"Cixin Liu's sci-fi novel The Three-Body Problem can't stop jumping to other formats," reports Gizmodo: In addition to next year's Netflix series from The Terror: Infamy's Alexander Woo and Game of Thrones creators David Benioff and DB Weiss, last year saw the release of a serialized podcast (different from the audiobook version).

And for 2022, we've got an animated series that's premiering actually pretty soon.

Come December 3, an anime version of The Three-Body Problem will release on the Chinese streaming platform Bilibili. This series was originally announced in 2019 with a trailer, but things have been fairly quiet on that front up until now. Developed by CG studio YHTK Entertainment in partnership with The Three-Body Universe, a studio built specifically for the purpose of managing the franchise, a new trailer for the upcoming anime was released earlier in the week during a Bilibili anime showcase.
"Having enjoyed the book, I think it looks promising," writes Slashdot reader Camembert. The 2008 book was the first in Liu's hard sci-fi series Remembrance of Earth's Past — and according to Gizmodo, this is just the beginning: Bilibili's adaptation is the first of a larger initiative called the Three-Body Global Creator Project. Per the press release, animation studios across the world are permitted to explore the Remembrance franchise to showcase its global potential through various art and animation styles....

And if animation or Netflix aren't your bag, Tencent Video has made a live action version of The Three-Body Problem, though that version has yet to receive a release date.

According to the Hollywood Reporter, HBO has "switched off Westworld" after its recent fourth season. From the report: It's an unexpected fate for a series that was once considered one of HBO's biggest tentpoles -- an acclaimed mystery-box drama that racked up 54 Emmy award nominations (including a supporting actress win for Thandiwe Newton). Last month, co-creator Jonathan Nolan said in an interview that he hoped HBO would give the series a fifth season to wrap up the show's ambitious story, which has chronicled a robot uprising that changed the fate of humanity. "We always planned for a fifth and final season," Nolan said. "We are still in conversations with the network. We very much hope to make them." Co-creator Lisa Joy likewise said the series has always been working toward a specific ending: "Jonah and I have always had an ending in mind that we hope to reach. We have not quite reached it yet."

Yet linear ratings for the pricey series fell off sharply for its third season, and then dropped even further for season four. Westworld's critic average on Rotten Tomatoes likewise declined from the mid-80s for its first two seasons to the mid-70s for the latter two. Fans increasingly griped that the show became confusing and tangled in its mythology and lacked characters to root for. Looming over all of this is the fact Warner Bros. Discovery CEO David Zaslav has pledged aggressive cost cutting mandate, though network insiders maintain that saving money was not a factor in the show's cancelation. HBO said in a statement: "Over the past four seasons, Lisa and Jonah have taken viewers on a mind-bending odyssey, raising the bar at every step. We are tremendously grateful to them, along with their immensely talented cast, producers and crew, and all of our partners at Kilter Films, Bad Robot and Warner Bros. Television. It's been a thrill to join them on this journey."

Blade Runner 2099, Amazon Studios' live-action series set in the Blade Runner universe, has been picked up to series for Prime Video. From a report: Ridley Scott, who directed the original 1982 Blade Runner movie, is executive producing the series, a follow-up to the feature film sequel Blade Runner 2049, which was released in 2017 and directed by Denis Villeneuve. Silka Luisa (Shining Girls) wrote the script and is exec producing Blade Runner 2099, which comes from Alcon Entertainment in association with Scott Free Productions and Amazon Studios. The project, which marks the first Blade Runner live-action series, had been in priority development at Amazon Studios.

"The original Blade Runner, directed by Ridley Scott, is considered one of the greatest and most influential science-fiction movies of all time, and we're excited to introduce Blade Runner 2099 to our global Prime Video customers," said Vernon Sanders, head of global television, Amazon Studios. "We are honored to be able to present this continuation of the Blade Runner franchise, and are confident that by teaming up with Ridley, Alcon Entertainment, Scott Free Productions, and the remarkably talented Silka Luisa, Blade Runner 2099 will uphold the intellect, themes, and spirit of its film predecessors." As indicated by Blade Runner 2099's title, the latest installment of the neo-noir sci-fi franchise will be set 50 years after the 2017 film sequel, which was set in 2049.

