DirecTV is laying off hundreds of employees -- roughly 10% of its upper ranks -- as the company looks to reduce costs amid the heightened pain of cord cutting for pay-TV providers, according to people familiar with the matter. CNBC reports: Most of the job cuts will be at the manager level, the people said, citing an email to employees sent on Friday. Managers make up about half of DirecTV's fewer than 10,000 employees, one of the people said. The affected employees' last day will be Jan. 20. "The entire pay-TV industry is impacted by the secular decline and the increasing rates to secure and distribute programming," a DirecTV spokesperson said in a statement. "We're adjusting our operations costs to align with these changes and will continue to invest in new entertainment products and service enhancements."

DirecTV and its peers have long been under pressure as customers cut the cord and opt for streaming services. The rate of cord cutting accelerated in the third quarter, according to MoffettNathanson. [...] DirecTV reportedly lost around 500,000 customers in its most recent quarter, according to ratings agency Fitch. Although DirecTV's losses slowed during the height of the pandemic, they recently accelerated to nearly 17%, according to MoffettNathanson.

Paramount+ has given an eight-episode, straight-to-series order to an adaptation of Hasbro's wildly popular Dungeons & Dragons fantasy role-playing game franchise. Deadline reports: Red Notice filmmaker Rawson Marshall Thurber wrote the pilot script and is set to direct the first episode of the series which will be a co-production between eOne and Paramount Pictures. At Paramount+, the Dungeons & Dragons series will join Halo, the video game adaptation, which is one of the streamer's most popular originals. Over the last couple of years, there has been a resurgence in bringing gaming titles to television, and this is the latest example.

Adapting Dungeons & Dragons for television has been a major focus for eOne under President of Global Television Michael Lombardo following the company's 2019 acquisition by Hasbro. The live-action series has been tipped to be the studio's largest-scope TV project ever, potentially launching a "Dungeons & Dragons" universe spanning multiple scripted and unscripted shows. Overseeing the series for eOne is Gabriel Marano, the company's EVP Scripted Television.

AmiMoJo writes: Belarusian dictator Alexander Lukashenko has signed a new law that legalizes piracy of movies, music, TV shows and software owned by rightsholders from 'unfriendly countries'. The law also allows goods protected by intellectual property law to be imported from any country without obtaining permission from rightsholders.

Lukashenko's support for Russia's invasion of Ukraine led to new sanctions being imposed by the EU, U.S. and other countries. In common with Russia, Belarus relies on intellectual property owned by foreign rightsholders that are currently unable or unwilling to supply and/or license it. So, to ensure legal access to pirated movies, music, TV shows and software, the government drafted a new law to restrict intellectual property rights.

"Singaporean inventor and tech pioneer Sim Wong Hoo passed away on January 4th at the age of 67," reports Engadget: Sim may not be a household name these days, but he founded Creative Technology (or Creative Labs in the US), the company behind the Sound Blaster brand of sound cards, back in 1981. Sound Blasters were some of the first sound cards available to consumers, and there was a time when you had to make sure your system worked with them if you wanted to listen to music and play games.

Sim established his business in the US and started selling Sound Blasters a few years later, after which Creative became the first Singaporean company to be listed on the Nasdaq exchange. The integration of sound boards into the motherboard ended Sound Blaster's popularity, but Bloomberg says the cards provided audio for more than 400 million PCs.

Under his leadership, Creative also launched a range of MP3 players, and Sim once tried to take on Apple by spending $100 million on advertising and marketing in its bid to dethrone the iPod. In 2006, Creative sued Apple for violating its patent for portable media system menus. The companies filed more lawsuits against each other after that before Apple settled with Creative and paid the company $100 million for the technology outlined in its patent.

"We are seeing, across the gamut, products that impact our privacy, products that create cybersecurity risks, that have overarchingly long-term environmental impacts, disposable products, and flat-out just things that maybe should not exist."

