In a blog post on Monday, Spotify announced that it will prohibit individual musicians from directly uploading their songs to the streaming service. The new move requires a third party to be involved in the business of uploads. From a report: The company announced the change on Monday, saying it will close the beta program and stop accepting direct uploads by the end of July. "The most impactful way we can improve the experience of delivering music to Spotify for as many artists and labels as possible is to lean into the great work our distribution partners are already doing to serve the artist community," Spotify said in a statement on its blog. "Over the past year, we've vastly improved our work with distribution partners to ensure metadata quality, protect artists from infringement, provide their users with instant access to Spotify for Artists, and more."

"The best way for us to serve artists and labels is to focus our resources on developing tools in areas where Spotify can uniquely benefit them -- like Spotify for Artists (which more than 300,000 creators use to gain new insight into their audience) and our playlist submission tool (which more than 36,000 artists have used to get playlisted for the very first time since it launched a year ago). We have a lot more planned here in the coming months," the post continued.

According to Thurrott's Brad Sams, Microsoft is still developing a low-cost, cloud-based Xbox console. "Sams suggests the low-power box will be just capable enough to allow a player to 'move around in a virtual environment,' but crucially, game elements like NPCs, interactables, text and even graphics won't be there," reports VG247. From the report: This is obviously not playable, but the idea is that having movement calculations run locally reduces input lag compared to a 100% streamed game. Though this might make technical sense, it's hard to imagine the company pushing this hard unless the difference is really perceptible. Of course, there's a lot we still don't know about the streaming market, and some segment of that audience may opt to pay $80 or so to get an experience better than running the game through a web browser.

Regal Cinemas is prepping to launch a new unlimited movie ticket subscriptions service at the end of July in the U.S. Deadline has the details: There will be three tiers of pricing, which work out to $18, $21 and $24 per month, each granting access to unlimited tickets (really). While the monthly price of AMC Stubs A-List movie ticket subscription program varies by state, we hear that Regal's is based on theater location. Those purchasing a top-priced tier will have access to any Regal Cinema (i.e., from Valencia, CA to 42nd Street in NYC), while the lowest tier gets access to about half of the chain's national footprint. If someone purchased a subscription at a low tier and ventures to an out-of-network Regal in a higher tier (like a major city), there's apt to be a surcharge (not final, but around $2-$3) on a gratis ticket.

There are also 10% cash reductions on concessions for each tier, which are immediate rather than receiving a voucher for the next visit. Also, there's buzz that Regal Unlimited subscribers will have to purchase an entire year in advance for the unlimited ticket program, hence the tier prices respectively would be $288, $252 and $216. At this point in time, it's not clear whether premium venues (Imax, Dolby 3D, Premium Large Format screens, Dbox) will be included in the monthly subscription like it is with AMC's. Studio executives have mentioned to us in passing that a greater degree of revenue exists in upcharging a subscriber on premium tickets. Details are still being worked out despite what many might be reading in online chat rooms.

On July 1st, 1979, Sony revolutionized the way we listen to music when it released the iconic Walkman TPS-L2, the first real portable music player. "Boomboxes and portable radios had been around for a while, but the Walkman made portable music private, ushering in a whole new era of people listening to music away from home," writes Chaim Gartenberg for The Verge. The Walkman stood the test of time by continuing to sell well even through the CD era. "[It] would go on to see numerous hardware iterations over the years, including 'Discman' CD models and MiniDisc players, as well as more modern portable media player devices that Sony still sells today," writes Gartenberg. It wasn't until Apple unveiled the iPod in 2001 and digital downloads began to dominate that Walkman sales started to plummet.

What do you remember about the Sony Walkman? Do you have any fond memories of the music player that are worth sharing? Let us know in a comment.

"The golden age of streaming is over," writes Stuart Heritage in the Guardian, arguing that TV "will become more elitist, tiered and fragmented than it already is." One report last year said that The Office accounts for 7% of all U.S. Netflix viewing. So, naturally, NBC wants it back. This week, it was announced that Netflix had failed to secure the rights to The Office beyond January 2021. The good news is that it will still be available to watch elsewhere. The bad news is that "elsewhere", means "the new NBCUniversal streaming platform". As a viewer, you are right to feel queasy. The industry-disrupting success of Netflix means that everybody wants a slice of the pie...

