It's not HBO Max -- soon it's just going to be Max. From a report: Warner Bros. Discovery officially announced Max as the new name of its flagship streamer, lopping off the HBO part of the name as it mixes in a big bucket of new content from Discovery+ and other new original series. The company announced the name change at a press event Wednesday, where it also revealed a slate of upcoming projects. The rebuilt Max (on the web at max.com) is set to launch first in the U.S. on May 23, featuring what the company promises will be an average of more than 40 new titles and TV show seasons every month. "Max is the one to watch," WBD CEO David Zaslav said on stage at the event, featuring thousands of shows and movies on the service for every member of the household.

According to the service's website, Max will be available in three different versions. The first two plans align with the existing HBO Max pricing, and WBD said current HBO Max customers will not see their pricing change (for now) when the new service debuts. The third tier, "Max Ultimate," expands to up to four streams and includes 4K content. The trio of options are:
Max Ad-Lite ($9.99/month or $99.99/year): Two concurrent streams, 1080p HD resolution, no offline downloads, 5.1 surround sound quality
Max Ad Free ($15.99/month or $149.99/year): Two concurrent streams, 1080p HD, up to 30 offline downloads, 5.1 surround sound quality
Max Ultimate Ad Free ($19.99/month or $199.99/year): Four concurrent streams, up to 4K Ultra HD resolution, 100 offline downloads, Dolby Atmos sound quality

Universal Music Group has told streaming platforms, including Spotify and Apple, to block artificial intelligence services from scraping melodies and lyrics from their copyrighted songs, according to emails viewed by the Financial Times. From the report: UMG, which controls about a third of the global music market, has become increasingly concerned about AI bots using their songs to train themselves to churn out music that sounds like popular artists. AI-generated songs have been popping up on streaming services and UMG has been sending takedown requests "left and right," said a person familiar with the matter. The company is asking streaming companies to cut off access to their music catalogue for developers using it to train AI technology. "We will not hesitate to take steps to protect our rights and those of our artists," UMG wrote to online platforms in March, in emails viewed by the FT. "This next generation of technology poses significant issues," said a person close to the situation. "Much of [generative AI] is trained on popular music. You could say: compose a song that has the lyrics to be like Taylor Swift, but the vocals to be in the style of Bruno Mars, but I want the theme to be more Harry Styles. The output you get is due to the fact the AI has been trained on those artists' intellectual property."

A filmmaker walks us through the reasons behind the 'dark cinematography' that's causing so many complaints. From a report: Take, for instance, Wes Craven's 1996 horror classic Scream -- a film often remarked on for just how lit everything in it is at all times. An early scene depicts protagonist Sidney Prescott embracing her boyfriend Billy Loomis in the wake of a terrifying home invasion and her near-death at the hands of a masked killer. After Sidney throws her arms around Billy, Craven cuts to a tight close-up on Billy's face, which is illuminated by a harsh, ominous, icy-cool light that telegraphs his sinister intentions. But where is that light coming from? The bedroom they're in has no lamps switched on. Could it be the moon? Hard to justify, as the only windows in the space are behind Billy, and the light we're staring at is so much brighter and closer than the moon could ever be. So what on Earth is that light?

The answer is, simply enough, nothing. Craven often didn't feel any real need to rationalize why a bright light would suddenly appear one second before disappearing again in the following shot. It's a purely stylistic choice, employed for that one moment to cast doubt on Billy's trustworthiness in the audience's mind. Itâ(TM)s an extremely stagey choice that fits neatly within the larger series' heightened, melodramatic style. Scream wouldn't really be Scream without it. The hyper-lit style was a staple of cinematography in American films during the '90s, and like all trends, it eventually fell out of fashion -- in this case, a few years after Scream hit theaters. The 2000s saw filmmakers embracing more directional, shadowy lighting styles, evoking a grittier, more "grounded" aesthetic while retaining a sense of classic Hollywood polish. The 2010s featured another huge shift in style, this time toward hyper-naturalism. Even broad, big-budget blockbusters like Harry Potter and the Deathly Hallows -- Part 1 embraced a look torn straight from indie cinema. Not only are the lights in that film always motivated, they're realistic. Where earlier films might have used the presence of the moon or a table lamp to justify much brighter lighting, movies like Deathly Hallows, Interstellar, and Dawn of the Planet of the Apes let the light of a lamp simply look like a lamp.

