Apple has introduced a completely new way to interact with the Apple Watch without ever needing to use the touchscreen. It's called Double Tap and it arrives today via the watchOS 10.1 update. The Verge reports: With a quick pinching motion, you can use it to scroll through the new smart stack of widgets in watchOS 10, pause or end timers, skip music tracks, and answer phone calls. It's the sort of feature that you might read about and scoff at -- until you're unloading groceries from your car, hands full, and an important call comes through on your watch. [...] Double tap technically isn't a new gesture so much. In 2021, Apple introduced Assistive Touch, an accessibility feature designed for people with limb differences or mobility issues. The idea was to give these folks a way to navigate through menus and control the Apple Watch without needing a second hand.

On the surface, it can seem like double tap is a rebadged version of Assistive Touch. That's led to understandable confusion as to how the two features differ -- and why double tap isn't available on older Apple Watches that support Assistive Touch (Series 4 or later, including the first-gen SE and Ultra). The short answer is that the Apple Watch Series 9 and Ultra 2 have a more powerful chip. Specifically, the new S9 features four neural engines for machine learning, which is what powers double tap. On older watches, Assistive Touch was run on the main CPU.

But practically speaking, it's easier to see how Assistive Touch and double tap differ once you try using both. [...] Double tap isn't designed to help you navigate anything. The best way I can describe it is Assistive Touch is like the mouse to your computer. It scrolls, it selects, and it's highly programmable. Double tap is more like the double-click portion of using a mouse. You use it solely to perform the main action of an app. And to do that, Apple had to spend a lot of time researching what people wanted or expected a single double tap to do. [...] And, when double tap performs as intended, it does feel a bit like the watch can read my mind. It's genuinely cool to see double tap work with not just my index finger but the rest of them as well. To my surprise, it feels less gimmicky than I expected. But despite Apple's efforts, it doesn't take long to run into double tap's limitations...

An anonymous reader shares a report: Apple was caught flat-footed when ChatGPT and other AI tools took the technology industry by storm. But the company is now preparing its response and plans to develop features for its full range of devices. One of the most intense and widespread endeavors at Apple right now is its effort to respond to the AI frenzy sweeping the technology industry. The company has some catching up to do. Apple largely sat on the sidelines when OpenAI's ChatGPT took off like a rocket last year. It watched as Google and Microsoft rolled out generative AI versions of their search engines, which spit out convincingly human-like responses to users' queries. Microsoft also updated its Windows apps with smarter assistants, and Amazon unveiled an AI-enhanced overhaul of Alexa. All the while, the only noteworthy AI release from Apple was an improved auto-correct system in iOS 17.

Apple's senior vice presidents in charge of AI and software engineering, John Giannandrea and Craig Federighi, are spearheading the effort. On Cook's team, they're referred to as the "executive sponsors" of the generative AI push. Eddy Cue, the head of services, is also involved, I'm told. The trio are now on course to spend about $1 billion per year on the undertaking. Giannandrea is overseeing development of the underlying technology for a new AI system, and his team is revamping Siri in a way that will deeply implement it. This smarter version of Siri could be ready as soon as next year, but there are still concerns about the technology and it may take longer for Apple's AI features to spread across its product line. Federighi's software engineering group, meanwhile, is adding AI to the next version of iOS. There's an edict to fill it with features running on the company's large language model, or LLM, which uses a flood of data to hone AI capabilities. The new features should improve how both Siri and the Messages app can field questions and auto-complete sentences, mirroring recent changes to competing services.

"New data suggests that what a lot of people do most often in their car is listen to AM/FM radio," writes 9to5Mac. "Yes, it's 2023, and you might think AM/FM radio is on the way out, but new data show that to not be the case for a lot of people..."

The market research company Edison Research used one-day listening diarires (for Americans older than 13) to measure the amount of time spent listening to audio — then compared results for those with and without an in-car entertainment system.

Those without an in-car entertainment system spent 67% of their time listening to AM/FM radio — with the rest listening to Sirius XM (12%), a streaming service (9%), or podcasts (4%).

But among those with an in-car entertainment system... 46% still listened to AM/FM radio. Less than a fifth listened to Sirus XM (19%), a streaming service (18%), or podcasts (7%).

The researchers' conclusion? "Even those with these systems choose AM/FM for nearly half of their in-car listening. For many people, even with so many new options, radio and the in-car environment continue to just go together."

