An anonymous reader quotes a report from Ars Technica: Nintendo Switch game save data stored in the cloud is only available "as long as you have an active Nintendo Switch Online membership." If you eventually cancel the $20/year subscription, Nintendo is "unable to guarantee that cloud save data will be retained after an extended period of time from when your membership is ended." That wrinkle in Nintendo's plan was not included in the details of yesterday's Nintendo Direct presentation, but it can be found digging through the FAQs and customer support pages on Nintendo's website this morning. On the plus side, Nintendo clarified that you will be able to transfer cloud-based saves between Switch systems just by signing in with your Nintendo account on as many consoles as you want. But Nintendo also said it will continue not allowing local backups of save data to an SD card or other outside storage. UPDATE: It's worth noting that cloud saves on PlayStation systems remain accessible for six months after you cancel a paid PlayStation Plus account, while cloud saves on Xbox Live are offered for free in perpetuity.

Casey Johnston, writing for The Outline: When you buy a movie on iTunes, it's yours forever, until such a time as when Apple maybe loses the rights to distribute it, and then it will disappear from your library without a trace. This is what happened to Anders G. da Silva, who goes by @drandersgs on Twitter, and who tweeted about losing three movies bought on the iTunes Store.

When da Silva wrote to Apple to complain about the missing movies, Apple wrote back to him that "the content provider has removed these movies from the Canadian Store. Hence, these movies are not available in the Canada iTunes Store at this time." For his trouble in notifying Apple that it had disappeared three of his ostensible belongings for incredibly dubious legal reasons, Apple offered da Silva not even a refund, but two credits for renting a movie on the iTunes Store "priced up to $5.99 USD." After he argued that he was not in the market for rentals and would just like the movies he purchased, please, Apple tried to appease him with two more rental credits.

Plex has informed users that it will be shutting down cloud-based media server Plex Cloud at the end of November. First launched in 2016, Plex Cloud offered users a way to easily access extra storage. Initially, users had to subscribe to Amazon Drive, which cost $59.99 a year for unlimited storage at the time and get a Plex Pass in order to use Plex Cloud. Later on, Plex added support for Dropbox, Google, and Microsoft's OneDrive cloud storage. From a report, which looks at the rationale behind the move: "We've made the difficult decision to shut down the Plex Cloud service on November 30th, 2018," the company said in an email. "We've been actively working on ways to address various issues while keeping costs under control. We hold ourselves to a high standard, and unfortunately, after a lot of investigation and thought, we haven't found a solution capable of delivering a truly first class Plex experience to Plex Cloud users at a reasonable cost." Plex has traditionally relied on users operating their own media server to stream videos, music and more to mobile and TV-connected devices. Plex users often run their server hardware on dedicated computers or network-attached storage drives, but the reliance on such hardware has limited the appeal of the software to more casual users. [...] Behind the scenes, Plex was augmenting these storage solutions with its own cloud servers, capable of transcoding media on the fly to stream to a wide variety of devices. However, the company ran into some technical issues, which prompted it to first disable support for Amazon's cloud storage and then in February halt the creation of new cloud servers.

NitroXenon, the developer of Terrarium TV, announced Monday evening that the infamous streaming service, available for Android users at no charge, is shutting down this month. TorrentFreak reports: Inspired by the simplicity of Popcorn Time, Terrarium TV eschewed the use of torrents as a supply protocol. Instead, the software pulled in content from file-hosting sites in a similar way to Kodi addons, but with an almost non-existent learning curve. Created by a developer who identified as Hong Kong-based Peter Chan (aka NitroXenon), Terrarium TV enjoyed a meteoric rise to stardom over the past couple of years. With only Showbox and a handful of other applications getting anywhere close to its volume of active users, Terrarium TV became the go-to app for Android users looking for a Netflix-style fix.

Now, however, the ride is over. In a notification pushed to Terrarium TV users last night, NitroXenon explained that his days of working on the app are over. "It has always been a great pleasure to work on this project. However, it is time to say goodbye. I am going to shut down Terrarium TV, forever," he wrote. "I know this day will come eventually. I know it would be hard to let go. But it is really time for me to move on to other projects."

