The merger that once seemed all but inevitable has fallen apart. According to The Wall Street Journal, Tribune Media has terminated its merger agreement with rival TV station-owner Sinclair Broadcast Group (Warning: source may be paywalled; alternative source). The company is also suing Sinclair for failing to make sufficient efforts to get their $3.9 billion deal approved by regulators. From the report: The suit, filed in Delaware Chancery Court, alleges that Sinclair breached the merger agreement by engaging in "unnecessarily aggressive and protracted negotiations" with regulators over their requirement that Sinclair divest stations in certain markets to obtain approval, Tribune said in a statement. The deal structures Sinclair proposed, which Tribune said were done to allow it to maintain control over stations, created risks for the deal in violation of the merger agreement. Tribune is seeking financial damages.

The collapse of the deal and lawsuit mark a stunning turn of events for a deal that when it was announced in April of 2016 seemed certain to receive regulatory approval. "Our merger cannot be completed within an acceptable time frame, if ever, Tribune Media Chief Executive Peter Kern said in a statement. "This uncertainty and delay would be detrimental to our company and our shareholders. Accordingly, we have exercised our right to terminate the merger agreement, and, by way of our lawsuit, intend to hold Sinclair accountable." The merger hit the rocks last month when FCC commissioners voted to send the proposed sale to a judge. "FCC chairman Ajit Pai raised 'serious concerns' about Sinclair's selloff of 21 stations it had proposed in order to remain under station ownership limits post-merger," Engadget reported last month. "Had Sinclair declined to sell off some stations, its 173 broadcast stations in 81 markets, combined with Tribune's 42 stations in 33 markets would reach 72 percent of U.S. TV households."

A new company called Audius, lead by entrepreneur and DJ Ranidu Lankage, has raised $5.5 million to build a blockchain-based alternative to Spotify or SoundCloud. "Users will pay for Audius tokens or earn them by listening to ads," reports TechCrunch. "Their wallet will then pay out a fraction of a cent per song to stream from decentralized storage across the network, with artists receiving roughly 85 percent -- compared to roughly 70 percent on the leading streaming apps. The rest goes to compensating whomever is hosting that song, as well as developers of listening software clients, one of which will be built by Audius." From the report: Audius plans to launch its open-sourced product in beta later this year. But it's already found some powerful investors that see SoundCloud as vulnerable to the cryptocurrency revolution. Audius has raised a $5.5 million Series A led by General Catalyst and Lightspeed, with participation from Kleiner Perkins, Pantera Capital, 122West and Ascolta Ventures. They're betting that Audius' token will grow in value, making the stockpile it keeps worth a fortune. It could then sell chunks of its tokens to earn revenue instead of charging artists directly. The big question will be whether Audius can use the token economy to crack the chicken-and-egg problem of getting its first creators and listeners on a platform that might be less functionally robust than its traditional competitors. There are a lot of moving parts to decentralize, but there are also plenty of disgruntled musicians out there waiting for something better.

From a report: In recent years Hollywood and other entertainment sources have focused their enforcement efforts on pirate streaming sites and services. According to several reports, streaming sites get more traffic than their P2P counterparts, with the latter being almost exclusively BitTorrent related. While the rise of online streaming sites can't be denied, a new research report from anti-piracy outfit Irdeto shows that P2P remains very relevant. In fact, it's still the dominant piracy tool in many countries. Irdeto researched site traffic data provided by an unnamed web analytics partner. The sample covers web traffic to 962 piracy sites in 19 countries where P2P was most used. This makes it possible to see how P2P site visits compare to those of pirate streaming sites.

Larger cable providers once again take a beating for perceived value -- even when it comes to bundled plans. ConsumerReports: Unhappy with your pay-TV company? You're not alone. Dissatisfaction with the perceived value of pay-TV service was once again high among the 176,000 members who participated in Consumer Reports' latest telecommunications survey. When we asked for feedback on their experiences with pay TV, home internet, home telephone service, and bundled plans, they shared their displeasure. In fact, most of the larger cable companies -- Optimum (Cablevision), Comcast, and Spectrum (Charter, Time Warner Cable, Bright House Networks) -- earned low scores in multiple categories, settling into the bottom half of the 25 providers in CR's new telecom service ratings.