An anonymous reader quotes a report from Motherboard: Ukraine's airspace has been busy this year -- that's the nature of war. But scientists in the country are looking to the skies and seeing something they didn't expect: An inordinate number of UFOs, according to a new preprint paper published (PDF) by Kyiv's Main Astronomical Observatory in coordination with the country's National Academy of Science. The paper does not specifically address the war, but in the United States, the Pentagon has long hinted, speculated, and warned that some UFOs could be advanced technology from foreign militaries, specifically China and Russia (though it hasn't really given any evidence this is actually the case). The Ukraine paper is particularly notable because it not only shows that science has continued to occur during the war, but also explains that there have been a lot of sightings. "We see them everywhere," the research said. "We observe a significant number of objects whose nature is not clear."

The paper is titled Unidentified aerial phenomena I. Observations of events come from observations made at NAS' Main Astronomical Observatory in Kyiv and a village south of Kyiv called Vinarivka. According to the paper's authors, the observatories took on the job of hunting for UFO's as an independent project because of the enthusiasm around the subject. It describes a specific type of UFO the researchers call "phantoms" that is an "object [that] is a completely black body that does not emit and absorbs all the radiation falling on it." The researchers also observed that the UFOs it's seeing are so fast that it's hard to take pictures of them. "The eye does not fix phenomena lasting less than one-tenth of a second," the paper said. "It takes four-tenths of a second to recognize an event. Ordinary photo and video recordings will also not capture the [unidentified aerial phenomenon]. To detect UAP, you need to fine-tune the equipment: shutter speed, frame rate, and dynamic range."

So the researchers did just that using two meteor monitoring stations in Kyiv and Vinarivka. "We have developed a special observation technique, taking into account the high speeds of the observed objects," the paper said. "The exposure time was chosen so that the image of the object did not shift significantly during exposure. The frame rate was chosen to take into account the speed of the object and the field of view of the camera. In practice, the exposure time was less than 1 ms, and the frame rate was no less than 50 Hz." The scientists divided the phenomenon they observed into two different categories: cosmics and phantoms. "We note that Cosmics are luminous objects, brighter than the background of the sky. We call these ships names of birds (swift, falcon, eagle)," the paper said. "Phantoms are dark objects, with contrast from several to about 50 percent."

Using the cameras, stationed roughly 75 miles apart, allowed the scientists to make repeated observations of strange objects moving in the sky. The paper didn't speculate on what the objects were, merely noted the observations and mentioned the objects' incredible speeds. "Flights of single, group and squadrons of the ships were detected, moving at speeds from 3 to 15 degrees per second," the research said. "Phantoms are observed in the troposphere at distances up to 10 -- 12 km. We estimate their size from 3 to 12 meters and speeds up to 15 km/s." The easy explanation would be that these are missiles, or rockets, or something else associated with the war. But the scientists insist that their nature "is not clear."

An anonymous reader quotes a report from Motherboard: The U.S. Navy says that releasing any additional UFO videos would "harm national security" and told a government transparency website that all of the government's UFO videos are classified information. In a Freedom of Information Act request response, the Navy told government transparency site The Black Vault that any public dissemination of new UFO videos "will harm national security as it may provide adversaries valuable information regarding Department of Defense/Navy operations, vulnerabilities, and/or capabilities. No portions of the videos can be segregated for release."

The Black Vault was seeking all videos "with the designation of 'unidentified aerial phenomena.'" This is an interesting response from the Navy because, often, military agencies will issue a so-called GLOMAR response, where they neither confirm nor deny that the records (in this case videos) exist, and refuse to say anything more. In this response, the Navy is admitting that it has more videos, and also gives a rationale for releasing three previous UFO videos.

"While three UAP videos were released in the past, the facts specific to those three videos are unique in that those videos were initially released via unofficial channels before official release," it said. "Those events were discussed extensively in the public domain; in fact, major news outlets conducted specials on these events. Given the amount of information in the public domain regarding these encounters, it was possible to release the files without further damage to national security."