Universal Music has filed a copyright infringement lawsuit against artificial intelligence start-up Anthropic, as the world's largest music group battles against chatbots that churn out its artists' lyrics. From a report: Universal and two other music companies allege that Anthropic scrapes their songs without permission and uses them to generate "identical or nearly identical copies of those lyrics" via Claude, its rival to ChatGPT. When Claude is asked for lyrics to the song "I Will Survive" by Gloria Gaynor, for example, it responds with "a nearly word-for-word copy of those lyrics," Universal, Concord, and ABKCO said in a filing with a US court in Nashville, Tennessee.

"This copyrighted material is not free for the taking simply because it can be found on the Internet," the music companies said, while claiming that Anthropic had "never even attempted" to license their copyrighted work. The lawsuit comes as the music industry is grappling with the rise of AI technology that can produce "deepfake" songs that mimic the voices, lyrics, or sound of established musicians. The issue drew attention earlier this year after an AI-produced song that mimicked the voices of Drake and The Weeknd spread online.

Apple is taking a different approach to social with its Vision Pro headset: making apps social right out of the box. This, according to Road to VR's Ben Lang, is what Meta should have done all along. Instead, it's pioneered a social experience on the Quest platform that involves "jumping through a fragmented landscape of different apps and different ways to actually get into the same space with your friends." From the report: Apple is taking a fundamentally different approach with Vision Pro by making social the expectation rather than the rule, and providing a common set of tools and guidelines for developers to build from in order to make social feel cohesive across the platform. Apple's vision isn't about creating a server full of a virtual strangers and user-generated experiences, but to make it easy to share the stuff you already like to do with the people you already know. This obviously leans into the company's rich ecosystem of existing apps -- and the social technologies the company has already battle-tested on its platforms.

SharePlay is the feature that's already present on iOS and MacOS devices that lets people watch, listen, and experience apps together through FaceTime. And on Vision Pro, Apple intends to use its SharePlay tech to make many of its own first-party apps -- like Apple TV, Apple Music, and Photos -- social right out of the box, and it expects developers to do so too. In the company's developer documentation, the company says it expects "most visionOS apps to support SharePlay." [...]

Perhaps most importantly, Apple is leaning on every user's existing personal friend graph (ie: the people you already text, call, or email), rather than trying to create a bespoke friends list that lives only inside Vision Pro. Rather than launching an app and then figuring out how to get your friends into it, with SharePlay Apple is focused on getting together with your friends first, then letting the group seamlessly move from one app to the next as you decide what you want to do.

Even apps that don't explicitly have multi-user experience built-in can be 'social' by default, by allowing one user to screen-share the app with others. Only the host will be able to interact with the content, but everyone else will be able to see and talk about it in real-time. It's the emphasis on 'social by default', 'things you already do', and 'people you already know' that will make social on Vision Pro feel completely different than what Meta is building on Quest with Horizon Worlds and its ecosystem of fragmented social apps.

An anonymous reader quotes a report from U.Today:
The country was reimagined by Joseon King Andrew Lee as a digital nation without territory or borders. In this status, it was recognized by Antigua and Barbuda: the two countries inked a treaty that supports education, economic investment and other developmental initiatives and provides the basis for long-standing friendly relations.

Speaking to U.Today, representatives of the country stressed its unique legal design and state management model:

"Joseon is a crypto safe haven in this world where you can legally engage in crypto without any risk of any kind because sovereignty is the absolute authority in this world and another sovereignty doesn't have authority over another sovereignty"

Per their official statement, cryptocurrencies represent legal tender in Joseon and can be used for investments, daily payments and cross-border transactions.
Another report from Bitcoinist details several companies launching in Joseon, including First Day Out Collective which represents a song from Rundown Spaz and Kanye West:
Let's talk about the banger that's making this all come alive: "First Day Out,: a fire track by Rundown Spaz featuring none other than Kanye West, now owned by a DAO and legally recognized corporation in the progressive cybernation of Joseon, which itself is a legally recognized nation-state.

