An anonymous reader quotes the Guardian: Fans of the surreal, the bizarre and sardonic anthropomorphic cows are in a fervour after The Far Side cartoonist Gary Larson's website was updated last weekend with promises of "a new online era", 24 years after the reclusive creator retired at the age of 44.

Larson's iconic Far Side cartoons were syndicated in more than 1,900 daily newspapers from 1980 to 1995, treating readers to daily offerings from his offbeat visions of the world... His image of a caveman pointing to the tail of a stegosaurus and letting his audience know that it is called "the thagomizer, after the late Thag Simmonds", led paleontologists to adopt the invented term.

Larson retired The Far Side in 1995 , citing "simple fatigue and a fear that if I continue for many more years my work will begin to suffer or at the very least ease into the Graveyard of Mediocre Cartoons". Hugely publicity-shy -- he has long refused to have his picture taken -- he has since then released a compilation of Far Side cartoons, but worked to keep his pictures from being reproduced digitally, explaining in a letter the "emotional cost" of having his work "offered up in cyberspace beyond my control... These cartoons are my 'children' of sorts, and like a parent, I'm concerned about where they go at night without telling me," wrote Larson. "And, seeing them at someone's website is like getting the call at 2am that goes, 'Uh, Dad, you're not going to like this much, but guess where I am.'"

But the updating over the weekend of thefarside.com, which had previously remained virtually unchanged for more than a decade, has left many fans hoping for Larson's return. A new image, in which some of Larson's most iconic characters -- the cow on two legs, the bee-hived woman, the nerd -- are being defrosted from an iceberg, has appeared on the site, along with the promise: "Uncommon, unreal, and (soon-to-be) unfrozen. A new online era of The Far Side is coming!"

Hundreds of people arrived early Friday at a gate at the once secret Area 51 military base in Nevada at the time appointed by an internet hoaxster to "storm" the facility to see space aliens and at least two were detained by sheriff's deputies. From a report: The Storm Area 51 invitation spawned festivals in the tiny Nevada towns of Rachel and Hiko nearest the military site, and a more than two-hour drive from Las Vegas. The Lincoln county sheriff, Kerry Lee, estimated late Thursday that about 1,500 people had gathered at the festival sites and said more than 150 people also made the rugged trip several additional miles on bone-rattling dirt roads to get within selfie distance of the gates.

An Associated Press photographer said it wasn't immediately clear if a woman who began ducking under a gate and a man who urinated nearby were arrested after the crowd gathered about 3am Friday. Millions of people had responded to a June internet post calling for people to run into the remote US air force test site that has long been the focus of UFO conspiracy theories. "They can't stop all of us," the post joked. "Lets see them aliens." The military responded with stern warnings that lethal force could be used if people entered the Nevada Test and Training Range, and local and state officials said arrests would be made if people tried.

The organizers of the Storm Area 51 festival called "AlienStock" have canceled the event in the Nevada desert, citing a "possible humanitarian disaster" associated with having people show up unprepared in an area with few amenities and little water. From a report: "Due to the lack of infrastructure, poor planning, risk management, and blatant disregard for the safety of the expected 10,000+ AlienStock attendees, we decided to pull the plug on the festival," a message on AlienStock's website reads. AlienStock was set up by the Facebook meme page "Storm Area 51," and was planned for the weekend of September 20 near Rachel, Nevada. The local town has been actively warning people on its website not to come, noting that many local residents are armed and would be willing to defend their property.

A small but quickly growing online community believes that transforming randomly generated numbers into clusters of location data could help us tunnel out of reality. Their name for themselves: Randonauts. From a report: It's a sad truth that most of our lives are pretty boring, geographically speaking. Live in one place long enough and you will develop routines, walking the same streets and patronizing the same coffee shops and generally making it easy for a simulation, should one exist, to anticipate where you will be at any given time. Randonauts hope to use this tedium to their advantage, by introducing unpredictability. They argue that by devising methods that force us to diverge from our daily routines and instead send us to truly random locations we'd otherwise never think twice about, it just might be possible to cross over into somebody else's reality. "New information and causality can pull you out of the filter-bubble and change your life," writes The Fatum Project, the online team responsible for the technological and philosophical framework of the movement. Even if you don't buy into the dense thicket of theoretical quantum physics underpinning the logic of it all, going on a Randonaut-style adventure can be a lovely way to spend an afternoon.