After years of revelations about strange lights in the sky, first hand reports from Navy pilots about UFOs, and governmental investigations, Congress seems to have admitted something startling in print: it doesn't believe all UFOs are "man-made." Motherboard reports: Buried deep in a report that's an addendum to the Intelligence Authorization Act for Fiscal Year 2023, a budget that governs America's clandestine services, Congress made two startling claims. The first is that "cross-domain transmedium threats to the United States national security are expanding exponentially." The second is that it wants to distinguish between UFOs that are human in origin and those that are not: "Temporary nonattributed objects, or those that are positively identified as man-made after analysis, will be passed to appropriate offices and should not be considered under the definition as unidentified aerospace-undersea phenomena," the document states.

The admission is stunning chiefly because, as more information about the U.S. government's study of UFOs has become public, many politicians have stopped just short of claiming the unidentified objects were extraterrestrial or extradimensional in origin. The standard line is typically that, if UFOs exist, then they're likely advanced -- although human-made -- vehicles. Obama refused to confirm the existence of aliens but did say that people have seen a lot of strange stuff in the sky lately when asked directly on The Late Show with James Corden, for example. But now Congress seems to want to specifically distinguish between objects that are "man-made" and those that are not. The admission is stunning chiefly because, as more information about the U.S. government's study of UFOs has become public, many politicians have stopped just short of claiming the unidentified objects were extraterrestrial or extradimensional in origin.

A large question, of course, is why Congress is seemingly admitting this now, in public. After all, lawmakers are privy to classified information that the general public isn't. "It strains credulity to believe that lawmakers would include such extraordinary language in public legislation without compelling evidence," Marik von Rennenkampff, an Obama-era DoD official, said in an op-ed in The Hill about the budget. According to the op-ed, the comments were first noticed by UFO researcher Douglas Johnson. "This implies that members of the Senate Intelligence Committee believe (on a unanimous, bipartisan basis) that some UFOs have non-human origins," von Rennenkampff continued. "After all, why would Congress establish and task a powerful new office with investigating non-'man-made' UFOs if such objects did not exist?" "Make no mistake: One branch of the American government implying that UFOs have non-human origins is an explosive development."

A sad announcement was posted online today, reports CNN: "Last night, my mother, Nichelle Nichols, succumbed to natural causes and passed away. Her light however, like the ancient galaxies now being seen for the first time, will remain for us and future generations to enjoy, learn from, and draw inspiration," Johnson said in a statement shared to Nichols' official site on Sunday. "Hers was a life well lived and as such a model for us all."

Nichols died from natural causes, he said...

George Takei, who portrayed the USS Enterprise's helmsman Hikaru Sulu, posted a touching tribute to his co-star.

"I shall have more to say about the trailblazing, incomparable Nichelle Nichols, who shared the bridge with us as Lt. Uhura of the USS Enterprise, and who passed today at age 89," wrote Takei on Twitter. "For today, my heart is heavy, my eyes shining like the stars you now rest among, my dearest friend."

"We lived long and prospered together," he added with a photo of the pair making the iconic Vulcan salute.
It was Nichols herself who came up with the name "Uhura" for her character, she revealed years in a 2010 interview. After the series Nichols authored the science fiction novels Saturn's Child and Saturna's Quest, as well as a memoir titled Beyond Uhura — Star Trek and Other Memories.

But Nichols also served on the board of directors of the National Space Society (a charity advocating for space advocacy) — and maintained ties to other real-world space agencies. "Nichols was always interested in space travel," according to a NASA web page. "She flew aboard the C-141 Astronomy Observatory, which analyzed the atmospheres of Mars and Saturn on an eight hour, high altitude mission." But in addition, "From the late 1970's until the late 1980's, NASA employed Nichelle Nichols to recruit new astronaut candidates" (including Dr. Sally Ride).

Remember the Spice DAO? They raised $3 million to buy a rare copy of a proposed film adaptation of Dune, "allegedly with the misguided idea that owning the book would also grant them the rights to its content," Morning Brew reported back in January. Their ambitious goal was to make the Dune bible public, before producing an animated series and supporting community projects.