That's the CEO of the how-to repair site iFixit, introducing their third annual "Worst in Show" ceremony for the products displayed at this year's CES. But the show's slogan promises it's also "calling out the most troubling trends in tech." For example, the EFF's executive director started with two warnings. First, "If it's communicating with your phone, it's generally communicating to the cloud too." But more importantly, if a product is gathering data about you and communicating with the cloud, "you have to ask yourself: is this company selling something to me, or are they selling me to other people? And this year, as in many past years at CES, it's almost impossible to tell from the products and the advertising copy around them! They're just not telling you what their actual business model is, and because of that — you don't know what's going on with your privacy."

After warning about the specific privacy implications of a urine-analyzing add-on for smart toilets, they noted there was a close runner-up for the worst privacy: the increasing number of scam products that "are basically based on the digital version of phrenology, like trying to predict your emotions based upon reading your face or other things like that. There's a whole other category of things that claim to do things that they cannot remotely do."

To judge the worst in show by environmental impact, Consumer Reports sent the Associate Director for their Product Sustainability, Research and Testing team, who chose the 55-inch portable "Displace TV" for being powered only by four lithium-ion batteries (rather than, say, a traditional power cord).

And the "worst in show" award for repairability went to the Ember Mug 2+ — a $200 travel mug "with electronics and a battery inside...designed to keep your coffee hot." Kyle Wiens, iFixit's CEO, first noted it was a product which "does not need to exist" in a world which already has equally effective double-insulated, vaccuum-insulated mugs and Thermoses. But even worse: it's battery powered, and (at least in earlier versions) that battery can't be easily removed! (If you email the company asking for support on replacing the battery, Wiens claims that "they will give you a coupon on a new, disposable coffee mug. So this is the kind of product that should not exist, doesn't need to exist, and is doing active harm to the world.

"The interesting thing is people care so much about their $200 coffee mug, the new feature is 'Find My iPhone' support. So not only is it harming the environment, it's also spying on where you're located!"

The founder of SecuRepairs.org first warned about "the vast ecosystem of smart, connected products that are running really low-quality, vulnerable software that make our persons and our homes and businesses easy targets for hackers." But for the worst in show for cybersecurity award, they then chose Roku's new Smart TV, partly because smart TVs in general "are a problematic category when it comes to cybersecurity, because they're basically surveillance devices, and they're not created with security in mind." And partly because to this day it's hard to tell if Roku has fixed or even acknowledged its past vulnerabilities — and hasn't implemented a prominent bug bounty program. "They're not alone in this. This is a problem that affects electronics makers of all different shapes and sizes at CES, and it's something that as a society, we just need to start paying a lot more attention to."

And US Pirg's "Right to Repair" campaign director gave the "Who Asked For This" award to Neutrogena's "SkinStacks" 3D printer for edible skin-nutrient gummies — which are personalized after phone-based face scans. ("Why just sell vitamins when you could also add in proprietary refills and biometic data harvesting.")

"Hey Disney" is the answer to a riddle that nobody asked: What do you get when you cross Amazon's Alexa voice assistant with the voices of Disney characters?

Long-time Slashdot reader destinyland writes: In a few months (and for a few bucks) you'll be able to purchase what Amazon calls a "first-of-its-kind voice assistant" for your Echo devices. Yes, your favorite Disney, Pixar, and Star Wars characters will be available to tell you jokes or play trivia games — whether it's Mickey Mouse, Dory the fish from Finding Nemo, or Olaf the snowman from Frozen.

The popular gaming tech company just announced the Leviathan V2 Pro at CES 2023, the latest addition to its existing range of soundbars designed to provide compact, low-profile audio for PC gamers. The Verge reports: Created in partnership with THX and Audioscenic, Razer claims that the Leviathan V2 Pro can envelop a user with "3D audio" by combining beamforming surround sound with head-tracking AI technology. A built-in IR camera can detect the user's position, allowing the soundbar to optimize sound by adapting the audio beams to the listener's position in real time. There are two modes available for the 3D audio feature: THX Spatial Audio Virtual Headset for stereo content that allegedly mimics positional audio typically found in headsets and THX Spatial Audio Virtual Speakers for multi-channel audio that fills a room like a home theatre system. Given this is a Razer product, it also comes with customizable Chroma RGB lighting effects across 30 different lighting zones -- dwarfing the 18 zones you get on the standard Leviathan V2 soundbar.

