An anonymous reader quotes a report from the European Space Agency: White dots arranged in five clusters against a black background (PNG). This is the simulated extraterrestrial signal transmitted from Mars and deciphered by a father and a daughter on Earth after a year-long decoding effort. On June 7, 2024, media artist Daniela de Paulis received this simple, retro-looking image depicting five amino acids in her inbox. It was the solution to a cosmic puzzle beamed from ESA's ExoMars Trace Gas Orbiter (TGO) in May 2023, when the European spacecraft played alien as part of the multidisciplinary art project 'A Sign in Space.' After three radio astronomy observatories on Earth intercepted the signal, the challenge was first to extract the message from the raw data of the radio signal, and secondly to decode it. In just 10 days, a community of 5000 citizen scientists gathered online and managed to extract the signal. The second task took longer and required some visionary minds.

US citizens Ken and Keli Chaffin cracked the code following their intuition and running simulations for hours and days on end. The father and daughter team discovered that the message contained movement, suggesting some sort of cellular formation and life forms. Amino acids and proteins are the building blocks of life. Now that the cryptic signal has been deciphered, the quest for meaning begins. The interpretation of the message, like any art piece, remains open. Daniela crafted the message with a small group of astronomers and computer scientists, with support from ESA, the SETI Institute and the Green Bank Observatory. The artist and collaborators behind the project are now taking a step back and witnessing how citizen scientists are shaping the challenge on their own.

Oscar winner Robert Downey Jr. has threatened legal action against future studio executives who attempt to recreate his likeness using AI. "I intend to sue all future executives just on spec," Downey said when asked about potential AI recreations of his performances. He dismissed concerns about Marvel Studios using his likeness without permission, citing trust in their leadership. During the interview, he criticized tech executives who position themselves as AI gatekeepers, calling it "a massive fucking error."

An anonymous reader quotes a report from the Hollywood Reporter: Grab your wagons and oxen, and get ready to ford a river: A movie adaptation of the popular grade school computer game Oregon Trail is in development at Apple. The studio landed the film pitch, still in early development, that has Will Speck and Josh Gordon attached to direct and produce. EGOT winners Benj Pasek and Justin Paul will provide original music and produce via their Ampersand production banner. Sources tell The Hollywood Reporter that the movie will feature a couple of original musical numbers in the vein of Barbie.

The Lucas Bros. (Judas and the Black Messiah) and Max Reisman are set to pen the screenplay about the game that is meant to mimic 19th-century pioneer times, following a covered wagon train heading west. Created in 1971, the game reached cult status among American grade schoolers by the 1990s as one of the first educational computer games allowed in schools -- and for its hilariously dark storylines filled with broken arms, typhoid and dysentery. The film will likely debut on Apple TV+, but details are scarce at the moment.

Speaking of streaming services, an anonymous reader shares a story that looks into Apple's entertainment offering: Ever since its launch in 2019, Apple TV+ has been carving out an identity as the new home for prestige shows from some of Hollywood's biggest names -- the kind of shows that sound natural coming out of Jimmy Kimmel's mouth in monologue jokes at the Emmys. While the company never provides spending details, Apple is estimated to have spent at least $20 billion recruiting the likes of Reese Witherspoon, M. Night Shayamalan, and Harrison Ford to help cultivate its award-worthy sheen. For all the effort Apple has expended, and for all the cultural excitement around Ted Lasso during its three-season run, the streaming service has won nearly 500 Emmys ... while attracting just 0.2% of total TV viewing in the U.S.

No wonder the company reportedly began reining in its spending spree recently. (Apple did not reply to a request for comment.) "It seems like Apple TV wants to be seen as a platform that's numbers-agnostic," says Ashley Ray, comedian, TV writer, and host of the erstwhile podcast TV I Say. "They wanna be known for being about the creativity and the love of making TV shows, even if nobody's watching them."

The experience of enjoying a new Apple TV+ series can often be a lonely one. Adventurous subscribers might see an in-network ad about something like last summer's Sunny, the timely, genre-bending Rashida Jones series about murderous AI, and give it a shot -- only to find that nobody else is talking about it in their social media feeds or around the company Keurig machine. Sure, the same could be said for hundreds of other streaming series in the post-monoculture era, but most streaming companies aren't consistently landing as much marquee talent for such a limited library. (Apple currently has 259 TV shows and films compared to Netflix's nearly 16,000.)

