Suing Your Customers: Winning Business Strategy? 395
Cobarde Anonimo writes "The Knowledge at Wharton has an interesting
text
about the RIAA strategy of suing its customers.
As Wharton legal studies professor G. Richard Shell writes below, this same tactic was tried 100 years ago against Henry Ford. It didn't work then, and it won't work today."
A study?!? (Score:4, Insightful)
Glad I got that off my chest.
Re:A study?!? (Score:2, Insightful)
That's modern science at work, my friend - it may be as obvious as the nose on your face, but it ain't official until you pay for a "study".
Re:A study?!? (Score:2)
In *their* opinion if yer downloading/sharing music then you are a dirty thief. They would equate it with not sueing a shoplifter coz he might come into your store some day and buy something...
Re:A study?!? (Score:2)
Re:A study?!? (Score:2)
Ah, but you are making the all-to-common error of forgetting that to date the RIAA is only sueing uploaders. The massive filesharers may very well have legally purchased a large portion of their collection. Remember, every mp3 on Kazaa came from a purchased CD in the first place.
It is ironic that the music "theives," those who only download music they don't own and don't share, are currently under no threat.
Re:A study?!? (Score:2)
SCO is a completely different case (Score:5, Interesting)
SCO is not suing its main customers. SCO knows it doesn't really have a viable Unix business. It knows its Unix customers will go away, whatever it does.
Its real customers are Microsoft and Sun. They have paid (and Microsoft will continue to pay) millions of dollars to SCO. They are buying a service, the service of generating FUD around Linux. Selling this service looks like being a viable business, until the IBM lawsuit comes to court in 2005, when SCO will presumably cease to exist.
Re:A study?!? (Score:3, Insightful)
I'm a customer. I have probably a good few hundred CDs - both singles and albums.
I'm also a downloader.
I buy CDs. mainly I buy good CDs. I also use WinMX to track down songs that are old, and that you can't get anymore. (Except on compilations of miscellaneous shite) I use it to get the latest songs I hear on the radio (and quite often then buy the single or album the week it comes out).
True, I also use it to get one decent song of an album which is mainl
Suing your customers *does* save industries! (Score:5, Funny)
Re:Suing your customers *does* save industries! (Score:2, Funny)
Re:Suing your customers *does* save industries! (Score:2, Interesting)
Well... sort of. Once the lawyers that work for RIAA have stopped working for them, they'll probably find it harder to get work. Would you want to employ a lawyer that sued a 12 year-old [siliconvalley.com] for downloading music?
Re:Suing your customers *does* save industries! (Score:4, Insightful)
Absolutely.
If I'm in a situation where I have no choice but to retain counsel, I sure as hell want an attorney who is going to win on my behalf, not fight fair. Once a matter ends up in the courts, the gloves are off.
We blame the lawyers, but... (Score:5, Insightful)
If this attitude wasn't pervasive ("win at all costs!"), we wouldn't have scummy lawyers. The scummy lawyers are just providing the services we want.
There are some things more important then "winning". In fact, there's a lot of things more important then winning.
Re:We blame the lawyers, but... (Score:3, Insightful)
What are the problems here?
Re:Suing your customers *does* save industries! (Score:2)
Of course I would. Which would you rather have, a lawyer who sued who you told her to sue, or a lawyer who used her own judgement on who was worth sueing. You want a lawyer who follows orders. In fact, I'd rather have a lawyer who won a case against a 12-year-old than one who lost it because that's probably a damn good lawyer.
The Music Industry's Plan (Score:3, Funny)
2. GO TO 4
3. Profit!
4. Bankruptcy
One big difference (Score:5, Interesting)
Re:One big difference (Score:5, Insightful)
However, the whoile point of article was that suing the entire population will not win you any favors in Congress. Already there are rumblings about turning back some of the DMCA as a direct result of the outrage of RIAA's subpoena-a-thon. If the RIAA makes themselves less popular than telemarketers, no amount of money will be able to keep laws like the DMCA on the books.
Not that we should be telling them this. I see the RIAA's actions the best chance we have to get the DMCA rolled back and I would encourage them to sue more 12 year old girls.
Re:One big difference (Score:2)
Thank you, please drive through.