But now they're just trying to sell it, in what they're calling "Redemption Phase One" — although project lead Kortelin indicated on Discord that the bible currently has "no willing buyers," the Verge reports: After a series of setbacks in an ambitious plan for a crypto-powered media studio, the group is letting people who hold its $SPICE token cash out by withdrawing their money from the group's treasury. It will change its name to "Spice Club," a "members only group" instead of a body with a formal voting structure. And it will cut its upkeep expenses to the bare minimum, a process that includes handing off the fragile and valuable book that inspired its creation.

Members who hold $SPICE might earn returns from the Spice Club's remaining initiatives. The group hopes to make money from the sale of the book and a non-fungible token (NFT) collaboration with comics artist Frank Miller. But that plan is complicated by the dismal state of the cryptocurrency market and legal questions around DAOs and tokens like $SPICE as well as doubts about whether the book could be auctioned for anything remotely approaching its purchase price of roughly $3 million.
Thanks to long-time Slashdot reader UnknowingFool for sharing the story!

"A 1980s pop culture mainstay is plotting a comeback," reports Deadline.

"AMC Networks is developing a Max Headroom drama series reboot, with Matt Frewer set to reprise his role as the world's first artificial intelligence TV personality." Halt and Catch Fire co-creator Christopher Cantwell is writing the adaptation and is attached as showrunner for the project, which is produced by Elijah Wood and Daniel Noah's SpectreVision and All3Media.

Known for biting commentary, quick wit and manic glitching, the supposedly computer-generated TV host played by Frewer was first introduced in the 1985 British cyberpunk TV movie Max Headroom: 20 Minutes into the Future. He became an instant pop culture phenom and went on to host a music-video show, star in ads for New Coke, appear on the cover of Newsweek and headline his own primetime series. Max Headroom aired on ABC for two seasons from 1987-88.
IGN notes that "Although Frewer is best known for Max Headroom, he recently had roles in Fear the Walking Dead and Orphan Black, and notably played the character Moloch in Zack Snyder's Watchmen."

"William Shatner closed out the first night of San Diego Comic-Con in style — with plenty of cursing and a look back at his storied career," writes the Hollywood Reporter: In an hourlong chat with emcee Kevin Smith, the 91-year-old actor talked about aging, space travel (both real and fictional) and his place in the pop culture consciousness....

He took time to address the importance and power of fandom to his career, and specifically to Star Trek, which 56 years ago introduced the world to James T. Kirk, his most enduring character. When asked to address the fans of that other major sci-fi franchise, Shatner quipped, "fuck Star Wars.... But not Mark Hamill."

"We love Mark Hamill," Smith agreed.

When asked by a fan if there were any new Star Trek series he thought rivaled his own, Shatner replied, "none of them."

"I got to know [creator] Gene Roddenberry in three years fairly well," said Shatner, "he'd be turning in his grave at some of this stuff...."
The article also quotes Shatner's more serious comments about his own recent trip into outer space courtesy of Jeff Bezos' Blue Origin.

"I went, and I vowed that every moment that I spent in space, would not be playing around in weightlessness, but looking out the window and trying to get an impression."

On July 7th Art News explained how 95-year-old Austrian artist Herbert W. Franke "has recently become a sensation within the art world the crypto space," describing the digital pioneer as a computer artist using algorithms and computer programs to visualize math as art. Last month, the physicist and science fiction writer was behind one of the most talked about digital artworks at a booth by the blockchain company Tezos at Art Basel. Titled MONDRIAN (1979), the work paid tribute to artist Piet Mondrian's iconic geometric visuals using a program written on one of the first home computers.

Days before this, Franke, who studied physics in Vienna following World War II and started working at Siemens in 1953, where he conducted photographic experiments after office hours, launched 100 images from his famed series "Math Art" (1980-95) as NFTs on the Quantum platform. The drop was meant to commemorate his birthday on May 14 and to raise funds for his foundation. The NFTs sold out in 30 seconds, with the likes of pioneering blockchain artist Kevin Abosch purchasing a few.
In one of his last interviews, Franke told the site that blockchain "is a totally new environment, and this technology is still in its early stages, like at the beginning of computer art. But I am convinced that it has opened a new door for digital art and introduced the next generation to this new technology." It echoed something he'd said in his first book, published in 1957, which he later quoted in the interview (a full 65 years later). "Technology is usually dismissed as an element hostile to art. I want to try to prove that it is not..."

