes.

Apple is planning to push into the high-end audio market with the launch of noise-cancelling, over-ear headphones. The cans are expected to launch at the end of this year and will rival headsets from market leaders like Bose and even the company's own Beats by Dre brand. Bloomberg reports: Work on the Apple headset has been on-and-off over the past year. The company encountered similar problems with the HomePod during its development, including multiple redesigns, according to the people. It's possible Apple will redesign the headphones again before launch, or scrap the project altogether, they warned, asking not to be identified discussing private development work.

On Sunday, 'Blade Runner 2049' won the Oscar for the movie with the best visual effects. BBC spoke to Richard Hoover, the visual effects supervisor at Framestore which was one of the companies responsible for the movie's special effects.

Further reading: How 'Blade Runner 2049' VFX Supervisor John Nelson Brought Rachael & Pic's Holograms To Life (Deadline); Behind the breathtaking visual effects of 'Blade Runner 2049' (Digital Trends); How Blade Runner 2049's VFX team made K's hologram girlfriend (Wired).

On Wednesday, Spotify filed for a direct listing in the U.S., sidestepping the traditional IPO process, and now we're starting to see some of the true financial guts of the company -- and some of the significant risks it faces from challenging services from Apple and Google. From a report: Apple, for example, charges apps a percentage of revenue for subscriptions processed through the App Store. Apple Music, meanwhile, will always deliver Apple 100 percent of the subscription revenue that it receives from subscribers (sans record fees and all that kind of stuff, of course). Apple, too, has a direct integration with its iOS devices and also a huge amount of brand recognition, even though Spotify is a massive service. Spotify says it has 159 million monthly active users and 71 million premium subscribers, while Apple has 36 million paying subscribers as of February 2018. Spotify said, "In addition, Apple and Google also own application store platforms and are charging in-application purchase fees, which are not being levied on their own applications, thus creating a competitive advantage for themselves against us. As the market for on-demand music on the internet and mobile and connected devices increases, new competitors, business models, and solutions are likely to emerge."

An anonymous reader writes: Late last year several filmmaker groups asked the US Copyright Office to lift some of the current DMCA circumvention restrictions, so they can rip and use clips from Blu-rays and other videos without repercussions. In the US, people risk bypassing DMCA's anti-circumvention when they rip a DVD or Blu-ray disc. (There are some exemptions, such as educational and other types of fair use, but the line between legal and illegal is not always clear, some argue.) Not everyone agrees with this assessment though. A group of "joint creators and copyright owners" which includes Hollywood's MPAA, the RIAA, and ESA don't think this is a good idea and point out that filmmakers have plenty of other options. The MPAA and the other groups point out that the exemption could be used by filmmakers to avoid paying licensing fees, which can be quite expensive.

HBO has released the first trailer of its film adaptation of Ray Bradbury's best-selling 1953 dystopian tale, Fahrenheit 451, which depicts a time period where history is outlawed and "firemen" burn books. The Hollywood Reporter reports: In the Ramin Bahrani-directed film, Michael B. Jordan stars as Guy Montag, a fireman who comes to question his role in enforcing the state's censorship laws, and in so doing finds himself at odds with his "mentor," Beatty (Michael Shannon). "By the time you guys grow up, there won't be one book left," Jordan is shown telling a group of students. Throughout the trailer, a reel of destruction is shown as Beatty's voiceover warns that "a little knowledge is a dangerous thing." "We are not born equal, so we must be made equal by the fire," Beatty explains. Jordan will also serve as the film's executive producer. Sofia Boutella, Martin Donovan, Laura Harrier, Keir Dullea, Jane Moffat and Grace Lynn Kung also star.

