As we approach the weekend -- but more importantly, the end of the year -- it's good time as any to ask about the movies, TV shows, and documentaries from this year that you enjoyed the most or found incredibly insightful. Please list them below in the comments.

At the 2019 Game Awards today, Microsoft revealed the name and console design of its next-generation gaming console: Xbox Series X. The Verge reports: The console itself looks far more like a PC than we've seen from previous Xbox consoles, and Microsoft's trailer provides a brief glimpse at the new design. The console itself is designed to be used in both vertical and horizontal orientations, and Microsoft's Xbox chief, Phil Spencer, promises that it will "deliver four times the processing power of Xbox One X in the most quiet and efficient way."

The Xbox Series X will include a custom-designed CPU based on AMD's Zen 2 and Radeon RDNA architecture. Microsoft is also using an SSD on Xbox Series X, which promises to boost load times. Xbox Series X will also support 8K gaming, frame rates of up to 120 fps in games, ray tracing, and variable refresh rate support. Microsoft also revealed a new Xbox Wireless Controller today. "Its size and shape have been refined to accommodate an even wider range of people, and it also features a new Share button to make capturing screenshots and game clips simple," explains Spencer. This updated controller will work with existing Xbox One consoles and Windows 10 PCs, and will ship with every Xbox Series X.

A court on Tuesday issued an injunction barring Netflix from poaching employees from Fox and confirming the validity of fixed-term employment agreements. Variety reports: The ruling marks a hard-fought victory for Fox -- now owned by Disney -- which set out three years ago to stop Netflix from raiding its employees. Netflix had sought to invalidate Fox's fixed-term employment contracts, arguing that they locked employees into jobs they no longer wanted. Had Netflix prevailed, it would have upended a standard industry practice and given employees greater leverage in negotiations with their employers.

Santa Monica Superior Court Judge Marc Gross issued a tentative ruling on Nov. 25 indicating how he was likely to rule in the case. He affirmed the conclusions of the tentative opinion and made addition points in his final ruling on Tuesday. Netflix has indicated it is likely to appeal. Netflix said: "As Judge Gross ruled, Fox failed to prove it was hurt in any way when two executives decided to exercise their right to go to Netflix. Fox's illegal contracts force employees to remain trapped in jobs they no longer wish to do and at salaries far below market rate. We will continue to fight to make sure that people who work in the entertainment industry have the same rights as virtually every other Californian and can make their own choices about where they work."

Sony has announced plans to launch PlayStation games on "additional console platforms beyond PlayStation platforms as early as 2021." The first announced series for the change is Sony's long-running baseball sim series MLB The Show. Ars Technica reports: The gazillion-dollar question, of course, is which other console platforms we might expect the series to launch on. Neither Sony nor MLB had any answers to that question as of press time. Sony also didn't hint to doing the same thing for any other current PlayStation-exclusive series. Since the series began life in 1998 on PlayStation 1, simply titled MLB '98, Sony's baseball games have launched exclusively on PlayStation platforms -- and, in fact, they've launched on every PlayStation-branded device. While other multi-platform baseball sim series have fallen by the wayside in the years since, most recently 2K Sports' MLB 2K13, Sony's PlayStation-exclusive take on the American pastime has persisted as an annual release.

"Sony" at large has published games on non-PlayStation consoles in recent years, mostly in the form of Sony Music Entertainment's UNTIES entertainment publishing group. But those games are rarely marked with "Sony" or "PlayStation" branding, let alone temporary exclusivity on PlayStation platforms. Today's news marks the first time a series from Sony Interactive Entertainment with loud ties to the PlayStation brand has been announced for other competing consoles. There are still way more questions than answers: "Might Sony go so far as to launch MLB The Show on Xbox, thus creating a tangled love triangle of who publishes on whose consoles? Or will this become a bizarre move on Sony's part to support Google Stadia, even though Sony has its own complicated sometimes-streaming subscription service? And either way, how far might Sony and the MLB milk this cloud of mystery, assuming that 'as early as 2021' could mean one, two, or even 4,000 years later?"

Google today announced that Android 10 is arriving on Android TV, and it's about as bland of an update as they come. From a report: Primarily, it's just the performance and security benefits of Android 10, without a single new user-facing feature. But at the bottom of Google's blog post, the company hints at why: Google's busy prepping for the "next-generation of Android TV," starting with the miniature box above. Google says this new ADT-3 dongle is a full-fledged Android TV platform, with a quad-core ARM Cortex A53 CPU, 2GB of DDR3 memory, and the ability to output 4K HDR content at 60 frames per second over its HDMI 2.1 port. Before you get too excited, know that it's a developer device. Like its predecessor, the ADT-2, it's possible you'll never see one officially available for purchase.