This morning, long-time Slashdot reader Qbertino wrote: The German IT news site heise reports (article in German) that digital art pioneer, SF author ("The Mind Net") and cyberspace avantgardist Herbert W. Franke has died at age 95. His wife recounted on his Twitter account: "Herbert loved to call himself the dinosaur of computer art. I am [...] devastated to announce that our beloved dinosaur has left the earth.

"He passed away knowing there is a community of artists and art enthusiasts deeply caring about his art and legacy." Among much pioneering work he founded one of the worlds first digital art festivals "Ars Electronica" in Austria in 1979.
Franke's wife is still running the Art Meets Science web site dedicated to Franke's work. Some highlights from its biography of Franke's life: Herbert W. Franke, born in Vienna on May 14, 1927, studied physics and philosophy at the University of Vienna and received his doctorate in 1951... An Apple II was his first personal computer which he bought 1980. He developed a program as early as 1982 that used a midi interface to control moving image sequences through music....

Only in recent years has "art from the machine" begun to interest traditional museums as a branch of modern art. Franke, who from the beginning was firmly convinced of the future importance of this art movement, has also assembled a collection of computer graphics that is unique in the world, documenting 50 years of this development with works by respected international artists, supplemented by his own works....

As a physicist, Franke was predestined to bring science and technology closer to the general public in popular form due to his talent as a writer, which became apparent early on. About one-third of his nearly fifty books, as well as uncounted journal articles...

Franke's novels and stories are not about predicting future technologies, nor about forecasting our future way of life, but rather about the intellectual examination of possible models of our future and their philosophical as well as ethical interpretation. In this context, however, Franke attaches great importance to the seriousness of scientific or technological assessments of the future in the sense of a feasibility analysis. In his opinion, a serious and meaningful discussion about future developments can basically only be conducted on this basis. In this respect, Franke is not a typical representative of science fiction, but rather a visionary who, as a novelist, deals with relevant questions of social future and human destiny on a high intellectual level.

Howard Altman writes via The Drive: In an effort to protect those with information about unidentified aerial phenomena (UAP) and increase the influx of reports about them, Rep. Mike Gallagher (R-Wisc) has introduced (PDF) an amendment to the Fiscal Year 2023 National Defense Authorization Act. "The amendment would establish a process within the government for reporting UAPs and provide whistleblower-like protections," Gallagher's spokesman Jordan Dunn told The War Zone Thursday morning. For a multitude of reasons, U.S. troops and government contractors have traditionally been reluctant to come forward with information about these incidents, regardless of their validity. Beyond that, there have also been long-standing allegations that the government and defense contractors could be hiding previous UFO-related programs and evidence. This would allow those with information to come forward without retribution. Some have even posited that language like that in Gallagher's amendment could lead to "UFO disclosure."

In essence, it says that regardless of any previous written or oral non-disclosure agreements "that could be interpreted as a legal constraint on reporting by a witness of an unidentified aerial phenomena," those with information about UAPs, more commonly known as UFOs, would not be violating federal classified information laws if they come forward. The amendment also calls for the head of the new Airborne Object Identification and Management Synchronization Group (AOIMSG), tasked with investigating UAPs on behalf of the Defense Secretary and Director of National Intelligence, to establish "a secure system" for receiving reports of "any events relating to" UAPs and any government or government contractor activity or program related to UAPs. The reporting system shall be administered by "designated and widely known, easily accessible, and appropriately cleared Department of Defense and intelligence community employees or contractors" as part of AOIMSG, which is a much enhanced and more deeply mandated effort that replaced the Unidentified Aerial Phenomena Task Force.

Any information would first be screened "to prevent unauthorized public reporting or compromise of properly classified military and intelligence systems, programs, and related activity, including all categories and levels of special access and compartmented access programs, current, historical, and future." However, federal agencies and contractors working with the government would be precluded from taking actions, including suspending security clearances, for those who report UAP incidents and information. And those who are retaliated against "may bring a private civil action for all appropriate remedies, including injunctive relief and compensatory and punitive damages, against the Government or other employer who took the personnel action, in the United States Court of Federal Claims," the amendment states.