Almost half of American households will have a smart speaker by next year, according to a new study from Adobe. From a report: The study, released Monday, finds that 32% of the country already owns a smart speaker and another 16% plan on getting one this holiday season. And just as importantly, people are using those speakers. "Technology trends come and go, but we think voice is here to stay," said Colin Morris, director of product management for Adobe Analytics, in a statement. "Consumers continue to embrace voice as a means to engage their devices and the Internet. It's a trend that has fundamentally changed the face of computing." A notable indicator of the growing popularity of the speakers is how comfortable people are talking to the device in front of others. And that number is on the rise: 72% of smart speaker owners say they use voice assistants in front of others. (Only 29% of people without a smart speaker are comfortable with doing so.) Further reading: Google Home Outships Amazon Echo for Second Quarter in Row.

An anonymous reader quotes the Tampa Bay Times: In April last year, the Florida Department of Corrections struck a deal with JPay. The private company, spearheading a push to sell profit-driven multimedia tablets to incarcerated people across the country, would be allowed to bring the technology to every facility in the nation's third-largest prison system. But there was a catch. Inmates had already been purchasing electronic entertainment for the last seven years -- an MP3 player program run by a different company: Access Corrections. For around $100, Access sold various models of MP3 players that inmates could then use to download songs for $1.70 each, and keep them in their dorms.... More than 30,299 players were sold, and 6.7 million songs were downloaded over the life of the Access contract, according to the Department of Corrections. That's about $11.3 million worth of music.

Because of the tablets, inmates will have to return the players, and they can't transfer the music they already purchased onto their new devices... The Department of Corrections, meanwhile, has collected $1.4 million in commissions on each song downloaded and other related sales since July 2011... JPay already operates banking accounts and facilitates phone calls at the state-run prisons, charging inmates and their loved ones steep fees for the services. With the introduction of tablets, JPay will add a wide swath of new spending incentives for its incarcerated customers, offering purchases of music, emailing and other virtual fare.
As a compromise, prison officials offered to download the already-purchased music to a CD, and then mail that CD to someone outside the prison. For a $25 fee.

Vizio is reportedly working on a way to let TV owners know when it spies on their viewing habits. According to The Verge, the company is developing a "notice program with direct notification to the class through Vizio Smart TV displays." The Hollywood Reporter first spotted the news. From the report: The news popped up in a request to extend the time needed to submit a motion for a preliminary settlement in a class action lawsuit against the company. So basically, it's possible that Vizio users will get a pop-up notification that explains what the company is doing and when. The TV company already previously settled with the Federal Trade Commission for $2.2 million in 2017, along with the agreement to get users' consent before collecting data. The company was caught in 2015 tracking users' viewing habits and demographic data, which it combined to then sell to analytics and ad companies, thereby allowing them to better target their messaging.

An anonymous reader writes: The first paid online service for Nintendo Switch, simply named Nintendo Switch Online, is set to arrive at some point later this month, and we're still waiting on a few key details. One detail about the service emerged on Friday via Nintendo's official site, and it's not a great one: there will be specific limits to the service's promised cloud-save support. Nintendo Switch Online's $20/year cost includes a promise to "save your data online for easy access" -- which, for the uninitiated, will be the only way to back up your Switch games' save data when it launches. Currently, should your Nintendo Switch be lost, stolen, or damaged, your progress in games like Zelda: Breath of the Wild and Elder Scrolls V: Skyrim is toast, as you can neither move save data from one console to another nor personally back it up to a hard drive. The following current and upcoming Switch games do not support Save Data Cloud backups: Splatoon 2, Pokemon Let's Go Pikachu, Pokemon Let's Go Eevee, Dark Souls Remastered, Dead Cells, FIFA 19, NBA 2K19, and NBA Playgrounds.

Audiofan writes: Just when we thought Sony learned their lessons from past formats DOA, they are at it again this time by teaming up with IMAX and select partners to certify the "IMAX movie experience" for home theater setups. Will Sony be on the losing side against already established Dolby Vision and HDR10 or will they leverage IMAX's immersive picture and sound quality on top of these other technologies? This smells like a format war or at the very least more consumer confusion. The new certification and license program from IMAX and DTS will give what they say to be the highest-quality image and sound experiences for home theater. "IMAX and DTS [as well as partners Denon, Marantz, Sony, and Paramount Studios] aren't clear as to whether this will be significantly different from DTS:X immersive 3D sound other than to say, 'The DTS:X codec technology (is) integrated in home audio equipment to deliver an IMAX signature sound experience,'" reports Audioholics. "To be accepted into the program, leading consumer electronics manufacturers will design top-of-the-line 4K HDR televisions, A/V receivers, sound systems and other home theater equipment to meet a carefully prescribed set of the highest audio and video performance standards, set by a certification committee of IMAX and DTS engineers and Hollywood's leading technical specialists."