Friends is likely to disappear behind a new WarnerMedia streaming service -- along with Lord of the Rings films, the Harry Potter films, anything based on a DC comic and everything on HBO -- that it is believed will cost about £15 a month... Facebook is making shows, for crying out loud. And this sucks. Watching television is about to get very, very expensive.... There's a huge difference between not being able to watch everything because there's too much choice and not being able to watch everything because you don't have enough money.

The Netflix model was great for viewers, but it couldn't last. The content creators got greedy and scared, and now they're determined to drag things back to the bad old ways. They will force everyone to pay for everything separately, and the subscriber base will split, and the providers will have to recoup the money they are spending to take on Netflix -- such as the $500m that NBCUniversal spent to get The Office back, the $250m Amazon is spending on a Lord of the Rings series and the $500m that Warner just spent to win the services of JJ Abrams -- which means that subscriptions will rise. Make no mistake: we're the ones likely to get stiffed here. The golden age of television may be going strong, but the golden age of streaming is dead.

Pre-saving albums on Spotify can give music labels access to personal user data like emails addresses and playlists, according to a Billboard report. From a report: To pre-save music, which adds a release to a user's library as soon as it comes out, Spotify users click through and approve permissions that give the label far more account access than the streaming giant normally grants them -- enough to track what they listen to, change what artists they follow and potentially even control their music streaming remotely. This lets labels access some of the data that streaming companies usually guard for themselves -- which they want in order to compete with the streaming giants on a more even playing field. But at a time when the policies of online giants like Google and Facebook has made online privacy a contentious issue, music's pre-saving process could begin to spark concern among consumers, and perhaps even regulators.

Labels also ask for far more permissions than they need. Spotify users who, for example, tried to pre-save the Little Mix single "Bounce Back" from links shared by the act or its label, Sony Music, were prompted to agree that Spotify could allow Sony to "view your Spotify account data," "view your activity on Spotify" and "take actions in Spotify on your behalf." The exact permissions Sony requests are only visible to those who click through to the corresponding submenus, so users may not fully understand all that they're agreeing to -- or that the changes apply to their account unless they change it on Spotify's website.

Local TV is trusted and is still the preferred method of getting news (thanks mostly to people 50 and up). But viewership for local TV news continues to decline, according to research released by Pew this week. Pew also took a look at cable and network news.

Spotify is reportedly seeking a refund for overpayments made to songwriters and publishers last year, according to a report from Music Business Worldwide. CNET reports: Last year, a royalty rate-setting panel in the U.S., called the Copyright Royalty Board, ruled that a particular kind of royalty paid to songwriters and publishers should rise 44% or more for 2018 through 2022. The board finalized that rate -- called a mechanical royalty -- earlier this year. Then streaming services like Spotify, Amazon, Google and Pandora appealed the payment increases in March. Now Spotify is saying it paid too much last year and wants a refund, according to Music Business Worldwide.

The CRB rules say the annual streaming royalty rate for US songwriters and publishers between 2018 and 2022 should be set by choosing the highest outcome of three different models, with one model based on a flat fee per subscriber, Consequence of Sound noted. But Spotify's student discount and family plan bundles add a layer of complexity. The Copyright Royalty Board's rules say a family plan is be worth 1.5 subscribers per month and a student plan is equal to half a subscriber per month. The family plan lets six people subscribe for $15 a month, while students pay $5 a month. (A regular subscriber pays $10.) The argument by Spotify seems to be that it didn't take some subscribers into account and overpaid publishers. It's not seeking the 2018 money back immediately, but "offered to extend the recoupment period" until the end of 2019, according to Music Business Worldwide.

An anonymous reader quotes a report from The New York Times: Last month, as Americans tuned in to the final episode of "Game of Thrones," Japan was indulging in its own television fantasy world. In this one, a woman dares to leave work at 6 p.m. sharp. The determination of Yui Higashiyama, a 30-something project manager who wants nothing more than to get out of the office and into her favorite bar for happy hour, rocks the fictional web design firm where she works. A conniving supervisor and overachieving co-workers try to foil her plans. When her team faces a seemingly impossible deadline in Episode 9, she puts aside her steely commitment to work-life balance, dramatically declaring, "I will work overtime!" Ms. Higashiyama is the protagonist of "I Will Not Work Overtime, Period!" -- a modest television hit in Japan that has struck a chord in a country with a dangerously intense, at times deadly, national work ethic (Warning: source may be paywalled; alternative source).

