Slashdot reader ne0phyte73 writes: I got my first computer (a Commodore 64) when I was 13. My daughter got hers (One Laptop Per Child) when she was 5.

What are the current trends?

I see new AI-powered edutainment products coming to the market, targeted at toddlers. Would you give something like this to your 18 months old? (Kidshealth claims that there should be no screen time at all until 18 months, with the exception of "video chatting with grandparents or other family friends, which is considered quality time interacting with others."). Well, developers of "Animal Island Learning Adventure" claim that they provide quality interaction with AI-powered characters. Do you believe in the claims of developers that this or similar systems help toddlers to develop?

Would you give it to your child?

If this is, in fact, a "quality interaction", would you give it to kids even before they are 18 months old?
One review site said that particular learning adventure offers a tablet "pre-loaded with 60 days of ad-free content" focused on learning skills for preschoolers. Personally, that just makes me worry what would happen after 60 days. But share your own thoughts in the comments.

At what age should toddlers get screen time?

harrymcc writes: Atari's first home computers, the 400 and 800, were announced at Winter CES in January 1980. But they didn't ship until late in the year -- so over at Fast Company, Benj Edwards has marked their 40th anniversary with a look at their rise and fall. Though Atari ultimately had trouble competing with Apple and other entrenched PC makers, it produced machines with dazzling graphics and sound and the best games of their era, making its computers landmarks from both a technological and cultural standpoint.

Kyle Wiggers, writing for VentureBeat: AI and machine learning algorithms are quite skilled at generating works of art -- and highly realistic images of apartments, people, and pets to boot. But relatively few have been tuned to singing synthesis, or the task of cloning musicians' voices. Researchers from Amazon and Cambridge put their collective minds to the challenge in a recent paper in which they propose an AI system that requires "considerably" less modeling than previous work of features like vibratos and note durations. It taps a Google-designed algorithm -- WaveNet -- to synthesize the mel-spectrograms, or representations of the power spectrum of sounds, which another model produces using a combination of speech and signing data.

The system comprises three parts, the first of which is a frontend that takes a musical score as input and produces note embeddings (i.e., numerical representations of notes) to be sent to an encoder. The second is a model that is modified to accept the aforementioned embeddings, whose decoder produces mel-specrograms. As for the third and final component -- the WaveNet vocoder, which mimics things like stress and intonation in speech -- it synthesizes the spectrograms into song. The frontend performs linguistic analysis on the score lyrics, allowing for three possible vowel levels of stress and ignoring punctuation. In time, it discovers which phonemes (perceptually distinct units of sound) correspond to each note of the score using syllabification information specified in the score itself. It also computes the expected duration in seconds of each note, as well as the tempo and time signature of the score, which it combines into embeddings.

The US Department of Agriculture listed Wakanda as a free-trade partner -- despite it being a fictional country. From a report: A USDA spokesperson said the Kingdom of Wakanda was added to the list by accident during a staff test. The department's online tariff tracker hosted a detailed list of goods the two nations apparently traded, including ducks, donkeys and dairy cows. In the Marvel universe, Wakanda is the fictional East African home country of superhero Black Panther. The fictional country was removed soon from the list after US media first queried it, prompting jokes that the countries had started a trade war.

Over the past few years, record labels have been suing ISPs for not removing music pirates from their services, and this week, the record labels may have hit a tremendous victory. From a report: A US District Court jury has found Cox Communications liable for piracy infringement of more than 10,000 musical works, and as a result, has awarded $1 billion in damages to Sony Music, Universal Music Group, Warner Music Group and EMI. Essentially, the recording industry just showed that a jury will buy its argument that an ISP should be held liable for failing to kick a music pirate off its network. And similar lawsuits like the one Cox lost today have been filed against Charter, Charter subsidiary Bright House Networks, RCN, and Grande Communications, so there's a chance that rulings against those companies could go similarly.

dryriver writes: 27 years ago, the BBC's "Tomorrow's World" show broadcasted this little gem of a program [currently available on YouTube]. After showing old Red-Cyan Anaglyph movies, Victorian Stereoscopes, lenticular-printed holograms and a monochrome laser hologram projected into a sheet of glass, the presenter shows off a stereoscopic 3D CRT computer display with active shutter glasses. The program then takes us to a laboratory at Massachusetts Institute Of Technology, where a supercomputer is feeding 3D wireframe graphics into the world's first glasses-free holographic 3D display prototype using a Tellurium Dioxide crystal. One of the researchers at the lab predicts that "years from now, advances in LCD technology may make this kind of display cheap enough to use in the home."