Aidin Vaziri reports via the San Francisco Chronicle: Epic Games has initiated layoffs at Bandcamp, the Oakland-based online music distribution platform it recently sold to Songtradr. Among those affected were members of Bandcamp Daily, the platform's editorial arm, as confirmed by former staff members on social media channels. "About half the company was laid off today," senior editor JJ Skolnik announced on X (formerly Twitter) on Monday morning. This move comes weeks after Songtradr's acquisition of Bandcamp was announced on Sept. 28. The company did not disclose how many employees were impacted by the cuts.

Songtradr, a Santa Monica-based licensing company, had previously stated that not all Bandcamp employees would be absorbed after the platform's sale from Epic, citing the service's financial situation as the basis for workforce adjustments. [...] The sale comes as the company cuts around 16% of its workforce, about 830 employees, in the face of lower profits that were outpaced by growing expenses.

Devin Ulibarri, the Free Software Foundation's outreach and communications coordinator, writes up an event he describes as meeting with some old and new friends: On Sunday, October 1, the Free Software Foundation (FSF) hosted a hackday to celebrate the fortieth anniversary of the GNU Project. Folks came from both near and far to join in the festivities at FSF headquarters, Boston, MA... Sadi moma bela loza, the Bulgarian melody from which The Free Software Song is set, could be heard faintly playing in a nearby room, its distinctive odd-metered tune performed by a fully-liberated X200...

All in all, the event succeeded in our goal of welcoming both long-time members as well as introducing new people to free software and our cause. A few college students from local universities, for example, were able to ask questions seeking to better understand free software licenses and GNU Project history. We received multiple requests from attendees to host similar events again in the near future. And one parent, whose son played NetHack at the event, reported that, the following morning, his son asked to go to the FSF office after school to play it again. When playing he mastered the "vi" movement keys immediately. We hope they serve him well...!

Happy hacking and please stay tuned for more FSF-hosted events, including LibrePlanet 2024!

"If we carry on the way we're going, we're going to have to concrete the whole planet just to store the data that we're generating," explains a deputy lab director at Microsoft Research Cambridge in a new video.

Fortunately, "A small sheet of glass can now hold several terabytes of data, enough to store approximately 1.75 million songs or 13 years' worth of music," explains a Microsoft Research web page about "Project Silica". (Data is retrieved by a high-speed, computer-controlled microscope from a library of glass disks storing data in three-dimensional pixels called voxels): Magnetic storage, although prevalent, is problematic. Its limited lifespan necessitates frequent re-copying, increasing energy consumption and operational costs over time. "Magnetic technology has a finite lifetime," says Ant Rowstron, Distinguished Engineer, Project Silica. "You must keep copying it over to new generations of media. A hard disk drive might last five years. A tape, well, if you're brave, it might last ten years. But once that lifetime is up, you've got to copy it over. And that, frankly, is both difficult and tremendously unsustainable if you think of all that energy and resource we're using."

Project Silica aims to break this cycle. Developed under the aegis of Microsoft Research, it can store massive amounts of data in glass plates roughly the size of a drink coaster and preserve the data for thousands of years. Richard Black, Research Director, Project Silica, adds, "This technology allows us to write data knowing it will remain unchanged and secure, which is a significant step forward in sustainable data storage." Project Silica's goal is to write data in a piece of glass and store it on a shelf until it is needed. Once written, the data inside the glass is impossible to change.

Project Silica is focused on pioneering data storage in quartz glass in partnership with the Microsoft Azure team, seeking more sustainable ways to archive data. This relationship is symbiotic, as Project Silica uses Azure AI to decode data stored in glass, making reading and writing faster and allowing more data storage... The library is passive, with no electricity in any of the storage units. The complexity is within the robots that charge as they idle inside the lab, awakening when data is needed... Initially, the laser writing process was inefficient, but after years of refinement, the team can now store several TB in a single glass plate that could last 10,000 years. For a sense of scale, each plate could store around 3,500 movies. Or enough non-stop movies to play for over half a year without repeating. A glass plate could hold the entire text of War and Peace — one of the longest novels ever written — about 875,000 times.
And most importantly, it can store data in a fraction of the space of a datacenter...

Thanks to long-time Slashdot reader Kirschey for sharing the article.

The singer known as Tomberlin says their first five years in the music industry may have been a net loss, according to MarketWatch. Selling "merch[andise]" like t-shirts "is what really is covering your costs and hopefully helping you make, like, an actual profit."