For the first time, you can now buy or rent every single Star Trek movie in the latest 4K and HDR standards. That includes all six movies based on the original series cast, all four featuring The Next Generation's cast, and the more recent J.J. Abrams films. Ars Technica reports: On April 4, Paramount released an UltraHD Blu-ray set that included Star Trek: Generations, Star Trek: First Contact, Star Trek: Insurrection, and Star Trek: Nemesis along with several special features. The set marks the first time these films have been available in a 4K and HDR home video release. Alongside the Blu-rays, the films also became available on on-demand storefronts like Apple's TV app.

Last year, the original series films (Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier, and Star Trek VI: The Undiscovered Country) received the same treatment. The reboot films (Star Trek, Star Trek Into Darkness, and Star Trek Beyond) have long been available in modern formats. So as of this week, all 13 theatrically released Star Trek films are finally available in 4K and HDR. The latest releases also support the Dolby Atmos audio standard in addition to Dolby Vision HDR.

SFGate reports: A herculean effort is required to produce an event centered around the intellectual property of "Star Wars" (protected within the Disney galactic empire), but a film commissioner in Northern California was determined and got creative to solicit a response from the film franchise owners. "I offered to send my adult daughter, who's a chef, to Lucasfilm to make them meals if they let us do this," said Cassandra Hesseltine, commissioner for the Humboldt-Del Norte Film Commission. The plea caught the attention of the San Francisco-based company, and a "Star Wars" festival in the redwoods was born.

After a decade of planning, following an extensive back-and-forth to comply with IP rights, the film commission has announced the Forest Moon Festival. The two-day event commemorates the 40th anniversary of "Star Wars: Return of the Jedi" June 2 and 3 in Northern California. It includes four film screenings [outdoors and indoors] between the two counties and holiday-like fanfare, with costumes and parties in downtown Eureka and on Cal Poly Humboldt's campus in Arcata.

The festival's vision is to gather community members and outsider fans of the series for a summer jubilee akin to the Fourth of July, where folks are encouraged to dress up to the theme and congregate under the redwood trees.
The article also notes that in June the monthly street fair in the town of Eureka "is expected to feature a 20-person squadron of Stormtroopers marching down main street."

The Super Mario Bros. Movie "has now earned the largest global animated opening weekend in box office history," reports the Wrap, with a worldwide five-day launch of $377 million, passing the $358 million record set by Disney's Frozen II on Thanksgiving weekend in 2019." Domestically, "Mario" was projected when it opened in theaters on Wednesday to earn a five-day opening of at least $125 million from 4,343 theaters, and it has shattered that figure with $204.6 million grossed. Both that and its three-day total of $143 million are a studio record for Illumination, with the three-day total being the third highest seen on Easter weekend and second only to the $182 million earned by Pixar's "Incredibles 2" among all animated films. It is also the new animation record holder for Imax with $21.6 million grossed worldwide.

And of course, the film has blasted past every box office opening record for video game adaptations, nearly doubling the three-day domestic record of $72.1 million set by "Sonic the Hedgehog 2" last year and shattering the $210 million global record set by "Warcraft" in 2016. "This weekend's record-breaking debut proves audiences of all ages and demographics will pour into theaters for a hysterically funny and authentic universe expansion of an already iconic franchise," said Universal's domestic distribution president Jim Orr. "Nintendo and Illumination's creative synergy along with Shigeru Miyamoto and Chris Meledandri's extraordinary leadership created an entertaining juggernaut that will be sure to power up the box office for weeks to come...."

Thanks in large part to "Super Mario Bros.," overall weekend estimates have risen to $194 million, 76% above the same weekend in 2019.

AI now "automates creative impulses," writes New Yorker staff writer Kyle Chayka — then wonders where that will lead. Chayka's first example is a Berlin-based photographer using AI tools to create a viral video showing Harry Potter characters as fashion models for the upscale French label Balenciaga: A.I. tools were involved in each step of Alexander Niklass's process, and in each element of the video. He created the basic static images with Midjourney, evoking the Harry Potter actors and outfits through text prompts such as "male model, grotesque, balenciaga commercial." Then he used ElevenLabs — a "voice-cloning" tool — to create models of the actors' voices based on previously recorded audio. Finally, he fed the images into a service called D-ID, which is used to make "avatar videos" — subtly animated portraits, not so far off from those that appear in the newspapers of the Potter world. D-ID added the signature lip synchs and head nods, which Niklass explained were a reference to fashion models tilting their chins for the cameras.