Only 38 percent of pay-TV subscribers were highly satisfied with their service, meaning they were "very" or "completely" happy with the offerings. Armstrong, a smaller cable company that operates in Kentucky, Maryland, New York, Ohio, Pennsylvania, and West Virginia, earned the second-place slot behind Google Fiber, in part due to favorable scores for technical support, reliability, and customer service. Verizon and the two satellite-TV companies -- AT&T's DirecTV and Dish Network -- also rated better than Cox Communications, Comcast, Spectrum, and Optimum.

Top-rated EPB, a municipal broadband service run as a public utility in Chattanooga, Tenn., was one of the few bright spots for internet service. It was the only company to receive a top mark for value. It also got top marks for speed and reliability. Google Fiber was a close second in the ratings, the only other company to get a favorable mark for value.

Nearly three-quarters of the survey respondents who have a bundled plan -- TV, internet, and phone -- said they got a special promotional price when they signed up. And 45 percent were still enjoying that rate when they answered our survey.

nolaguy shares a report from NPR: Movie theater subscription service MoviePass will not be raising prices, as it had announced last week, but will instead be capping the number of times that subscribers can visit movie theaters. For $9.95 per month, MoviePass subscribers used to be able to see a movie in theaters every day, if they so chose. Beginning on August 15, the service will instead provide three movies per month. The change replaces a previously announced plan to raise prices to $14.95 a month. The beleaguered movie theater subscription company is also canceling two other recent changes -- "peak pricing" surcharges for popular movies and a ticket verification process -- that were intended to stop the company from bleeding money.

On August 5th, OpenAI's bots defeated four former professional Dota 2 players in two of the three matches played. "There were a few conditions to make the game manageable for the AI, such as a narrower pool of 18 Dota heroes to choose from (instead of the full 100+) and item delivery couriers that are invincible," reports The Verge. "But those simplifications did little to detract from just how impressive an achievement [the] win was." From the report: The OpenAI Five triumphed in convincing fashion in the first game, not allowing the human players to even destroy one of their defensive towers. The humans recovered a little in game two, conquering one tower, but they still got demolished. And finally, in a game three played purely for pride, the humans managed to squeeze out a win. What stands out when you watch the matches is the apparent intelligence of the AI's decisions and the inhuman absence of any indecision. The typical Dota 2 game, even on the professional tier, involves quite a bit of equivocation about whether to engage in a fight, try and shift it to a more favorable battleground, or run away from it completely. The OpenAI team just doesn't need the processing time that humans require, which made its play appear unnatural -- but only in the speed and crispness of the decision-making, not in the content of those decisions.

TechCrunch reports on a new Alexa skill called "Away Mode". Instead of lights and noises, you can keep your home safe from unwanted visitors by playing lengthy audio tracks that sound like real -- and completely ridiculous -- conversations. When you launch Away Mode, Alexa will play one of seven audio tracks penned by comedy writers from SNL, It's Always Sunny in Philadelphia, and UCB... These include gems like "Couple Has Breakup While Also Trying to Watch TV," "Two Average Guys Brainstorm What's Unique About Themselves So They Can Start a Podcast About It," "Emergency PTA Meeting To Discuss Memes, Fidget Spinners, and Other Teen Fads," and more. There are conversations from a book club where no one discusses the book, a mom walking her daughter through IKEA assembly over the phone, a stay-at-home mom losing her s***, and argument over a board game....

After enabling the skill on your Alexa device, you can cycle through the various conversations by saying "Next"... The tracks themselves are around an hour or so long... There are other "burglar deterrent" skills for Alexa if you're interested in the general concept, like that play fake house alarms or sound like guard dogs. But Away Mode is just a little more fun.
It's the brainchild of San Francisco-based Hippo Insurance, whose brand manager hopes to get people thinking about home security (though she says it isn't meant to be a serious security tool). Yet, "Theoretically it's a good idea," adds former California police chief Jim Bueermann (now the head of the nonprofit Police Foundation). "If this thing mimics real conversation, it's much more likely to trick the burglar into believing somebody is home."