Disney has become the first studio in history to surpass $10 billion at the worldwide box office in a single calendar year. Variety reports: Through Sunday, the studio has generated $3.28 billion in North America and $6.7 billion overseas for a global haul of $9.997 billion and is expected to officially cross the benchmark within the next day. Disney smashed its own global box office milestone -- set in 2016 with $7.6 billion -- back in July after the success of "Avengers: Endgame" and "The Lion King." All the more impressive, the studio hit the new high-water mark even before "Star Wars: The Rise of Skywalker," the final chapter in the Skywalker saga, arrives in theaters Dec. 20. Those ticket sales don't include Fox titles like "Ford v Ferrari" or "Dark Phoenix." When accounting for movies it acquired after inheriting Fox's film empire, that bounty is pushed to $11.9 billion.

Magnus Carlsen, the world's best chess player for the last decade, is on the brink of reaching the top in another game -- fantasy football. From a report: The grandmaster is enjoying his best season ever in the Fantasy Premier League (FPL) game and after Sunday's results he climbed to the sixth position in a table of more than 7 million players worldwide. Carlsen, who is currently competing at the London Chess Classic at Olympia, puts his fantasy football success down to luck. But his FPL team, Kjell Ankedal, has consistently scored high in the overall rankings for the past four years, finishing among the top 3,000 players in the 2017-2018 league. This season, it took Carlsen just six weeks to make it into the top 1,000 and he has been climbing up the table ever since. It will not comfort anyone languishing in the FPL's lower millions to learn that Carlsen is also an occasional model. Like many Norwegians, Carlsen is obsessed with both the Premier League and its fantasy league spin-off. In 2017, eight players from Norway were in the top 50 FPL players in the world. Norway has an advantage for FPL obsessives because of the relatively free availability of live matches on the country's TV channels, compared to broadcast restrictions in other countries.

"The Walt Disney Co. is asking exhibitors worldwide to warn moviegoers that Star Wars: The Rise of Skywalker may pose a seizure risk to audience members with photosensitive epilepsy," reports Deadline: In an unusual move, Disney has sent a letter to theater owners and operators worldwide with a recommendation that special steps should be taken to alert moviegoers about the visual effects and flashing lights in the J.J. Abrams-directed interstellar adventure. "Out of an abundance of caution," the letter opens, "we recommend that you provide at your venue box office and online, and at other appropriate places where your customers will see it, a notice containing the following information: Star Wars: The Rise of Skywalker contains several sequences with imagery and sustained flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities."

The Burbank-based Disney is also working with the Epilepsy Foundation, which issued an advisory of its own and commended the studio for taking the initiative on the audience safety issue. About 3.4 million Americans have epilepsy and about three percent have photosensitivity issues that puts them at risk of seizures triggered by flashing lights or other visual patterns.

"Linux users can now stream shows and movies from the Disney+ streaming service after Disney lowered the level of their DRM requirements," reports Bleeping Computer: When Disney+ was first launched, Linux users who attempted to watch shows and movies were shown an error stating "Something went wrong. Please try again. If the problem persists, visit the Disney+ Help Center (Error Code 83)."

As explained by Hans de Goede, this error was being caused by the Disney+ service using the highest level of security for the Widevine Digital Rights Management (DRM) technology. As some Linux and Android devices did not support this higher DRM security level, they were unable to stream Disney+ shows in their browsers... Yesterday, Twitter users discovered that Disney+ had suddenly started working on Linux browsers after the streaming service tweaked their DRM security levels...

Even with Disney+ lowering the DRM requirements, users must first make sure DRM is enabled in the browser. For example, Disney+ will not work with Firefox unless you enable the "Play DRM-controlled content" setting in the browser.

Long-time Slashdot reader sandbagger brings the news that D. C. Fontana, an influential story editor and writer on the original 1960s TV series Star Trek, has died this week. People reports: The writer is credited with developing the Spock character's backstory and "expanding Vulcan culture," SyFy reported of her massive contribution to the beloved sci-fi series. Fontana was the one who came up with Spock's childhood history revealed in "Yesteryear," an episode in Star Trek: The Animated Series, on which she was both the story editor and associate producer. As the outlet pointed out, Fontana was also responsible for the characters of Spock's parents, the Vulcan Sarek and human Amanda, who were introduced in the notable episode "Journey to Babel."

In fact, Fontana herself said that she hopes to be remembered for bringing Spock to life. "Primarily the development of Spock as a character and Vulcan as a history/background/culture from which he sprang," she said in a 2013 interview published on the Star Trek official site, when asked what she thought her contributions to the series were.

With Star Trek creator Gene Roddenberry, she also penned the episode "Encounter at Farpoint," which launched The Next Generation in 1987. The episode introduced Captain Picard, played by Patrick Stewart, and earned the writing pair a Hugo Award nomination.
Fontana was one of four Star Trek writers who re-wrote Harlan Ellison's classic episode The City on the Edge of Forever , and her profile at IMDB.com credits her with the story or teleplay for 11 episodes of the original series. In the 1970s Fontana worked on other sci-fi television shows, including Land of the Lost, The Six Million Dollar Man, and the Logan's Run series.