And then... After being told she would have to hand over more than 40% of the money she collected from selling T-shirts and other items, Tomberlin refused to sell her merchandise at the venue and publicly spoke about a practice she calls robbery — venues taking cuts from bands' merchandise sales... Other musicians are also speaking out about the practice, and their complaints seem to be having an effect. Industry giant Live Nation Entertainment Inc. announced recently that it would stop collecting merch fees at nearly 80 of the smaller clubs it owns and operates and provide all bands that play at those venues with an additional $1,500 in gas cards and cash.

Musicians who spoke with MarketWatch remain unsatisfied, however. Because of the way the announcement is phrased, many think merch fees at Live Nation clubs are only being paused until the end of the year. The musicians said they also wonder about the roughly 250 other Live Nation concert facilities, as well as the hundreds of venues owned by other companies. A Live Nation spokesperson told MarketWatch the change is "open-ended."

[...] As Tomberlin continues on her current tour, she wonders if she will be able to make a profitable career in music. Of all her ways of earning money, streaming services like Spotify and Apple Music provide "the least amount of money," she said, and with tours not leaving her with any cash at the end, she feels that even modest ambitions are out of reach.
Musician Laura Jane Grace is even soliciting signers for an online petition demanding venues stop taking cuts of the musicians' merchandise sales...

Thanks to Slashdot reader quonset for sharing the news.

Hugh Morris writes via the New York Times: When the musician and artist Paul Purgas was invited in 2017 by the National Institute of Design in Ahmedabad, India, to play some of the music he'd found in its archives that year, he was initially very keen. These were tapes that had been hidden from the public for decades; they proved the existence of a fertile avenue for electronic music in 1960s and '70s India, and he was determined for people to hear them. But as he went to use the institute's aging reel-to-reel machine, he got a nasty surprise: an electric shock. "I think that sobered me up," he said in an interview. The project, he realized, was about to become "a bit of a lifetime journey."

Purgas, 43, is a London-based sound artist and curator, and half of the electronic music duo Emptyset. Initially, he had been on the trail of the lost Moog synthesizer that the American experimentalist David Tudor used while in India, which led him to the library of the NID. In "a victory for good record keeping," Purgas found details of some unknown Tudor recordings noted in a handwritten logbook by a diligent archivist in the 1960s. He requested them from the archives, and was presented with box after box of carefully annotated tapes, all taken from a neglected cupboard. Purgas returned to England to undertake training in tape restoration to properly conserve what he'd found: music from a group of Indian composers who, aided initially by Tudor, had used the Moog and some accompanying homemade modular devices between 1969 and 1972 to create some of India's earliest electronic music.

Following a 2020 BBC radio documentary, "Electronic India," in which Purgas situated the music in its cultural context, a new compilation -- "The NID Tapes: Electronic Music from India 1969-1972," out Friday -- presents the restored pieces in their full variety. There are manipulated field recordings, pieces linked to birds and nature, compositions inspired by Indian classical music, imagined voyages to outer space, and tracks reminiscent of bleep techno or Aphex Twin. What the recordings demonstrate, Purgas said, is "electronic sound and music existing free from any baggage," away from "any vestiges of what could be conceived as a kind of Western continuum."

Mia Sato writes via The Verge: Spotify is rolling out auto-generated podcast transcripts to more creators in the coming weeks, the company announced Thursday. The text transcripts will also be time-synced so listeners can visually follow along as a podcast episode progresses. Transcripts are available by scrolling down below the podcast player and tapping into a "read along" section. A transcription of a show makes the podcast more accessible to users and allows listeners to skip around and skim an episode without listening through.

Spotify says "millions" of podcast episodes will get the tool, and in the future, creators could add media to transcripts -- a useful feature if a creator is describing an image on the show, for example. Beyond transcripts, mobile podcast listeners globally will now be able to jump around an episode using chapters as well. Podcasters can add time-stamped chapters to their shows that briefly describe a segment of the show, allowing listeners to preview topics or start listening at specific points. The feature follows the recent addition of an AI-generated voice cloning tool that translates podcasts into different languages.

U2's inaugural performance at the opening of Las Vegas's Sphere included a generative AI video collage projected hundreds of feet into the air — showing hundreds of surreal renderings of Elvis Presley.