The combination of child-friendly film and adult luxury fashion held no particular symbolism nor expressed an artistic intent. It's "entertainment," Niklass said. Yet the video's most compelling aspect might be its vacuity, a meaningless collision of cultural symbols. The nonsense is the point.
The article also cites a song where the French group AllttA performs with an AI-generated simulation of Jay-Z. Chayka marvels at a world where "The A.I. content has the appearance of realism, without actual reality — reality solely as a style.... it seems that a Rubicon has been crossed: It doesn't matter that these artifacts are generated by A.I.; we can just enjoy them for what they are. It happened faster than I thought possible, but now that A.I.-generated pop culture has entered the mainstream, it seems unlikely that we'll ever get rid of it."

Chayka asked ChatGPT how AI-generated imagery is changing our perceptions, and "It responded that there has been a 'blurring of the lines between real and artificial.'"

The article ultimately ponders the possible implications of "a world in which every style, every idea, and every possible remix is generated as fast and frictionlessly as possible, and the successful ones stick and get attention." But at the same time, Chayka believes the final output's quality still depends on the humans involved (arguing that the Harry Potter fashion video was still more "appealingly odd" than later AI-generated videos copying the idea, like "Matrix by Gucci," "Star Wars by Balenciaga," and "The Office by Balenciaga".) A.I. tools may have been able to replicate actors' faces and generate fashionable outfits, but only Niklass could have come up with the concept, which required keen observation of both high fashion and the wizarding world — and also a very specific, extremely online sense of humor. With tools like Midjourney publicly available to anyone online, "everybody can create something visually appealing now," he said. "But A.I. can't generate taste yet," he continued....

To put it another way, execution may have been democratized by generative A.I., but ideas have not. The human is still the originator, editor, and curator of A.I.'s effects.

A German court has ordered hosting provider Uberspace to take the website of the open-source youtube-dl software offline. The ruling is the result of a copyright infringement lawsuit, filed by Sony, Warner and Universal last year. Uberspace will appeal the verdict and, meanwhile, youtube-dl's code remains available on GitHub. TorrentFreak reports: After hearing both sides, the district court of Hamburg ruled on the matter last week, handing a clear win to the music companies. The verdict wasn't immediately made available to the public but the music companies were quick to claim the win in a press release, stating that Uberspace must take youtube-dl's website offline. According to Frances Moore, CEO of the global music industry group IFPI, the court's decision once again confirms that stream-ripping software is illegal.

"YouTube-DL's services have enabled users to stream rip and download copyrighted music without paying. The Hamburg Regional Court's decision builds on a precedent already set in Germany and underscores once again that hosting stream-ripping software of this type is illegal. "We continue to work globally to address the problem of stream ripping, which is draining revenue from those who invest in and create music," Moore adds. Interestingly, the open source youtube-dl code remains available on the Microsoft-owned developer platform GitHub. Whether the music companies have any plans to target the problem at this source is unknown.

Uberspace's legal representative German Society for Civil Rights (GFF) informs TorrentFreak that the decision doesn't come as a total surprise since the court already declared YouTube's "rolling cipher" to be an effective technical protection measure in an earlier case. That said, the defense believes that the order, which effectively amounts to a blanket ban on youtube-dl, failed to take the software's potentially legitimate uses into account. In addition, GFF believes that the court's decision severely restricts the hosting provider's freedom to operate. "If web hosts have to delete an entire website on demand of the rightsholders even in complex situations with no legal precedent, this poses a threat to the business model of web hosts and ultimately to the free flow of information on the Internet." Uberspace says it will appeal the judgement and GFF is confident the hosting provider will ultimately prevail.

It's not just the Ford Mustang that's losing its AM radio. The Detroit Free Press reports: "We are transitioning from AM radio for most new and updated 2024 models," Ford spokesman Wes Sherwood told the Free Press. "A majority of U.S. AM stations, as well as a number of countries and automakers globally, are modernizing radio by offering internet streaming through mobile apps, FM, digital and satellite radio options. Ford will continue to offer these alternatives for customers to hear their favorite AM radio music, news and podcasts as we remove amplitude modulation — the definition of AM in this case — from most new and updated models we bring to market." Commercial vehicles will continue to offer AM radio because of longstanding contract language, Sherwood said....