Fontana later also wrote an episode of Star Trek: Deep Space Nine, three episodes of Babylon 5, and even an episode of the fan-created science fiction webseries Star Trek: New Voyages.

MojoKid writes: At its Snapdragon Summit in Maui, Hawaii this week, Qualcomm unveiled the new Snapdragon 865 Mobile Platform, which enable next year's flagship 5G Android phones with more performance, a stronger Tensor-based AI processor and a very interesting new forthcoming feature not yet offered for any smartphone platform to date. The company announced that it will eventually start delivering driver updates for its Adreno GPU engines on board the Snapdragon 865 as downloadable packages via the Google Play Store. This is big news for smartphones, as GPU drivers are rarely updated out of band, if ever, and typically have to wait for the next major Android release. And even then, many OEMs don't bother putting in the effort to ensure that mobile GPUs are running the most current graphics drivers from Qualcomm. The process, which would have to be pre-qualified by major OEMs as well, will be akin to what the PC GPU 3D graphics driver ecosystem has been benefiting from for a long time, for maximum performance and compatibility. Unfortunately, at least currently, GPU driver update support is limited to only the Adreno 650 core on board the new Snapdragon 865, which currently supports updating drivers in this fashion. Here's hoping this program is met with success and Qualcomm will begin to enable the feature for legacy and new midrange Snapdragon platforms as well.

The European Union Intellectual Property Office (EUIPO) has released a new study which suggests that piracy is dropping in Europe. While the research is limited to site-based piracy, it has some interesting findings. Countries with a lower average income per person visit pirate sites more often, for example. In addition, the study shows that awareness of legal options doesn't always decrease piracy.

Netflix is plowing 30 billion rupees ($420 million) this year and next to produce more local content in India, one of the biggest and most-crowded markets for the world's largest paid streaming-service provider. From a report: "You'll start to see a lot of stuff hit the screen, big investment," Chief Executive Officer Reed Hastings said at an event in New Delhi on Friday. "We're really trying to invest in that becoming more Indian in the content offering." The Los Gatos, California-based company is jostling with other giants such as Walt Disney Co.-owned Hotstar and Amazon.com Prime for a slice of the growing market as more Indians use smartphones to view videos. The companies are offering relatively cheaper packages to lure paying subscribers in a country used to free YouTube offerings. Hastings has said Netflix's goal is to attract 100 million customers in India -- almost 25 times its estimated subscriber base there as of this year. The world's second-most populous country is a priority for company, which is effectively blocked in China. Disney's Hotstar, which is already the leader in India, will get a boost soon when the entertainment giant eventually introduces Disney+, a new streaming service it started last month in some markets.

sandbagger writes: BioShock: After Midnight is an original story detailing events that took place in Rapture before the protagonist of the first BioShock game arrived at the city of Rapture. It's a sprawling noir story, following a private eye, an Adam fiend whose fallen in love with Atlas, and the crazed cult members of Sofia Lamb.

A group of filmmakers have sued the State Department for making visa applicants hand over details about their social media accounts. "The lawsuit argues that the requirement unconstitutionally discourages applicants from speaking online -- and, conversely, discourages people who post political speech from trying to enter the U.S.," reports The Verge. From the report: This lawsuit, filed by the Doc Society and the International Documentary Association, challenges the decision on First Amendment grounds. It calls the registration system "the cornerstone of a far reaching digital surveillance regime" that makes would-be visitors provide "effectively a live database of their personal, creative, and political activities online" -- which the government can monitor at any time, long after the application process has been completed. Applicants must even disclose accounts that they use pseudonymously, and if U.S. authorities fail to keep that information secure, it could potentially endanger people who are trying to avoid censorship from a repressive foreign government.

The plaintiffs in this lawsuit say that some non-U.S. members have begun deleting social media content or stopped expressing themselves online because they're afraid it will complicate their ability to enter the U.S. Others have decided to stop working in the country because they don't want to reveal their social media accounts. "The Registration Requirement enables the government to compile a database of millions of people's speech and associations, which it can cross-reference to glean more information about any given visa applicant," warns the suit. And "the government's indefinite retention of information collected through the Registration Requirement further exacerbates the requirement's chilling effect because it facilitates surveillance into the future."