How is it possible for a streaming service to have as much high-pedigree programming as Apple TV+ does and so relatively few viewers, despite an estimated 25 million paid subscribers? How can shows starring Natalie Portman, Idris Elba, and Colin Farrell launch and even get renewed without ever quite grazing the zeitgeist? How does a show set in the same Monsterverse as Godzilla vs. Kong, and starring Kurt Russell and his roguishly charming son, not become a monster-size hit?

For many perplexed observers, the blame falls squarely on Apple's marketing efforts, or seeming lack thereof.

An anonymous reader shares a report: Subscription fees for video streaming services have been on a steady incline. But despite subscribers paying more, surveys suggest they're becoming less satisfied with what's available to watch.

At the start of 2024, the industry began declaring the end of Peak TV, a term coined by FX Networks Chairman John Landgraf that refers to an era of rampant content spending that gave us shows like The Wire, Breaking Bad, and Game of Thrones. For streaming services, the Peak TV era meant trying to lure subscribers with original content that was often buoyed by critical acclaim and/or top-tier actors, writers, and/or directors. However, as streaming services struggle to reach or maintain profitability, 2024 saw a drop in the number of new scripted shows for the first time in at least 10 years, FX Research found.

Meanwhile, overall satisfaction with the quality of content available on streaming services seems to have declined for the past couple of years. Most surveys suggest a generally small decline in perceived quality, but that's still perturbing considering how frequently streaming services increase subscription fees. There was a time when a streaming subscription represented an exclusive ticket to viewing some of the best new TV shows and movies. But we've reached a point where the most streamed TV show last year was Suits -- an original from the USA Network cable channel that ended in 2019.

More than 10,500 artists and creators -- including ABBA's Bjorn Ulvaeus, actress Julianne Moore, actors Kevin Bacon and F. Murray Abraham, as well as former Saturday Night Live star Kate McKinnon, author James Patterson and Radiohead's Thom Yorke -- signed a statement condemning AI companies' unauthorized use of creative works for training their models. The initiative, led by former AI executive Ed Newton-Rex, demands an end to unlicensed training data collection amid mounting legal challenges against tech firms. "The unlicensed use of creative works for training generative AI is a major, unjust threat to the livelihoods of the people behind those works, and must not be permitted," reads the statement.

The protest comes as major artists and publishers battle AI developers in court. Authors John Grisham and George R.R. Martin are suing OpenAI, while record labels Universal, Sony and Warner have filed lawsuits against AI music creators Suno and Udio. The signatories reject proposed "opt-out" schemes for content scraping, calling instead for explicit creator consent.

An anonymous reader quotes a report from the Hollywood Reporter: A production company for Blade Runner 2049 has sued (PDF) Tesla, which allegedly fed images from the movie into an artificial intelligence image generator to create unlicensed promotional materials. Alcon Entertainment, in a lawsuit filed Monday in California federal court, accuses Elon Musk and his autonomous vehicle company of misappropriating the movie's brand to promote its robotaxi at a glitzy unveiling earlier this month. The producer says it doesn't want Blade Runner 2049 to be affiliated with Musk because of his "extreme political and social views," pointing to ongoing efforts with potential partners for an upcoming TV series.

The complaint, which brings claims for copyright infringement and false endorsement, also names Warner Bros. Discovery for allegedly facilitating the partnership. "Any prudent brand considering any Tesla partnership has to take Musk's massively amplified, highly politicized, capricious and arbitrary behavior, which sometimes veers into hate speech, into account," states the complaint. "Alcon did not want BR2049 to be affiliated with Musk." [...] The lawsuit cites an agreement, the details of which are unknown to Alcon, for Warners to lease or license studio lot space, access and other materials to Tesla for the event. Alcon alleges that the deal included promotional elements allowing Tesla to affiliate its products with WBD movies. WBD was Alcon's domestic distributor for the 2017 release of Blade Runner 2049. It has limited clip licensing rights, though not for Tesla's livestream TV event, the lawsuit claims.