The Razer Leviathan V2 Pro also comes with a subwoofer to enhance bass. A dedicated 3.5mm input for the subwoofer is included on the rear of the soundbar, alongside a second 3.5mm port for headphones, a power adapter port, and a single USB-C port to connect to your PC. The Leviathan V2 Pro also supports Bluetooth 5.0 if you want to wirelessly connect it to your computer or mobile device. Interesting features and funky lighting aside, pricing is going to be the hardest sell for the Leviathan V2 Pro. Starting at $399.99, it's considerably more expensive than both the standard Leviathan V2 ($249.99) and Leviathan V2 X ($99.99), but you do at least get more ports with this latest model. The Leviathan V2 Pro will be available to buy from February 2023 (if you have deep enough pockets for the purchase).

Four years after introducing its MicroLED technology at CES 2018, Samsung claims the technology is ready for the masses and "will set the standard for picture quality in 2023," reports Engadget. From the report: At CES 2023, the company announced it would offer 50-, 63-, 76-, 89-, 101-, 114- and 140-inch MicroLED models, greatly expanding the amount of choice consumers have when it comes to the new display technology. Samsung didn't provide pricing and availability information for the expanded line, but the company claims the new models are its most affordable MicroLED TVs to date. [...] The set sports a 240Hz variable refresh rate and 2-nanosecond response time. It also offers 20-bit black detail for "intense" contrast.

Samsung is also promising upgrades for its Neo QLED sets, starting with the line's new flagship. The QN900C features an 8K Quantum MiniLED-lit panel capable of maxing out at 4,000 nits of brightness. As with Samsung's 2022 Neo QLED sets, the QN900C features a 14-bit backlight. However, the TV offers even better contrast thanks to a tweak the company made to its 8K Real Depth Enhancer Pro software. Samsung is also promising improved picture quality when viewing older movies and TV shows thanks to the inclusion of its new Auto HDR Remastering algorithm, which can automatically apply HDR effects to standard dynamic range content.

For those who would prefer a 4K set, there's also the QN935C. Samsung's new 4K flagship features a redesigned power board that eliminates the need for an external connection box and allows for bezels that are less than 20mm thick. The QN935C also features top-firing speakers, allowing the set to produce Dolby Atmos sound without a dedicated soundbar. You can use both the QN900C and QN935C as a smart home hub thanks to the fact Samsung's entire 2023 Neo QLED line will feature built-in Zigbee and Matter Thread all-in-one modules. As for its OLED models, Samsung announced the 2023 QD-OLED TV line, which will offer up to 2,000 nits of peak brightness and support 144Hz refresh rates -- all while being more energy efficient than before. "Additionally, the company has gone out of its way to get the panels AMD FreeSync Premium Pro certified," adds Engadget.

Is the world ready to move beyond movie, standard, and vivid? LG seems to think so. From a report: Setting up a new TV? Ask any videophile or home theater nerd and they'll probably tell you to set your picture mode to the movie/cinema option (or whatever's closest on your particular TV) and leave it there. Traditionally, this has been the most color accurate option and leans toward a pleasant, warm white balance instead of the cooler temperature that usually accompanies "standard" modes. But there are inevitably those people who prefer the standard or vivid settings -- much to the chagrin of enthusiasts. With its new 2023 TV lineup, LG is throwing these conventional choices out the window -- if you're willing to try -- and has come up with a new way of personalizing your picture preferences. Instead of giving you a few labeled options to switch between, a new "Personalized Picture Wizard" will present you with a series of images. On each screen, you choose one or two that look best to you.

After you do this six times, the TV will formulate a preset that's based on your selections. It considers the brightness, color, and contrast levels that you indicated a preference for. LG says a ton of AI deep learning is involved throughout this process; it sampled millions of images in creating the Picture Wizard. If you're ready to see how your picture mode looks while watching real content, you can hit "apply." Obviously LG will still be offering the tried and true picture settings along with deeper calibration options; your personalized picture mode will appear right alongside those in the settings menu on 2023 LG TVs.