Re:One big difference (Score:2)
So no it wasn't a patent on a specific type of engine. The patent was granted on engine driven vehicles in general. It took eight years and an appeal before the court ruling restricted the scope of the patent to one specific engine.
Re:One big difference (Score:3, Insightful)
Other big differences:
People rallied to Ford's side against the bullies. Editorials weighed in against the industry's heavy-handed lawsuits.
Today, people rally around what the TV tells them to rally around. And all the TV stations and newspapers are owned by the same people who own the music companies. If the automakers had owned all the newspapers, the outcome might have been very different.
For Ford, it was either exit the industry or fight the Selden Patent in court. The litigation lasted from
More commenly known as... (Score:5, Funny)
I think this is more commonly known as an "exit strategy" in the business world.
The best thing about the strategy (Score:5, Interesting)
Re:The best thing about the strategy (Score:2)
Re:The best thing about the strategy (Score:2)
What is their long term goal? Sue people for the next 20 years to always keep our online downloading in line? Its quite obvious they will either offer a
Obvious? (Score:3, Insightful)
New licensing agreement for all products. (Score:5, Funny)
1. Upon clearance of your check by the bank, we will sue you.
2. You agree to settle out of court for whatever amount we ask.
3. Failure to follow the terms of this agreement are grounds for lawsuit.
Re:New licensing agreement for all products. (Score:2)
Re:New licensing agreement for all products. (Score:2)
1. All your base are belong to us.
Profit lust... (Score:3, Insightful)
On the other hand, its also the same thing that drives corporations and conglomerates to be penny wise and pound foolish. Dirty money from suing children is a source of income that is necessarily limited. It will end. The individuals in the RIAA aren't stupid: they know it will end, too.
However, the RIAA, the entity itself, will charge ahead anyway.
Think again... (Score:2, Interesting)
Think again, this is scaring everyone around me into going out and buying CD's or purchasing rights to the music (mp3's) online. I think it is worthwhile for the RIAA to bring on these lawsuits. I only think they were too late in the game that it may not have near the effect it would have had had it been a few years back and with slightly different tactics.
Music monopoly (Score:2, Insightful)
Re:Music monopoly (Score:2)
It's telling that the only people that the RIAA truly and successfully locks into their business model are 12-year-olds, yet they will even sue them, too.
As an adult, I have come to fully appreciate the value of going without if it means sticking it to someone, if only for the sake of negotiation. Most 12-year-olds haven't learned this, yet, hence N'Sync and Britney Spears. Yes, these bands are products sold to a demo
Re:Music monopoly (Score:2)
You know, you just made me think of an interesting scenario. Imagine if artists couldn't or wouldn't be tied to a particular label by exclusive contract anymore. Brittany Spears could then release a couple of albums on different labels. Little Cindy would have more choice and so would the artist.
I know that it's a weird idea and probably has a million holes that can be punched through it, but it's still interesting to t
Re:Music monopoly (Score:2)
In conclusion, it will NEVER happen for the the reasons above. It may benifit the consumers, and quite possible the artist (More sales) but NOT the label who currently has the exclusive contract. Their contract, their choice on whether or not to anull it. They have no reason to, and many
Re:Music monopoly (Score:2)
Only if you're utterly and completely unfamiliar with such obscure industries as, oh, I don't know, BOOK PUBLISHING springs instantly to mind, for one.
and probably has a million holes that can be punched through it,
Only if you could come up with some substantive production and/or marketing discontinuity of process between the artistic product known as "music" and other artistic products, for one example the "books" referred to above.
What said substantive difference might
Apart the Ford precedent... (Score:2)
He must work for SCO.... (Score:5, Insightful)
What's "interesting" about the text... (Score:2, Funny)
cross-reference to SCO vs. IBM (Score:3, Insightful)
Re:cross-reference to SCO vs. IBM (Score:3, Insightful)
As Henry Ford once summed it up, lawsuits against new technologies provide "opportunities for little minds
HH
--
Reminds me of Pets Warehouse (Score:5, Interesting)
A Slashdot favorite, you can read about it here [slashdot.org], here [slashdot.org], here [slashdot.org] and a synopsis here [petsforum.com] and another one here [dynamoo.com].
Basically, suing the customers backfired horribly and Mr Novak ended up being countersued and lost. A cautionary tale!