A presenter then shows a bulky plastic VR headset larger than an Oculus Rift and explains how VR will let you experience completely computer-generated worlds as if you are there. The presenter notes that 1992 VR headsets may be "too bulky" for the average user, and shows a mockup of much smaller VR glasses about the size of Magic Leap's AR glasses, noting that "these are already in development." What is astonishing about watching this 27-year-old TV broadcast is a) the realization that much of today's stereo stereo 3D tech was already around in some form or another in the early 1990s; b) VR headsets took an incredibly long time to reach the consumer and are still too bulky; and that c) almost three decades later, MIT's prototype holographic glasses-free 3D display technology never made its way into consumer hands or households.

Xperi and TiVo said Thursday that they have entered a definitive agreement to combine in an all-stock entertainment technology deal with an enterprise value of approximately $3 billion. From a report: Xperi sells audio, imaging and computing technology products. TiVo had previously planned to split into two companies, one focused on products and the other on intellectual property. "The transaction creates a leading consumer and entertainment technology business and one of the industry's largest intellectual property (IP) licensing platforms with a diverse portfolio of entertainment and semiconductor intellectual property," they said. Xperi shareholders will own approximately 46.5 percent of the combined business, and TiVo shareholders will own approximately 53.5 percent. The combined firm, headquartered in San Jose, Calif., will use the Xperi name, but continue to provide entertainment services under the TiVo brand, alongside Xperi brands, such as HD Radio and Imax Enhanced.

Astronomers compared old views of the sky with what we see today and found that at least 100 stars appear to have vanished, or were perhaps covered up. While they've seen no signs of aliens just yet, they say parts of space where multiple stars seem to disappear could be the best places to look for extraterrestrial intelligence (ETI). CNET reports: On March 16, 1950, astronomers at the U.S. Naval Observatory pointed a telescope roughly in the direction of the constellation Lupus the wolf and took a picture. When scientists look at that same patch of sky today, something is missing, and it could be evidence of something else lurking out there. Back in 2016, researchers in Sweden reported that a star had been lost. One of the roiling distant suns visible in that USNO image from the previous century could no longer be seen, even with the more advanced and sensitive digital sky surveys in use today.

The team published a paper on the discovery, but called it "very uncertain" at the time, resolving to do more follow-up work and to continue scouring old USNO observations for other celestial objects that seem to have gone missing. Three years later, it's still unclear what happened to that star spotted in 1950, but the team behind the "Vanishing & Appearing Sources during a Century of Observations" (Vasco) project now says they've found a hundred more missing stars like it by comparing old and new observations. "Unless a star directly collapses into a black hole, there is no known physical process by which it could physically vanish," explains a new study published in the Astronomical Journal and led by Beatriz Villarroel of Stockholm University and Spain's Instituto de AstrofÃsica de Canarias. "The implications of finding such objects extend from traditional astrophysics fields to the more exotic searches for evidence of technologically advanced civilizations."

A non-standard and somewhat weird password reset operation is currently underway at a German university, where more than 38,000 students and staff were asked this week to stand in line with their ID card and a piece of paper to receive new passwords for their email accounts. From a report: All of this is going on at the Justus Liebig University (JLU) in Gieben, a town north of Frankfurt, Germany. The university suffered a malware infection last week. While the name or the nature of the malware strain was not disclosed, the university's IT staff considered the infection severe enough to take down its entire IT and server infrastructure. The university's network has been down since December 8, and all computers have been isolated and disconnected from each other. For the past days, IT staff have used antivirus scanners loaded on more than 1,200 USB flash drives to scan each JLU computer for malware.

Meet Red Carpet Entertainment, the opposite of Netflix in the fast-changing home-video world. From a report: Unlike the famous streaming service, which serves up thousands of films and TV shows to millions of subscribers for about $13 a month, this startup by two entertainment-industry veterans is seeking just 3,000 rich Americans who'll put up $15,000 and pay $2,500 per movie to watch the latest theatrical releases in their homes. Since launching in October, Red Carpet has attracted just a sliver of the customers it hopes to sign up in the U.S. in the next two years, founders Fredric Rosen and Dan Fellman say. And they know they aren't the first to market a high-end, first-run film service to the ultra-rich. But the two say their knowledge of the entertainment industry gives them a fighting chance. "Everyone is looking for a new, ancillary business," said Fellman, who spent 37 years at Warner Bros, retiring as president of domestic distribution. "So we thought: How do we start a small, ancillary business, but that's not disruptive?"