Roku is stepping up from streaming sticks and audio bars to making its own TVs. At CES 2023 the streaming device manufacturer introduced two new lines: the Roku Select and Roku Plus. From a report: The new lines will consist of 11 models in total, ranging in size from 24 to 75 inches, and will include up to 4K resolutions. The HD-based Roku Select series will come equipped with Roku Voice Remotes, while the step-up Roku Plus units will ship with the $30 Voice Remote Pro. Roku's first foray into TV manufacturing comes on the heels of successful partnerships with more established TV suppliers such as TCL, Hisense and Sharp. "These Roku-branded TVs will not only complement the current lineup of partner-branded Roku TV models, but also allow us to enable future smart TV innovations," Mustafa Ozgen, the president of Devices at Roku, said in a press release.

Although it's talking about the future, there's no indication that Roku is looking to push the technological envelope with its own TVs just yet. The company will initially be competing with its own partners, in fact, for a segment of the budget market. Roku has released only limited information so little is known about the differences between Roku-made TVs and Roku-branded ones. Roku has so far relied on partners to innovate in terms of picture quality. The TCL 6-Series Roku TV, for example, uses the latest in mini-LED technology and comes with full-array local dimming and a reasonable price. But the company also announced a reference design for a Roku OLED TV in the hopes that one of its manufacturing partners will take up the task. The Roku TV lineup will range between $119 and $999.

NVIDIA has announced that it's bringing GeForce Now game streaming to cars using the company's Drive platform. Engadget reports: The rollout will offer access to titles like Cyberpunk 2077 on a driver display while you're charging or parked, or any time from the backseat. The cloud gaming option already has initial support from major brands like the Hyundai group (including Genesis and Kia), Polestar and China's BYD. NVIDIA didn't offer a timeframe for GeForce Now access, although it noted that BYD would offer Drive Hyperion-powered cars in the first half of 2023. The Polestar 3 SUV (built using Drive Orin) arrives in late 2023.

The in-car GeForce Now client works on either Android or web-based infotainment systems. NVIDIA's service provides a catalog of 1,500 games, over 1,000 of which are playable using gamepads. While most of the selection is paid, there are free-to-play options like Destiny 2 and Fortnite. As with other game streaming services, this could get costly if you plan to use it often. While basic GeForce Now use is free, you can pay up to $200 per year for the full experience before you factor in the cost of the games themselves. In some cases, though, this might make more sense than buying a handheld console or tablet. Further reading: Nvidia Unveils GeForce RTX 40 Series GPUs for Laptops

Perhaps the biggest reason TVs have gotten so much cheaper than other products is that your TV is watching you and profiting off the data it collects. From a report: Modern TVs, with very few exceptions, are "smart," which means they come with software for streaming online content from Netflix, YouTube, and other services. Perhaps the most common media platform, Roku, now comes built into TVs made by companies including TCL, HiSense, Philips, and RCA. But there are many more operating systems: Google has Google TV, which is used by Sony, among other manufacturers, and LG and Samsung offer their own.

Smart TVs are just like search engines, social networks, and email providers that give us a free service in exchange for monitoring us and then selling that info to advertisers leveraging our data. These devices "are collecting information about what you're watching, how long you're watching it, and where you watch it," Willcox said, "then selling that data -- which is a revenue stream that didn't exist a couple of years ago." There's nothing particularly secretive about this -- data-tracking companies such as Inscape and Samba proudly brag right on their websites about the TV manufacturers they partner with and the data they amass.

The companies that manufacture televisions call this "post-purchase monetization," and it means they can sell TVs close to at cost and still make money over the long term by sharing viewing data. In addition to selling your viewing information to advertisers, smart TVs also show ads in the interface. Roku, for example, prominently features a given TV show or streaming service on the right-hand side of its home screen -- that's a paid advertisement. Roku also has its own ad-supported channel, the Roku Channel, and gets a cut of the video ads shown on other channels on Roku devices.