Alcon says it wasn't informed about the brand deal until the day of the unveiling. According to the complaint, Musk communicated to WBD that he wanted to associate the robotaxi with the film. He asked the company for permission to use a still directly from the movie, which prompted an employee to send an emergency request for clearance to Alcon since international rights would be involved, the lawsuit says. The producer refused, spurring the creation of the AI images. [...] Alcon seeks unspecified damages, as well as a court order barring Tesla from further distributing the disputed promotional materials. Musk referenced Denis Villeneuve's Blade Runner movie during the robotaxi event. "You know, I love Blade Runner, but I don't know if we want that future," he said. "I believe we want that duster he's wearing, but not the, uh, not the bleak apocalypse."

I, Robot director Alex Proyas also took to X last week, writing: "Hey Elon, Can I have my designs back please?"

An anonymous reader shared this report from ComicBook.com: On Saturday, 20th Century Studios announced that the latest entry in the Alien sci-fi horror franchise will get a limited-edition VHS release on December 3 — just in time for the holidays.

The VHS release of Alien: Romulus is the first such release from a major studio since 2006... a major win for fans of physical media. In recent months, there has been a great bit of conversation surrounding the so-called death of physical media with the rise of digital and streaming with some retailers even having previously announced that they have or will be stopping sales of physical media. But with streaming platforms removing content for various reasons, there's been a rise in appreciation for physical media which has, in turn, resulted in increased sales, particularly when it comes to limited edition items such as Steelbooks [collectible steel-case disc releases]... Given that the Alien: Romulus VHS release is part of an overall celebration of the franchise for its 45th anniversary year, leaning into that nostalgia for feels pretty spot on.
The release will present the movie "in a 4:3 aspect ratio," writes the Verge, "hopefully with well-done pan-and-scan..." (Their post includes a promotional picture showing the "slick, vintage-style" box-cover art.)

"The tape has only the film," notes Gizmodo, "and no special featurette attached at the end, like some used to back in the day."

Gizmodo also reminds readers of Hulu's 2025 series Alien: Earth and an upcoming videogame sequel to 2014's Alien: Isolation.

Neal Stephenson is a sci-fi writer "of exuberant prose who revels in embracing big ideas," according to the New York Times. "With Polostan he enters the realm of the spy novel..."

Or, as the Washington Post puts it, Stephenson "drops readers into a bloody, inspiring, conflict-ridden and pivotal period of the early 20th century." With its flair for characterization, precision of language, witty apercus and fecundity of events, the novel delivers what we've come to cherish from the author of such fantastical classics as "The Diamond Age," "Snow Crash" and "Cryptonomicon."

But the book is also utterly unlike the majority of Stephenson's work. For one thing, it's short — a far cry from the maximalist "systems novels" that cram in entire worlds with complex interacting power structures, both explicit and hidden. "Polostan" is also devoid of fantastical elements and farcical "hysterical realism," which comes as a bit of a shock given that this is the writer who invented Mafia pizza-delivery guys and cybernetic children's primers. The structure of the book is, likewise, unusually straightforward: a mainly linear narrative dispersed along two timelines...

These observations aren't quibbles so much as alerts to the reader that this is new territory for Stephenson — and good for him! Though, because Polostan is the first novel in a planned historical series titled Bomb Light, which aims to capture the excitement and intrigue of the nuclear arms race, we cannot rule out any Stephenson freakiness down the line... Assuming the subsequent books are as good as this one, Stephenson might end up with a series that rivals Michael Moorcock's Pyat Quartet and Edward Whittemore's Jerusalem Quartet as a vivid and canny dissection of a century unlike any other.
"Much of the next volume is already written," Stephenson says on Substack, calling it "a project that has been in the works for over ten years". (He also notes that among his novels, "even the stuff that's branded as science fiction tends to contain a lot of history.")

Meanwhile in August, Stephenson's blockchain-tech startup Lamina1 announced a collaboration with special effects company Weta Workshop (from "The Lord of the Rings" film franchise) on a "participatory worldbuilding" experience. Variety reports: The experience is expected to offer "a new blueprint for IP expansion through immersive experiences that incorporate fan action and input."