Esquire celebrates the 40th anniversary of the movie Blade Runner: Based on Philip K. Dick's 1968 novel Do Androids Dream Of Electric Sheep, Scott's film created a world so rich, so dirty and wet and worn out, so visually stunning, that imitation was an inevitability. Less gym-bro than The Terminator, less wacky than Terry Gilliam's Brazil, and less all-out apocalyptic than Mad Max, Blade Runner arguably defined not just 1980s science fiction, but in the forty years since its initial release, sci-fi films in general. From Ghost In The Shell, to Total Recall and Minority Report and even Black Panther, Blade Runner is owed a debt of gratitude.

Working from a formula he perfected in 1979's Alien, Scott brought his world of grimy industry and neon-lit shadows, rogue androids and put-upon protagonists to California, swapping Alien's body horror for the police procedural. Granted, Deckard isn't Ellen Ripley, but in its portrayal of the battered and bruised detective battling against the system, Blade Runner is a Chinatown of the future. That it was only Scott's third film as director makes it all the more impressive. (As an aside, has Harrison Ford's three film run of The Empire Strikes Back (1980), Raiders Of The Lost Ark (1981), and Blade Runner (1982) ever been beaten?).

Famously, the film was a critical and commercial flop in the U.S. with VHS sales and endless re-edits eventually leading to its cult status. (In 2004, it was even voted as the best science fiction film of all time by a panel of global scientists). Today, it's difficult to picture a sci-fi film that doesn't play homage. Would HBO's Westworld have updated its 1973 film version so successfully and stylishly without Blade Runner paving the way both visually and in terms of its musings on free will? And, decades before Elon Musk looked set to take over the world, Blade Runner's Tyrell Corporation (and indeed, Alien's Weyland-Yutani) was inspiring evil empires from Resident Evil's Umbrella Corporation to RoboCop's Omni Consumer Products and The Terminator's Cyberdyne Systems.
The article argues that Rutger Hauer's replicant character Roy Batty "delivers one of the greatest speeches in cinematic history in his 'Tears in rain' soliloquy."

And it points out that fans of Ridley Scott's prequels to Alien speculate those movies also exist in the same cinematic universe.

HBO Max has canceled the sci-fi TV show Raised by Wolves after two seasons. From a report: Originally ordered to series for the cable channel TNT, its first season premiered in 2020, and four months after HBO Max launched, it ranked as the service's top streaming series. The first two episodes were directed by Ridley Scott, and the plot, which focused on two androids raising human children on a desolate alien planet, aligned well with the hallmarks of his style. [...]

Before the cancellation, cast members were calling on watchers to advocate for the show's future. Abubakar Salim, who played "Father" in Raised by Wolves, hinted in a Twitter thread last week that the show's fate was in jeopardy with the hashtag #RenewRaisedByWolves, while referring to the merger of HBO Max parent company WarnerMedia and Discovery, which was completed in April. HBO Max said in a statement to Variety, which first broke the news: "While we are not proceeding with a third season of Raised by Wolves, we are beyond grateful to the stellar cast and crew, our creators Aaron Guzikowski, Ridley Scott, David W. Zucker, and the entire team at Scott Free Productions, for their beautiful artistry and unique ability to immerse fans into the world of Kepler-22b."

This week saw the premiere of The Orville: New Horizons on Hulu — a third season, now streaming after two seasons on broadcast TV from 2017 to 2019. Seth MacFarlane (the show's creator/star) tells the Hollywood Reporter how that will change the Orville: "The biggest difference for me being on Hulu is that I don't have to tell a story that's exactly 43 minutes long every week because I have to make room for a certain number of commercials.