According to the The Fatum Project, there's hard science behind all this. Building on research conducted by Princeton University's Engineering Anomalies Research Lab into whether human thought could influence real-world events, they hope that Randonauts will be able to leave their "reality tunnels" and discover new contexts, appreciate daily life in fresh ways, or even venture into parallel iterations of their own realities. Getting started is easy. Log into the Telegram messaging app and send the command "/getattractor" along with your location to @shangrila_bot (formerly, you could also message @Randonaut_bot). The bot will plot out thousands of nearby geolocation points using a quantum random number generator, and spit out the area with the highest concentration of points near you. Conversely, if computer-determined desolation is more your style, you can send the command "/getvoid" and through a similar process, the bot will send you a location where there are no randomly plotted points. On Reddit, Randonauts have reported finding things like an upside-down airplane; a llama, standing totally still; three identical black cats; a family of horses in a public park; and a bird that also refused to move. Under the auspices of "/getvoid," users have reported finding derelict locales, creepy signage, and other marks of decay. Think of it as geocaching by way of Marianne Williamson.

An anonymous reader quotes a report from The Guardian: In research that will ensure the sitcoms of the future are as painful as those broadcast today, scientists have found that canned laughter makes bad jokes seem funnier. The impact of overlaid laughter emerged from a study with autistic and "neurotypical" people, all of whom agreed to endure 40 jokes that were read aloud with recorded laughter following the punchline. All of the volunteers found the jokes funnier when they were accompanied by the sound of others laughing, with the biggest gains produced by recordings of spontaneous laughter rather than more deliberate and controlled laughing, the study found.

For the study, PhD student Qing Cai and others trawled the internet for what they describe as "weak" jokes and compiled a list for the comedian Ben van der Velde to read out to those taking part in the study. To get a baseline score for how funny the jokes were, each was assessed without any backing laughter by 20 students who rated them on a scale from one (not funny) to seven (hilarious). The scores ranged from 1.5 to 3.75. Armed with the list and their baseline funny ratings, the scientists asked 72 adults, of whom 24 had an autism diagnosis, to rate the jokes on the same seven-point scale. This time, the jokes were told with either posed or spontaneous canned laughter following the punchline. Writing in the journal Current Biology, the researchers described how any kind of canned laughter had boosted the average scores the jokes had received. Both neurotypical and autistic people reacted more to spontaneous laughter than controlled laughter. And while canned laughter appeared to improve some jokes more than others, controlled laughter raised ratings by an average of about 10%, compared with 15% to 20% for spontaneous laughter.

"Elon Musk wanted The Onion; he got Thud," reports the Verge, telling the wacky story of how Elon Musk gave $2 million to two former editors from the Onion to create "an ambitious, offbeat satire startup" that would focus on the real world instead of online, "with fake brands, fake products, and fake museum installations." To Musk, satire is almost a "public good," [former Onion/Thud leader Ben] Berkley said. It's something that can be used to nudge people in the right direction and make life a little more tolerable, and that may have been what really drew him to the project. "If it's on a global scale and it convinces people to change their mind about something or reconsider something," Berkley said, "it might have a small impact that could have a larger effect down the road...."

Unlike The Onion, Thud never planned to have a regularly updating homepage where all of its work came together -- its projects were all envisioned as being independent, floating out on the internet for you to stumble across. That's where part of the trouble lay. Thud came together in large part around the idea that it would have Musk behind it: both as a backer and a promoter. Berkley notes that Musk has a huge Twitter following of nearly 27 million people; losing him meant losing an enormous avenue for distribution.

Without a homepage for repeat visitors, Thud also lacked anything that could even begin to resemble a traditional business model. There was no subscription to sell and no articles to run ads on. Only one of Thud's first four websites -- for a fake, always-firing gun -- sold merch: T-shirts and hats that went for up to $30 a piece. The option to buy them was later removed.
Musk pulled his funding in December, the article reports, and by May, Thud had shut down for good. Though early on Musk at one point "floated the idea" of hiring former Onion editor Cole Bolton at SpaceX, towards the end Musk "was starting to get worried about how [Thud's projects] could reflect on him during critical times for Tesla and SpaceX," Bolton tells the site.

"You know, his companies that are obviously quite a bit more large and, I would say, important than Thud."