The Verge: Back in 1999, Keanu Reeves was famous for playing Neo in The Matrix, and not for looking sad on a bench. Nokia was also the "world's leading mobile phone supplier" back then, and it used this popularity to feature its Nokia 8110 "banana phone" in The Matrix film. At the time everyone who considered themselves cool (definitely me) wanted a Nokia phone just like Neo's, but most of us had to settle for the Nokia 7110 with its spring-loaded slider. Now HMD, makers of Nokia-branded phones, is bringing the Nokia 8110 back to life as a retro classic . Just like the Nokia 3310 that was a surprise hit at Mobile World Congress last year, the 8110 plays on the same level of nostalgia. The slightly curved handset has a slider that lets you answer and end calls, and HMD is creating traditional black and banana yellow versions. The Nokia 8110 runs on the Smart Feature OS, so this is a basic featurephone and you're not going to get access to the Android apps found on other Nokia Android smartphones. The Nokia 8110 will be available in May for just 79 euros ($97).

An anonymous reader quotes a report from Ars Technica: A federal judge in California has rejected Disney's effort to stop Redbox from reselling download codes of popular Disney titles like Frozen, Beauty and the Beast, and the latest Star Wars movies. Judge Dean Pregerson's Tuesday ruling invoked the little-used doctrine of copyright misuse, which holds that a copyright holder loses the right to enforce a copyright if the copyright is being abused. Pregerson faulted Disney for tying digital download codes to physical ownership of discs, a practice that he argued ran afoul of copyright's first sale doctrine, which guarantees customers the right to resell used DVDs.

If the ruling were upheld on appeal, it would have sweeping implications. It could potentially force Hollywood studios to stop bundling digital download codes with physical DVDs and force video game companies to rethink their own practices. But James Grimmelmann, a copyright scholar at Cornell Law School, is skeptical that the ruling will survive an inevitable appeal from Disney. "I don't see this one sticking," Grimmelmann told Ars. Copyright misuse has such sweeping legal implications that an appeals court will be reluctant to apply it to a common movie industry practice.

Director Steven Soderbergh said this week he so enjoyed making his psychological thriller "Unsane" on an iPhone, he would find it hard to go back to conventional filmmaking. From a report: "Unsane", which premieres at the Berlin film festival, was shot over just two weeks - way shorter than the months a movie usually takes. It tells the story of Sawyer Valentini, who moves to a new city to escape her stalker David but finds herself admitted to a mental health institution where he works.

An anonymous reader quotes a report from Ars Technica: In a White House meeting held with lawmakers on the theme of school safety, President Donald Trump offered both a direct and vague call to action against violence in media by calling out video games and movies. "We have to do something about what [kids are] seeing and how they're seeing it," Trump said during the meeting. "And also video games. I'm hearing more and more people say the level of violence on video games is shaping more and more people's thoughts." Trump followed this statement by referencing "movies [that] come out that are so violent with the killing and everything else." He made a suggestion for keeping children from watching violent films: "Maybe they have to put a rating system for that." The MPAA's ratings board began adding specific disclaimers about sexual, drug, and violent content in all rated films in the year 2000, which can be found in small text in every MPAA rating box.

Disney has lost a bid to stop movie rental company Redbox from reselling download codes for its films. From a report: Redbox bought Disney movies on DVD to offer for rental in its kiosks. The DVDs were often bundled with a code to download a copy of the film. Disney requested an injunction to stop the practice, saying that Redbox had no business arrangement with it. A California federal judge accused Disney of "copyright misuse." Redbox rents and sells movies via tens of thousands of automated kiosks that dispense DVD and Blu-ray discs.

leathered writes: Jeff Bezos today announced that Amazon Studios has picked up the rights to adapt the late Iain M. Bank's acclaimed Culture novels to the small screen, beginning with the first in the series, Consider Phlebas. This comes after nearly three decades of attempts to bring Banks' utopian, post-scarcity society to film or television. A huge fan of the Culture series is Elon Musk, whose SpaceX drone ships are named after Culture space vessels. Here's how Amazon describes Consider Phlebas: "a kinetic, action-packed adventure on a huge canvas. The book draws upon the extraordinary world and mythology Banks created in the Culture, in which a highly advanced and progressive society ends up at war with the Idirans, a deeply religious, warlike race intent on dominating the entire galaxy. The story centers on Horza, a rogue agent tasked by the Idirans with the impossible mission of recovering a missing Culture 'Mind,' an artificial intelligence many thousands of times smarter than any human -- something that could hold the key to wiping out the Culture altogether. What unfolds, with Banks' trademark irreverent humor, ultimately asks the poignant question of how we can use technology to preserve our humanity, not surrender it."