An anonymous reader shares this report from Time magazine: The video collage is the creation of the artist Marco Brambilla, the director of Demolition Man and Kanye West's "Power" music video, among many other art projects. Brambilla fed hours of footage from Presley's movies and performances into the AI model Stable Diffusion to create an easily searchable library to pull from, and then created surreal new images by prompting the AI model Midjourney with questions like: "What would Elvis look like if he were sculpted by the artist who made the Statue of Liberty...?"

While Brambilla's Elvises prance across the Sphere's screen — which is four times the size of IMAX — the band U2 will perform their song "Even Better Than The Real Thing," as part of their three-month residency at the Sphere celebrating their 1991 album Achtung Baby... Earlier this year, U2 commissioned several artists, including Brambilla and Jenny Holzer, to create visual works that would accompany their performances of specific songs. Given U2's love for the singer and the lavish setting of the Sphere, Brambilla thought a tribute to Elvis would be extremely fitting. He wanted to create a maximalist work that encapsulated both the ecstatic highs and grimy lows of not only Elvis, but the city of Las Vegas itself. "The piece is about excess, spectacle, the tipping point for the American Dream," Brambilla said in a phone interview.

Brambilla was only given three-and-a-half months to execute his vision, less than half the time that he normally spends on video collages. So he turned to AI tools for both efficiency and extravagance. "AI can exaggerate with no end; there's no limit to the density or production value," Brambilla says. And this seemed perfect for this project, because Elvis became a myth; a larger-than-life character..." Brambilla transplanted his MidJourney-created images into CG (computer graphics) software, where he could better manipulate them, and left some of the Stable Diffusion Elvis incarnations as they were. The result is a kaleidoscopic and overwhelming video collage filled with video clips both historical and AI-generated, that will soon stretch hundreds of feet above the audience at each of U2's concerts.

"I wanted to create the feeling that by the end of it," Brambilla says, "We're in a place that is so hyper-saturated and so dense with information that it's either exhilarating or terrifying, or both."
Brambilla created an exclusive video excerpting from the larger collage for TIME. The magazine reports that one of the exact prompts he entered was:

"Elvis Presley in attire inspired by the extravagance of ancient Egypt and fabled lost civilizations in a blissful state. Encircling him, a brigade of Las Vegas sorceresses, twisted and warped mid-chant, reflect the influence of Damien Hirst and Andrei Riabovitchev, creating an atmosphere of otherworldly realism, mirroring the decadence and illusion of consumption."

Meta announced a new pair of Ray-Ban smart glasses, capable of livestreaming to Facebook and Instagram and translating text. The glasses were announced at today's Connect event in Menlo Park alongside Meta's new Quest 3 headset. The Verge reports: The new glasses, which Meta just announced at its Connect launch event and which are up for preorder now and will be on sale October 17th starting at $299, have two primary purposes. The first is to replace your headphones: the smart glasses have a similar personal audio system like Amazon's Echo Frames and the Bose Tempo series, all of which play music but endeavor to make sure only you can hear it. With the new generation of glasses, Meta also upgraded the microphone system in a big way: the specs have five mics, including one in the nose bridge, which should make both your calls and voice commands much clearer. (The Stories only had one mic, and it kind of fell apart in loud or windy conditions.)

The other job of the glasses is as a camera. The smart glasses have small camera lenses on each right temple, just like the Stories -- but these cameras take 12-megapixel photos and 1080p videos, both big upgrades from the previous generation. You can store roughly 500 photos and 100 30-second videos (that's the maximum length the glasses allow) before you fill up the 32GB of internal storage, and everything syncs through the Meta View app. The app also lets you quickly share anything you capture to Meta's many, many sharing platforms.

In addition to taking photos and videos on the camera, you can also now start a livestream to Facebook or Instagram with just a couple of taps on the stem of the glasses. When you're recording, a white light around the lens pulses to indicate you're recording.

Google Podcasts is shutting down in 2024 after YouTube Music picks up full global availability of podcasts, which is expected before the end of 2023. As 9to5Google reports, YouTube Music "will be Google's one podcasting app and service going forward." From the report: The big advantage of Google Podcasts was its simplicity and wide availability on Android (through the Google Search app). A "simple migration tool" will move your existing subscriptions from Google Podcasts. Notably, there will be the ability in YouTube Music to add podcasts via RSS feeds, "including shows not currently hosted by YouTube." Google will also provide a non-YTM export option via "OPML file of their show subscriptions" that will work with other podcast players.