Re:Reminds me of Pets Warehouse (Score:2)
One sentence says it all .... (Score:2, Insightful)
This one sentense sums up the the fate of the RIAA crusade. Digitalization of property is a reality and has made their business model outdated. No litigation can stop the wave of changes occuring also. People would never stop sharing things they possess, ever. RIAA can either adapt themselves to this (like news paper industry) or get perished (like whip manufacturers). I wish RIAA understand what Victor Heugo had said long back ,
Failure to evolve (Score:3, Insightful)
So I think that the point of the article is that times and technologies
"Customers" is the Wrong Word (Score:2, Troll)
RP
Re:"Customers" is the Wrong Word (Score:2)
You're missing the point. It would be more like WalMart getting the right to search your house for stolen cases of Coke (without obtaining a judge's approval first), and suing you if you can't prove that you
Sigh (Score:3, Interesting)
Here's the other thing: Most people that download songs, also buy CDs. Often the more they dow
SCO (Score:3, Insightful)
Re:SCO (Score:2)
The software industry is going through the growing pains that all industries go through. Right now, we are just getting past the "Model T" phase (e.g., UNIX is the worst OS on the planet, except for all other OSes). Perhaps, in another century or so, we will finally have the Toyota Camry of software, easy, functional, and reliable. Until then, we will have to keep our own mechanics (IT staff) around to fix every breakdown as it occurs.
Missing link (Score:5, Insightful)
Still, the ill-will the industry is generating (and the resources it is expending on being the bigger bully) do expand the opportunity of independent publishers to band together and take the high road. Let's hope we get some Ford-scale contenders in the mix soon.
Re:Missing link (Score:2)
The alternative commodity is the packaging and delivery of the music, not the music itself.
Re:Missing link (Score:2)
Your central assertion is invalid. Any form of intellectual property may, or may not be, BS. It is inherently a societal judgment call, a matter of interpretation. You may have a useful distinction if you point out that a copyright to a recording of a musical performance is a broa
Re:Missing link (Score:2)
Re: Intellectual Property (Score:3, Insightful)
Yeah, that'll happen...
But it's not an intellectual property issue. I've got 1 CD (Queen's "A night at the Opera" - showing my age) that I've bought 4 times - 8-track for the car, album for the house, cassette for the car, and now CD. And if I put an MP3 of it on my home deskt
Re: Intellectual Property (Score:4, Insightful)
Well, not to split hairs but you wouldn't be advocating theft anyway. Unauthorized distribution of copyrighted material is not theft, it's copyright violation and has to do with the perceived dilution of value of an activity the rights-holder has exclusive license to do.
And I have NO sympathy for the RIAA's position or more specifically that of the businesses they represent. What I do have is a belief that the basic architecture of copyright is going to stick around. It will be illegal to distribute unauthorized copies of copyrighted works. And this fundamental flaw will continue to interfere with anyone trying to make a go of alternative distribution of THEIR product. Dance our way or go to hell. Do it your own way, get sued.
But what you point out is that as the conventional industry is REDUCING the value of their product (don't use it this way, don't use it that way, oh look now it breaks your computer, sure you can have a compressed file but only this bundled Windows Media version! What you're an online store and you want to stream our product so potential buyers can browse the catalog? Heavens no, what if they capture it off the sound card, it'll be like they've got a cassette tape made off the radio, horror! You're welcome to start an internet radio station to stream our product - here's all your paperwork and here's your fat bill for royalties, and no you may not serve on demand and no you may not say what will be playing next! Thank you for sharing our music with thousands of potential customers. You're sued.) In this atmosphere, independents can RAISE the value of their product simply by doing NOTHING - just producing regular old CDs and not suing anyone - or even doing NEXT TO NOTHING - releasing under a license that specifically sanctions certain types of redistribution, like open source licenses do. That's a pretty cool opportunity the indies have and I'd like to see it used more and more, is all I'm saying.
new acronym? (Score:2)
O ur
R ecording
D ownloads!
(lame, I know.. but what the heck)
That's uncanny (Score:2)
Because in every discussion about rights that I can remember on Slashdot, at least one person has said "What if the motor car had been patented?"