Kyle Orland reports via Ars Technica: A group of video game preservationists wants the legal right to replicate "abandoned" servers in order to re-enable defunct online multiplayer gameplay for study. The game industry says those efforts would hurt their business, allow the theft of their copyrighted content, and essentially let researchers "blur the line between preservation and play." Both sides are arguing their case to the U.S. Copyright Office right now, submitting lengthy comments on the subject as part of the Copyright Register's triennial review of exemptions to the Digital Millennium Copyright Act (DMCA). Analyzing the arguments on both sides shows how passionate both industry and academia are about the issue, and how mistrust and misunderstanding seem to have infected the debate.

After being purchased by Fandango in 2016, Flixster Video is officially shutting down. The site has been sending users regular emails over the past several months about the shutdown, reports Android Police. Now, the site is no longer operational, and only points people to its mobile app, which can still be used for getting movie reviews and tickets. The Verge reports: Flixster first announced it was closing in 2016, after being acquired by Fandango along with subsidiary Rotten Tomatoes. That year, Fandango also bought video streaming service M-Go, later rebranding it under FandangoNow. Flixster Video, which let people access their UltraViolet movie collection, was not a part of that deal. The shutdown began with the service telling customers it would no longer be able to redeem digital codes on the site for video playback. Over the past few months, emails have been sent out encouraging people to migrate their Flixster accounts to Vudu and Movies Anywhere in order to make sure nothing was lost. The company says it's not too late for users to do so.

An anonymous reader quotes a report from Business Insider: If you thought Netflix's movie selection had been lacking lately, you're right. The streaming service's amount of movies has dipped by over 2,000 titles since 2010, while its number of TV shows has nearly tripled. Third-party Netflix search engine Flixable compiled data that shows a dramatic shift in Netflix's priorities in recent years. In 2010, Netflix had 530 TV shows compared to 6,755 movies. Now, in 2018, the amount of TV shows has nearly tripled to 1,569, and the amount of movies offered has decreased to 4,010. It's no secret that Netflix has focused more on TV shows and less on movies in recent years, but now we have a visual representation of just how significant that focus has become.

Every tech company wants to produce a smart speaker these days. Earlier this month, Apple finally launched the HomePod, a smart speaker that uses Siri to answer basic questions and play music via Apple Music. In December, Google released their premium Google Home Max speaker that uses the Google Assistant and Google's wealth of knowledge to play music, answer questions, set reminders, and so on. It may be the most advanced smart speaker on the market as it has the hardware capable of playing high fidelity audio, and a digital assistant that can perform over one million actions. There is, however, no denying the appeal of the Amazon Echo, which is powered by the Alexa digital assistant. Since it first made its debut in late 2014, it has had more time to develop its skill set. Amazon says Alexa controls "tens of millions of devices," including Windows 10 PCs.

A new report from The Guardian, citing the industry site MusicAlly, says that Spotify is working on a line of "category defining" hardware products "akin to Pebble Watch, Amazon Echo, and Snap Spectacles." The streaming music company has posted an ad for a senior product manager to "define the product requirements for internet connected hardware [and] the software that powers it." With Spotify looking to launch a smart speaker in the not-too-distant-future, the decision to purchase a smart speaker has become all the more difficult. Do you own a smart speaker? If so, which device do you own and why? Do you see a clear winner, or can they all satisfy your basic needs?