Starting today, you can now stream more than 100 local PBS stations on YouTube TV by way of dedicated live channels for both PBS and PBS Kids, as well though on-demand programming. More stations are expected to be added in 2020, PBS notes. TechCrunch reports: PBS service is available to 75% of U.S. households via YouTube TV, significantly broadening PBS' reach among cord-cutters. Before today, PBS programming has been available through the PBS.org and PBSKids.org websites, as well as the PBS Video app and PBS Kids app for iOS, Android, Roku, Apple TV, Amazon Fire TV, Samsung TV and Chromecast. Some of its programming has also been available on-demand via channels offered by Amazon and Apple, as well as through popular on-demand streaming services like Netflix. And of course, U.S. households can also pick up their local PBS station's signal for free via their digital antenna, or subscribe to cable or satellite TV to access PBS channels. But YouTube TV is the first live TV service to offer PBS stations directly in its app.

Rewound, the basic music player app released last week that you could skin to make your iPhone look remarkably like an iPod Classic, has been pulled from the App Store, according to Rewound blog post published on Medium. The Verge reports: The blog says that Apple pulled the app because it copied the iPod's design, charged for Apple Music features, and people could mistake the app for an Apple product. The blog makes the case that the app had a pretty basic interface that looked nothing like an Apple app, and the iPod classic skins didn't come preinstalled. (You had to download them after you had already installed the app.) We've asked Apple for comment, and we'll update this story when we hear back.

The Rewound blog says the iOS app can't be updated without "breaking the app for all 170,000+ users," but the developer, Louis Anslow, says he will attempt to bring the app back in some way. On a GoFundMe page for continued development of Rewound, Anslow says he will "try some tweaks to get Rewound resubmitted" on the App Store and that the GoFundMe will help support development of a web app and an Android app. On the GoFundMe page, Anslow says it "isn't clear if Apple will ever allow Rewound back on the [App Store]," and states that "we are not promising fully finished versions" of any of the apps.

66-year-old Lucasfilm President Kathleen Kennedy reveals what they'll do after Star Wars: The Rise of Skywalker. Kennedy says that streaming "is a really important transition... What we've been focused on these last five or six years is finishing that family saga around the Skywalkers. Now is the time to start thinking about how to segue into something new and different."

Kennedy also blames the poor box office of the 2018 movie Solo on the release of too many Star Wars movies too quickly, and remembers getting Disney's okay on a "pause" before future films. "We're literally making this up from whole cloth and bringing in filmmakers to find what these stories might be," Kennedy said. "It can take a while before you find what direction you might want to go. We need the time to do that." The next "Star Wars" film is expected to arrive in 2022, and that's essentially all that's known about it. Marvel Studios President Kevin Feige has an idea for a "Star Wars" movie, but it's in the early stages, according to Kennedy. Rian Johnson, who wrote and directed "The Last Jedi," is also developing more "Star Wars" films.

Kennedy said she plans to make key decisions about the direction of the franchise in the coming weeks. But some things she already knows. While the "Skywalker" saga is ending, the company won't abandon the characters created in the most recent trilogy. Additionally, she said, the plan is to move beyond trilogies, which can be restricting. "I think it gives us a more open-ended view of storytelling and doesn't lock us into this three-act structure," she said. "We're not going to have some finite number and fit it into a box. We're really going to let the story dictate that."
The article also notes that George Lucas complained there was "nothing new" in The Force Awakens, according to Bob Iger's recent book The Ride of a Lifetime. And though that film was a commercial and critical success, the Times also writes that "Debates over the franchise persisted." "The Last Jedi," for example, was criticized in some circles for going too far in subverting "Star Wars" tropes. Kennedy says the company heeds feedback from "Star Wars" fans. For example, Lucasfilm decided to revive "The Clone Wars" TV series for Disney+ following a prolonged campaign by viewers. "It does matter what they say and what they care about," Kennedy said. "All of those things play a role in our decision making."

Aside from films, Lucasfilm has ample "Star Wars" material in the works, especially for Disney+. The studio is working on shows starring Ewan McGregor as Obi-Wan Kenobi and Diego Luna as his rebel spy character from "Rogue One." Additionally, the company is experimenting with new formats. Lucasfilm's ILMxLab, a virtual reality and augmented reality unit founded in 2015, this year released a VR series called "Vader Immortal" that puts users face-to-face with Darth Vader and trains headset users to wield a lightsaber.