PC Magazine interviewed Neal Stephenson about his new upcoming book Fall; Or, Dodge in Hell, as well as "the digital afterlife, and why social media is a doomsday machine." [Possible spoilers ahead]: The hybrid sci-fi/fantasy novel begins in the present day with Richard "Dodge" Forthrast, an eccentric multibillionaire who made his fortune in the video game industry. When a freak accident during a routine medical procedure leaves him brain-dead, his family is left to contend with his request to have his brain preserved until the technology exists to bring him back to life. The near-future world of Fall is full of familiar buzzwords and concepts. Augmented reality headsets, next-gen wireless networks, self-driving vehicles, facial recognition, quantum computing, blockchain and distributed cryptography all feature prominently. Stephenson also spends a lot of time examining how the internet and social media, which Dodge and other characters often refer to in Fall as the Miasma, is irrevocably changing society and altering the fabric of reality...

Q: How would you describe the current state of the internet? Just in a general sense of its role in our daily lives, and where that concept of the Miasma came from for you.

Neal Stephenson: I ended up having a pretty dark view of it, as you can kind of tell from the book. I saw someone recently describe social media in its current state as a doomsday machine, and I think that's not far off. We've turned over our perception of what's real to algorithmically driven systems that are designed not to have humans in the loop, because if humans are in the loop they're not scalable and if they're not scalable they can't make tons and tons of money.

The result is the situation we see today where no one agrees on what factual reality is and everyone is driven in the direction of content that is "more engaging," which almost always means that it's more emotional, it's less factually based, it's less rational, and kind of destructive from a basic civics standpoint... I sort of was patting myself on the back for really being on top of things and predicting the future. And then I discovered that the future was way ahead of me. I've heard remarks in a similar vein from other science-fiction novelists: do we even have a role anymore?
Stephenson answered questions from Slashdot's reader in 2004, and since then has "spent years as an advisor for Amazon CEO Jeff Bezos' private space company Blue Origin," the article points out. He's also currently the "chief futurist" for Magic Leap -- though he tells his interviewer that some ideas go back much further.

Part of his new book builds on "a really old idea" from security researcher Matt Blaze, who in the mid-1990s talked about "Encyclopedia Disinformatica", which Stephenson describes as "a sort of fake Wikipedia containing plausible-sounding but deliberately false information as a way of sending the message to people that they shouldn't just believe everything that they see on the internet."

From a wide-ranging interview of Linus Torvalds with Linux Journal on the magazine's 25th anniversary: Linux Journal: If you had to fix one thing about the networked world, what would it be?
Linus: Nothing technical. But, I absolutely detest modern "social media" -- Twitter, Facebook, Instagram. It's a disease. It seems to encourage bad behavior. I think part of it is something that email shares too, and that I've said before: "On the internet, nobody can hear you being subtle". When you're not talking to somebody face to face, and you miss all the normal social cues, it's easy to miss humor and sarcasm, but it's also very easy to overlook the reaction of the recipient, so you get things like flame wars, etc., that might not happen as easily with face-to-face interaction. But email still works. You still have to put in the effort to write it, and there's generally some actual content (technical or otherwise). The whole "liking" and "sharing" model is just garbage. There is no effort and no quality control. In fact, it's all geared to the reverse of quality control, with lowest common denominator targets, and click-bait, and things designed to generate an emotional response, often one of moral outrage.

Add in anonymity, and it's just disgusting. When you don't even put your real name on your garbage (or the garbage you share or like), it really doesn't help. I'm actually one of those people who thinks that anonymity is overrated. Some people confuse privacy and anonymity and think they go hand in hand, and that protecting privacy means that you need to protect anonymity. I think that's wrong. Anonymity is important if you're a whistle-blower, but if you cannot prove your identity, your crazy rant on some social-media platform shouldn't be visible, and you shouldn't be able to share it or like it.

Linux Journal: Is there any advice you'd like to give to young programmers/computer science students?
Linus: I'm actually the worst person to ask. I knew I was interested in math and computers since an early age, and I was largely self-taught until university. And everything I did was fairly self-driven. So I don't understand the problems people face when they say "what should I do?" It's not where I came from at all.

The dream of the '90s was alive in Microsoft Teams this week when Microsoft's old office assistant, Clippy, showed up. From a report: If you used Microsoft Office between 1997 and 2001, you likely remember Clippy as the animated paperclip that popped up and offered tips for using the software. Microsoft did away with Clippy in 2001, so people were surprised to see Clippy stickers appear in Microsoft Teams this week. And they were even more surprised when, just a day later, Microsoft offed the little guy again. On Tuesday, Clippy appeared as an animated pack of stickers for Microsoft Teams. The stickers were released on the Office Developer GitHub page, but by the next day, they had vanished. Clippy was around just long enough to rally old fans, and there's now a user petition to bring Clippy back.