The report notes that the program will use an IMAX post-production process "to digitally re-master content to produce more vibrant colors, greater contrast and sharper clarity," as well as "deliver an IMAX signature sound experience."

An anonymous reader quotes a report from TechCrunch: The European Union is set to move ahead with a plan to enforce pan-European quotas on streaming services like Amazon Prime Video and Netflix to support production of locally produced film and video content. Roberto Viola, the European Commission's directorate general of communication, networks, content and technology told Variety that the new rules are on track to be approved in December. The proposals will require that streaming services give over at least 30% of their on-demand catalogues to original productions made in each EU country where a service is provided (individual EU Member States could choose to set the content bar even higher, at 40%).

Streaming services will also have to ensure visibility and prominence for local content -- so no burying the 'European third' in a dingy corner of the site where no one will find it, let alone stream it. The EU lawmakers' intention is to stand up for cultural diversity against the might of Hollywood and the flattening power of platforms -- in the latter case by making platforms invest in local content production rather than just doing the easy thing of fencing yet more Marvel superhero movies.

Sony has decided to end its repair service for the PlayStation 2, more than 18 years after it first went on sale. The best-selling gaming console ever produced was first released in Japan in March of 2000. Sony stopped manufacturing the device in 2012, roughly six years after the PlayStation 4 was released. The BBC reports: Sony said it was no longer able to offer repairs because it was running out of replacement parts for the aging console. In a statement, the company thanked customers for their "continued patronage." Gamers seeking repairs will now have to try their luck with unofficial services. More than 150 million PlayStation 2 consoles have been sold.

Websites dedicated to "stream ripping" music from YouTube represent the biggest threat to the global music business, UK news outlet The Independent reported this week, citing industry figures, who added that that these shady sites are also posing business threat to "fantastic range" of legal streaming services such as Spotify and Apple Music. The report describes the nature of the issue: Sites that allow YouTube videos to be converted into an MP3 file and illegally downloaded to someone's phone or computer are attracting millions of visitors, with estimates suggesting that a third of 16-24-year-olds in the UK have ripped music from the Google-owned platform. Other platforms affected by the illegal ripping sites include DailyMotion, SoundCloud and Vimeo, however YouTube is by far the most pirated. The results of a crackdown that began in 2016 are beginning to be seen, thanks to a coordinated effort by organizations representing record companies in the US and the UK. Earlier this week, stream ripping website MP3Fiber was forced to shut down following legal pressure. However, dozens of sites offering similar services still remain active and are easily accessible through Google, whose search engine provides more than 100 million results for the term "YouTube MP3 converter." The Electronic Frontier Foundation (EFF) said that even referring to the aforementioned questionable websites as "stream ripping" sites is misstating copyright law. "There exists a vast and growing volume of online video that is licensed for free downloading and modification, or contains audio tracks that are not subject to copyright," the EFF told the US Office of the United States Trade Representative last year. "Moreover, many audio extractions qualify as non-infringing fair uses under copyright. Providing a service that is capable of extracting audio tracks for these lawful purposes is itself lawful, even if some users infringe."

An anonymous reader quotes CNET: J.R.R. Tolkien fans can get their hands on what might be the late author's final work. The Fall of Gondolin was published August 30 by Houghton Mifflin Harcourt in the US and HarperCollins in the UK. J.R.R. Tolkien died in 1973, but since his death, his son Christopher, now 93, has edited a number of his father's works, including this one. The book tells of the founding of the Elven city of Gondolin, and is considered one of Tolkien's Lost Tales... The Fall of Gondolin follows another posthumously published Lost Tale, The Tale of Beren and Luthien, which came out in 2017. At the time, many expected that book to be J.R.R. Tolkien's final published work. Christopher Tolkien even wrote in its preface that it was "(presumptively) my last book in the long series of my father's writings." But now, Entertainment Weekly reports, Christopher Tolkien has written that "The Fall of Gondolin is indubitably the last."