It has prompted workers to talk about their own difficulties in finding work-life balance, even as Japan's major corporations and government officials have increasingly encouraged them to ease off. In April, just in time for the debut of the TV show, a new law took effect limiting overtime to no more than 45 hours a month and 360 hours per year, barring special circumstances. And Japan's Ministry of Economy, Trade and Industry has promoted a program it calls Premium Fridays, asking employers to let employees leave a few hours early on the last Friday of every month. On the show, the enlightened chief executive at Ms. Higashiyama's company encourages workers to leave the office on time. What holds her co-workers back are employees and supervisors who simply cannot stop themselves -- a feeling familiar to fans of the show.

A music industry hit parade including Spotify, Amazon and Universal is moving to stifle an emerging threat to the sector's business model: fake streams [Editor's note: the link may be paywalled; an alternative source was not immediately available.] From a report: [...] A growing army of online bots posing as human listeners is distorting the distribution of these revenues, inflating listening figures for certain tracks to earn higher royalty payments and chart placings. A coalition of 21 technology groups, record labels and music publishers on Thursday agreed a "code of best practices", in the first collective push by the biggest players in music to combat stream manipulation. The group, which also includes Warner Music and Sony Music, warned that "industrial-scale" impersonation of users by "troll farms" was distorting perceptions of what music is popular, according to the document seen by the Financial Times, and vowed to thwart such manipulation by weeding out the bots from the music fans.

Perhaps 'Avengers: Endgame' might be able to beat Avatar's massive box office record after all. From a report: Marvel has apparently decided to just re-release the damn thing. An extended version of the damn thing, to be exact. Speaking to Comicbook.com at a press junket for 'Spider-Man: Far From Home', Marvel Studios head honcho Kevin Feige confirmed that 'Endgame' will be getting a renewed push at the box office -- and it's gonna be really soon. To boot, to entice audiences back for another three-hour stint in a movie theater seat, the re-release will include an unknown amount of new footage not seen in the original theatrical cut: "We are doing that. I don't know if it's been announced. And I don't know how much... Yeah, we're doing it next weekend.

Screenrant has a few more details from their own interview with Feige: "Not an extended cut, but there will be a version going into theaters with a bit of a marketing push with a few new things at the end of the movie. If you stay and watch the movie, after the credits, there'll be a deleted scene, a little tribute, and a few surprises. Which will be next weekend."

YouTube and Universal Music Group have teamed up to revamp more than 1,000 videos from artists including Lady Gaga, Tom Petty, Billy Idol and the Spice Girls. From a report: The goal is to "ensure current and future generations will get to enjoy these timeless classics as they've never before been experienced." At launch, 100 music videos have already been remastered and are available "in the highest available video and audio quality." This includes: Billy Idol, Beastie Boys, Boyz II Men, George Strait, Janet Jackson, Kiss, Lady Antebellum, Lady Gaga, Lionel Richie, Maroon 5, Meat Loaf, No Doubt/Gwen Stefani, Smokey Robinson, The Killers, Kiss, and Tom Petty.

U.S. Senator and presidential candidate Bernie Sanders has taken to Twitter to announce his support for video game workers unions. "In his message, Sanders gives shout-outs to IATSE (the International Alliance of Theatrical Stage Employees) and Game Workers Unite, two organizations that have been working to help game creators organize," reports VentureBeat. "He also links to a June 11 Time story about the epidemic of worker burn out occurring in the industry." From the report: Video games make a ton of money, including $43 billion in revenue in 2018 in the U.S. (as Sanders also points out). But the people making games are often overworked and suspect to "crunch," mandatory (and sometimes unpaid) overtime. Recently, stories of unhealthy crunch cultures have surrounded giant game makers like Rockstar and Electronic Arts. Other employees suffer mass layoffs, like at Activision Blizzard earlier this year, even when their companies are big or even record profits. Some studios shut down completely.