An anonymous reader quotes a report from Ars Technica: Comedian John Oliver is taking aim at the Federal Communications Commission again, this time demanding action on robocalls while unleashing his own wave of robocalls against FCC commissioners. In a 17-minute segment yesterday on HBO's Last Week Tonight, Oliver described the scourge of robocalls and blamed Pai for not doing more to stop them. Oliver ended the segment by announcing that he and his staff are sending robocalls every 90 minutes to all five FCC commissioners. "Hi FCC, this is John from customer service," Oliver's recorded voice says on the call. "Congratulations, you've just won a chance to lower robocalls in America today... robocalls are incredibly annoying, and the person who can stop them is you! Talk to you again in 90 minutes -- here's some bagpipe music."

When it came to robocalling the FCC, Oliver didn't need viewers' help. "This time, unlike our past encounters [with the FCC], I don't need to ask hordes of real people to bombard [the FCC] with messages, because with the miracle of robocalling, I can now do it all by myself," Oliver said. "It turns out robocalling is so easy, it only took our tech guy literally 15 minutes to work out how to do it," Oliver also said. He noted that "phone calls are now so cheap and the technology so widely available that just about everyone has the ability to place a massive number of calls." Under U.S. law, political robocalls to landline telephones are allowed without prior consent from the recipient. Such calls to cell phones require the called party's prior express consent, but Oliver presumably directed his robocalls to the commissioners' office phones. Oliver told the FCC commissioners: "if you want to tell us that you don't consent to be robocalled, that's absolutely no problem. Just write a certified letter to the address we buried somewhere within the first chapter of Moby Dick that's currently scrolling up the screen... find the address, write us a letter, and we'll stop the calls immediately."

AmiMoJo writes: Nike users are experiencing some technical difficulties in the wild world of connected footwear. Nike's $350 "Adapt BB" sneakers are the latest in the company's line of self-lacing shoes, and they come with the "Nike Adapt" app for Android and iOS. The app pairs with the shoes and lets you adjust the tightness of the laces, customize the lights (yeah, there are lights), and see, uh, how much battery life your shoes have left. The only problem: Nike's Android app doesn't work. Android users report that their new kicks aren't paring with the app properly, and some customers report failed firmware updates for the shoes, which render them unable to pair with the app at all. "My left shoe won't even reboot." writes one owner.

An anonymous reader quotes a report from The Guardian: [R]esearchers have found that the success of a future mission to the red planet may depend on the ship having a class clown. "These are people that have the ability to pull everyone together, bridge gaps when tensions appear and really boost morale," said Jeffrey Johnson, an anthropologist at the University of Florida. "When you're living with others in a confined space for a long period of time, such as on a mission to Mars, tensions are likely to fray. It's vital you have somebody who can help everyone get along, so they can do their jobs and get there and back safely. It's mission critical." Johnson spent four years studying overwintering crews in Antarctica and identified the importance of clowns, leaders, buddies, storytellers, peacemakers and counsellors for bonding teams together and making them work smoothly. He found the same mixes worked in U.S., Russian, Polish, Chinese and Indian bases.

"These roles are informal, they emerge within the group. But the interesting thing is that if you have the right combination the group does very well. And if you don't, the group does very badly," he said. Johnson is now working with Nasa to explore whether clowns and other characters are crucial for the success of long space missions. So far he has monitored four groups of astronauts who spent 30 to 60 days in the agency's mock space habitat, the Human Exploration Research Analog, or Hera, in Houston, Texas. Johnson, who also studied isolated salmon fishers in Alaska, found that clowns were often willing to be the butt of jokes and pranks. In Antarctica, one clown he observed endured a mock funeral and burial in the tundra, but was crucial for building bridges between clusters of overwintering scientists and between contractors and researchers, or "beakers" as the contractors called them.

Bruce66423 writes: In a remarkable piece of honest self assessment, Huawei has produced a letter to a House of Commons committee member in response to security concerns raised by the UK Huawei Cyber Security Evaluation Centre (HCSEC) in its annual report, a body that includes Huawei, UK operators and UK government officials. The firm pledged to spend about $2 billion over five years to resolve these issues. However they also claim that: "Huawei has never and will never use UK-based hardware, software or information gathered in the UK or anywhere else globally, to assist other countries in gathering intelligence. We would not do this in any country" -- a claim in sharp contrast to the ability of the Communist Party of China to suborn anyone into doing so. Good to see that Chinese firms still have a sense of humor. As The Economist puts it: "And China's leaders are tightening their grip on business, including firms such as Huawei in which the state has no stake. This influence has been formalized in the National Intelligence Law of 2017, which requires firms to work with China's one-party state."