Corey Hutchinson, writing for ScreenRant: The MCU may be the biggest thing in Hollywood these days, but there's no denying that its overuse of CGI is becoming more and more noticeable. Don't get us wrong; for the most part, the MCU's CGI has been great, even spectacular at times. Even at its worst, it's nowhere near the bottom of the pile in terms of poor special effects in superhero movies. And no single MCU entry has come anywhere close to the awfulness that is Justice League. But when a superhero franchise is pulling in this much money and getting consistently glowing reviews, the bar has to be set high, and several of the MCU's latest offerings just aren't clearing it. It's worth noting that the MCU's CGI shortcomings are a relatively recent thing. There's very little to complain about when it comes to the special effects behind their Phase One movies. They all hold up surprising well, in fact, and the same goes for the vast majority of Marvel's Phase Two films. There's a few dicey moments in Avengers: Age of Ultron, but it wasn't really until Captain America: Civil War kicked off Phase Three that any negative attention was paid to the MCU's effects work.

Take a moment to rewatch the second Black Panther clip that was released to the public a few weeks ago. Specifically, hone in on the 45 second mark, where you see Nakia shooting two guys, the second of which is very obviously computer-generated. Why the hell would they even bother to CGI that, you ask?

During an onstage conversation at Recode's Code Media this week, YouTube CEO Susan Wojcicki called YouTube Red a music streaming service -- first time any executive from the company has referred to YouTube Red as foremost a music service. From a report: This differs from comments that other YouTube executives have made in the past, including YouTube's head of global content Susanne Daniels, who last year described YouTube Red as a premium subscription streaming service that offers Hollywood-quality shows and movies.

Launched in October 2015, YouTube Red has always been positioned by YouTube as three services in one: It offers ad-free access to all of YouTube; it's a music streaming service that also gives access to Google Play Music; and it's consistently releasing original movies and TV shows, starring Hollywood talent and homegrown stars that users already subscribe to. Two years later, this has created somewhat of an identity crisis for the streaming service. As Wojcicki said in her interview, she sees YouTube Red as a music service. And she does not expect to spend billions of dollars on content to effectively compete with Netflix, Hulu, Amazon and others.

If you've ever watched a science fiction movie about aliens, you'll know that humans tend to freak out and destroy everything when faced with incontrovertible proof of the existence of alien life. But a new analysis from Arizona State University psychology professor Michael Varnum and his colleagues suggests that humans might actually remain pretty calm and collected when that big news breaks. CNET reports: Varnum makes this conclusion based on an analysis of newspaper articles covering past potential discoveries of extraterrestrial life. Specifically, he and his colleagues looked at articles about the weird dimming of so-called "Tabby's Star," Earth-like planets around the star Trappist-1, and the potential discovery of Martian microbe fossils from 1996. They found language in the stories demonstrated much more positive emotion than fear or other negative emotions. In a second study, the team also surveyed over 500 people, asking them to guess how they and humanity would react to an announcement that alien microbial life had been discovered. In the case of both their own reaction and everyone else's, the participants hypothesized responses that were more positive than negative. The research was published last month in Frontiers in Psychology.

TickBox TV, the company behind a Kodi-powered streaming device, must release a new software updater that will remove copyright-infringing addons from previously shipped devices. A California federal court issued an updated injunction in the lawsuit that was filed by several major Hollywood studios, Amazon, and Netflix, which will stay in place while both parties fight out their legal battle. TorrentFreak reports: Last year, the Alliance for Creativity and Entertainment (ACE), an anti-piracy partnership between Hollywood studios, Netflix, Amazon, and more than two dozen other companies, filed a lawsuit against the Georgia-based company Tickbox TV, which sells Kodi-powered set-top boxes that stream a variety of popular media. ACE sees these devices as nothing more than pirate tools so the coalition asked the court for an injunction to prevent Tickbox from facilitating copyright infringement, demanding that it removes all pirate add-ons from previously sold devices. Last month, a California federal court issued an initial injunction, ordering Tickbox to keep pirate addons out of its box and halt all piracy-inducing advertisements going forward. In addition, the court directed both parties to come up with a proper solution for devices that were already sold.