Guess what's finally entering America's public domain today? Appropriately enough, it's Marcel Proust's 1927 novel Remembrance of Things Past.

Also entering the public domain today are thousands of other books, plus the music and lyrics of hundreds of songs, and even several silent movies.

Fritz Lang's sci-fi classic Metropolis enters the public domain today — and so does the Laurel & Hardy comedy Battle of the Century (which culminates with one of Hollywod's first pie fights), according to Duke University's Center for the Study of the Public Domain: This is actually the second time that Metropolis has gone into the US public domain. The first was in 1955, when its initial 28-year term expired and the rights holders did not renew the copyright. Then in 1996 a new law restored the copyrights in qualifying foreign works. Metropolis, along with thousands of other works, was pulled out of the public domain, and now reenters it after the expiration of the 95-year term, with the once missing scenes available for anyone to reuse.
They also note that some material is in the public domain from the beginning, including government works like the images from the James Webb telescope.

But for other works, today is a big and important day, writes the Associated Press: Alongside the short-story collection "The Case-Book of Sherlock Holmes," books such as Virginia Woolf's "To The Lighthouse," Ernest Hemingway's "Men Without Women," William Faulkner's "Mosquitoes" and Agatha Christie's "The Big Four" — an Hercule Poirot mystery — will become public domain as the calendar turns to 2023. Once a work enters the public domain it can legally be shared, performed, reused, repurposed or sampled without permission or cost.

The works from 1927 were originally supposed to be copyrighted for 75 years, but the 1998 Copyright Term Extension Act delayed opening them up for an additional 20 years. While many prominent works on the list used those extra two decades to earn their copyright holders good money, a Duke University expert says the copyright protections also applied to "all of the works whose commercial viability had long subsided."

"For the vast majority — probably 99% — of works from 1927, no copyright holder financially benefited from continued copyright. Yet they remained off limits, for no good reason," Jennifer Jenkins, director of Duke's Center for the Study of the Public Domain, wrote in a blog post heralding "Public Domain Day 2023." That long U.S. copyright period meant many works that would now become available have long since been lost, because they were not profitable to maintain by the legal owners, but couldn't be used by others. On the Duke list are such "lost" films like Victor Fleming's "The Way of All Flesh" and Tod Browning's "London After Midnight...."
Also entering the public domain today:


- Willa Cather's Death Comes for the Archbishop
- A. A. Milne's Now We Are Six (illustrations by E. H. Shepard)
- Franklin W. Dixon's The Tower Treasure — the first Hardy Boys book
- Herman Hesse's Steppenwolf (German version)
- The song "My Blue Heaven"
- Songs by Duke Ellington and Louis Armstrong
- Alfred Hitchcock's early silent movie The Lodger


The UK-based newspaper the Observer adds: For those readers who do not reside in the US, there is perhaps another reason for celebrating today, because copyright terms are longer in the US than they are in other parts of the world, including the EU and the UK. And therein lies a story about intellectual property laws and the power of political lobbying in a so-called liberal democracy.... The term was gradually lengthened in small increments by Congress until 1976, when it was extended by 19 years to 75 years and then in 1998 by the Sonny Bono Act. So, as the legal scholar Lawrence Lessig puts it, "in the 20 years after the Sonny Bono Act, while 1 million patents will pass into the public domain, zero copyrights will pass into the public domain by virtue of the expiration of a copyright term"....

[T]he end result is that American citizens have had to wait two decades to be free to adapt and reuse works to which we Europeans have had easy access....

The issue highlighted by Public Domain Day is not that intellectual property is evil but that aspects of it — especially copyright — have been monopolised and weaponised by corporate interests and that legislators have been supine in the face of their lobbying. Authors and inventors need protection against being ripped off. It's obviously important that clever people are rewarded for their creativity and the patent system does that quite well. But if a patent only lasts for 20 years, why on earth should copyright last for life plus 70 years for a novel?