In one fake argument, a board game player shouts "Hand me the rulebook! The other rulebook! That's the rules reference.... No, it's in the learn-to-play guide. That's the quick reference!"

Disney is reportedly having trouble buying back TV rights to "Star Wars" movies from AT&T's Turner Broadcasting so that it can offer them on a new streaming video service it is working on. Bloomberg reports: Disney made a preliminary inquiry about regaining the rights, but met resistance. Turner has the rights to show the films on its cable networks, which include TNT and TBS, and online until 2024. The programmer would want financial considerations and programming to replace the lost films. Disney sold certain rights to Turner in 2016, before it completed plans for the streaming service.

Music piracy is falling out of favour as streaming services become more widespread, new figures show. From a report: One in 10 people in the UK use illegal downloads, down from 18% in 2013, according to YouGov's Music Report. The trend looks set to continue -- with 22% of those who get their music illegitimately saying they do not expect to be doing so in five years. "It is now easier to stream music than to pirate it," said one survey participant. Another respondent said: "Spotify has everything from new releases to old songs, it filled the vacuum, there was no longer a need for using unverified sources."

After returning to stores in June after a brief stint of sales back in 2016, the NES Classic is topping U.S. sales charts. Market research firm NPD reports that the NES Classic was June's highest unit-selling hardware platform in the U.S., beating the PlayStation 4, Nintendo Switch, and Xbox One. "The NES Classic managed to outsell these consoles despite only being on sale for a few days in late June," reports The Verge. From the report: While the NES Classic is priced at $59 compared to more expensive current-generation consoles, it's clearly still in demand 35 years after the original Nintendo Entertainment System debuted in 1983. The NES Classic comes loaded with 30 games including classics like Super Mario Bros., Metroid, Donkey Kong, The Legend of Zelda, and Pac-Man. While you can't insert vintage NES cartridges into it, the console supports game saves and connects to TVs via a HDMI cable. Nintendo hasn't revealed whether it now plans to introduce more miniature retro consoles.

In the next software update for its vehicles, Tesla will include several playable Atari games as new Easter eggs. CEO Elon Musk said the update would be released in "about four weeks" and should include games like Pole Position, Tempest, and Missile Command. The Verge reports: Pole Position's controls will apparently be linked to the Tesla's actual steering wheel -- while the vehicle is stopped, Musk made clear. It goes without saying, but no one should be messing around with any of these when they're behind the wheel of a moving car. A much bigger deal for Tesla owners is that, according to Musk, software version 9.0 will begin to enable "full self-driving features" in eligible vehicles. The new update might be discussed further during Tesla's earnings call later today.

After running out of money and shutting down for a night last week, the movie ticket subscription service MoviePass will increase its price to $14.95 a month within the next 30 days. Furthermore, "first-run movies will only be viewable on a limited basis during the first two weeks of release, unless the company has a promotional deal with a given film," reports The Verge. From the report: MoviePass' statement claims these changes are being made "to enhance discovery, and to drive attendance to smaller films and bolster the independent film community." In a widely reported all-hands meeting at the company, MoviePass CEO Mitch Lowe cited the upcoming Christopher Robin and The Meg specifically as films that would not be available to subscribers. More broadly, MoviePass hopes to make smarter decisions about potential partnerships with studios and brands in the hopes of turning a profit, though no specific details were shared at this time. This new price increase is in addition to the already-announced plan to implement surge pricing for popular movies.

Valve decided to remove a game from Steam after it was found to be turning players' computers into cryptocurrency miners. An anonymous reader shares the report from Polygon: The game is called Abstractism, which was said to not only infiltrate players' computers with mining software, but also dupe them through falsified items on the Steam Marketplace. But not long after these accusations started circulating, it has been taken off Steam. When Abstractism was up on the store, it was marketed as a "relaxing" platformer with a simple design. But YouTuber SidAlpha noticed that something was afoot, when someone on the Team Fortress 2 forums posted about how the game was tied into an item scam.