Well, I guess that's no longer a rhetorical question. And we also know the answer: "not much, as long as just one person is prepared to fight it out rather than cave in."
Length of the litigation (Score:3, Insightful)
In short, a real patent lasts 20 years, a fake patent lasts 10. This is "not much?"
Re:Length of the litigation (Score:2)
>In short, a real patent lasts 20 years, a fake patent lasts 10. This is "not much?"
But during that period Ford was making and selling cars, and undercutting the cartel. If he had been enjoined not to, that would have been a different story.
And that pretty much sums up my feelings about bad intellectual property rights. Fight them if you have to, but the best strategy is simply to ignore them. See also SCO and their frantic antics.
Strategy for avoiding RIAA lawsuits (Score:2)
#2. Have an obscene amount of music. I dont think they will sue you for 15k per song when you have 10,000+ songs.
#3. Dont live in the US. They only sue americans.
#4. If you cant do #3, at least use a proxy.
#5. Optional: use something like bit torrent to download albums instead of using kazaa.
Simple, easy, I know I will never be sued, I follow all 5!
Principle of Methodic Inertia (Score:2)
(Quite different from the motivation for small teams "damn, that's a great idea!")
So, a business that succeeds once, then twice, in a changing market, is pretty much doomed: they have gone through their innovative phase and now rely on Methodic Inertia to keep going.
The RIAA (
What customers? (Score:2)
Re:What customers? (Score:2)
"Oh, man. It's too dangerous to download music, guess I'll just go back to dropping $18.95 a CD full of crap and that one song I like."
Hate to break it to you, RIAA, but that's NOT how it works. Sue music downloaders (whether customers or not) and what's my reaction? I'm not buying your shit...
Litigation insurance! What a great idea! (Score:3, Interesting)
RIAA has no alternative (Score:2)
Sure, they may lose/ piss off customers but they really don't have an alternative business model.
Their business is to distribute music; and guess what, that can be done for dirt cheap by anyone now. It is to be expected that RIAA will fight to the bitter end.
I only hope that more artists realize this as well...
Tor
Music CDs are overpriced, not obsolete (Score:3, Insightful)
For these uses, CDs provide a high-quality high-bandwidth solution (recall the old saying that there's no higher bandwidth than a station wagon full of tapes). But at $20, CDs are not a cost-effective solution. At 1/10 the price it certainly would be. Perhaps even at 1/5 the price.
I, for one, would fill my bookcases with music CDs at that price. You can bet I'd have a 'complete works' of every artist that I love. But at $20 I can count on zero hands the number of CDs I've purchased in the last year.
I believe that book publishers have set their price-points more in line with the value of the medium. Some people still photocopy entire books, but enough find that the convenience and quality of a bound book is worth the purchase price.
Could distribution companies make money at a few bucks a CD? I don't see why not.
Re:Music CDs are overpriced, not obsolete (Score:2)
I, for one, would fill my bookcases with music CDs at that price. You can bet I'd have a 'complete works' of every artist that I love. But at $20 I can count on zero hands the number of CDs I've purchased in the last year.
Ahh yes, but those "in control" don't think this is actually the case. I guess they're not willing to drop the prices - even temporarily - to see what effect this h
Re:Music CDs are overpriced, not obsolete (Score:2)
Not the best comparison (Score:2)
Thieves != customers (Score:2)
This is like saying that it's silly to prosecute a robber who walked into a jewelry store during business hours and bought a new battery for his watch while he got a good look at the floor plan.
Okay... (Score:2)
Wow, is this wrong. (Score:2)
1. The auto barrons tried to prevent Ford from making cheap cars.
2. Ford sued, and won, allowing them (him) to make cars.
Now if ford had been stealing the other manufacturers cars, and then selling them in his showrooms, that would be more like what is happening today.
1. People are downloading music.
2. The RIAA is trying to stop this.
So, lets compare
Re:Wow, is this wrong. (Score:2)
No, not really. No one's downloading songs and reselling the tunes. At least, not that I've heard of.
What would be more applicable is if Ford was stealing the cars and sharing them (or exact copies of them) with total strangers.
Re:Wow, is this wrong. (Score:2)
Is that because you know your analogy is tragically flawed? Opinioned idiots, indeed.