On the podcaster front, YouTube will allow for RSS uploads instead of requiring a video version. The next step over the coming weeks and months will see Google "gather feedback to make the migration process from Google Podcasts to YouTube Music as simple and easy as possible." "For now, nothing is changing and fans will continue to have access to YouTube, YouTube Music and Google Podcasts," says YouTube. "We're committed to being transparent in communicating future changes with our users and podcasters and will have more to share about this process in the coming months."

Since 1999, Slashdot has been covering the annual Ig Nobel prize ceremonies — which honor real scientific research into strange or surprising subjects. "Each winner (or winning team) has done something that makes people LAUGH, then THINK," explains the ceremony web page, promising that "a gaggle of genuine, genuinely bemused Nobel laureates handed the Ig Nobel Prizes to the new Ig Nobel winners." As co-founder Marc Abrahams says on his LinkedIn profile, "All these things celebrate the unusual, honor the imaginative — and spur people's interest in science, medicine, and technology."

You can watch this year's entire goofy webcast online. (At 50 minutes there's a jaw-droppingly weird music video about running on water...) Slashdot reader Thorfinn.au shares this summary of this year's winning research: CHEMISTRY and GEOLOGY PRIZE [POLAND, UK] — Jan Zalasiewicz, for explaining why many scientists like to lick rocks.

LITERATURE PRIZE [FRANCE, UK, MALAYSIA, FINLAND] — Chris Moulin, Nicole Bell, Merita Turunen, Arina Baharin, and Akira O'Connor for studying the sensations people feel when they repeat a single word many, many, many, many, many, many, many times.

MECHANICAL ENGINEERING PRIZE [INDIA, CHINA, MALAYSIA, USA] — Te Faye Yap, Zhen Liu, Anoop Rajappan, Trevor Shimokusu, and Daniel Preston, for re-animating dead spiders to use as mechanical gripping tools.

PUBLIC HEALTH PRIZE [SOUTH KOREA, USA] — Seung-min Park, for inventing the Stanford Toilet a computer vision system for defecation analysis et al.

COMMUNICATION PRIZE [ARGENTINA, SPAIN, COLOMBIA, CHILE, CHINA, USA] — María José Torres-Prioris, Diana López-Barroso, Estela Càmara, Sol Fittipaldi, Lucas Sedeño, Agustín Ibáñez, Marcelo Berthier, and Adolfo García, for studying the mental activities of people who are expert at speaking backward.

MEDICINE PRIZE [USA, CANADA, MACEDONIA, IRAN, VIETNAM] — Christine Pham, Bobak Hedayati, Kiana Hashemi, Ella Csuka, Tiana Mamaghani, Margit Juhasz, Jamie Wikenheiser, and Natasha Mesinkovska, for using cadavers to explore whether there is an equal number of hairs in each of a person's two nostrils.

NUTRITION PRIZE [JAPAN] — Homei Miyashita and Hiromi Nakamura, for experiments to determine how electrified chopsticks and drinking straws can change the taste of food.

EDUCATION PRIZE [HONG KONG, CHINA, CANADA, UK, THE NETHERLANDS, IRELAND, USA, JAPAN] — Katy Tam, Cyanea Poon, Victoria Hui, Wijnand van Tilburg, Christy Wong, Vivian Kwong, Gigi Yuen, and Christian Chan, for methodically studying the boredom of teachers and students.

PSYCHOLOGY PRIZE [USA] — Stanley Milgram, Leonard Bickman, and Lawrence Berkowitz for 1968 experiments on a city street to see how many passersby stop to look upward when they see strangers looking upward.

PHYSICS PRIZE [SPAIN, GALICIA, SWITZERLAND, FRANCE, UK] — Bieito Fernández Castro, Marian Peña, Enrique Nogueira, Miguel Gilcoto, Esperanza Broullón, Antonio Comesaña, Damien Bouffard, Alberto C. Naveira Garabato, and Beatriz Mouriño-Carballido, for measuring the extent to which ocean-water mixing is affected by the sexual activity of anchovies.