From a report: When the English translation of "The Three-Body Problem" was published in 2014, it was hailed as a groundbreaking work of speculative fiction. President Barack Obama praised the novel, calling it "just wildly imaginative." Mark Zuckerberg recommended it to his tens of millions of Facebook followers; George R.R. Martin blogged about it. Publishers around the world chased after translation rights, which eventually sold in 26 languages, including Turkish and Estonian. It won the 2015 Hugo Award, one of the genre's most prestigious honors, making Liu Cixin the first Asian author to win the prize for best novel. It was also the first time a novel in translation had won the prize. The book and its two sequels went on to sell nearly nine million copies worldwide. Now, Liu Cixin says, he recommends that Chinese sci-fi fans who speak English read Ken Liu's translation of "The Three-Body Problem" rather than the Chinese version. "Usually when Chinese literature gets translated to a foreign language, it tends to lose something," he says. "I don't think that happened with 'The Three-Body Problem.' I think it gained something."

The success of "The Three-Body Problem" not only turned Liu Cixin into a global literary star; it opened the floodgates for new translations of Chinese science fiction. This, in turn, has made Ken Liu a critical conduit for Chinese writers seeking Western audiences, a literary brand as sought-after as the best-selling authors he translates. (Among Chinese sci-fi authors and fans, he is often referred to affectionately as Xiao Liu, Little Liu, to distinguish him from Liu Cixin, who is known as Da Liu, Big Liu.) Liu's translations have reshaped the global science-fiction landscape, which has long been dominated by American and British authors. Over the past decade, he has translated five novels and more than 50 works of short fiction by dozens of Chinese authors, many of whom he has discovered and championed himself.

After launching nearly a dozen Echo speaker models in India in two years, Amazon said on Wednesday it is adding a new variant to the mix that addresses one of the most requested features from customers in the nation: Portability. From a report: The e-commerce giant today unveiled the Echo Input Portable Smart Speaker Edition, a new variant in the lineup that includes a built-in battery. The 4,800mAh enclosed battery will offer up to 10 hours of continuous music playing or up to 11 hours of stand-by life, the company said. "Portability has been one of the most requested features in India," said Miriam Daniel, VP of Alexa Devices. "You want to be able to carry Alexa with you from room to room within your homes. So we have designed something just for you."

Media center app maker Plex officially launched its ad-supported video service with movies and TV shows from MGM, Warner Bros., Lionsgate and Legendary Wednesday. The service will be available in more than 200 countries and territories, making it the first ad-supported video service with a nearly global reach. From a report: Getting the rights to launch in so many countries was key to bringing ad-supported video to Plex, said CEO Keith Valory in a recent interview with Variety. "More than half of our users are outside of the U.S." The initial catalog will include thousands of movies and TV show episodes, according to Plex executives, with plans to add many more over time. Some titles will only be streaming in some territories, while others are being made available everywhere. At launch, users will have access to movies like "Rain Man," "Teen Wolf," "The Terminator," "American Ultra," "Frequency," "Hard Candy," "Ghost in the Shell," and more. Plex's free-to-watch catalog will initially be more heavily focused on movies than TV shows, but the company plans to add more TV content in the coming months.

The company behind Lyrics website Genius, Genius Media Group, is suing Google for "unethical, unfair and anticompetitive" behavior. From a report: Genius alleges that traffic to its site started to drop because its lyrics -- which are annotated by its contributors -- are being copied, and then published by Google via the tech giant's lyrics partner, LyricFind. The lawsuit was filed in New York on Tuesday (December 3) and seeks "no less than $50 million" in "combined minimum damages" from both Google and Canada-based LyricFind. "Defendants Google LLC and LyricFind have been caught red-handed misappropriating content from Genius's website, which they have exploited -- and continue to exploit -- for their own financial benefit." The suit reads: "One of Genius's primary services is the development and maintenance of a vast repository of annotated music lyrics, some of which are artist-supplied and many of which are transcribed and refined by a community of over two million Genius contributors."

The media ecosystem is undergoing a massive change as streaming video looks to extend its recent dominance over traditional distribution, according to research firm MoffettNathanson, which wrote that a large minority of cable consumers could cut their subscriptions in coming years. From a report: "The video market is in full disruption and this year could be the cord cutting tipping point," analyst Michael Nathanson wrote to clients. "Media companies will need to master a whole new suite of skill sets to win going forward," with content creation, user interfaces and "churn mitigation strategies" among the factors that could determine the next generation of winners in the market. Consumers have been abandoning traditional media bundles for years, instead looking to services like Netflix or Walt Disney's recently launched Disney+ service, which has signed up more than 10 million subscribers since launching in November. Streaming services have made in-roads into a number of major categories of video entertainment, including TV shows and movies. In a measure of how big streaming has become, Wells Fargo Securities wrote that between November 17-23, "The Mandalorian," a series from Disney+ set in the "Star Wars" universe, was the "most in-demand show in OTT and overall on a linear+OTT basis." OTT stands for "over the top" content, which bypasses cable boxes. Linear TV airs at set times, as opposed to being on-demand, as with streaming.