Players also noticed that the game used massive amounts of CPU and GPU, which Abstractism's developers claimed was because of the game's "high graphics settings," something quite uncharacteristic for a simple platformer. High CPU and GPU usage is another tell-tale sign that a computer is being used to mine cryptocurrency. Just hours after SidAlpha's video and the associated forum posts began to spread, Valve removed Abstractism from Steam, and the developer has been banned from Steam. All previously purchased Abstractism items have been tagged with "This item can no longer be bought or sold on the Community Market."

Doug Grindstaff, a five-time Emmy Award winner behind Star Trek's Tribble coos, communicator beeps, and Enterprise bridge door whooshes, has died at 87. The Hollywood Reporter looks back at Grindstaff's contributions to the Star Trek universe: [Grindstaff] received 14 Emmy nominations in all -- including one for Star Trek in 1967 -- and won for his editing on The Immortal in 1970, Medical Story in 1976, Police Story in 1978, Power in 1980 and Max Headroom in 1987. Working with Jack Finlay and Joseph Sorokin, Grindstaff created the background sounds and effects used on NBC's Star Trek. These sounds included red alert klaxons, the whoosh of Enterprise bridge doors opening/closing, heartbeats, boatswain whistles, sickbay scanners and communicator beeps and the acoustics that invoked phasers striking deflector shields and transporter materialization (and dematerialization).

In a 2016 interview for the Audible Range blog, Grindstaff noted that Star Trek creator Gene Roddenberry "wanted to paint the whole show [with sound] like you were painting a picture. "And he wanted sounds everywhere. One time I asked him, 'Don't you think we're getting too cartoony?' Because I felt it should be a little more dignified, but he wanted sound for everything. For example, I worked on one scene where [Dr. McCoy] is giving someone a shot. Gene says, 'Doug, I'm missing one thing. The doctor injects him and I don't hear the shot.' I said, 'You wouldn't hear a shot, Gene.' He said, 'No, no, this is Star Trek, we want a sound for it.' "So I turned around to the mixing panel and said, 'Do you guys have an air compressor?' And they did. I fired up the air compressor, squirted it for a long enough period by the mic, went upstairs, played with it a little bit and then put it in the show. And Gene loved it. So, that's how Gene was. He didn't miss nothing!" Grindstaff said he created Tribble coos by manipulating the sound of a dove.

Slashdot reader Lauren Weinstein writes: YouTube very quietly made a very cool and rather major improvement in their video players today... YouTube is now adjusting the YT player size to match videos' native aspect ratios. This is a big deal, and very much welcome.
YouTube provided some before-and-after screenshots Friday, and acknowledged that "We launched this update on mobile awhile back (both Android and iOS) so this change also aligns the desktop and mobile viewing experiences."

Gizmodo writes: Until now YouTube forced all videos into a 16:9 ratio by windowboxing them, meaning surround them with black vertical or horizontal bars like the old days of watching widescreen movies on VHS. In that sense, this isn't a huge change -- white space instead of black -- although the location of player controls moves to fit the video's size...

The aspect adjustments are apparently automatic, retroactive to all uploaded video, and if there's a way to turn the feature off in Creator Studio it's non-obvious... Update 7/27/18 7:48pm: A YouTube spokesperson has since clarified to Gizmodo that currently there is no way to disable this feature.

An anonymous reader quotes a report from The Guardian: Scientists have now created their own Richter-like scale [for measuring alien signals] to explain whether a finding is a damp squib or has truly seismic implications. The new scale allows scientists to rate interesting signals detected in searches for extraterrestrial intelligence from 0 to 10, where 0 is nothing to get excited about and 10 is equivalent to "an alien space probe orbiting the Earth or an alien shaking your hand," said Duncan Forgan, who worked on the project, at the University of St Andrews Centre for Exoplanet Science. Known as Rio 2.0, the scale is a proposed upgrade of an existing Rio scale that is already used by the alien-hunting community. It assigns scores to Seti ("search for extraterrestrial intelligence") signals by taking into account both the potential implications of the signal and the likelihood that it is genuine, rather than down to natural or human-made phenomena. Under the proposals, scientists could issue their own Rio scale number for any interesting signals they detect, but so could fellow academics who review their work for publication. The rating system is also being made available to the public. The scientists detailed the new Rio scale in the International Journal of Astrobiology.

