Does Thanking Too Many People in the Credits Indicate a Movie is Bad? (stephenfollows.com) 54
Film data researcher Stepehen on his blog: David Wilkinson got in touch yesterday asking for advice on his new crowdfunding campaign. One of the topics he wanted to chat about was the 'cost' of offering a "Thanks" credit to his backers. This involves awarding someone who backs the film a credit on the movie under the "With Thanks" section. This name check would appear at the end of the movie and, crucially, on IMDb. On the face of it, there is no cost to offering an almost infinite number of these as it would just be a case of a longer end credit crawl and IMDb doesn't charge for listing credits.
However, David brought up an anecdote from his time as a distributor. In conversations with fellow film sales professionals, the topic of 'how to spot a bad movie' came up. One participant said that they regard having too many 'With Thanks' credits as a red flag. The others agreed and added that the number of producers listed on a movie was similarly useful in spotting a bad film. These are just the kind of industry beliefs that I love to test. This week I'm going to tackle the 'With Thanks' credits and then next week I'll turn to producing credits. I gathered data on 8,096 movies released in US cinemas between 2000-19 (i.e. pre-pandemic), taking note of their number of credited/thanked individuals, their IMDb score (to stand in for audience views) and Metascore (to sample the views of critics). Conclusion: "A simple and pleasing result. The industry belief that having more than the average number of people thanked in the credits means the movie is bad is flat-out wrong."
However, David brought up an anecdote from his time as a distributor. In conversations with fellow film sales professionals, the topic of 'how to spot a bad movie' came up. One participant said that they regard having too many 'With Thanks' credits as a red flag. The others agreed and added that the number of producers listed on a movie was similarly useful in spotting a bad film. These are just the kind of industry beliefs that I love to test. This week I'm going to tackle the 'With Thanks' credits and then next week I'll turn to producing credits. I gathered data on 8,096 movies released in US cinemas between 2000-19 (i.e. pre-pandemic), taking note of their number of credited/thanked individuals, their IMDb score (to stand in for audience views) and Metascore (to sample the views of critics). Conclusion: "A simple and pleasing result. The industry belief that having more than the average number of people thanked in the credits means the movie is bad is flat-out wrong."
When a simple link would suffice? (Score:4, Interesting)
Why not a link to a website? Basically a simple database that would allow people to look for donors by various attributes?
(Yeah, of course I'm thinking in terms of a CSB, but it would also be relevant to adding that "financial model" tab to smartphone applications. In theory, OSS means anyone could tinker with the software, but in practice, messing with another person's code is problematic. Different problems if the other person is a better or worse programmer, even including your past self.)
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Because links d
Star Track Pacard (Score:2)
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Who will follow that link? Way less people than those few sitting trough all the long (and boring) ending credits.
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I was writing on the theory that they mostly wanted to help create the movie, not buy cheap and fake "glory". Read charity versus X?
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*sigh*
s/Read/Real/
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Nobody sits through the credits either. Everyone is in the bar down the street on their second beer by the time that's on screen.
The old way of doing credits was at the start when they said, "Starring blah blah Directed by blah blah" and then the movie was underway. At the end it said "The End."
Everyone actually saw the credits then. Credit inflation (second assistant to the guy bringing the coffee to the set) led to the twenty minutes of credits that roll at the end of some movies now.
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The longest (recent) movie credits that I'm aware of are on Le Flor (2018); 30 minutes.
If you want a relatively recent mainstream movies Lord of the Rings Fellowship of the Ring has "only" 27 minutes of credits.
Re:When a simple link would suffice? (Score:4, Insightful)
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Thanks for the clarification. Why doesn't the IMDB just auction the pages directly for more cash? Don't tell me Amazon has enough profit already.
imdb entry (Re:When a simple link would suffice?) (Score:1)
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People like to see their names carved in stone for all eternity to see.
Well... (Score:2)
Thanks for that.
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When it works, science is boring. Couldn't they have at least fudged some numbers to create controversy?
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Next up: (Score:2)
Does patting a hunchback's hump really bring good luck?
Re: Next up: (Score:3, Funny)
"What hump?"
Wow (Score:1, Offtopic)
Must be a REALLY slow news day...
Thanks (Score:2)
I can finally cross this one off the list of things I care about. As an aside, the shift-G feature in the vi editor is awesome.
Bad signs in the credits (Score:2)
Too many screenwriters (meaning more than one, or perhaps two at the very most) is certainly a bad sign.
Can't think of any other reliable indicators of merit, though. What difference does it make who gets thanked for providing productioin support? Some movies need more, some less.
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A hypothesis that I've never heard of (Score:2)
was successfully disproven. Maximum efficiency!
Diversity statements indicate a bad movie. (Score:4, Insightful)
I first noticed this with A Wrinkle In Time when they showed a 5 minute video before the movie about how diverse the cast and crew were. I knew right away the movie would be garbage, and it was.
Low-Budget (Score:4, Interesting)
Some low-budget films barter an on-screen credit for a resource. The starving artists also have more to gain by showing some gratitude than the Fat-George-Lucas types would.
Those low-budget films are usually better than Hollywood Megafilms.
Yet the CG-heavy films can have 20 minutes of credits and blow chunks too.
Still there's a legit place for over-crediting.
Doesn't Hold up (Score:2)
No One Watches The Credits (Score:2)
Its not a good sign (Score:2)
I must have a cold, I'm coughing a lot (Score:2)
No (Score:4, Informative)
It means they had no real money to do the movie.