Per Lamina1's description for the project, "Stephenson and the Weta team will begin engaging a global community of creators and fans on the Lamina1 platform this fall, inviting them to unravel the lore behind a mysterious set of 'Artefacts' that will build upon the themes and lore from Stephenson's critically-acclaimed catalog of work.

Next, the superfan will take on the new role of creator, utilizing their discoveries to contribute directly to the expansion of the universe."

"Artefact" will serve as the flagship project in the Lamina1-Weta partnership and first major multimedia property launching on Lamina1's blockchain infrastructure and tooling.
Neal Stephenson answered questions from Slashdot's readers in 2004. Now to promote his new novel Polostan, Stephenson will be making several personal appearances this week:

• At the Wisconsin Book Festival in Madison (Sunday at noon)
• Chicago's Book Stall (Monday at 7 p.m.)
• A Cary, North Carolina Barnes & Noble (Tuesday at 6 p.m.)
• New York City's Strand (Wednesday at 7 p.m.)
• At the Midtown Scholar Bookstore in Harrisburg, Pennsylvania (Thursday at 7 p.m.)
• Ames, Iowa at Dog Eared Books (Sunday at 6 p.m.)

Google's NotebookLM app has been updated to let you generate custom podcasts from almost any source material. The AI software is also dropping the "experimental" tag. Wired reports: To make an AI podcast using NotebookLM, open up the Google Labs website and start a New Notebook. Then, add any source documents you would like to be used for the audio output. These can be anything from files on your computer to YouTube links. Next, when you click on the Notebook guide, you'll now see the option to generate a deep dive as well as the option to customize it first. Choose Customize and add your prompt for how you'd like the AI podcast to come out. The software suggests that you consider what sections of the sources you'd like highlighted, larger topics you want further explored, or different intended audiences who you want the message to reach.

One tip [Raiza Martin, who leads the NotebookLM team inside of Google Labs] shares for trying out the new feature is to generate the Audio Overview without changes, and while you're listening to this first iteration, write down any burning questions you have or topics you wish it expanded on. Afterwards, use these notes as a launching pad to create your prompts for NotebookLM and regenerate that AI podcast with your interests in mind. [...] Yes, Google's NotebookLM might flatten the specifics of a big document or get some details mixed up, but being able to generate more personalized podcasts from disparate sources truly does feel like a transformation -- and luckily nothing like turning into a giant bug. You can view some examples of AI-generated podcasts here.

An anonymous reader shares a report: Starting on October 14, 2024, news outlets including Yahoo and NME reported that year-over-year, the U.S. vinyl market was down 33 percent. The data for these articles came from a weekly report from Billboard called "Market Watch," which automatically updates with data provided by the company Luminate. Amid the vinyl revolution, this news signified a shift in buyer habits: a sales decline among vinyl for the first time in 17 years.

On October 15, Discogs contacted Chris Muratore, director of partnerships at Luminate, who confirmed that the reported data is incorrect. Vinyl sales are actually up 6.2 percent. Billboard has since added language to their "Market Watch" report, clearing up the error. Luminate has been the gold standard for physical music sales numbers for decades. However, at the beginning of this year, the company changed its reporting process, frustrating many record store owners and industry personnel.

An anonymous reader quotes a report from 404 Media: The code that runs Redbox DVD rental machines has been dumped online, and, in the wake of the company's bankruptcy, a community of tinkerers and reverse engineers are probing the operating system to learn how it works. Naturally, one of the first things people did was make one of the machines run Doom. As has been detailed in several great articles elsewhere, the end of Redbox has been a clusterfuck, with pharmacies, grocery stores, and other retailers stuck with very large, heavy, abandoned DVD rental kiosks. To many people's surprise, many of the kiosks remain operational even with the bankruptcy of Redbox's parent company, which has led some people to "liberate" DVDs from the abandoned kiosks. Reddit is full of posts by people who say they have taken dozens of DVDs from kiosks all over the country. Free DVDs is one thing. But in recent days, people have realized that they can, in some cases, get free Redbox kiosks. In an August filing, Walgreens told the bankruptcy court that it has 5,400 abandoned kiosks at its stores, and that it is spending $184,000 a month keeping them powered. "Walgreens should not be required to continue to 'store' and power Redbox kiosks across the country without any form of payment," the company wrote. And so tinkerers and reverse engineers have begun asking stores whether they can take the devices off their hands. There are also posts on Reddit by contractors who are selling them, and I was able to find various Redbox DVD kiosks being advertised for sale on Facebook Marketplace. (There are far more listings on Facebook Marketplace from people who have obtained hundreds or thousands of Redbox DVDs and are now selling them.)