According to the Information, Amazon is working on a standalone app for watching sports content. Reuters reports: Sports remains one of the biggest attractions for live viewing as U.S. audiences increasingly switch from pay TV subscriptions to streaming apps. The move will likely complement Amazon's effort to double down on sports programming through its Prime Video service, a key channel to attract consumers to its shopping platform.

Amazon already owns the rights to stream games including National Football League's Thursday Night Football franchise and Premier League soccer matches in the UK, setting it up to better compete with sports streaming leader Walt Disney Co. It was not clear when Amazon would roll out the sports app and whether it would go through with the plan, according to the report.

Subscribers to "NFL Sunday Ticket" can watch broadcasts of every Sunday game of American football. But for access next season, "fans will have to Google it..." warns the Associated Press — because Thursday the football league announced plans to distribute their game package on YouTube TV and YouTube Primetime Channels.

Google beat out both Apple and Amazon by offering over $2 billion a year for 7 years — but Yahoo Finance believes it's more about drawing attention to YouTube's streaming TV services. "Don't expect the package to be profitable, one analyst warned." "They're not making money on this — this is a loss leader," Michael Pachter, managing director of equity research at Wedbush, told Yahoo Finance Live, referencing YouTube TV's current price point of $64.99. "I don't think they make a penny at that level...."

"It's an extremely expensive package of content," Tim Nollen, analyst at Macquarie Group, previously told Yahoo Finance Live, noting the Sunday Ticket package was not a profitable service for DirecTV [which since 1994 has held the exclusive broadcast rights in the U.S.]

[...] YouTube TV has more than 5 million subscribers and trial users as of July. "Five million subscribers is just not enough," Pachter stressed. "Even if all 5 million pay the $400 bucks a year...they're going to barely cover their costs." Still, despite the lack of profitability and sky-high price tag, Pachter noted YouTube might be best positioned to take advantage of the package, especially as the demand for live sports escalates. "I think they can be smart about how they carve up the content," Pachter said, suggesting the platform could more easily sell games to bars and restaurants.

CNN shares the historic close-up snowflake photos of Wilson Bentley, the first person to capture the details of the individual "snow crystal" ice that makes up snowflakes.

It was 1885, just 69 years after the invention of the camera, and after years of trial and error, "He went on to photograph more than 5,000 of these "ice flowers" during his lifetime — never finding any duplicates — and the images still mesmerize to this day." Every snow crystal shares a common six-sided or six-pointed structure — it's how frozen water molecules arrange themselves — but they will always vary from one another because each falls from the sky in its own unique way and experiences slightly different atmospheric conditions on its travel down to earth. Some of their arms may look long and skinny. Others may appear short and flat or somewhere in between. The possibilities are endless and fascinating....

"He had the mind of a scientist and the soul of a poet, and you can see that in his writings," said Sue Richardson, Bentley's great-grandniece who is vice president of the board for the Jericho Historical Society. "He wrote many, many articles over the years for scientific publications and for other magazines like Harper's Bazaar and National Geographic. "He also kept very detailed weather records and very detailed journals of every photograph that he took of a snow crystal — the temperature, the humidity, what part of the storm it came from. He kept very detailed information, and then these weather records that he kept and the theories that he developed about how snow crystals formed in the atmosphere, those were proven true...."

It wasn't easy, however, to get those snow crystals on camera. It took almost three years, Richardson said, for Bentley to figure out how to successfully photograph one — which he did just a month shy of his 20th birthday. The first obstacle was figuring out how to attach the microscope to the camera. And then there was the challenge of getting each crystal photographed before it could melt away. "He worked in an unheated woodshed at the back of the house. He had to," Richardson said. "And the microscope slides, everything, had to be an ambient temperature or they'd melt" the crystal....

A children's book about him won the Caldecott Medal in 1999.
Bentley never had formal education, according to his grandniece (who grew up hearing stories about this famous ancestor). One says that when Wilson Bentley was given an old microscope at age 15, "The first time he looked at a snow crystal under it, he was hooked. Just the beauty, the intricate detail. He was totally hooked."