The book is illustrated by Alan Lee, who has illustrated numerous Tolkien books, and along with Grant Major and Dan Hennah won an Oscar for best art direction for the 2003 film, The Lord of the Rings: The Return of the King.
The Washington Post includes the book's description of a "hideous mechanical army" deployed in battle against Gondolin, and summarizes the book's plot. "In short, the evil overlord Morgoth -- called Melko here -- seeks to dominate the entire world, but the hidden elvish city of Gondolin remains out of his grasp."

"We are reminded that Tolkien first drafted this story while in the hospital recuperating from the Battle of the Somme."

The latest TV "must have" that you actually don't really need -- at least right now -- has arrived at the IFA electronics show in Berlin. That's 8K, the super-crisp display technology that has four times the resolution of 4K screens. CNET: Samsung on Thursday showed off the Q900, which packs in more than 33 million pixels. The 85-inch TV will be the first 8K TV to hit the US market when it goes on sale in October, although Samsung didn't specify the price. Its arch rival LG a day earlier announced what it called "the world's first" 8K OLED TV. It showed the 88-inch device to some reporters in January at CES but didn't specify when there would be an actual product for consumers. Meanwhile Sharp began shipping the LV-70X500E 70-inch 8K monitor earlier this year to Europe after launching it in late 2017 in China, Japan and Taiwan. 8K TVs dramatically boost the number of pixels in the displays, which the companies say will make pictures sharper on bigger screens. "We ⦠are confident that [consumers] will experience nothing short of brilliance in color, clarity and sound from our new 8K-capable models," Jongsuk Chu, the senior vice president of Samsung's Visual Display Business, said in a press release.

An anonymous reader quotes a report from Ars Technica: Since 2007, Pokemon Essentials has been a crucial part of the Pokemon fan game community. As a free mod for the paid RPG Maker software, Pokemon Essentials offers all the graphics, music, maps, and tilesets a fan game maker needs to craft their own Poke-adventure. Fans of the tool congregated around the PokeCommunity forums and a dedicated Pokemon Essentials wiki to download files, share creations, and discuss the scene. Earlier this week, however, PokeCommunity forum moderator Marin announced that "the Pokemon Essentials wikia and all downloads for it have been taken down due to a copyright claim by Nintendo of America." That means "we will not allow Pokemon Essentials or any of its assets to be hosted or distributed on PokeCommunity," the announcement reads. "We sincerely apologize that we have to do this, but there is no going around it." Fandom, the company that hosts the wiki, confirmed to the Verge that it had "received a DMCA notice on behalf of Nintendo notifying us of content that was in violation of its copyright holdings. After carefully assessing the violations in regards to the Pokemon Essentials wiki, we came to a decision to take it down."

Amazon is making an even bigger play for the television advertising market with a planned launch of an ad-supported video service specifically for Fire TV device owners, according to a report today from The Information. From a report: The service, which could be called Free Dive, is said to be very close in concept to the Roku Channel, an ad-supported free video service for Roku streaming devices and smart TVs that's helped the device maker grow its platform business. These services tend to offer a random mix of older catalog content, but they're free to stream. The Information estimates Amazon has around 48 million customers who own a Fire TV device, either in the form of a HDMI stick, a more powerful and 4K-equipped HDMI dongle, and the new, Alexa-enabled Fire Cube.

An anonymous reader shares a report: GTA V and its multiplayer GTA Online mode has already proven itself a thriving game and money maker for both developer Rockstar and publisher Take-Two -- with sales approaching 100 million copies and bringing in more than $6 billion, now one of the most successful video games in history is also becoming something else, perhaps not too unexpectedly: A powerful tool for music discovery. Use of music has always been something video game makers Rockstar prides itself on. From the Billy Holiday, Ella Fitzgerald and Dinah Washington songs found in L.A. Noire, a detective action-adventure game, to the mix of 1970s rock in The Warriors game, music is one of the more important elements of pop culture that the developers use to help create memorable times and places for its titles.