"That's not how storytelling works — different stories are different lengths, and you start to fall into this cadence where you're shaving scenes down, you're cutting things that don't need to be cut. The best part about being on Hulu is that those moments where you want to linger on an actor's face because it's meaningful and it helps to tell the story? You can do that. You have the time; you can be indulgent in that way."
MacFarlane tells TV Guide the series is now "a dramatic sci-fi show with comedic elements that come about from the character's personalities." And MacFarlane tells ABC News, "I think people can expect a lot more than they think they can." It's not just Covid that's the reason that it's taken so long. It's a pretty massive uptick in scope. We're only doing 10 episodes, as opposed to 12, they're longer episodes. The scope of these episodes is much more film-like. I think people are a little unprepared for what's to come. Disney and Hulu really gave us the resources to do this right, and we've put it all on the screen.
Long-time Slashdot reader Marxist Hacker 42 wrote a journal entry (with some spoilers) about the new season's premiere episode, noting "a very powerful morality tale" that led to a fifth act with "some prime technobabble worthy of the show's Star Trek heritage." (While long-time Slashdot reader antdude calls it "better than the newer Star Trek like Picard," long-time Slashdot reader AmiMoJo calls it "an enjoyable watch, and would have been the highlight of the week if it wasn't for Star Trek: Strange New Worlds overshadowing it."

GameRant argues that The Orville in general "is actually truer to the Star Trek spirit than any of the franchise's contemporary entries."

And the series will also stay true to its Yaphit, reports Yahoo Entertainment: Behind the scenes, The Orville team bid farewell to one longtime crew member during the production of Season 3. Comedian Norm Macdonald has voiced fan favorite character, Lt. Yaphit, since the show's freshman year and completed recording his dialogue prior to his death from leukemia last September.

MacFarlane says that he wasn't aware of Macdonald's illness during their three-season collaboration. "As I finish the episodes, the emotion that I feel more than anything is gratitude that he left us with all this great stuff," he remarks. "I was very moved by the fact that he had continued to record for us and continued to play this part. As sad as it is, I'm happy there's more Norm yet to come through The Orville."

Asked whether Macdonald's passing means that Yaphit's tenure aboard The Orville will also conclude at the end of Season 3, MacFarlane suggests that fans may not have seen the last of the gelatinous lieutenant. "We do have a plan," he teases. "We would not do Yaphit without Norm, but there is a plan for how we are going to handle it if we are lucky enough to do Season 4." (As of now, a fourth season is up in the air as the cast's contracts have expired.)

Researchers may have pinpointed the source of a famous supposed alien broadcast discovered nearly a half century ago. Space.com reports: The prominent and still-mysterious Wow! Signal, which briefly blared in a radio telescope the night of Aug. 15, 1977, may have come from a sun-like star located 1,800 light-years away in the constellation Sagittarius. "The Wow! Signal is considered the best SETI (or the search for extraterrestrial intelligence) candidate radio signal that we have picked up with our telescopes," Alberto Caballero, an amateur astronomer, told Live Science. [...] The Wow! Signal most likely came from some kind of natural event and not aliens, Caballero told Live Science, though astronomers have ruled out a few possible origins like a passing comet. Still, Caballero noted that in our infrequent attempts to say hello to E.T., humans have mostly produced one-time broadcasts, such as the Arecibo message sent toward the globular star cluster M13 in 1974. The Wow! Signal may have been something similar, he added.

Knowing that the Big Ear telescope's two receivers were pointing in the direction of the constellation Sagittarius on the night of the Wow! Signal, Caballero decided to search through a catalog of stars from the European Space Agency's Gaia satellite to look for possible candidates. "I found specifically one sun-like star," he said, an object designated 2MASS 19281982-2640123 about 1,800 light-years away that has a temperature, diameter and luminosity almost identical to our own stellar companion. Caballero's findings appeared May 6 in the International Journal of Astrobiology. "I think this is perfectly worth doing because we want to point our instruments in the direction of things we think are interesting," Rebecca Charbonneau, a historian who studies SETI at the Harvard-Smithsonian Center for Astrophysics and who wasn't involved in the work, told Live Science. "There are billions of stars in the galaxy, and we have to figure out some way to narrow them down," she added.

But she wonders if looking for only sun-like stars is too limiting. "Why not just look at a bunch of stars?" she asked.

Long-time Slashdot reader destinyland writes: Today sees an event celebrating the 50th anniversary of 1970s children's programming giants Sid & Marty Krofft. (Born in 1929, Sid Krofft will turn 93 in July). And reportedly Marty Krofft has now partnered with NFT producer Orange Comet "in a multiyear contract to release NFTs based on the often enigmatic and much-beloved television shows they have brought to us since 1969."

The first one commemorates Land of the Lost — dropping sometime after September.