Recently the operating system for Redbox kiosks was dumped online, and this community is now probing it to see how it works. In a thread on Mastodon, reverse engineer Foone Turing has been posting some of her findings, which include the fact that Redbox machines contain a file that has "a complete list of titles ever rented, and the email addresses of the people who rented them, and where and when." She also found that the first six and last four digits of credit card information was logged. She said that the records on the particular unit that she was looking at contained 2,471 different transactions and had records on it dating back to 2015. Other reverse engineers have found that Redbox kiosks contained information about the physical locations of every other kiosk. The server that they communicated with is currently offline (because the company is bankrupt). But people have also been putting together information about what different error codes in the software mean (for example, the error code "0020BDT" would happen when an obstruction was detected in the machine). They have also found and dumped service manuals for different parts of the device and have found a few login passwords (one password is "US#1Choice4movierentals"). [...] There has also been discussion about how the machines could be modified to talk to a new server, or whether the operating system could be put on a DIY Redbox device. Another person installed Minecraft on their Redbox. It is still very early days, but, with the bankruptcy of Redbox's parent company, ironically these devices are being given new life.

An anonymous reader quotes a report from Ars Technica: This fall, thousands of fake albums were added to Spotify, with some appearing on real artist pages, where they're positioned to lure unsuspecting listeners into streaming by posing as new releases from favorite bands. An Ars reader flagged the issue after finding a fake album on the Spotify page of an UK psych rock band called Gong. The Gong fan knew that the band had begun touring again after a surprise new release last year, but the "latest release" listed by Spotify wasn't that album. Instead, at the top of Gong's page was a fake self-titled album supposedly released in 2024.

The real fan detected the fake instantly, and not just because the generic electronic music sounded nothing like Gong's experimental sounds. The album's cover also gave the scheme away, using a generic font and neon stock image that invoked none of the trippy imagery that characterized Gong's typical album covers. Ars confirmed with Gong member Dave Sturt that the self-titled item was an obvious fake on Monday. At that time, Sturt said the band was working to get the junk album removed from its page, but as of Tuesday morning, that album remained online, along with hundreds of other albums uploaded by a fake label that former Spotify data "alchemist" Glenn McDonald flagged in a social media post that Spotify seemingly ignored.

On his site, McDonald gathered the junk album data by label, noting that Beat Street Music, which has no web presence but released the fake Gong album, uploaded 240 junk albums on Friday alone. Similarly, Ancient Lake Records uploaded 471 albums on Friday. And Gupta Music added 483 just a few days prior, along with 600 junk albums from Future Jazz Records uploaded between September 30 and October 8. These junk albums don't appear to be specifically targeting popular artists, McDonald told Ars. Rather, generic music is uploaded under a wide range of one-word artist names. However, by using that tactic, some of these fake albums appeared on real artist pages, such as Gong, experimental rock band Swans, and English rock bands Asia and Yes. And that oversight is on Spotify, McDonald suggested. "We are aware of the issue, have relocated the content in question, and are considering our further options against the providing licensor," a Spotify spokesperson said. "When we identify or are alerted to attempts by bad actors to game the system, we take action that may include removing stream counts and withholding royalties. Spotify invests heavily in automated and manual reviews to prevent, detect, and mitigate the impact of bad actors attempting to collect unearned royalties."

Imgur announced changes to its content moderation policies, no longer classifying memes with adult humor as mature. Going forward, only memes with sexualized or lewd content will receive the mature tag. The Verge reports: Imgur is making the changes after it collected feedback about its content moderation over the course of this year, including that its policies, "especially surrounding mature content, feel inconsistently applied, too subjective, or just rather confusing as a whole," according to a post from Imgur product manager Martyn O'Neill. Now, mature content consists "solely of sexualized or 'lewd'" content.