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... almost infinite number ...
Almost two dozen comments so far on this and the expression, "almost infinite number" just got right by you all? Can anyone say what number is almost, but not quite "infinite?" No one else is going to point out that our language already has a word that what the writer was reaching for, and that has the advantage of not being nonsensical, namely, "large"? (SMH) I guess it falls to me, then.
Y'all slackin'.
unfinite
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Just run em like tv (Score:1)
There are way better indicators (Score:5, Interesting)
1) Too many writers/directors/other staff you usually need only one or a few.
If you see 2, 3 or even more directors, especially if they don't work together but instead consecutively, it's usually a pretty good indicator that either some of them were incompetent and got fired or were pissed off with some part of the crew and just left in a huff. Either means that you have two parts that don't fit together because the conflicting directors had conflicting "vision" (which is yet another reminder that someone who has "visions" should seek professional help but not bother the rest of the world with them). Same for writers, if a script needs 5+ people to polish the turd, don't bother.
2) Endless production time.
If a movie in in production for YEARS and it's not something akin to the Lord of the Rings with a run time long enough that you can make a fortune selling Prep-H in front of the theater, it's a pretty good indicator that they were pissing about, wasting budget and didn't have enough budget left to make post halfway decent. Which gets me to...
3) Reshoots when post already started (or even later)
If you get reshoots of crucial scenes after post already happened or, worse, after the test screenings happened because the audience was SO put off that you basically had to return to the drawing board because your movie is a turd, polishing it with new scenes won't make it better. It will only make it more confusing since the scenes somehow don't fit into the existing movie, you can't just reshoot half the movie because the budget doesn't allow it and you end up with plot holes large enough to move whole planetary systems through them.
4) If something unrelated gets paraded out as the big selling point.
If they start making the "diversity" of the cast a big issue, if they talk at length about how environmentally friendly or eco-conscious the movie is, if they spend hours talking about this or that charity that benefits greatly from it, it generally means they try to avoid talking about the movie and its content. Take a wild guess why that could be the case.
5) If all you see in the trailers are the shock-and-awe CGI scenes
Don't get me wrong, action movies live and die with good effects. But if they are supposed to carry the movie because the plot is only the threadbare frame that keeps those CGI fests together, you are looking at a movie that had no budget for a script, for actors worth the name, for proper pacing and anything else because it ALL went into making sure the effects blow you out of your seat. You might like it, I don't.
So no, it's not the length of the credit that indicate a bad movie. There are way, way better red flags to look out for.
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Same for writers, if a script needs 5+ people to polish the turd, don't bother.
Standard practice in Hollywood is to only credit the two most prominent screenwriters regardless of how many were on the project. The credits won't help you there. The exception is the ampersand vs "and". Sometimes you see three writers with one pair jouned with an ampersand.
especially if they don't work together but instead consecutively
What a lot of people don't realise is when credits say "x and y" it means x and y worked on the project at different times with different drafts. Usually one was brought in after another was fired. "x & y" on the other hand means x
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Standard practice in Hollywood is to only credit the two most prominent screenwriters regardless of how many were on the project. The credits won't help you there. The exception is the ampersand vs "and". Sometimes you see three writers with one pair jouned with an ampersand.
That might still indicate a good script, if you're dealing with a writer team that has a history together. I'm thinking of the infamous Zucker, Abrahams & Zucker trio that gave us such comedy pearls like KFM and Naked Gun. But if you have two or three writers that usually work solo, run.
if the movie was bad (Score:2)
If the movie was bad, I ain't going to want my name associated with it in the credits.
Betteridge's Law of Headlines (Score:2)
Headline:
"Does Thanking Too Many People in the Credits Indicate a Movie is Bad? "
Conclusion:
"The industry belief that having more than the average number of people thanked in the credits means the movie is bad is flat-out wrong."
Yup. Betteridge's Law still working
Controls (Score:2)
In general I'd expect a film with a larger budget to be generally "larger" (more people, locations, etc) and to entail more thanks.
I'd also expect a larger budget to generally correlate with higher reviews.
So the default assumption is that as budget increases you get both higher reviews and higher "thanks".
Getting the budget might be tricky, but I'd be curious to see what happened if you start controlling for other likely co-variates of budget like cast size.
There's an easier way (Score:2)
If the stars of an upcoming Hollywood movie visit Australia to give interviews, or even attend the premiere, the movie is likely to be a flop. I have a pretty good hit rate with that one.
Viewers of the Today Show on Channel 9 take note: if the interview is done by Brooke Boney rather than Richard Wilkins, the bigger the probability the movie is a flop. Since they had nothing to do with the creation of the movie, this isn't inherent to some quality of the interviewer, just an observation I have made.
absurd number of 'authors' always wrong (Score:1)
Trick Question: Nobody watches the credits anyway (Score:2)
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Well the gaffer is the guy who controls the tape, the grip holds the camera really tight to keep the image steady, and the best boy is better then all of the other boys. Hope this helps.
This is a Betteridge trap to get a desired answer. (Score:2)
Slow news day. (Score:2)
Wow, this is what we get for news on here. Who cares how many names are in the credits? Has zero baring on the movies quality at all. I know if I was involved in a movie, it would be nice to have my name in the credits. Adding 100 more names doesn't diminish the movie at all.
A category of credits-heavy shows (Score:2)
Betteridge's law of headlines applies ... (Score:2)
Any headline that ends in a question mark can be answered by the word no.
Meh (Score:2)