Were you inclinced to think about what you were reading, you would have noticed that the comparison was between changes in public opinion before and after the conglomerate in each case's horribly distasteful litigation. In the Ford case, no one gave a shit until the "car"-tel started suing his cu
I think the slashdotters... (Score:2)
Re:I think the slashdotters... (Score:2)
Hence the Ford analogy of how no one cared about his legal troubles until his opponents sued his customers.
Defunct Business Model (Score:2)
I can't remember where, but I read about a theory among economists that says the business entrenched in a technology is rarely able to embrace the new technology which will eventually unseat them. They have too much invested in the old technology and the risk in using the new techology is too high to warrant a radical change in the way they do business. However, the "up
Different Situation (Score:2)
Will suing customers hurt the RIAA? It certainly didn't work well for those who sued Henry Ford's customers, but this is a different situation.
The recording industry has done an excellent job of separating the public perception of the industry from the product. There is a classic stereotype of the big evil record label, always trying to force the innovative artist to compromise their vision and sell out. The artist, on the other hand, is viewed as the struggling genius fighting capitalism to bring musi
It worked for Patterson and National Cash Register (Score:3, Interesting)
The National Cash Register Company, under John Patterson, sued customers who bought competing cash registers, and forced most of the competing manufacturers out of business. NCR became the largest cash register company and maintained that position for most of a century. This was contemporary with Ford's litigation with the Association of Licensed Vehicle Manufacturers, around 1900. Details can be found in biographies of Patterson or of T.J. Watson, the founder of IBM and once Patterson's top salesman.
Patent lawsuits are hard enough to win that sueing customers is not particularly productive, so this is rare. Copyright lawsuits are much easier to win, especially after the DMCA, so sueing customers is a workable strategy.
So, what's the real solution? (Score:2)
So what's the solution?
What do people want? To have the RIAA just not do anything? That's not going to happen.
We know the RIAA would be just happy to keep prices where they were for CDs. People aren't going to put up with that, and want lower prices.
Lowering prices to $10 a CD isn't going to work because there are always going to be people that trade music for free, and never pay for it.
Does the pr
Bad analogy (Score:3, Insightful)
Re:BUT HEY! (Score:2, Insightful)
But!!! (Score:2)
RIAA should copy Ebay (Score:5, Insightful)
Someone might be willing to pay $10US for the newest Sarah Brightman album and $1 for the four Simon & Garfunkel albums released between 1965 and 1970. Another person would be willing to pay the reverse.
The RIAA would offer to make available to your local record store certain albums. You would offer a bid for a selection of songs or albums. The RIAA would delay the release of certain titles to you depending upon their popularity.
For example, if you bid $10 for the latest Sarah Brightman then you could have it burned onto a CD-ROM at your local record store today. But you bid only $1, then you would have to wait thirty days. The ratio of the length of time that you would have to wait vs. your bid price would change according to the overall demand for a particular title. A $0.50 bid for the latest Backside Boys release would have a wait period of three months while bidding $0.50 for Sam The Sham's Greatest Hits would have no waiting period at all.
Since there very little marginal cost for reproducing and distributing the music on the internet, the industry should consider that they could maximize their profit on each album through a flexible pricing structure that reflects the demand curve (i.e. the musical preference and budget) of each different customer.
You shouldn't have to go through the hassle of downloading music through the internet (and it is a real hassle for those of us with dial-up access). You should be able to just go to a local record store and have a blank CD-R burned with your selections, then and there. The record store would download from the RIAA your auction 'winnings', take your payment, and deliver up your CD.
So many new marketing stategies...So many new ways to make money and make their customers happy...So little willingness to try new things...too many lawyers and sleezeballs...too much historical baggage. That's the whole MP3 vs. RIAA conflict in a nutshell.
Untrue (Score:2)
In the business world, anyone with money is a potential customer, and the process of courtship is what determines whether you get that money or not.
Re:They're not customers (Score:5, Insightful)
A customer is someone who buys something from you
Fine, instead of calling them customers, call them "the market" or "potential customers" or even "previous customers." Either way, they represent the people with whom the RIAA have the greatest potential to do business.
They are music lovers. The RIAA members sell music. Ergo, it is *not* in the RIAA's best interest to piss off these people. Pretty straight-forward, if you ask me.