Following the adjustments, O'Neill says that "warnings / post removals" are down nearly 35 percent month over month. Far fewer posts are being marked as mature as well; that stat has declined by almost 50 percent.

An anonymous reader quotes a report from Ars Technica: On Wednesday, NYC-based software developer Nick Spreen received a surprising alert on his iPhone 15 Pro, delivered through an early test version of Apple's upcoming Apple Intelligence text message summary feature. "No longer in a relationship; wants belongings from the apartment," the AI-penned message reads, summing up the content of several separate breakup texts from his girlfriend -- that arrived on his birthday, no less. Spreen shared a screenshot of the AI-generated message in a now-viral tweet on the X social network, writing, "for anyone who's wondered what an apple intelligence summary of a breakup text looks like." Spreen told Ars Technica that the screenshot does not show his ex-girlfriend's full real name, just a nickname.

This summary feature of Apple Intelligence, announced by the iPhone maker in June, isn't expected to fully ship until an iOS 18.1 update in the fall. However, it has been available in a public beta test of iOS 18 since July, which is what Spreen is running on his iPhone. It works akin to something like a stripped-down ChatGPT, reading your incoming text messages and delivering its own simplified version of their content. On X, Spreen replied to skepticism over whether the message was real in a follow-up post. "Yes this was real / yes it happened yesterday / yes it was my birthday," Spreen wrote. In response to a question about it being a fair summary of his girlfriend's messages, he wrote, "it is."

We reached out to Spreen directly via email and he delivered his own summary of his girlfriend's messages. "It was something along the lines of i can't believe you just did that, we're done, i want my stuff. we had an argument in a bar and I got up and left, then she sent the text," he wrote. How did he feel about getting the news via AI summary? "I do feel like it added a level of distance to it that wasn't a bad thing," he told Ars Technica. "Maybe a bit like a personal assistant who stays professional and has your back even in the most awful situations, but yeah, more than anything it felt unreal and dystopian."

The first scripted Immersive Video project for Apple's Vision Pro debuts on October 10. Called Submerged, the film "invites viewers onto a WWII-era submarine and follows its crew as they wrestle to combat a harrowing torpedo attack." 9to5Mac reports: The short film was written and directed by an Academy Award-winning filmmaker. That makes it stand out from other Immersive Video Apple has produced to this point. The filmmaker, Edward Berger, is best known for films like All Quiet on the Western Front and the upcoming Conclave. You can watch the trailer with commentary from the director here.

An anonymous reader shares a report: The companies behind the streaming industry, including smart TV and streaming stick manufacturers and streaming service providers, have developed a "surveillance system" that has "long undermined privacy and consumer protection," according to a report from the Center for Digital Democracy (CDD) published today and sent to the Federal Trade Commission (FTC). Unprecedented tracking techniques aimed at pleasing advertisers have resulted in connected TVs (CTVs) being a "privacy nightmare," according to Jeffrey Chester, report co-author and CDD executive director, resulting in calls for stronger regulation.

The 48-page report, How TV Watches Us: Commercial Surveillance in the Streaming Era [PDF], cites Ars Technica, other news publications, trade publications, blog posts, and statements from big players in streaming -- from Amazon to NBCUniversal and Tubi, to LG, Samsung, and Vizio. It provides a detailed overview of the various ways that streaming services and streaming hardware target viewers in newfound ways that the CDD argues pose severe privacy risks. The nonprofit composed the report as part of efforts to encourage regulation. Today, the CDD sent letters to the FTC [PDF], Federal Communications Commission (FCC), California attorney general [PDF], and California Privacy Protection Agency (CPPA) [PDF], regarding its concerns. "Not only does CTV operate in ways that are unfair to consumers, it is also putting them and their families at risk as it gathers and uses sensitive data about health, children, race, and political interests,â Chester said in a statement.

An anonymous reader quotes a report from Ars Technica: On Friday, Meta announced a preview of Movie Gen, a new suite of AI models designed to create and manipulate video, audio, and images, including creating a realistic video from a single photo of a person. The company claims the models outperform other video-synthesis models when evaluated by humans, pushing us closer to a future where anyone can synthesize a full video of any subject on demand. The company does not yet have plans of when or how it will release these capabilities to the public, but Meta says Movie Gen is a tool that may allow people to "enhance their inherent creativity" rather than replace human artists and animators. The company envisions future applications such as easily creating and editing "day in the life" videos for social media platforms or generating personalized animated birthday greetings.