Today I learned their big break in America came from making puppets for Dean Martin's show, followed by designing and directing the Banana Splits and a string of successful children's shows on Saturday mornings. ( Land of the Lost, H.R. Pufunstuf, Lidsville, Sigmund and the Sea Monsters...) Looking back, Krofft muses that even today somewhere in New York City, "some guy 50 years old, remembers the damn theme songs. Because there were only three networks, so basically every kid in America saw our shows." In the article Marty Krofft describes their style as "a nightmare and bizarre" — or, more pragmatically, as "Disney without a budget" (while crediting future Disney CEO Michael Eisner for being their mentor).

Yet the article adds that "They were nearly unstoppable with styrofoam, paint and cloth. In a digital universe of truly endless possibilities, there is no telling where they could take their stories."

According to Variety, a new series of "Black Mirror" is in the works at Netflix. From the report: It's been almost three years since Season 5 of the dystopian drama premiered on the streaming service in June 2019, but sources indicate that a new anthology series of "Black Mirror" is shaping up, and casting is now underway. While details about specific stories are being kept under lock and key, Variety understands that Season 6 will have more episodes than Season 5, which comprised of just three instalments and starred Andrew Scott, Anthony Mackie, Yahya Abdul-Mateen II, Topher Grace and Miley Cyrus. A source close to the production tells Variety that the latest season is even more cinematic in scope, with each installment being treated as an individual film. This is, of course, in line with recent seasons of "Black Mirror," for which episodes usually exceeded 60 minutes and had incredibly high production values.

Doctor Who's newest incarnation has been announced. Replacing Jodie Whittaker — and becoming the 14th Doctor Who — is 29-year-old Netflix star Ncuti Gatwa. (In 2020 the Scottish branch of the British Academy of Film and Television Arts awarded him the prestigious "Best Actor in Television" award for work on the Netflix series Sex Education.) Fun fact: he also voiced the lead driver in Electronic Arts' racing videogame Grid Legends, according to Wikipedia.

In a BBC press release, he described himself as "a mix of deeply honoured, beyond excited and of course a little bit scared" to take over the long-running part of the TARDIS-traveling Time Lord, according to CNN.

"This role and show means so much to so many around the world, including myself, and each one of my incredibly talented predecessors has handled that unique responsibility and privilege with the utmost care. I will endeavour my utmost to do the same." "Doctor Who" showrunner Russell T Davies said in the press release: "Sometimes talent walks through the door and it's so bright and bold and brilliant, I just stand back in awe and thank my lucky stars.

"Ncuti dazzled us, seized hold of the Doctor and owned those TARDIS keys in seconds."

Gatwa joins the long-running sci-fi series — which follows an alien Time Lord who travels across space and time — ahead of its 60th anniversary in 2023.

"Comic book nerd Christmas has arrived," quips Mashable, noting this is the big 20th anniversary of Free Comic Book Day. Basically if you walk into your local comic book store on the first Saturday in May: they'll hand you some free comic books. Bleeding Cool points out that several stores are even having free signings from famous comic book artists and writers.

Although in 2017 NPR had this advice for visiting comics fans. "While you're there, buy something... The comics shops still have to pay for the 'free' FCBD books they stock, and they're counting on the increased foot traffic to lift sales."

The official site includes a comic-shop locator — but many of the comics are also available online as free downloads. (For example, as free ebooks in Amazon's Kindle store.) This year's free offerings include a special issue of a new Sleepy Hollow comic and a unique "yearbook" commemorating the 25th anniversary of Buffy the Vampire Slayer.

Other geek-friendly choices include:

• Doctor Who
• Avatar: the Last Airbender
• Sonic the Hedgehog
• Teenage Mutant Ninja Turtles
• The Three Stooges
• Stranger Things
• Spider-Man and Venom
• Avengers/X-Men/Eternals: Judgment Day
• DC League of Super-Pets and Dark Crisis: Special Edition
• Winchester Mystery House: The Hundred Year Curse
• A graphic novel called The Guardian of Fukushima
• Clementine ("the next big thing from Robert Kirkman's The Walking Dead")

And in addition — and perhaps inevitably.... "A new dawn of Archie is upon us!"