The North American Aerospace Defense Command is a US/Canada organization protecting the air sovereignty of the two nations.

But every year on December 24th, they also tell you where Santa is. From NORADSanta.org: The modern tradition of tracking Santa began in 1955 when a young child accidentally dialed the unlisted phone number of the Continental Air Defense Command Operations Center upon seeing an newspaper advertisement telling kids to call Santa. The Director of Operations, Colonel Harry Shoup, answered the phone and instructed his staff to check the radar for indications of Santa making his way south from the North Pole.... Each year since, NORAD has dutifully reported Santa's location on Dec. 24 to millions of children and families across the globe. NORAD receives calls from around the world on Dec. 24 asking for Santa's location. Children, families and fans also keep track of Santa's location on the NORAD Tracks Santa® website and our social media platforms.
The page lists the NORAD technologies involved in tracking Santa — including 47 radar installations and geo-synchronous satellites with infrared heat sensors. ("Rudolph's nose gives off an infrared signature similar to a missile launch...")

And this year NORAD also produced a special video highlighting the various military fleets protecting Santa. ("He may know when you're sleeping, he may know when you're awake... " it tells viewers. "But for 67 years now, when he takes flight, we'll know.")

More from NORADSanta.org: Canadian NORAD fighter pilots, flying the CF-18, take off out of Newfoundland and welcome Santa to North America. Then at numerous locations in Canada other CF-18 fighter pilots escort Santa. While in the United States, American NORAD fighter pilots in either the F-15s, F16s or F-22s get the thrill of flying with Santa and the famous Reindeer...

Q: How can Santa travel the world within 24 hours?

A: NORAD intelligence reports indicate that Santa does not experience time the way we do. His trip seems to take 24 hours to us, but to Santa it might last days, weeks or even months. Santa would not want to rush the important job of delivering presents to children and spreading joy to everyone, so the only logical conclusion is that Santa somehow functions within his own time-space continuum....

How does Santa get down chimneys?

Although NORAD has different hypotheses and theories as to how Santa actually gets down the chimneys, we don't have definitive information to explain the magical phenomenon.

Do your planes ever intercept Santa?

Over the past 65 years, our fighter jets (F-16s, F-15s, F-22s and CF-18s) have intercepted Santa many, many times. When the jets intercept Santa, they tip their wings to say, "Hello Santa! NORAD is tracking you again this year!" Santa always waves. He loves to see the pilots...!

How many people support this effort, and are they active duty military personnel?

More than 1,250 Canadian and American uniformed personnel and DOD civilians volunteer their time on December 24th to answer the thousands of phone calls and emails that flood in from around the world. In addition to the support provided by our corporate contributors to make this program possible, NORAD has two lead project officers who manage the program.

How much money is spent on this project?

The NORAD Tracks Santa program is made possible by volunteers and through the generous support of corporate licensees who bear virtually all of the costs.
Corporate contributors include Microsoft (with separate contributions from Microsoft's search engine Bing and from Microsoft Azure), AWS (and Amazon's Alexa), Verizon, and HP.

NORADSanta.org also boasts extra features like an "arcade" of online games, a jukebox of Christmas tunes, and a library of online books about Santa. And the site even provides some technical data on the weight of Santa's sleigh — although the unit of measurement used is gumdrops.

For the last thirteen years the Free Software Foundation has published its Ethical Tech Giving Guide. But what's interesting is this year's guide also tags companies and products with negative recommendations to "stay away from." Stay away from: iPhones
It's not just Siri that's creepy: all Apple devices contain software that's hostile to users. Although they claim to be concerned about user privacy, they don't hesitate to put their users under surveillance.

Apple prevents you from installing third-party free software on your own phone, and they use this control to censor apps that compete with or subvert Apple's profits.

Apple has a history of exploiting their absolute control over their users to silence political activists and help governments spy on millions of users.


Stay away from: M1 MacBook and MacBook Pro
macOS is proprietary software that restricts its users' freedoms.

In November 2020, macOS was caught alerting Apple each time a user opens an app. Even though Apple is making changes to the service, it just goes to show how bad they try to be until there is an outcry.