"In essence, EV motors generate a lot of electromagnetic interference that affects the frequencies of AM radio and make it difficult to get a clear signal," said Mike Ramsey, an analyst with Stamford, Connecticut-based Gartner Research Group, which specializes in digital transformation and innovation. "It could be shielded, but given the diminishing listening habits to AM, the automakers haven't chosen to do it. Most of the content there is available through other means, including podcast and internet streaming. In my view, this isn't that different from automakers discontinuing 8-track players, cassette players and CD players. Technology has advanced. The idea that it is a critical safety channel is a bit suspect given that almost all critical communication now is sent through mobile phones...."

Veteran analyst John McEloy, host of "Autoline After Hours" webcast and podcast said automakers don't need to get rid of AM radio. "It's happening because automakers would love to get rid of the cost of an AM radio," he told the Free Press. "Some of them, like Ford, are using EVs as an excuse to get rid of it. GM shields its AM radios in its electric cars to they don't get any interference."
But the article also quotes a spokesperson for GM saying they're "evaluating AM radio on future vehicles and not providing any further details at this time."

Last month U.S. Senator Markey noted that seven more top automakers have already removed AM radio from their electric vehicles — BMW, Mazda, Polestar, Rivian, Tesla, Volkswagen, and Volvo.

It was exactly 30 years ago that The X-Files began filming in Vancouver. Now X-Files creator Chris Carter tells CBC's On the Coast that the groundbreaking TV series is going to be "remounted" by Black Panther director Ryan Coogler: Carter says he thinks the series would need to be significantly tweaked for current audiences. "We're so steeped in conspiracies now," he said. "The X-Files dealt with a central conspiracy, but now the world is so full of conspiracies that I think that it would be a different show."
The original X-Files series is available for streaming on Disney+. (And Wikipedia notes there was also a six-episode 10th season ran in 2016 and a 10-episode 11th in 2018.) There was also a Lone Gunmen spin-off series in 2001 (co-created by Vince Gilligan, who went on to produce and create Breaking Bad).

The CBC also reports that a documentary about the show will be released this fall. "Superfans Lauren Krattiger and Carly Blake have created The X-Files Fan Retrospective, where they conducted more than 90 interviews with crew members, cast and fans to memorialize the show and its impact."

But don't get your hopes up for an X-Files cartoon. "A few years ago it was announced that Chris Carter was developing an X-Files animated series titled The X-Files: Albuquerque..." writes GeekTyrant, "but unfortunately, it's no longer moving forward at Fox." It was going to revolve around an "office full of misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with." It's explained that these agents are basically the X-Files' B-team.
Thanks to Slashdot reader GoJays for sharing the news.

Audible is testing ad-supported access to select titles for non-members, the Amazon-owned audiobook company revealed on a help page on its website. From a report: The company confirmed to TechCrunch that the test is very limited and does not apply to paid members. The move indicates that the company may be exploring the possibility of an ad-based membership option. Audible declined to comment on any specific plans. The test includes audiobooks, podcasts and Audible Originals. Audible says the test applies to a limited subsection of titles on its platform. Content providers were informed of the change and given the chance to opt out of ads. Users who are part of the test will hear a total of eight ads within a 24-hour period. Audible says it has taken additional measures to make sure that ads won't be heard too frequently within a short time span.

Anti-piracy group CODA is reporting the shutdown of B9Good, a pirate manga site that targeted Japan but was operated from China. In response to a criminal complaint filed by CODA on behalf of six Japanese companies, which were backed by 21 others during the investigation, Chinese authorities arrested four people and seized one house worth $580,000. TorrentFreak reports: Manga piracy site B9Good initially appeared in 2008 and established itself under B9DM branding. SimilarWeb stats show that the site was enjoying around 15 million visits each month, with CODA noting that in the two-year period leading to February 2023, the site was accessed more than 300 million times Around 95% of the site's visitors came from Japan. B9Good had been featured in an MPA submission to the USTR's notorious markets report in 2019. Traffic was reported as almost 16 million visits per month back then, meaning that site visitor numbers remained stable for the next three years. The MPA said the site was possibly hosted in Canada, but domain records since then show a wider spread, including Hong Kong, China, United States, Bulgaria, and Japan.