Over the weekend, Google Search was caught allegedly copying song lyrics from Genius.com. In response, Google published a long explanation of how lyrics in Search work and said that they will add attribution to note which third-party service is supplying the lyrics. 9to5Google reports: When you look up a song in Search, Google often returns a YouTube video with the Knowledge Panel featuring lyrics, links to streaming services, and other artist/album/release/genre info. A query that explicitly asks for "lyrics" will display the full text as the first item at the top of Google.com. The Wall Street Journal over the weekend reported on an accusation that Search was taking content from Genius. According to Google today, it does "not crawl or scrape websites to source these lyrics." When available, Google will pay music publishers for the right to display lyrics. However, in most cases, publishers do not have digital transcripts, with the search engine instead turning to third-party "lyrics content providers."

Google today reiterated that it's asking partners to "investigate the issue," with the third-party -- and not Google directly -- likely at fault for scraping Genius content. Meanwhile, Knowledge Panels in Search will soon gain attribution to note who is supplying digital lyrics text. "Google today reiterated that it's asking partners to 'investigate the issue,' with the third-party -- and not Google directly -- likely at fault for scraping Genius content," Google said in a blog post. "Meanwhile, Knowledge Panels in Search will soon gain attribution to note who is supplying digital lyrics text."

Samsung has reminded owners of its smart TVs that they should be regularly scanning for malware using its built-in virus scanning software. From a report: In a tweet, Samsung US support account shared a video Sunday outlining how users can scan their smart TVs for viruses. It is unclear what prompted the tweet or why the process seems to be opt-in as opposed to the operating system automatically scanning for viruses in the background. "Scanning your computer for malware viruses is important to keep it running smoothly. This also is true for your QLED TV if it's connected to Wi-Fi! Prevent malicious software attacks on your TV by scanning for viruses on your TV every few weeks," the company said in the tweet. It has since deleted the tweet.

There's now a new $175 million remake of Godzilla: King of the Monsters. I loved it, Msmash walked out of it, and BeauHD didn't bother to go see it. The movie performed poorly at the box office, but I'm not the only person who still likes Godzilla. There's also a new anime version on Netflix. And critic Matt Zoller Seitz (once a finalist for the Pulitzer Prize in criticism) is calling the new film "a frequently astounding movie... its imperfections are compensated by magnificence."

For all its crash-and-bash action, this is a real science fiction movie that goes to the trouble of not merely creating a world, but thinking about the implications of its images and predicaments. It cares what the people in it must feel and think about their situation, and how it might weigh on them every day even when they aren't talking about it amongst themselves. It's also suffused with a spiritual or theological awareness, and takes it all as seriously as recent DC films took their comparisons of caped wonders to figures from the Old Testament and ancient mythology...

[A]t the level of image, sound and music, "Godzilla: King of the Monsters" is a frequently brilliant film that earnestly grapples with the material it presents... It deploys state-of-the-art moviemaking tools to try to return audiences to a stage of childlike terror and delight. Arthur C. Clarke famously observed that any sufficiently advanced technology is indistinguishable from magic. This movie is magic.
No expense was spared. For fans of the franchise there was even a quick Easter egg about what happened to the Mothra twins when they grew up. And of course the film-makers included Blue Oyster Cult's "Godzilla" song in the closing credits -- an over-the-top remake featuring a chanting Japanese taiko drum group, members of the band Dethklok from Metalocalypse, and heavy-metal drumming legend Gene Hoglan. The film's composer called it "perhaps the most audacious piece of music I have ever produced, jammed to the breaking point...It is complete musical madness."

But was it all for nothing? Leave your own thoughts in the comments.

Does anyone still like Godzilla?

"Genius.com says its traffic is dropping because, for the past several years, Google has been publishing lyrics on its own platform, with some of them lifted directly from the music site," reports the Wall Street Journal: Google denies doing anything nefarious. Still, Genius's complaints offer a window into the challenges small tech companies can face when the unit of Alphabet Inc. starts offering competing services on its platform... Genius said it notified Google as far back as 2017, and again in an April letter, that copied transcriptions appear on Google's website. The April letter, a copy of which was viewed by the Journal, warned that reuse of Genius's transcriptions breaks the Genius.com terms of service and violates antitrust law.