Amazon, following other streaming platforms looking to further monetize their content, will run ads on its Prime Video service in key markets -- a move that will help offset rising costs and provide a boost to an already robust advertising business. From a report: Ad-supported streaming will be the default on Prime Video in US, UK, Germany and Canada starting early next year, the company said in a statement on Friday. The company has long offered video streaming as part of a package that also includes speedy shipping, music and other perks. Amazon said Prime subsribers will continue to pay $139 annually in the US but will be able to pay an additional $2.99 a month to avoid ads. Pricing in other countries will be anounced later, the company said.

Apple on Monday rolled out iOS 17, iPadOS 17, tvOS 17, HomePod 17 and watchOS 10, the latest operating system versions for all its devices minus the Mac lineup. iOS 17: iOS 17 expands on last year's Lock Screen updates with the addition of interactive widgets and StandBy, a new feature that turns the iPhone into a mini home hub when it is charging. You can now see voicemail transcriptions in real time, and leave video messages in FaceTime. FaceTime also now works on the Apple TV with tvOS 17. With NameDrop, exchanging contacts is as simple as touching two phones together, and Messages has been overhauled with new safety features and updates to the way that stickers work. Autocorrect is better than ever, Spotlight search has been improved, private browsing in Safari is more secure with Face ID lock, and there's now a mood tracking feature in the Health app. Passwords can be shared in iCloud Keychain and AirTags can be shared among family members too, plus there are new features for the AirPods Pro. Apple has also added updates to Siri, Mail, Reminders, Notes, Home, and more. tvOS 17: In tvOS 17, Apple has added a FaceTime app for FaceTime calls on a larger screen. The feature works through an iPhone or iPad running iOS 17/iPadOS 17, with the iOS device serving as the camera and the TV serving as the display. With a Split View option, you can place your FaceTime call on one side of the TV and a TV show or game on the other side for SharePlay experiences. [...] Other new features include Dolby Vision 8.1 support, an enhance dialogue option to make it easier to hear what's being said over music and effects, and support for third-party VPN apps.

According to The Information, Google is nearing the release of Gemini, its conversational artificial intelligence software intended to compete with OpenAI's GPT-4 model. Reuters reports: For Google, the stakes of Gemini's launch are high. Google has intensified investments in generative AI this year as it plays catch-up after Microsoft-backed OpenAI's launch of ChatGPT last year took the tech world by storm. Gemini is a collection of large-language models that power everything from chatbots to features that either summarize text or generate original text based on what users want to read like email drafts, music lyrics, or news stories, the report said. It is also expected to help software engineers write code and generate original images based on what users ask to see.

Google is currently giving developers access to a relatively large version of Gemini, but not the largest version it is developing which would be more on par with GPT-4, the report said. The search and advertising giant plans to make Gemini available to companies through its Google Cloud Vertex AI service.

Stability AI today announced the initial public release of its Stable Audio technology, providing anyone with ability to use simple text prompts to generate short audio clips. VentureBeat reports: StableAudio is a new capability, though it is based on many of the same core AI techniques that enable Stable Diffusion to create images. Namely the Stable Audio technology makes use of a diffusion model, albeit trained on audio rather than images, in order to generate new audio clips. "Stability AI is best known for its work in images, but now we're launching our first product for music and audio generation, which is called Stable Audio," Ed Newton-Rex, VP of Audio at Stability AI told VentureBeat. "The concept is really simple, you describe the music or audio that you want to hear in text and our system generates it for you."

Newton-Rex is no stranger to the world of computer generated music, having built his own startup called Jukedeck in 2011, which he sold to TikTok in 2019. The technology behind Stable Audio however does not have its roots in Jukedeck, but rather in Stability AI's internal research studio for music generation called Harmonai, which was created by Zach Evans. Stable Audio works directly with raw audio samples for higher quality output. The model was trained on over 800,000 pieces of licensed music from audio library AudioSparks. [...]

As a diffusion model, Evans said that the Stable Audio model has approximately 1.2 billion parameters, which is roughly on par with the original release of Stable Diffusion for image generation. The text model used for prompts to generate audio was all built and trained by Stability AI. Evans explained that the text model is using a technique known as Contrastive Language Audio Pretraining (CLAP). As part of the Stable Audio launch, Stability AI is also releasing a prompt guide to help users with text prompts that will lead to the types of audio files that users want to generate. "Stable Audio will be available both for free and in a $12/month Pro plan," notes VentureBeat. "The free version allows 20 generations per month of up to 20 second tracks, while the Pro version increases this to 500 generations and 90 second tracks."