Slashdot reader alaskana98 writes: In the February 2001 issue of Maximum PC, technical editor Will Smith described in his column what he would like to see in the "perfect set-top box". At a time when arguably the best 'PVR' experience was being provided by the first iterations of the Tivo (with no HDTV or LAN connectivity), Will's description of what a set-top box could and should be comes eerily close to what we now know as the Apple TV and other 'set-top' boxes such as Roku and Amazon Firestick...

To be fair, not every feature on his list would come to pass. For example, he envisioned this device as essentially serving as the main "broadband router of a household, sharing your Internet connection with any networkable device in your house". Also, he envisions the media box as providing a "robust web experience" for the whole family, something that today's set-top boxes aren't especially good at (anyone remember WebTV?).

Still, in wanting an "elusive magical box" that "will set on top of our HDTV's and do everything our computers, game consoles, and VCRs do, only better", he was prescient in his descriptions of what would eventually materialize as the Apple TV and other like-minded set-top boxes, impressive for a denizen of the year 2001.
Are you impressed with Smith's predictive ability? Here's what he wrote...

• On networking: "My set-top box will have to have a high-speed broadband connection...sharing your Internet connection with any networkable device in your house via standard Ethernet, Wi-Fi compatible wireless Ethernet, Bluetooth".

• On gaming: "[W]ill include state-of-the-art 3D acceleration and gaming support" and "will include Bluetooth-style wireless connections for all your controllers".

• On media playback: "[W]ill also serve as a media store, handing the duties of both my high-def personal video recorder (HD-PVR) and digital audio jukebox".

• On device collaboration: "integrating the ability to automatically synchronize with Bluetooth-enabled" devices. [Though the original article says "PDAs"]

Last weekend saw the death of Rene Auberjonois at age 79, writes Variety.

schwit1 quotes their report: Auberjonois was a prolific television actor, appearing as Paul Lewiston in 71 episodes of 'Boston Legal' and as Clayton Runnymede Endicott III in ABC's long-running sitcom 'Benson.' He played Odo in 'Star Trek: Deep Space Nine,' and carried that role into video games, voicing the same role in 'Harbinger' and 'The Fallen.' He appeared in the movie 'MASH' as Father Mulcahy in the first of several collaborations with Robert Altman. Other film credits include Roy Balgey in 1976's 'King Kong' and Reverend Oliver in 'The Patriot,' as well as parts in 'McCabe & Mrs. Miller,' 'Eyes of Laura Mars' and 'Walker.'
He also played the French chef in Disney's The Little Mermaid -- a role which Rene reenacted live at the end of this video where he discussed his friendship with William Shatner.

And this week ET shared footage of Rene thoughtfully reflecting after filming the last episode of Deep Space Nine.

Anticipating next week's release of Star Wars: The Rise of Skywalker, 20 fans are already camping out in front of Hollywood's TCL Chinese Theatre, reports Cinema Blend: The tight-knit group of fans have brought along their sleeping bags, tents and Star Wars pajamas to the location for 20 years (since 1999's The Phantom Menace) to get ready for the release of another Star Wars movie. They pass the time by playing games, working on Star Wars LEGO sets and raising awareness for the Starlight Children's Foundation.

Check out one camper's update on Twitter. He's been hanging out in Hollywood for four days and is prepared to wait six more...

The superfans have set up a Death Star rug over handprints of iconic celebrities and are playing a game of Sabacc... [A] little over 100 more are expected to join them in the coming days. The stars of The Rise of Skywalker are expected to walk a red carpet close by on Monday when the world premiere takes place. One fan hopes Disney invites the campers into the screening as the studio did back in 2015 when The Force Awakens premiered.

In 30 minutes an exclusive clip from the yet-to-be-released Star Wars: The Rise of Skywalker will premier in the videogame Fortnite.

An anonymous reader quotes the Verge: We've known about the clip premiere since last week, but Epic disclosed some more concrete details Thursday night at the Game Awards. The studio says it'll open the gates of its virtual world starting at 1:30 p.m. EST. The clip will start airing at the Risky Reels drive-in movie theater at 2 p.m. EST. Speaking with Game Awards host Geoff Keighley yesterday, Epic's worldwide creative director Donald Mustard hinted that there would be some sort of involvement from director J.J. Abrams. We don't know if that means a live pre-show, or perhaps the director himself will intro the clip before it airs.
UPDATE: CNN has a report on the event, while also noting that its start was delayed 15 minutes "because of issues with logging in and making purchases.