This year's Sundance Film Festival opened with a new 93-minute documentary crafted entirely from archival footage of NASA's Apollo 11 mission, reports collectSpace -- including some never seen before: In the course of sourcing all of the known imagery, the National Archives (NARA) staff members made a discovery that changed the course of the project -- an unprocessed collection of 65mm footage, never before seen by the public. Unbeknownst to even the NARA archivists, the reels contained wide format scenes of the Saturn V launch, the inside of the Launch Control Center and post-mission activities aboard the USS Hornet aircraft carrier... The resulting transfer -- from which the documentary was cut -- is the highest resolution, highest quality digital collection of Apollo 11 footage in existence. "We knew that the clock was ticking, this material had been sitting around for 50 years," said director Todd Douglas Miller, commenting on the motivation behind the film scanning effort.

The other unexpected find was a massive cache of audio recordings -- more than 11,000 hours -- comprising the individual tracks from 60 members of the Mission Control team. "Apollo 11" film team members wrote code to restore the audio and make it searchable and then began the multi-year process of listening to and documenting the recordings. The effort yielded new insights into key events of the moon landing mission, as well as surprising moments of humor and camaraderie. "Much of the footage in 'Apollo 11' is, by virtue of both access and proper preservation, utterly breathtaking," wrote The Hollywood Reporter's Daniel Fienberg in his review of the film. "The sense of scale, especially in the opening minutes, sets the tone as [the] rocket is being transported to the launch pad and resembles nothing so much as a scene from 'Star Wars' only with the weight and grandeur that come from 6.5 million pounds of machinery instead of CG."

An anonymous reader writes: An updated version of the singing "Big Mouth Billy Bass" plastic fish toy now speaks (with synchronized lip movements) with the voice of Alexa. "Your humdrum life will be totally uprooted because you hung a talking fish on your wall," jokes Fast Company. "Just imagine setting an alarm and being woken up by a Big Mouth Billy Bass dancing and flopping around while it sings to you," adds Mashable.

But more than half the device's 100 reviews from Amazon customer's award it just one star (with another 15% awarding two stars). "The programming on these fish are awful," wrote one reviewer, complaining that the sound continues coming from the Echo device (rather than through the fish's speaker), and when it does actualy sync to the music, "the tail flaps and head movements are off-beat and look terrible."

Meanwhile, late-night talk show host Jimmy Kimmel recently staged a skit with a carolling "choir" of Amazon's smart speakers dressed in Christmas sweaters and caps — a skit which ends with the devices producing a horrific cacophony that Kimmel was unable stop. Kimmel then instructs a stagehand to bring the choir of singing Alexa units "to the ocean, and dump it in."

They say revenge is a dish best served cold. But for Mark Rober, it's much sweeter served smart, smelly and covered in glitter. From a report: The former NASA engineer-turned-YouTube star has received plaudits online after designing a booby trap to avenge all those who've fallen victim to a new wave of neighborhood crime: doorstep delivery theft. Rober spent six months combining GPS tracking, cameras, fart spray and glitter in an elaborate and amusing mechanism after discovering thieves had stolen an Amazon delivery from his doorstep.

In a video posted on his channel, the 38-year-old, who helped design the U.S. space agency's Curiosity Rover, said his engineering experience left him well-placed to "take a stand" after dismissive police left him feeling "powerless." "If anyone was going to make a revenge ... package and over-engineer the crap out of it, it was going to be me," said Rober, who spent nine years with NASA.

An anonymous reader quotes a report from The New York Times: You might guess that a surefire way to make a hit video on YouTube would be to gather a bunch of YouTube megastars, film them riffing on some of the year's most popular YouTube themes and release it as a year-in-review spectacular. You would be wrong. YouTube tested that theory this week, releasing its annual "YouTube Rewind" year-end retrospective. The eight-minute video was a jam-packed montage of YouTube meta-humor, featuring a who's-who of YouTube stars along with conventional celebrities. The video was slickly produced and wholesome, with lots of references to the popular video game Fortnite, shout-outs to popular video formats, and earnest paeans to YouTube's diversity and inclusiveness. It was meant to be a feel-good celebration of a year's worth of YouTube creativity, but the video started a firestorm, and led to a mass-downvoting campaign that became a meme of its own. Within 48 hours, the video had been "disliked" more than four million times. On Thursday, it became the most-disliked video in the history of the website, gathering more than 10 million dislikes and beating out the previous record-holder, the music video for Justin Bieber's "Baby."