"Over the last two years, we've shown Google irrefutable evidence again and again that they are displaying lyrics copied from Genius," said Ben Gross, Genius's chief strategy officer, in an email message.... Genius said it found more than 100 examples of songs on Google that came from its site. Starting around 2016, Genius made a subtle change to some of the songs on its website, alternating the lyrics' apostrophes between straight and curly single-quote marks in exactly the same sequence for every song. When the two types of apostrophes were converted to the dots and dashes used in Morse code, they spelled out the words "Red Handed."

Genius is a privately held company, and its investors include Andreessen Horowitz, Emagen Investment Group and the rapper Nas... Genius clients include the music streaming website Spotify Technology SA and Apple Inc.
The article also notes March study from web-analytics firm Jumpshot Inc. which found 62% of mobile searches on Google now don't result in the user clicking through to a non-Google web site.

In the future, we won't be listening to our favorite bands or artists, we'll be listening to custom made sounds that are tailored to our mood. At least, that's what billionaire venture capitalist Vinod Khosla believes. From a report: "I actually think 10 years from now, you won't be listening to music," is a thing venture capitalist Vinod Khosla said onstage today during a fireside chat at Creative Destruction Lab's second annual Super Session event. Instead, he believes we'll be listening to custom song equivalents that are automatically designed specifically for each individual, and tailored to their brain, their listening preferences and their particular needs.

Last year, it was reported that Lego was investing $120 million and hiring about 100 people to eliminate its dependence on petroleum-based plastics, and build its toys entirely from plant-based or recycled materials by 2030. The effort has been seven years in the making, "but it keeps hitting brick walls," as The Wall Street Journal reports. From the report: Lego tried making pieces from corn, but they were too soft. Its wheat-based bricks didn't absorb color evenly or have the requisite shine. Bricks made from other materials proved too hard to pull apart, broke or had what executives call "creep," when bricks lose their grip and collapse. Lego has so far tested more than 200 combinations of materials, but just 2% of its products are made from plant-based plastic. The Danish company says it is still exploring several promising options, but finding the material to hit its target is proving difficult. Some materials proved problematic to mold with Lego's existing machinery. Recycled plastic is an option, but Lego needs large food-grade volumes with guarantees on provenance and quality.

Lego's slow progress is emblematic of a broader struggle to use plants like corn and sugar cane instead of oil to make plastic, which advocates say would lower greenhouse-gas emissions. Lego has had some success with plastic partly made of plants. So has Coca-Cola, which has sold bottles using 30% plant-based packaging since 2009. But unlike Coca-Cola, when Lego couldn't find a way to source the remaining 70%, it decided not to go to market. "Ultimately we want a zero-impact product," said Tim Guy Brooks, Lego's head of environmental responsibility. For now, there's always recycling -- Lego-style.

At the Electronic Entertainment Expo (E3) on Wednesday, Netflix shared details of its plans to develop its original shows into video games. Hollywood Reporter reports: Among the program of upcoming games, Stranger Things 3: The Game was highlighted, described by Netflix as "an adventure game that blends a distinctively retro art style with modern gameplay mechanics to deliver nostalgic fun with a fresh new twist." Playing as a character from the show, the user will be tasked with solving puzzles and battling the Mind Flayer. Dave Pottinger, CEO and co-founder of BonusXP, shared that the game will feature old-school graphics.

Two characters from the game were revealed at the panel: Max, who will exhibit karate kicks and the ability to add fire damage to those kicks; and Eleven, described by Chris Lee, director of Interactive Games at Netflix, as "the most powerful character in the game" -- she will have psychic push power. The game will launch on July 4 and be available on Nintendo Switch, Playstation 4, Xbox One and other consoles. In addition, a special announcement was made at the panel about a Stranger Things mobile hybrid RPG/puzzle game that will launch in 2020. The game is a collaboration with Next Games, which is based out of Helsinki, Finland. Stranger Things isn't the only show that's planning to have its own game. "Netflix show The Dark Crystal: Age of Resistance Tactics is also set to become a 'turn-based tactics' game challenging fans to recruit an army and act as their commander in a series of campaign battles," the report adds. "No specific date was mentioned, but the game will launch this year on various consoles."