Popular movie-ticked subscription service MoviePass experienced an outage on Thursday, still ongoing for some, which the company attributed to "technical issues with our card-based check-in process," on its Twitter feed. But its SEC filing Thursday indicated that the problem was really cash flow. From a report: The filing by its parent company, Helios and Matheson Analytics, explained an emergency loan the company had taken out: The $5.0 million cash proceeds received from the Demand Note will be used by the Company to pay the Company's merchant and fulfillment processors. If the Company is unable to make required payments to its merchant and fulfillment processors, the merchant and fulfillment processors may cease processing payments for MoviePass. ("MoviePass"), which would cause a MoviePass service interruption. Such a service interruption occurred on July 26, 2018. Such service interruptions could have a material adverse effect on MoviePass' ability to retain its subscribers.

secwatcher writes from a report via Threatpost: Cisco Talos researchers found flaws located in Samsung's centralized controller, a component that connects to an array of IoT devices around the house -- from light bulbs, thermostats, and cameras. SmartThings Hub is one of several DIY home networking devices designed to allow homeowners to remotely manage and monitor digital devices. "Given that these devices often gather sensitive information, the discovered vulnerabilities could be leveraged to give an attacker the ability to obtain access to this information, monitor and control devices within the home, or otherwise perform unauthorized activities," researchers said in a report. Threatpost goes on to detail the "multiple attack chain scenarios." Thankfully, Samsung has since patched the bugs. "We are aware of the security vulnerabilities for SmartThings Hub V2 and released a patch for automatic update to address the issue," a Samsung spokesperson told Threatpost. "All active SmartThings Hub V2 devices in the market are updated to date." The company released a firmware advisory for Hub V2 devices on July 9th.

The New Zealand government spent at least $150,000 to create a video game that shows people how to run their own business. It reportedly took 14 months and eight designers to create. NZ Herald reports: The Tycoon Game series, which consists of Restaurant Tycoon and Tech Tycoon, challenges players to use what the World Economic Forum has deemed as 10 essential skills vital for the future of employment. The educational game will teach players business skills including emotional intelligence and cognitive flexibility, as well as critical thinking and creativity -- skills the Forum has this year bumped up the prescribed list. Players can level-up and earn badges for certain achievements, determined by how they manage scenarios in the game, including paying supplier invoices and wages. Do you think a video game is an effective way to teach business? If so, do you have any other games you'd recommend? A couple that come to mind include Capitalism Plus and Hot Dog Stand: Top Dog.

One big area that Microsoft is focusing on with its next-generation Xbox is game streaming. According to a report from Thurrott.com, Microsoft is working on two new Xbox consoles. The "Xbox Two" will be a console similar to that of the Xbox One and Xbox 360, with updated hardware and specs. The other Xbox console in development will be limited to streaming games. The Verge reports: The streaming-only console will reportedly include a low amount of local compute for handling tasks like controller input, image processing, and collision detection. These tasks are essential to reducing latency in game streaming, and Microsoft is said to be planning to slice up processing between the game running locally and in the cloud in order to reduce input lag and other image processing delays. Microsoft is currently developing its next-generation Xbox console under the Scarlett codename. The software giant recently revealed it's also working on a game streaming service for Xbox that will work across any device. This is a key part of Microsoft's future plans with Xbox, and part of the company's vision for developing its "Netflix for video games" service, Xbox Game Pass.

Sources familiar with Microsoft's plans tell The Verge that Microsoft is currently "all hands" on creating datacenters capable of powering the company's game streaming service. Referred to as codename "XCloud" internally, Microsoft has been experimenting with combining four lots of custom Xbox consoles into a single server blade for its datacenters. These servers will launch initially with developers in mind to build and develop games in the cloud instead of local debug machines, and then to stream games to consumers.