The issue that upset so many YouTube fans, it turns out, was what the Rewind video did not show. Many of the most notable YouTube moments of the year -- such as the August boxing match between KSI and Logan Paul, two YouTube stars who fought in a highly publicized spectacle watched by millions -- went unmentioned. And some prominent YouTubers were absent, including Felix Kjellberg, a.k.a. "PewDiePie," one of the most popular creators in YouTube's history, who had appeared in the Rewind videos as recently as 2016. Some YouTubers enjoyed the video. But to many, it felt like evidence that YouTube the company was snubbing YouTube the community by featuring mainstream celebrities in addition to the platform's homegrown creators, and by glossing over major moments in favor of advertiser-friendly scenes. The Times says the Rewind controversy "is indicative of a larger issue at YouTube, which is trying to promote itself as a bastion of cool, inclusive creativity while being accused of radicalizing a generation of young people by pushing them toward increasingly extreme content, and allowing reactionary cranks and conspiracy theorists to dominate its platform."

"But people like Mr. Kjellberg and Mr. Paul -- stars who rose to prominence through YouTube, and still garner tens of millions of views every month -- remain in a kind of dysfunctional relationship with the platform. YouTube doesn't want to endorse their behavior in its official promotions, but it doesn't want to alienate their large, passionate audiences, either," reports the NYT. "And since no other platform can rival the large audiences and earning potential YouTube gives these creators, they are stuck in a kind of unhappy purgatory -- making aggrieved videos about how badly YouTube has wronged them, while also tiptoeing to avoid crossing any lines that might get them barred, or prevent them from making money from their videos." This tension is at the heart of the controversy over YouTube Rewind.

"A YouTube recap that includes only displays of tolerance and pluralism is a little like a Weather Channel highlight reel featuring only footage of sunny days -- it might be more pleasant to look at, but it doesn't reflect the actual weather..."

OpenSourceAllTheWay writes: Back when PCs were more boxy looking than today and people used floppy disks to store stuff, there were a bunch of prank apps around that one could put on a DOS or Windows computer to annoy the hell out of siblings, classmates, coworkers and others. (Here is a listing of some older prank apps and some more recent Android prank apps.) Some prank apps would flip the Windows desktop upside down. Some would make the mouse pointer move in strange ways or make it give you the middle finger. Some would cause you to hit the right keyboard key and still mistype a word. Some would play an audio file in the background every now and then that gave the impression of your computer making strange noises for unknown reasons, even turning the OS volume up before the sound, and then down again, making it impossible to make the sounds stop. There are many more computer users today than there were back then, yet there doesn't seem to be much new in the way of prank apps -- at least for Windows. Why is that? Did Windows 8 cause PC users to lose their humor?

Zorro shares a report from Entertainment Weekly: The first-ever official Star Trek comedy series has been ordered. CBS All Access has greenlit an animated series from Emmy-winner Mike McMahan, a writer on Adult Swim's sensation Rick and Morty The half-hour series is titled Star Trek: Lower Decks and will tackle the Federation from a comedic perspective, focusing "on the support crew serving on one of Starfleet's least important ships." Fans will recognize the Lower Decks title as referencing the name of one of the best episodes of Star Trek: The Next Generation.

An anonymous reader shares a report: Open plan offices, once the darling of design, are now showing their fault lines. To get a little bit of personal space, we've come up with all sorts of solutions, from phone booths to furniture designed to create a sense of privacy. All of those ideas seem totally, completely normal compared to this new project from Panasonic. The tech company's Future Life Factory design studio partnered with Japanese fashion designer Kunihiko Morinaga to develop an open-plan solution to end all open-plan solutions. Say hello to Wear Space. Wear Space is, for lack of a better description, like equine blinkers for humans. The strip of flexible material wraps around the back of the head and covers the side of the eyes, blocking up to 60 percent of a wearer's peripheral vision, Panasonic says. Think of it as a sign for potential bothersome coworkers that broadcasts, "I'm busy."