Movie Gen builds on Meta's previous work in video synthesis, following 2022's Make-A-Scene video generator and the Emu image-synthesis model. Using text prompts for guidance, this latest system can generate custom videos with sounds for the first time, edit and insert changes into existing videos, and transform images of people into realistic personalized videos. [...] Movie Gen's video-generation model can create 1080p high-definition videos up to 16 seconds long at 16 frames per second from text descriptions or an image input. Meta claims the model can handle complex concepts like object motion, subject-object interactions, and camera movements. You can view example videos here. Meta also released a research paper with more technical information about the model.

As for the training data, the company says it trained these models on a combination of "licensed and publicly available datasets." Ars notes that this "very likely includes videos uploaded by Facebook and Instagram users over the years, although this is speculation based on Meta's current policies and previous behavior."

Amazon is set to roll out a greater number of ads [non-paywalled link] across its blockbuster television shows and movies on Prime Video next year as the US tech giant steps up its push into ad-funded streaming services. Financial Times: The company said it had not seen a sharp drop in subscribers since it introduced advertising to its Prime Video platform eight months ago, allaying fears among top executives of a customer backlash, as it attempts to win over more brands to its streaming service.

Kelly Day, vice-president of Prime Video International, who oversees the streaming video business in global markets, told the Financial Times there would be an increasing number of ad slots for brands to target in 2025. Talking ahead of its first London "up front" on Wednesday evening -- when television companies present their plans to advertisers to attract money over the next year -- Day said its advertising "load" would "ramp up a little bit more into 2025."

An anonymous reader quotes a report from 404 Media: Somewhere over the streets of San Francisco's Mission, a microphone sits surveilling ... for banger songs. Bop Spotter is a project by technologist Riley Walz in which he has hidden an Android phone in a box on a pole, rigged it to be solar powered, and has set it to record audio and periodically sends it to Shazam's API to determine which songs people are playing in public. Walz describes it as ShotSpotter, but for music. "This is culture surveillance. No one notices, no one consents. But it's not about catching criminals," Walz's website reads. "It's about catching vibes. A constant feed of what's popping off in real-time."

ShotSpotter, of course, is the microphone-based, "gunshot detection" surveillance company that cities around the country have spent millions of dollars on. ShotSpotter is often inaccurate, and sometimes detects things like fireworks or a car backfiring as gunshots. Chicago, one of ShotSpotter's biggest clients, is finally allowing its contract with the company to end. Bop Spotter, on the other hand, is designed to figure out what cool music people are blasting from their cars or as they walk down the street. "I am a chronic Shazam-er. Most songs I listen to come from first hearing them at a party, store, or on the street," Walz told 404 Media. "Years ago I had the thought that it'd be cool to Shazam 24/7 from a fixed location, and I recently learned about ShotSpotter, and thought it'd be amusing to do what they do with music instead of gunshots. Was a great weekend project."

Walz said that the phone itself is rigged to a solar panel, and that it records audio in 10-minute blocks while in airplane mode. "Then it connects to WiFi to send the file to my server, which then split it into 20-second chunks that get passed to Shazam's API. The device doesn't Shazam directly, that would use way too much power. Probably $100 of parts," he said. BopSpotter's website has a constant feed of songs it hears, as well as links to play the songs in Spotify or Apple Music. As I'm writing this, BopSpotter has picked up "Not Like Us" by Kendrick Lamar, "The Next Episode" by Dr. Dre, and "Never Gonna Give You Up" by Rick Astley (a Rick Roll already?) among dozens of songs in the last few hours. The site also has a constant feed of the device's power levels. So far in three days, it has detected 380 songs. "I thought the solar panel would be annoying but it provides 4 times more power than the phone needs," Walz said. "The hardest part was scoping out which pole to actually put it up on. I had to balance finding a busy location where lots of music could be picked up, with enough sunlight, and good connection to a public wifi network."

Walz didn't say where exactly the phone is located.