Wherever the site ended up, the location of its operator was more important. In 2021, CODA launched its International Enforcement Project (CBEP), which aimed to personally identify the operators of pirate sites, including those behind B9Good who were eventually traced to China. Pursuing copyright cases from outside China is reportedly difficult, but CODA had a plan. In January 2022, CODA's Beijing office was recognized as an NGO with legitimate standing to protect the rights of its member companies. Working on behalf of Aniplex, TV Tokyo, Toei Animation, Toho, Japan Broadcasting Corporation (NHK), and Bandai Namco Film Works, CODA filed a criminal complaint in China, and starting February 14, 2023, local authorities began rounding up the B9Good team.

Star Wars actor Mark Hamill has lent his voice to a Ukrainian air raid app to warn citizens of incoming attacks during the ongoing conflict with Russia. The Verge reports: "Attention. Air raid alert. Proceed to the nearest shelter," says Hamill over Air Alert, an app linked to Ukraine's air defense system. When the threat has passed, Hamill signs off with "The alert is over. May the Force be with you."

Invoking his beloved Luke Skywalker character, some of the lines contain recognizable quotes from the Star Wars franchise like "Don't be careless. Your overconfidence is your weakness." You can hear a few lines in the following video starting around 56 seconds in [here].

The crossover of sci-fi fandom might feel like it's trivializing the real-world conflict, but some Ukrainian residents have found solace -- or perhaps the Force! -- in Hamill's Star Wars-influenced voiceover. "It's a very cool phrase for this situation," said Olena Yeremina, a business manager in Kyiv, in an interview with The Associated Press. "I wouldn't say that I feel like a Ukrainian Jedi, but sometimes this phrase reminds me to straighten my shoulders and keep working."

A Chinese startup has invented a long-distance kissing machine that transmits users' kiss data collected through motion sensors hidden in silicon lips, which simultaneously move when replaying kisses received. From a report: MUA -- named after the sound people commonly make when blowing a kiss -- also captures and replays sound and warms up slightly during kissing, making the experience more authentic, said Beijing-based Siweifushe. Users can even download kissing data submitted via an accompanying app by other users. The invention was inspired by lockdown isolation. At their most severe, China's lockdowns saw authorities forbid residents to leave their apartments for months on end. "I was in a relationship back then, but I couldn't meet my girlfriend due to lockdowns," said inventor Zhao Jianbo.

Then a student at the Beijing Film Academy, he focused his graduate project on the lack of physical intimacy in video calls. He later set up Siweifushe which released MUA, its first product, on 22 January. The device is priced at 260 yuan ($38). In the two weeks after its release, the firm sold over 3,000 kissing machines and received about 20,000 orders, he said. The MUA resembles a mobile stand with colourless pursed lips protruding from the front. To use it, lovers must download an app on to their smartphones and pair their kissing machines. When they kiss the device, it kisses back.

Apple plans to spend $1 billion a year to produce movies that will be released in theaters, Bloomberg News reported Thursday, citing people familiar with the company's plans, part of an ambitious effort to raise its profile in Hollywood and lure subscribers to its streaming service. From the report: Apple has approached movie studios about partnering to release a few titles in theaters this year and a slate of more films in the future, said the people, who asked not to be identified because the plans are private. The list of potential releases includes Martin Scorsese's Killers of the Flower Moon, which stars Leonardo DiCaprio; the spy thriller Argylle, from director Matthew Vaughn; and Napoleon, Ridley Scott's drama about the French conqueror. The investment is a significant increase from years past. Most of Apple's previous original movies have either been exclusive to the streaming service or released in a limited number of theaters. The company has pledged to put movies in thousands of theaters for at least a month, said the people, though it hasn't finalized any plans.

Duolingo, a language learning app with over 500 million users, is working on a music app, TechCrunch has learned. From the report: The Pittsburgh-based tech company currently has a small team working on a music product and is hiring a learning scientist who is an "expert in music education who combines both theoretical knowledge of relevant learning science research and hands-on teaching experience," according to a job posting listed on Duolingo's career page. The company also posted a job that was soliciting a freelance music composition and curricular consultant, but the company is no longer accepting applications for that position. The job listing suggests that the app will teach basic concepts in music theory using popular songs and teachers.

It's unclear how Duolingo's music app will materialize over the next few months -- for example, we don't know whether the app will help people read music, write music, learn instruments, or all of the above -- or if it's just a tiny experiment within an organization known to love a test or 10.