Nowhere is that more evident than in the long-running Grand Theft Auto series. While the franchise has always featured some sort of working, in-game radio stations, each new iteration expanded on the concept. By 2013 and the release of GTA V, the game's 15 unique radio stations, packed with 240 fully licensed songs and pre-recorded on-air talent, had become nearly as important as the game itself. [...] In the five years since launch, GTA V and GTA Online gamers have listened to more than an estimated 75 billion minutes of music from the game's 18 radio stations, according to Rockstar's own analysis provided to Rolling Stone.

Why do we never utter sentences like "'Cobra Kai' has been certified 100% fresh on Rotten Tomatoes?" or "'Stranger Things'" was rated 8.9 out of 10 on IMDb"? It's not because the reviews of TV shows aren't aggregated by these websites -- they are. Contrary to what you might think of IMDb, given that its name is Internet Movie Database, TV shows also occupy an essential, if relatively smaller, place than movies there. And the same thing goes for Rotten Tomatoes. An exploration: So if the lack of availability of TV rating sites isn't the issue, why is it that we hardly use critical or audience scores as a way to measure the quality of a TV show to our peers? Here are a few of my theories:
There Are Too Many Good Shows Out There
It's an odd dilemma to have, but it's true that when it comes to TV shows, there are so many high-quality programs for us to consume. People have been talking about Peak TV for a few years now, and a quick scroll through Rotten Tomatoes' website would seem to confirm that we've been offered an embarrassment of riches. [...]

The Price Of Admission Is Higher For Movies
Another reason why viewers might care less about a TV show's critical scores than a film's might be the high price of moviegoing. Tickets in metropolitan areas in the US can be extremely expensive, costing up to $25.49 if you're going for an IMAX screening in New York City unless you're subscribed to a service like Moviepass or AMC's new subscription program.

Networks And Platforms Market Emmys More Than Critical Scores Compared to critical scores on review websites, networks and platforms seem to place more stock on the Emmys when it comes to the marketing of TV shows. Despite the fact that the Emmy, arguably the best TV award, might not offer shows as big of a ratings boost as it did decades ago, the awards still play a crucial part in helping create social buzz around television shows, especially for shows with smaller audiences.

AmiMoJo quotes the Verge: The 2018 Hugo Awards were held Sunday night at the World Science Fiction Convention in San Jose, California. The Hugo award, voted on by members of the fan community, is considered the highest honour for science fiction and fantasy literature... N.K. Jemisin took home the top honor for The Stone Sky, the third installment of her Broken Earth trilogy. Other winners include Martha Wells for her first Murderbot novella All Systems Red, Suzanne Palmer for her novelette "The Secret Life of Bots," and Rebecca Roanhorse for her short story "Welcome to your Authentic Indian Experience." [Those last two links apparently let you read the entire story online!] Roanhorse also took home the John W. Campbell Jr. Award for Best New Writer.
Ursula K. Le Guin also posthumously won an award for "Best Related Work" for her collection of blog posts No Time to Spare: Thinking About What Matters.

And Zack Snyder finally won something, when Blade Runner 2049 lost in the "Best Dramatic Presentation -- Long Form" category to Wonder Woman ("screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuch.")

Slashdot reader nolaguy quotes the New York Post: Movie subscription service MoviePass has pulled the plug on annual subscriptions, telling those subscribers that they will have to adhere to the same terms as monthly subscribers. The service made the announcement Friday in an email to those members and offered them prorated refunds if they want to cancel their annual memberships.... Until Friday's announcement, subscribers to the $89 annual plans had been able to see a movie a day.
CNET reports that MoviePass "is now forcing you onto its monthly three-movie-a-month plan -- effective immediately...and you'll receive up to a $5.00 discount on any additional movie tickets purchased." They're plannning to apply the $89 annual fees toward the $9.95 monthly fees, but.... To add insult to injury, MoviePass says you'll only have until Aug. 31 -- a week from today -- if you want to get some of your money back in the form of a prorated refund, which you can only get by canceling your plan. And just to make things more ridiculous, MoviePass is preying on your FOMO by saying that if you do take the refund, you won't be able to sign up for MoviePass again for nine months.
CNET's article ends with a link to their list of "the 11 times that MoviePass altered the deal," adding "This is getting sad. And a little shady."