"Even after 2:15 pm, players still took to social media to complain the game was crashing or they couldn't even open it."

Fortnite is also offering skins of Star Wars characters Rey and Finn, according to the article, with Mustard envisioning Fortnite as a world where all intellectual property "can live together." The Verge also predicts that the clip will eventually be available elsewhere online, while Business Insider believes "countless" Fortnite players will stream the event live on YouTube and Twitch.

Meanwhile, J. J. Abrams has also asked Lucasfilm to release the original Star Wars trilogy in its original pre-Special Edition format, according to Nerdist.com, but "I've been told that, for reasons that I quite don't understand, that that's not necessarily possible."

In an exclusive interview with Gamespot, Partner Director of Program Management for Team Xbox Jason Ronald revealed a new feature of the Xbox Series X: the ability to suspend and resume multiple games at once. Wccftech highlights what Ronald said: [From Gamespot]: "Today, we have the capability of instantly resuming the last game that you were playing. Why can't you do that for multiple games? Many players choose to play multiple games at the same time, being able to instantly jump right back where I was, those are things that we can do with the platform level to make the gaming experience better. It's really about ensuring there's less waiting and more time playing because that's ultimately what we all want to do with the consoles and with the services that we have."

For his part, Phil Spencer (Head of Gaming at Microsoft) wanted to highlight the goal to enhance the player's immersive factor thanks to the high refresh rate (the Xbox Series X supports up to 120 frames per second) and reduced input latency: "So when we talk about things like refresh rate and we talk about input latency, this is all about the most immersive experience game designers can create, where the visuals are stunning, my ability to get into the experience [is] very timely, it's as great as it's ever been with the I/O speeds and the load times we're going to see, and the input and the ability for just my control and activation of my character or of the game itself becomes a subconscious thing and not something that I think about."

Billboard has announced that video and audio data from YouTube, along with visual plays from several music streaming services, will soon be factored into the Billboard 200 albums chart. In addition to YouTube, officially licensed video content plays from Apple, Spotify, Tidal and Vevo will be included in the album chart's calculations. From the report: The inclusion of video data into the Billboard 200 arrives five years after audio streams were added, marking the chart's shift from a measure of pure sales to a consumption model. The addition of video will also impact Billboard's genre album consumption charts, such as Country, R&B/Hip-Hop, Latin and others. While YouTube streams have factored into the Billboard Hot 100 and other song-specific charts since February 2013, this marks a first for the album charts. In contrast with song charts, which can be impacted by user-generated videos, only official licensed video content uploaded by or on behalf of rights holders will be counted for the Billboard 200 and other albums charts. The changes take effect with the charts dated Jan. 18, 2020, which will reflect sales and streams for the period of Jan. 3-9.

An anonymous reader shares a report: More than 30 million people use a Roku device to navigate the constellation of streaming TV services. The company's portfolio includes the "stick" ($49.99), which resembles a USB drive; the "puck" ($79.99), a black square with smooth edges and minimal detailing; and a $400 smart TV with Roku's operating system. The more expensive options offer better image quality and such features as extra digital storage space. As the era of cable and satellite TV dims, Chief Executive Officer Anthony Wood says Roku is poised to keep capitalizing on the boom in streaming video. It's an independent player that can work well with all the entrants, he says, including new services from Disney and Apple and forthcoming ones from AT&T and Comcast. "It's satisfying to see the world be all in on streaming," says Wood. "That's nothing but excellent for Roku."

Many investors on Wall Street agree: The company's stock is up more than 300% this year, and Roku is valued at over $17 billion. Having built the dominant box, Roku is under siege from companies that recognize the value of its business model. Google sells a competing smart TV operating system. Samsung sells more than a dozen smart TVs that don't use Roku's operating system. Comcast is giving its internet subscribers a free streaming box. AT&T is offering a box for its customers. Apple is investing billions in streaming shows designed in part to strengthen the appeal of its hardware. But Roku's biggest challenger is Amazon.com, which is vying for tie-in deals for its Fire TV with smart TV manufacturers and battling for supremacy in international markets. In September it announced a major expansion in Europe, where Roku is less dominant.