They ARE customers! (Score:2)
NarratorDan
Re:They're not customers (Score:2, Insightful)
For most people, file sharing of MP3s is like flipping through the magazines at Barnes and Noble for an hour, and then just buying one book (if anything). Imagine if B&N randomly sued every 10000th customer $5000 for each magazine they looked at, and t
Re:Spinning like a top (Score:3, Insightful)
This is such a blatant spin, I can only shake my head in awe. The RIAA is not "suing its customers" - it is suing illegal filesharers. While I suppose it is remotely possible that a small fraction of those people actually occassionally buy a CD every few months, and would thus technically make them "customers", the logical connection drawn by the inflammatory statement in the story summary is completely backwards.
RESPONSE:
The "suing it's customers" deal isn't as inaccurate a claim as you think. Ill
Re:Spinning like a top (Score:2)
Repeating something does not make it true. To your credit, you're not the only person repeating this lie, but that doesn't make it any less false. The above statement is pure horse-sh*t, with no basis in reality, and absolutely no scientific data to support the absurd claim.
It make a nice, fluffy mantra to justify illegal filesharing, but it just plan has no basis in reality. Everyone I know who occassionally downloads songs
Re:Spinning like a top (Score:2)
The good thing now is that technology allows us to evaluate alblums before we buy them. Music may be getting worse or it could have always been this bad, but since people can listen before they buy they do a much better job at avoiding crap now.
Reminds me of some movie exec on TV blaming the low turnout for Gigli on text messa
Re:Spinning like a top (Score:2)
Piracy (Score:2)
And yet ... (Score:2)
Never underestimate your opponents capacity for stupidity.
Re:Misconceptions. (Score:3, Interesting)
That's a dangerous assumption.
Though I'm not one of the sued, I'll give you an example. A friend of mine had a KMFDM CD and let me listen to it. I liked it, and bought myself a copy, but I wanted to see if I'd like their other albums before I went and purchased them. I went online, downloaded some mp3s from their other albums.
At that point I was a customer of theirs, even though I was getting mp3s of other albums online. (Turn
my stupid 2 cents (Score:2)
2. Mind where you tread... Because it's legal to share most bands' files... just not the big, major, money-sucking bands. Many small and local bands are glad to have the exposure. My band, for example, tries to encourage file-sharing of our songs
3. Yeah, but it's ethically very cruel to take away a poor man's possessions. Most people don't care about laws... they simply follow personal ethics. To me, it is better to make your own decisions about r
Re:It's all relative... (Score:5, Insightful)
when distribution becomes primarily eletronic, then if the RIAA doesn't wholly control the distributor (if that distributor gives a fair deal to any recording company) their monopoly falls apart, their income will evaporate and the RIAA itself will be redundant and removed.
the recording companies will once again have to compete (because startups and independents can make money even if they're not in Best Buy and Media Play) and the association will dramatically lose funding. whether the individual record companies compete well enough to remain doesn't matter. odds are that they will, but they won't need to donate money to the RIAA to protect their distribution monopoly.
keep in mind, it's the RIAA doing the suing. Not sony, not bmg, not time warner - not even in joint litigation. the same RIAA who are mainly comprised of organizational management and lawyers who exist to perpetuate the monopoly. The same RIAA that operates as a nonprofit, and would be required to donate any existing capital should they go bankrupt.
So they are doing what only makes sense. Invent litigation and lobbying efforts to stall the end of the monopoly (to make more on wages) and to drum up extra legal fees (drain the coffers before the end), and brush up the resume.
The RIAA itself has no other option. It can't adapt, it can't compete. Once the distribution monopoly is gone, the record companies will at the least dramatically scale back their contributions, and the party will be over.
illegal p2p file sharing will lose ground to legit music download services. most people -will- pay to get the right song at the right bit rate at the best download speeds the first time. many already do, and there isn't even much competition. the fact that illegal p2p transfers -are- illegal is important and will contribute to the adoption of legal alternatives, but only slightly for most of the people downloading.
Sigh. I wish that were true. (Score:2)
In reality, hating the RIAA is easy. But actually boycotting them?
That, sir, is another ballgame altogether.
Re:A "No-Nonsense Indie" certification mark (Score:4, Insightful)