A new proposal targeting hidden fees charged by cable and satellite companies could force TV providers to clearly list their "all-in" prices. From a report The proposal announced today by Federal Communications Commission Chairwoman Jessica Rosenworcel would require cable and direct-broadcast satellite providers to "state the total cost of video programming service clearly and prominently, including broadcast retransmission consent, regional sports programming, and other programming-related fees, as a prominent single line item on subscribers' bills and in promotional materials." TV providers generally advertise a low rate that doesn't include charges such as the "Broadcast TV" and "Regional Sports Network" fees. Cable and satellite companies say these fees cover the amounts they have to pay for programming. But paying for programming is part of the cost of doing businessâ"there would be no TV channel lineup without channels, after all. By treating programming costs as separate fees, TV providers advertise rates that aren't even close to what customers actually have to pay. Comcast, for example, adds nearly $40 to monthly TV bills in the form of Broadcast TV and Regional Sports Network fees.

Variety has analyzed the often underappreciated process of selecting movie titles in Hollywood. As one of the most crucial aspects of a film's marketing strategy, the title serves as the first point of contact for potential audiences, shaping perceptions and driving intrigue. In a highly competitive industry, a captivating and effective title can be the difference between success and failure at the box office, the article argues.

The naming process typically involves collaboration between a diverse range of stakeholders, including studio executives, marketing teams, producers, directors, and screenwriters. The title must not only align with the film's story and themes, but also appeal to target demographics, meet legal requirements, and translate well into foreign languages. As a result, naming a film can be a complex and lengthy endeavor. Some movies adopt their titles from pre-existing source material, such as books or plays, while others rely on brainstorming sessions, market research, and even audience testing. High-profile examples of title changes include "Pretty Woman," originally named "3000," and "Scream," initially titled "Scary Movie."

"When we learned that a BlackBerry movie was in the works last year," writes Engadget, "we had no idea it would be something close to a comedy. But judging from the trailer, it's aiming to be a far lighter story than other recent films about tech."

Variety notes that the movie has already screened at both Berlin Film Festival and SXSW Film Festival. "The film has received favorable reviews so far, with Variety's Peter Debruge calling it "frantic, irreverent and endearingly scrappy."

That review also calls the film "surprisingly charitable to the parties involved, acknowledging that these visionaries, while making it up as they go along, still managed to change the way the world communicates.... The film, at least, feels fresh, making geek history more entertaining than it has any right to be." But there's also a message in there somewhere. Mashable calls it "a cautionary tale jolted with humor and heart," while Vulture describes it as "a very funny geek tragedy." The stories of tech founders continue to entertain and frustrate us in equal measure, and continue to give us more content to watch on the platforms and devices they created. Clearly, something about power-tripping nerds really speaks to something in our collective psyche.
Actor Jay Baruchel plays BlackBerry co-founder Mike Lazaridis — and even tells Vulture he'd kept using his own BlackBerry "until about three or four years ago..."

"I think there's something inherently tragic about these guys that are really significantly responsible, in a really significant way, for the way we all relate to each other. There's a direct line from how we all communicate now, back to what these nerds did in Waterloo in 1996."

The movie will be released on May 12.

An anonymous reader quotes a report from TorrentFreak: In January, a month before Ant-Man and the Wasp: Quantumania was released in theaters, a link to a leaked script was posted on the Marvel Studios Spoilers subreddit. Last Friday, a Marvel Studios affiliate filed DMCA subpoena applications to compel Reddit and Google to expose the leakers. One named user account is shared among the subreddit's moderator team. Court documents indicate the plan is to force Reddit to expose them all. [...]

When information about the script/subtitle file was posted on Reddit mid-January, leak-loving Marvel fans were both excited and impressed. "Yeah this is some next level leak" and "This legit might be the biggest leak in this subs history" set the tone, but the fun didn't last. A moderator of the subreddit commented that since the information was receiving copyright notices, any "future sharing of the material will result in a ban." The thread is still live today and there's no doubt that Marvel is aware of it.

The DMCA subpoena application specifically mentions the thread alongside an email from Reddit's legal team, which had previously agreed to take the infringing content down. In common with the takedown notice sent to Google, the allegedly infringing content may have been deleted before Reddit could remove it. There's no mention of a copyright complaint, instead the post notes, "Sorry, this post was deleted by the person who originally posted it." At this point concern shifts to the rest of the thread, which talks about the document hosted by Google and how the mod team "took the google doc down" to ensure that existing links to the file would no longer lead to it. As a result, Marvel now wants Reddit to hand over "All Identifying Information for the user 'u/MSSmods'," which throws another unpredictable element into the mix. The DMCA subpoena applications can be found here (G1/G2, R1/R2)