Marvel Tweaks Their Superhero Film Formula With Ant-Man 58
An anonymous reader writes: Over the past decade, Marvel has been rolling out superhero film after superhero film. They've found a successful formula, and each of the last half-dozen films has brought in over a half-billion dollars in ticket revenue. Today they added to the franchise with Ant-Man, based on a superhero who can shrink himself to the size of an ant (while maintaining normal strength), and control insects. But where the spate of Avengers-related movies only occasionally interjected humor into their world-preserving plots, Ant-Man focuses more on being funny and simply entertaining. Reviews are generally positive, but not overwhelmingly so — Rotten Tomatoes has it at 79%, with a 91% audience score while Metacritic has it at 64/100, with an 8.4/10 user score. The LA Times calls it "playful." Vox has good and bad to say about Ant-Man, but notes that its failings are very common to Marvel's other films. Salon says, "...in its medium-stupid and mismanaged fashion it's not so awful." Wired posted the obligatory physics of Ant-Man article, as did FiveThirtyEight.
Re:This isn't tech. This isn't stuff that matters. (Score:5, Insightful)
Comic book movies are about as nerdy as it gets, so this definitely qualifies as "news for nerds".
Marvel's parent vs. Your Rights Online (Score:2)
Yet Marvel's parent company has been the biggest corporate proponent of copyright term extension. The civil libertarian press didn't call it the "Mickey Mouse Protection Act" for nothing. It's also a major proponent of laws to prohibit production of devices useful for circumventing digital restrictions management. So stories that portray Marvel in a positive light run counter to whatever slant Slashdot's "Your Rights Online" section is trying to show.
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What the hell happened to this site?
It's ACs no longer know what being nerdy is about.
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They should just skip ahead to MANT (Score:2)
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I prefer Mighty Mouse's ally, the bat who dresses up as a bat. Bat-Bat.
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I prefer Mighty Mouse's ally, the bat who dresses up as a bat. Bat-Bat.
How about a wombat that dresses as Batman and is idolized by Pit? Captain N called it Wombatman [google.com].
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Galligator FTW!
Sexist (Score:5, Funny)
The Man from UNCLE (Score:2)
Uncle-Woman.
No, that's a different film that comes out next month [wikipedia.org].
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Can we stop giving a damn about non-user scores? (Score:3, Insightful)
How many times have we seen this with everything from Ant-Man to the same issue in the other direction with Far Cry 2? "Critics" hate something because it doesn't pander to their agenda while people love it, or they fall over each other fellating it because it does pander to their agenda or they got paid while actual consumers despise it because it's crap.
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Some people spend all day watching Fox-News, others try and catch every speciality program on NPR. The great thing about critic reviews is that it segregates two groups of movie goers, one who go for entertainment, and the other who demand something intelligent and unique from the experience.
Having both allow people with different tastes to judge the same film, or people with common tastes to judge different films. For the linkes of Ant-Man and Jurassic World I followed the user scores. For the likes of the
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the last one i paid to see by sitting in an actual theatre which got good reviews from both: Schindler 's List.
The last for me was Ex Machina. I think it got good user reviews because the trailer accurately depicted the film, so most people who wouldn't like it, didn't go see it, and the user reviews were skewed by selection bias. I thought it was a very good film, but my kids would not have liked it (they didn't see it).
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No, they really don't. The whole point is that critic reviews are if anything incredibly shallow, essentially little more than hipsterish circlejerks.
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No, they really don't. The whole point is that critic reviews are if anything incredibly shallow, essentially little more than hipsterish circlejerks.
Well, to give the GP credit they are useful for people who want to be in on the circlejerk, and there seems to be a lot of those people.
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You got it. circlejerk. The critics grab a common theme and stick with it and exhibit an incredible amount of groupthink. The statistics that films which receive good critical review are more likely to receive an academy award is unquestionable.
So what about my my comment was so wrong? Listening to the circlejerkers can give you an idea of what to expect from a movie, especially if you don't fit their mould of group think.
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The statistics that films which receive good critical review are more likely to receive an academy award is unquestionable.
The academy awards is the very definition of circle jerk. Its hollywood giving hollywood accolades based on hollywood opinion.
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Re-read my reply. The fact that a film qualifies for the circle jerk of the academy awards actually says a lot about it, and that is something you as the person reading reviews can use to determine if you want to see it or not.
Now it could very well be that you have no idea how the circle jerking works, can't understand the group think, and have no idea what makes an academy award winning movie thus. Only then can you not gain some useful bit of knowledge about the movie from the review.
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The problem is still political. Movies pushing left wing 'progressive' agendas are given slavishly positive reviews by so-called 'critics', many of whom are blatantly obvious and open about their political views in their reviews. These movies often go on to win awards from organizations whose committees also suffer from 5th columns, creating a nice false consensus.
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The purpose of criticism is not to tell you whether you will like something or not. It may touch on this, but that is a side affect, not the main purpose. For a variety of reasons, movie reviews sometimes are about whether you will like the movie or not, and offer nothing in the way of criticism (in the traditional academic sense). Sometimes reviewers who combine both, sometimes in the same review. I can see how this can create confusion for the casual review reader, as you have to try to figure out when a
its actually not bad (Score:1)
just finished watching it, about an hour ago and its not half bad
as per usual theres the bit after the headline stars credits and the bit right at the very end of the credits
No they didn't (Score:2)
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Shouldn't that be Ant Woman? (Score:4, Funny)
I mean, unless he's a drone ... Although, given the actor, that might make sense.
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Ants don't have drones. Bees do. Did you mean male alates?
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Coming from Disney I really was surprised that it wasn't Ant Woman. And not black. And not lesbian.
Gamergate is ant-speak for "working mom" (Score:2)
Probably avoided making it a woman to avoid the possibility of comparisons to Gamergate [wikipedia.org].
Saw it, liked it (Score:2)
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The movie sacrificed something in pursuit of a punchline or a gag every five-to-ten minutes. It's like the movie was trying so hard to be tongue-in-cheek that it almost approached self-importance from the othe
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Ant-Man had a more interesting character than anybody else in a suit except maybe Tony Stark. It was different from other Marvel movies, but I thought it was good in a different way.
The second treat scene (why we sat through all those credits) makes it clear that Ant-Man will be back, and suggests in what capacity. In Marvel fashion, it also hints at what will be going on in the next movie.
I for one welcomed the comedy (Score:2)
Not every movie needs to be serious.
Also, I loved the fact that the original Star Trek had some just plain funny episodes. My favorite episode was very serious ("The Doomsday Machine") but I was happy to watch the funny ones as well ("I, Mudd" and "The Trouble With Tribbles"). It was something I missed with Star Trek: The Next Generation... that show was so serious all the time.
"The Trouble With Tribbles" was a masterpiece, in that it was primarily a comedy episode but there was an actual serious plot und