The new injunction prevents Tickbox from linking to any "build," "theme," "app," or "addon" that can be indirectly used to transmit copyright-infringing material. Web browsers such as Internet Explorer, Google Chrome, Safari, and Firefox are specifically excluded. In addition, Tickbox must also release a new software updater that will remove any infringing software from previously sold devices. All tiles that link to copyright-infringing software from the box's home screen also have to be stripped. Going forward, only tiles to the Google Play Store or to Kodi within the Google Play Store are allowed. In addition, the agreement also allows ACE to report newly discovered infringing apps or addons to Tickbox, which the company will then have to remove within 24-hours, weekends excluded.

YouTube's internet TV streaming service is expanding its programming with the addition of several Turner networks including TBS, TNT, CNN, Adult Swim, Cartoon Network, truTV, and Turner Classic Movies. YouTube TV is also bringing NBA TV and MLB Network to the base lineup. NBA All Access and MLB.TV will be offered as optional paid add-ons "in the coming months." The downside? The price of the service is going up. The Verge reports: Starting March 13th, YouTube TV's monthly subscription cost will rise from $35 to $40. All customers who join the service prior to the 13th will be able to keep the lower $35 monthly rate going forward. And if you've been waiting for YouTube to add Viacom channels, that still hasn't happened yet. Hopefully these jumps in subscription cost won't happen very often. Otherwise these internet TV businesses might suddenly start feeling more like cable (and not in a good way). The Verge also mentions that YouTube TV is adding a bunch of new markets including: Lexington, Dayton, Honolulu, El Paso, Burlington, Plattsburgh, Richmond, Petersburg, Mobile, Syracuse, Champaign, Springfield, Columbia, Charleston, Harlingen, Wichita, Wilkes-Barre, and Scranton.

An anonymous reader quotes a report from Ars Technica: Insel Games, a Maltese developer of online multiplayer titles, has been banned from Steam and had all its titles removed from Valve's storefront after evidence surfaced that it was encouraging employees to manipulate user review scores on the service. Yesterday, redditor nuttinbutruth posted a purported leaked email from Insel Games' CEO encouraging employees to buy reimbursed copies of the game in order to leave a Steam review. "Of course I cannot force you to write a review (let alone tell you what to write) -- but I should not have to," the email reads. "Neglecting the importance of reviews will ultimately cost jobs. If [Wild Busters] fails, Insel fails... and then we will all have no jobs next year."

In a message later in the day, Valve said it had investigated the claims in the Reddit post and "identified unacceptable behavior involving multiple Steam accounts controlled by the publisher of this game. The publisher appears to have used multiple Steam accounts to post positive reviews for their own games. This is a clear violation of our review policy and something we take very seriously." While Valve has ended its business relationship with Insel Games, users who previously purchased the company's games on Steam will still be able to use them.

An anonymous reader quotes a report from Ars Technica: Apple released its much-hyped HomePod speaker to the masses last week, and the general consensus among early reviews is that it sounds superb for a relatively small device. But most of those reviews seem to have avoided making precise measurements of the HomePod's audio output, instead relying on personal experience to give generalized impressions. That's not a total disaster: a general rule for speaker testing is that while it's good to stamp out any outside factor that may cause a skewed result, making definitive, "objective" claims is difficult. But having some proper measurements is important. Reddit user WinterCharm, whose real name is Fouzan Alam, has made just that in a truly massive review for the site's "r/audiophile" sub. And if his results are to be believed, those early reviews may be underselling the HomePod's sonic abilities. After a series of tests with a calibrated microphone in an untreated room, Alam found the HomePod to sound better than the KEF X300A, a generally well-regarded bookshelf speaker that retails for $999. What's more, Alam's measurements found the HomePod to provide a "near-perfectly flat frequency response," meaning it stays accurate to a given track without pushing the treble, mids, or bass to an unnatural degree. He concludes that the digital signal processing tech the HomePod uses to "self-calibrate" its sound to its surroundings allows it to impress at all volumes and in tricky environments. "The HomePod is 100% an audiophile grade speaker," he writes.