Comes crawling with spyware that rats you out to advertisers.


Stay away from: Amazon
Amazon is one of the most notorious DRM offenders. They use this Orwellian control over their devices and services to spy on users and keep them trapped in their walled garden.

Be aware that Amazon isn't the peddler of ebook DRM. Disturbingly, it's enthusiastically supported by most of the big publishing houses.

Read more about the dangers of DRM through our Defective by Design campaign.


Stay away from: Spotify, Apple Music, and all other major streaming services
In addition to streaming music encumbered by DRM, people who want to use Spotify are required to install additional proprietary software. Even Spotify's client for GNU/Linux relies on proprietary software.

Apple Music is no better, and places heavy restrictions on the music streamed through the platform.


Stay away from: Netflix
Netflix is continuing its disturbing trend of making onerous DRM the norm for streaming media. That's why they were a target for last year's International Day Against DRM (IDAD).

They're also leveraging their place in the Motion Picture Association of America (MPAA) to advocate for tighter restrictions on users, and drove the effort to embed DRM into the fabric of the Web.

"In your gift giving this year, put freedom first," their guide begins.

And for a freedom-respecting last-minute gift idea, they suggest giving the gift of a FSF membership (which comes with a code and a printable page "so that you can present your gift as a physical object, if you like.") The membership is valid for one year, and includes the many benefits that come with an FSF associate membership, including a USB member card, email forwarding, access to our Jitsi Meet videoconferencing server and member forum, discounts in the FSF shop and on ThinkPenguin hardware, and more.

If you are in the United States, your gift would also be fully tax-deductible in the USA.

Walking like John Cleese's character, Mr. Teabag, in Monty Python's famous "Ministry of Silly Walks" skit requires considerably more energy expenditure than a normal walking gait because the movement is so inefficient, according to a new paper published in the annual Christmas issue of the British Medical Journal. From a report: In fact, just 11 minutes a day of walking like Mr. Teabag was equivalent to 75 minutes of vigorously intense physical activity per week, presenting a novel means of boosting cardiovascular fitness. "Half a century ago, the [Ministry of Silly Walks] skit might have unwittingly touched on a powerful way to enhance cardiovascular fitness in adults," the authors wrote. "Had an initiative to promote inefficient movement been adopted in the early 1970s, we might now be living among a healthier society."

The BMJ's Christmas issue is typically more lighthearted, though the journal maintains that the papers published therein still "adhere to the same high standards of novelty, methodological rigor, reporting transparency, and readability as apply in the regular issue." Past years have included papers on such topics as why 27 is not a dangerous age for musicians, the side effects of sword swallowing, and measuring the toxicity of the concoction brewed in Roald Dahl's 1981 book George's Marvelous Medicine. (It's very toxic indeed.) The most widely read was 1999's infamous "Magnetic resonance imaging of male and female genitals during coitus and female sexual arousal."

The creators of "South Park" have secured a $20 million investment for their AI entertainment startup Deep Voodoo. Variety reports: The funding was led by Connect Ventures, an investment partnership between CAA and venture-capital firm New Enterprise Associates (NEA). It's the first outside capital raised by Deep Voodoo, which previously was funded entirely by Parker and Stone's independent entertainment company, Park County. Stone and Parker plan to use the new funding to "accelerate Deep Voodoo's development of its leading deepfake technology, cost-effective visual effects services and original synthetic media projects," according to the announcement.

Stone and Parker's Deep Voodoo began building their proprietary deepfake technology in early 2020, and the duo assembled a team of artists for a feature film about Donald Trump they had developed. In October of that year, they released "Sassy Justice," a 14-minute comedy short featuring a deepfaked Trump (voiced by Peter Serafinowicz), which went viral. But they suspended the movie project due to the COVID pandemic, and pivoted Deep Voodoo to be a provider of deepfake tools to the industry. With Connect Ventures' investment, Deep Voodoo has begun offering its "unrivaled face-swapping visual effects" to artists, producers and creators across the industry, per the announcement.